Jack O'Shea Movies

The Three Mesquiteers are back for more action in this well-photographed Republic western. This time, heroes Stoney Brooke (Bob Livingston), Tucson Smith (Ray "Crash" Corrigan) and Lullaby Joslin (Max Terhune) find themselves in a middle of a range war between cattlemen and sheepmen. The villains have the local constabulary in their pocket, and they intend to get what they want with a passel of forged land deeds and phony mortgages. The two chief heavies are played by Harry Woods and John Merton, and two meaner cusses never existed. An outsized gun battle brings this Mesquiteers entry to a rousing conclusion. ~ Hal Erickson, All Movie Guide

In Early Arizona was western star Bill Elliot's first effort for Columbia Pictures. Not yet "Wild Bill" Elliot (as he would later be billed), the actor is cast as Whit Gordon, who rides into Tombstone Arizona to help keep the peace. Elliot is appointed sheriff, making him the particular target of every fast gun in the territory. Though clearly based on the career of Wyatt Earp film is careful not to violate the copyright on Earp's life story, which then was held by 20th Century-Fox. In fact, contrary to previous published reports, the name "Wyatt Earp" is not mentioned at all in In Early Arizona; only the designation of Tombstone itself was in the public domain. ~ Hal Erickson, All Movie Guide

The old west collides with the new in this fine remake of RKO's 1932 Come On, Danger!. Or, rather, veteran RKO star George O'Brien is at odds with his eventual successor at the studio, Tim Holt -- at least part of the way. They play Texas Rangers assigned to bring in suspected murderess Judith Alvarez (Rita Hayworth). But young Holt, who gets himself fired for an altercation in the local cantina, defies his older colleague and instead joins Judith's band of renegades. O'Brien is sympathetic to Judith's claim that local political boss Ben Sanderson (William Royle) is usurping the local ranches by means of phony taxes, but maintains that the girl must make her argument in court. In the end, the greedy Sanderson shows his true face and Judith and her vigilantes are found innocent of all charges. In between the action -- which is fast and plentiful -- resident RKO balladeer Ray Whitley yodels "Move Slow, Little Doggie" by Willia Phelps, and Cecilia Callejo, as Holt's love interest, performs a Mexican dance. Borrowed from Columbia Pictures, a ravishing Rita Hayworth is not the usual placid prairie flower but takes an active part in all the ridin' and shootin'. After all, as her character explains, "I wouldn't have my men do anything I wouldn't do." Renegade Ranger was filmed a third time by RKO in 1943, under its original title, Come On, Danger!, and starring Tim Holt, now a full-fledged B-Western star. ~ Hans J. Wollstein, All Movie Guide

South of the Border, a western directered by George Sherman, features two United States government agents (Gene Autry) and (Smiley Burnette) and their trip to Mexico, where they hope to stop German agents from forming a revolution. This propagandist musical feature was released approximately two years before World War II, and marked the beginning of a successful career for Autry. Also included in South of the Border are actors Michael Carr, Sheila Darcy, William Farnum, and Reed Howes. ~ Tracie Cooper, All Movie Guide

Radio crooner Tex Fletcher was given a one-time-only chance at western stardom in Grand National's Six-Gun Rhythm. The plot offers a bit of novelty value, with Fletcher starting out as an eastern-seaboard football player who heads westward when his rancher father is murdered. Heroine Joan Barclay's brother has been accused from the crime, but our hero exposes the genuine miscreant during a climactic fist-fight in a raging sandstorm (a standout sequence). The star plays his guitar left-handed, so there's little chance of his being confused with Autry or Rogers. All in all, Six-Gun Rhythm isn't bad, but all plans for a Tex Fletcher series were scotched when Grand National went out of business in late 1939. ~ Hal Erickson, All Movie Guide

Young Buffalo Bill was one of a brief series of Roy Rogers "historical westerns" of the early 1940s. Per the title, Rogers plays the youthful Bill Cody, here depicted as an assistant land surveyor in old New Mexico. The villains plot to get their hands on valuable mineral deposits in the region, and to that end enlist the aid of a hostile Indian tribe. But Young Buffalo Bill saves the day, with a bit of assistance from the ever-on-time US Cavalry. George "Gabby" Hayes is around for his traditional comedy relief, while the aristocratic Spanish-American heroine is played by winsome Pauline Moore, Republic's "answer" to Margaret Sullavan. ~ Hal Erickson, All Movie Guide

Bantam-weight western star Don "Red" Barry certainly deserved his designation as "The Cowboy Cagney" in Republic's Desert Bandit. Barry is cast as two-fisted Texas Ranger Bob Crandall, who after being dishonorably discharged heads to the Mexican border to start life anew. He falls in with a gang of gun runners, headed by corrupt lawman Largo (William Haade). It turns out, of course, that Crandall's "disgrace" was merely a ruse to allow him to work undercover in bringing Largo and his minions to justice. More realistic than most Republic B oaters, Desert Bandit is climaxed by a tension-filled shootout between hero and villain. ~ Hal Erickson, All Movie Guide

