Terry O'Quinn Movies

Good Fight is a made-for-cable film about a small-town lawyer (Christine Lahti) who fights a tobacco company when her son's best friend is stricken with mouth cancer, due to his frequent use of chewing tobacco. ~ Stephen Thomas Erlewine, All Movie Guide

Can a rough and tumble hockey player and a snooty ice dancer find love and a gold medal at the same time? That's the burning (or more appropriately freezing) question in this romantic drama. Kate Moseley (Moira Kelly) is a world-class figure skater training for the Olympics; she has genuine talent, but years of being spoiled by her wealthy family have made her all but impossible to work with. Doug Dorsey (D.B. Sweeney) is a hockey player with drive, skill, and a full complement of arrogance; his team is also on the fast track to the Olympics. Unfortunately, an eye injury suffered during a game affects Doug's peripheral vision enough to put him on the bench for the rest of the season. At the same time, Kate's colossal ego scares off yet another skating partner, and her coach, Anton (Roy Dotrice), needs to find a replacement as soon as possible. Desperate to stay in Olympic competition, Doug agrees to try working as Kate's partner, even though he has a hockey player's macho contempt for figure skating. Needless to say, the first few practices between Kate and Doug do not go well, but in time they learn to work together and become a pair to be reckoned with both on and off the ice. The Cutting Edge was released within a few months of the 1992 Winter Olympic Games. ~ Mark Deming, All Movie Guide

This made-for-TV film was based on a real-life, nail-biting hostage situation. The incident began when a deranged gunman, disgruntled for a variety of reasons, burst into the maternity ward at the Alta View Hospital in Sandy, Utah. Holding mothers, babies and nurses captive, the gunman clearly intended to kill as many people as possible before he himself was subdued by the police. Harry Hamlin, light-years away from LA Law, plays the psychotic intruder, while Terri Garr co-stars as the maternity nurse who struggles to act as the voice of reason. Filmed on location in Salt Lake City, Deliver Them From Evil premiered April 28, 1992. ~ Hal Erickson, All Movie Guide

In this action adventure, the mysterious Preacher, a "special forces" veteran, card sharp and ex-clergyman, is called to a town on the Texas-Mexico border to investigate a suspicious helicopter crash involving a Vietnam veteran pilot. His investigation reveals that the town is totally corrupt. Mayhem ensues, but justice somehow prevails. ~ Sandra Brennan, All Movie Guide

After getting his start as a visual effects artist on the original Star Wars trilogy, Spielberg protege Joe Johnston found success as a director with his debut film, the blockbuster family adventure Honey, I Shrunk the Kids. For his sophomore outing, Johnston helmed this action-adventurer, set in 1930s Hollywood and in the spirit of old pulp comics and adventure serials, and co-adapted from the David Stevens graphic novel by Danny Bilson and Paul De Meo. Bill Campbell stars as Cliff Secord, an eager young pilot who finds himself in possession of a secret jet-pack that gives him the ability to fly. Cliff soon learns that screen-star Neville Sinclair (Timothy Dalton) will stop at nothing to get his hands on the rocket pack so he can give it to the Nazis. As The Rocketeer and with a little help from his mechanic friend played by Alan Arkin, it's up to Cliff to elude Sinclair, defeat the Nazis, and save his girlfriend Jenny (Jennifer Connelly). ~ Matthew Tobey, All Movie Guide

This second half of the sweeping TV adaptation of Evan S. O'Connell's novel (see entry 129099 for details on Part One) stars Gary Cole as George Armstrong Custer, leader of the 7th Cavalry of the Great Plains in the early 1870s. Custer's efforts to maintain peace with the surrounding Native Americans are doomed to failure due to his own arrogance and miscalculations. The Indians reluctantly marshal themselves for war when the white man's lust for gold results in broken treaties and ravaged lands. Part Two culminates in a spectacular (and fairly accurate) recreation of the Battle of the Little Big Horn, pitting Custer against another headstrong tactician, Chief Crazy Horse (Rodney Grant). As in Part One, Part Two of Son of the Morning Star is narrated by Buffy St. Marie, attempting--with moderate success--an "old lady" characterization. Parts one and two were later merged into a single 186-minute TV movie. Side Note: Kevin Costner was offered the role of Custer in Son of the Morning Star, but turned it down to concentrate on his own Native American epic--a little diversion called Dance With Wolves (which also featured Rodney Grant). ~ Hal Erickson, All Movie Guide

