Maggie O'Neill Movies

Originally telecast in the United Kingdom, the two-part miniseries White Teeth was based on Zadie Smith's 2000 bestseller about the perils of cultural assimilation in modern day North London. Taking place in the years 1974 to 1992 and set in the melting-pot community of Willesden Green, the story focuses on three different families. The Jamaican-English Archie Jones (Phil Davis) is a professional envelope-folder, while his wife, Clara (Naomie Harris), is a lapsed Jehovah's Witness. Archie's old army buddy Samad Iqbal (Om Puri) is a Bengalese waiter who hails from Bangladesh, also the home country of his sharp-tongued spouse, Alsana (Archie Panjabi). And the Malfen family, headed by Joyce and Marcus (Geraldine James, Robert Bathurst), are fiercely dedicated charter members of the Keepers of the Eternal and Victorious Islamic Nation (or KEVIN for short). Deftly combining comedy, drama, melodrama, and pathos, the Dickensian interactions and interrelationships among the three families manage to accommodate a variety of dizzying plot convolutions involving disenchanted youngsters, racial prejudice, social pretensions, cult worship, misguided animal activists, a genetically modified mouse, a Nazi war criminal, and a bizarre but brilliant kidnapping scheme. In the United States, White Teeth first aired May 11, 2003, as part of the PBS Masterpiece Theatre anthology. ~ Hal Erickson, Rovi

Based on the novel by Ellis Peters, "One Corpse Too Many" was the first of thirteen 90-minute Cadfael mysteries, focusing on the exploits of a murder-solving monk in 12th century Shrewsbury. While sifting through the bodies of rebels recently executed on the orders of King Stephan (Michael Grandage), Brother Cadfael (Derek Jacobi stumbles across a corpse that doesn't belong there. With the help of his unofficial assistant, landowner/sheriff Hugh Beringer (Sean Pertwee), Cadfael assembles the necessary evidence to uncover a murderer. Adapted for television by Paul Pendar, "One Corpse Too Many" originally aired in Britain on May 29, 1994, and shortly thereafter was seen in America as part of PBS' Mystery anthology. ~ Hal Erickson, Rovi

Simon Moore's directorial debut (his also wrote the screenplay) is a brooding thriller that takes place in the melancholy British resort town of Brighton in the 1950s. Liam Neeson stars as Tony Aaron, a disreputable ex-cop who now makes a living as a sleazy private eye. With his wife Hazel (Maggie O'Neill) as bait, he arranges compromising photographs of errant husbands whose wives require proof of marital infidelities in order to obtain divorces. But one day, Aaron bursts into a hotel room to find Hazel and her client, a famed American painter, murdered; the painter's body has been mutilated, and his thumb, with which he signed his paintings, is cut off and missing. With an old crony of Aaron's, Frank (Kenneth Cranham), leading the investigation, two lead suspects are brought to the fore --Selina (Alphonsia Emmanuel), the painter's widow; and Angeline (Laura San Giacomo), the painter's mistress. And it is with Angeline, the person most likely to have killed the painter, that Aaron falls in love. But soon the tables are turned. When the victims were found to have been killed with Aaron's gunm and a neighbor leaves a suicide note claiming that Aaron is the killer, Aaron is arrested and found guilty of the killings. But right before Aaron's execution, a surprising piece of new evidence is discovered that changes everything. ~ Paul Brenner, Rovi

Gorillas in the Mist is based on the autobiographical 1983 book by naturalist Dian Fossey. Before the book could be brought before the cameras, Fossey had been mysteriously killed; her death provides a logical, if somewhat ghoulish climax to the film. A Kentucky girl, Fossey (Sigourney Weaver) is inspired by famed anthropologist Louis Leakey (Iain Cuthbertson) to devote her life to the study of primates. Traveling into deepest Africa, Fossey becomes fascinated with the lives and habits of the rare mountain gorillas of the Ugandan wilderness. Studying them at close quarters, Fossey develops a means of communicating with the gorillas, and in so doing becomes obsessed with the beasts' well-being. She is so devoted to "her" mountain that she loses the opportunity for a romance with a National Geographic photographer (Bryan Brown). Appalled by the poaching of the gorillas for their skins, Fossey complains to the Ugandan government, which dismisses her by explaining that poaching is the only means by which some of the Ugandan natives can themselves survive. She refuses to accept this, and becomes a militant animal-rights activist, burning down the poachers' villages and even staging a mock execution of one of the offenders. ~ Hal Erickson, Rovi

A State Department worker must prove himself innocent of murder and of smuggling highly classified information to Bulgaria in this espionage drama. ~ Sandra Brennan, Rovi