There's a surprising lack of phyisical action in Phantom Cowboy, requiring star Don "Red" Barry to carry the picture through sheer force of personality. Barry plays a ranch hand named Lawrence, one of several heirs to the estate of a wealthy landowner. Resenting the presence of the other heirs, villains Borden (Milburn Stone) and Jeffers (Rex Lease) scheme to rid the world of their competition, with Borden intending to wed the dead man's daughter (Virginia Carroll) as icing on the cake. Their plans are thwarted by a masked avenger known only as El Lobo, who-surprise!--doesn't turn out to be Lawrence in the fifth reel. Even so, it is Lawrence who metes out final retribution to the despicable Borden and Jeffers. ~ Hal Erickson, All Movie Guide

Opera star-cum-cowboy hero George Houston stars in PRC's The Lone Rider Fights Back. Appropriately enough, Houston disguises himself as a musician to get the goods on a gang of terrorists. The principal villain hopes to scare the local miners off their land, so he can move in and clean up. Suffice it to say he doesn't succeed. Al St. John, everybody's comedy sidekick, adds a few choice chuckles to the proceedings. ~ Hal Erickson, All Movie Guide

A mystery man works behind the scenes in this tuneful Roy Rogers western in which the local theatre owner attempts to ruin the honest businessmen of Deadwood. Even the sheriff, Jordan (Monte Blue), answers to nasty Jake Marvel (Ralf Harolde), whose reign of terror forces the decent people to become outlaws themselves. Enter Bill Brady, aka Brett Starr (Rogers), a sharpshooter with Professor Mortimer "Gabby" Blackstone's (George "Gabby" Hayes) traveling medicine show. Although a fugitive from justice, Bill comes to the aid of the beleaguered citizens, discovering along the way that a trusted friend isn't quite who he claims to be. Roy sings his own and Fred Rose's "Sundown on the Rangeland", Rose and Ray Whitley's "The call of the Dusty Trail" and Jule Styne and Sol Meyer's "Joe O'Grady". ~ Hans J. Wollstein, All Movie Guide

A well-acted, well-paced entry in the Don "Red" Barry Western series from Republic Pictures, The Sombrero Kid featured the diminutive Barry as Jerry Holden, the apparent son and heir of veteran lawman Tom Holden (Robert Homans). But when Holden Sr. is killed by one of Banker Martin's (Joel Friedkin) gang of claim jumpers, Jerry learns that his real father was Bart Clanton, a notorious bandit killed by Marshal Holden, who then raised the orphaned boy as his own. After accidentally killing one of Martin's men, Taggart (I. Stanford Jolley), in a barroom fight, Jerry becomes a fugitive wanted for murder. He joins a gang led by Smoke (Stuart Hamblen), one of Martin's henchmen, hoping to obtain enough evidence to convict the crooked banker. Along with Tommy Holden Jr. (John James), who has replaced his late father as town marshal, Jerry sets a trap for Mason's weak-willed son, Phillip (Rand Brooks). In a desperate attempt to escape justice, Mason kills Phillip, but is arrested by Jerry. The latter is cleared of all charges and elected sheriff by a grateful citizenry. Country gospel songwriter Stuart Hamblen makes a fine villain in one of his infrequent screen appearances and blonde Lynn Merrick is, as always, an attractive adornment to any "Red" Barry vehicle. Merrick, whose contract was held jointly by Republic and Columbia Pictures, appeared in no less than 16 Barry Westerns, one of the longest runs of any sagebrush heroine. Her "leading man" this time around, however, is John James, not Barry. The Sombrero Kid was filmed at the Walker Ranch at Placerita Canyon, CA, a busy location for low-budget moviemaking from 1931-1955. ~ Hans J. Wollstein, All Movie Guide

Director William Witney puts his distinctive stamp on the Don "Red" Barry western Outlaws of Pine Ridge by opening the picture with a body sailing through the plate-glass window of a frontier saloon. Barry stars as gun-slingin' Chips Barrett, who makes it his mission in life to prevent the inaccurately nicknamed Honest John Hollister (Noah Beery Sr.) from becoming territorial governor. Complicating things is the fact that Chips is in love with Honest John's daughter Ann (Lynn Merrick, perennial heroine in the Republic "Red" Barry vehicles). In between a multitude of barroom brawls and shootouts, Emmett Lynn provides genuinely funny comedy relief as a desert rat named Jackpot McGraw. Outlaws of Pine Ridge got the 1942-43 season of Barry westerns off to a rousing start. ~ Hal Erickson, All Movie Guide

In this western, brave Roy Rogers and his pals take on high-tech big city gangsters who fight their battles with airplanes and tommy guns. The trouble begins as Rogers is taking three important investors to see some land. At the same time, a crime lord endeavors to kidnap the investors and leave poor Rogers to take the fall. Guns blaze and somewhere in the midst of it all, old Rogers sets himself down and sings some songs. ~ Sandra Brennan, All Movie Guide