In 1945, a tribunal was held to investigate atrocities committed by the Japanese upon Australian soldiers during World War II. At an internment camp, 1100 Australian soldiers were tortured and killed by the Japanese, with only 300 survivors. This horrible event was not known until a terrible discovery of decapitated corpses was made at a grisly site on Ambon Island in Indonesia after the war. Stephen Wallace directed this courtroom drama based on the incident and follows the intrepid investigator who uncovers the truth behind the missing Australian soldiers. Bryan Brown plays Captain Cooper, the prosecutor of the case, in which 91 Japanese officers and soldiers are accused of murdering the Australian prisoners-of-war. The chief defendants are camp commander Takahashi (George Takei) and Captain Ikeuchi (Tetsu Watanabe). Takahashi denies knowing anything about the atrocities, as does Ikeuchi. Nevertheless, Cooper presses on to undercover the truth. But standing in his way is the American delegation, led by Major Beckett (Terry O'Quinn). They don't want a case to go forward that would reflect badly on the Japanese high command, since General MacArthur wants to reinstate many of the Japanese officers in a new postwar Japanese order. ~ Paul Brenner, All Movie Guide

Wealthy, but yearning for the family he lost after his parents' untimely deaths, a businessman hires a private eye to locate his three sisters, each of whom was sent to a different foster home following the mysterious accident. One particularly traumatized sister seems to know the truth about the deaths. Her revelations could be catastrophic for the recently reunited siblings. ~ Sandra Brennan, All Movie Guide

Rutger Hauer plays a blinded Vietnam vet who also happens to be an expert swordsman. Twenty years after the war, Hauer finds himself waist-deep in gangsters when he tries to help the son (Brandon Call) of an old army buddy. Along the way, he reforms an ex-comrade in arms (Terrance O'Quinn) who was responsible for the accident that blinded him. Based on a series of Japanese films about a blind samurai (released under the blanket title of Zatoichi). ~ Hal Erickson, All Movie Guide

A passable sequel to the excellent sleeper hit that preceded it, this film steers its story in a cartoonish, less horrific direction. Terry O'Quinn returns as the nameless family man who butchered one nuclear unit and was on his way to dispatching another when he was (seemingly) fatally stabbed. It turns out that he wasn't killed after all but was captured and sent to the loony bin. Now the deranged control freak has murdered his jailers and escaped from the institution. Establishing himself in a small, idyllic town as a family counselor, he thinks that he's found the perfect candidate for a family in Carol (Meg Foster), the real estate agent who lives across the street, and her son, Todd (Jonathan Brandis), who adores his mom's new boyfriend. Unfortunately, Carol's irresponsible husband shows up unexpectedly after abandoning his family -- and nosy neighbors and a variety of others stand as obstacles in the stepfather's path to perfection. The first film, The Stepfather (1987), by writer Donald E. Westlake was very loosely based on the real-life story of long-time fugitive John List, lending the film an eerie, skin-crawling air of psychological authenticity that this sequel entirely lacks. ~ Karl Williams, All Movie Guide

In this drama, a Vietnam vet takes a stand when government agents attempt to take his ranch so they can build a missile base there. ~ Sandra Brennan, All Movie Guide

An obscure and offbeat novel by Andrew Neiderman comes to life as this strange, disturbing, but fairly compelling psychological thriller. The title refers to a life-sized medical dummy (the name is short for Pinocchio) through which strait-laced physician and would-be ventriloquist Doctor Linden (Terry O'Quinn) communicates with his children, Leon (David Hewlett) and Ursula (Cyndy Preston). Although Pin seems to have served a useful purpose by providing the emotionally distant Linden with a means of opening up to his family, the mannequin's importance gradually becomes a decidedly unhealthy influence for Leon, whose latent psychosis emerges fully after his father's death and compels him to "adopt" Pin as a member of the household. As Ursula, now a beautiful woman, begins to enjoy a relatively happy love life, Leon is consumed with jealousy and, goaded by the 'Pin' aspect of his personality, turns to murder as release. In its depiction of a psychotic who loses his will to an increasingly lifelike dummy, Pin is remarkably similar in theme to Richard Attenborough's Magic (which itself owed a debt to films like The Great Gabbo). Though it breaks no new ground in this respect, this quirky horror film does present an irresistibly eerie charm (thanks in large part to Hewlett's fine performance) and generates a decent amount of suspense, building to a chilling, if not entirely surprising, climax. ~ Cavett Binion, All Movie Guide

Black Widow bears no relation to the 1954 film of the same name--beyond its characterization of the female as the deadlier of the species, that is. Debra Winger stars as a federal agent who has sworn to bring Theresa Russell to justice. Ms. Russell has married several millionaires who have all died mysterious deaths, for which she has remained undetected because she has assumed a number of different identities. Ms. Winger is the only person in her department who suspects that all of the deceased millionaires' widows are the same person. Finally tracking down Russell, Winger finds herself inexorably becoming friends with the charming murderess. ~ Hal Erickson, All Movie Guide