Terry O'Quinn Movies

Terry O'Quinn plays The Stepfather in this intelligent, unsettling chiller. We'd tell you O'Quinn's character name, but he has so many. You see, O'Quinn has been a stepfather many times over, romancing and marrying widowed women in several different states. After each wedding, everything is blissful -- at least, until O'Quinn's new wife and kids fail to measure up to his notions of perfection. Then he kills them en masse, and moves on to his next victims. Shelley Hack and Jill Schoelen co-star as O'Quinn's latest wife and stepdaughter, who prove to be yet another disappointment to him. An adroit witches' blend of Ozzie & Harriet and Psycho, The Stepfather was scripted by suspense veteran Donald E. Westlake. A lesser sequel, Stepfather 2, followed in 1989. ~ Hal Erickson, All Movie Guide

In this made-for-TV film, a group of American nurses stationed in the Philippines are captured when Japanese forces invade during World War II. In the hands of the enemy, the women are held prisoner for three years and must struggle to survive. ~ Iotis Erlewine, All Movie Guide

This entertaining teen comedy is set in the effervescent 1950s and involves the friendship of the introverted, clumsy Jonathan (Doug McKeon) and the nonconformist, extroverted Gene (Chris Nash). Jonathan's main objective is to win over the sexy Marilyn (Kelly Preston), in spite of his shyness, while Gene has his own love-life to maintain with his girlfriend Bunny (Catherine Mary Stewart) -- as well as counseling Jonathan on how to attract women. Gene also has to defend himself against Kenny (D.W. Brown) the class bully while trying to work out a borderline relationship with his widowed father, who has zero tolerance for his often wild escapades. As Jonathan and Gene handle life's challenges, the 1950s emerges as a potent presence on screen in the form of background setting, including movies and music, as well as dress and customs that were popular in that distinctive era. ~ Eleanor Mannikka, All Movie Guide

Originally telecast November 11, 1985, An Early Frost was the first TV movie to deal with the subject of AIDS. Aidan Quinn plays a personable young gay lawyer who is stricken with the HIV virus. As his health deteriorates, Quinn finds that his physical agony is secondary to his mental anguish. Ben Gazzara and Gena Rowlands play Quinn's parents, who must not only come to grips with their son's impending death, but with their own long-standing fears and prejudices concerning homosexuality. No easy answers are offered in this realistic drama, which also stars Sylvia Sidney as Quinn's grandmother and John Glover as a fellow AIDS victim. Ron Cowen and Daniel Lipman won Emmys for their pioneering teleplay. ~ Hal Erickson, All Movie Guide

Of the three "mortgage on the farm" films of 1984 (Country and The River were the other two), Places in the Heart is the only one set during the Depression. After her husband is killed, Sally Field is forced to take over the debt-ridden Texas family farm herself. Though slightly embittered by the fact that a black man was responsible for her husband's death, Field accepts the help of another African-American, Danny Glover. She is also given aid and comfort by her blind boarder, John Malkovich. Despite almost insurmountable odds, Field manages to bring in the cotton crop and to hold her farm and family together. Throughout the film, director Robert Benton stresses the importance of solidarity in facing down disaster, underlining this point with a remarkable surrealistic finale, in which the "live" members of the cast are seen singing a hymn with the characters who have "died" in the course of the film. Places in the Heart won Sally Field her second Academy Award. ~ Hal Erickson, All Movie Guide

High school athlete Tom Cruise would do anything to escape the dull provincialism of his home town. Cruise's bullying coach Craig T. Nelson cajoles Cruise into seeking an athletic scholarship to a major university. Inevitably, the boy begins to question his goals in life, and soon his soul is the object of a tug of war between Nelson and Cruise's girlfriend Lea Thompson. The first directorial effort for cinematographer Michael Chapman, All the Right Moves was photographed by Jan DeBont, who'd later direct such box-office bonanzas as Speed and Twister. ~ Hal Erickson, All Movie Guide

A notorious artistic and financial failure, Michael Cimino's Heaven's Gate was blamed for critically wounding the movie Western and definitively ushering out the 1970s Hollywood New Wave of young, brash, independent filmmakers. Taking a revisionist, post-Vietnam view of American imperialism, Cimino used the historical Johnson County War incident in Wyoming to create an impressionistic tapestry of Western conflict between poor immigrant settlers and rich cattle barons led by Canton (Sam Waterston) and his hired gun Nate Champion (Christopher Walken). Attempting to mediate is idealistic Harvard graduate and county marshal Averill (Kris Kristofferson), who is both Nate's friend and his romantic rival for the affections of Ella Watson (Isabelle Huppert). However, war erupts, at great cost to all involved. Flush from his success with the Oscar-winning The Deer Hunter (1978), Cimino demanded creative control, and his insistence on shooting on location and building historically accurate sets and props multiplied the film's original budget to a then-astronomical $36 million. When United Artists premiered the original 219-minute version (sight unseen), they discovered that Cimino had produced an elliptical epic, compounding the box-office difficulties of making a Western without any major stars. Critics howled about Cimino's incomprehensible self-indulgence, and United Artists pulled the film after several days. Re-released five months later, 70 minutes shorter, Heaven's Gate bombed again, and MGM bought out the financially crippled United Artists. The ailing Western genre virtually vanished during the 1980s, Cimino's career never recovered, and Hollywood studios had had enough of bankrolling financially risky ventures by "auteur" directors. Heaven's Gate's reputation recovered somewhat after its video release, as it garnered praise from some viewers for such visually remarkable sequences as the Harvard dance and the final battle, as well as for David Mansfield's haunting score. Steven Bach's book Final Cut provides a full production history. ~ Lucia Bozzola, All Movie Guide

Director Ken Russell made a number of biographical films of composers' lives including The Music Lovers, (about Tchaikovsky) and Lisztomania. Russell embellished the other films with certain characteristic flourishes, which include a focus on the composers' sexual obsessions, poetically telling anachronisms, and scenes which show Richard Wagner in a bad light. The story of Mahler is recounted in a much less complex and flamboyant manner and is a relatively reverent study of the life and work of Austrian composer Gustav Mahler, here played by Robert Powell. The film tackles the touchy dilemma of Mahler's Jewishness in the anti-Semitic atmosphere of 19th-century Vienna. He converts to Christianity, which has no effect on his brilliant musical output but which eats away at his physical and mental well-being. Gustav Mahler (1860-1911) was a conductor and composer of the late Romantic era and specialized in huge symphonic works. Though his works were performed widely during his lifetime, they were less and less-often played until Leonard Bernstein's active campaign on their behalf brought him renewed recognition as a composer of the first rank, every bit the peer of Brahms or Stravinsky. ~ Clarke Fountain, All Movie Guide