Pat O'Malley Movies

After speculating on the possibility that a person can travel back in time and change history, Peter Corrigan (Russell Johnson) bids farewell to his friends and prepares to head home from his club. As he walks through the doors, he is unexpectedly transported from 1961 to 1865. Once he gets his bearings, Corrigan finds himself in a position to prevent the assassination of Abraham Lincoln -- but this "wrinkle in time" turns out to have entirely different results. Scripted by Rod Serling, "Back There" is one of the lesser offerings of Twilight Zone's 1960-61 season, though it does boast an excellent musical score by Jerry Goldsmith, which would remain in the standard TV stock-music repertoire throughout the 1960s and 1970s. The episode first aired January 13, 1961. ~ Hal Erickson, All Movie Guide

Blackjack Ketchum, the real-life gunslinger who'd previously been a peripheral character in several westerns, is herein afforded his own feature-length "vehicle". Howard Duff plays the title role, who at the beginning of the film is doing his best to live down his reputation. This proves impossible when land baron Jared Tetlow (Victor Jory) and his brood muscle into the territory. Hoping to champion the cause of his fellow ranchers, Ketchum once more straps on his guns and prepares to do battle against Tetlow's henchmen. Naturally, Ketchum's sweetheart Nita Riordan (played by Maggie Mahoney, the mother of actress Sally Field) would prefer that Our Hero abstain from gunplay, but.Blackjack Ketchum, Desperado was based on a novel by Louis L'Amour. ~ Hal Erickson, All Movie Guide

Returning to the Ireland of his birth, director John Ford fashions a irresistable valentine to the "Auld Sod" in The Quiet Man. Irish-American boxer John Wayne, recovering from the trauma of having accidentally killed a man in the ring, arrives in the Irish village where he was born. Hoping to bury his past and settle down to a life of tranquility, Wayne has purchased the home of his birth from wealthy local widow Mildred Natwick, a transaction that has incurred the wrath of pugnacious squire Victor McLaglen, who coveted the property for himself. By and by, Wayne falls in love with McLaglen's beautiful, high-spirited sister Maureen O'Hara. Her insistence that Wayne conduct his courtship in a proper Irish manner-with puckish matchmaker Barry Fitzgerald along for the ride as "chaperone"--is but one obstacle to their future happiness: the other is McLaglen, who spitefully refuses to give his consent to his sister's marriage, or to honor the tradition of paying a dowry to Wayne. Wayne could care less about dowries, but the tradition-bound Maureen refuses to consummate her marriage until McLaglen pays up. Under any other circumstances, Wayne would have punched out the bullying McLaglen long ago, but ever since his tragedy in the ring he has been reluctant to fight. Local priest Ward Bond conspires with several locals to trick McLaglen into paying his due. They intimate that widow Natwick, for whom McLaglen carries a torch, will marry the old brute if he'll give his consent to the marriage and fork over the dowry. But McLaglen finds he's been tricked and the situation remains at a standoff, with the frustrated Wayne locked out of his wife's bedroom. When Maureen accuses him of being a coward and walks out on him, our hero can stand no more. He marches Maureen to McLaglen's home, indicating that he plans to whale the tar out of both brother and sister. As a huge and appreciative crowd gathers the cornered McLaglen truculently tosses the money in Wayne's direction. Big John hands the bills to Maureen, just as she knew he would, and she ceremoniously destroys the money, just as he knew je would. Having proven their love for each other, there is nothing left for Wayne and Maureen to do but head home and perform their nuptual duties. But first there's the matter of giving McLaglen the thrashing he deserves....and it is this spectacular donnybrook, which covers several acres of land and at least two "pit stops" so that the combatants can quench their thirst, which convinces Natwick that the defeated McLaglen is truly worthy of her love (her logic is on a par with everyone else's in the film!) Though it tends to perpetuate the myth that all true Irishmen live only to fight, drink and make love, The Quiet Man is grand and glorious fun, enacted with gusto by a largely Hibernian cast and directed with loving care by a master of his craft. Written by Frank Nugent and graced with a lilting musical score by Victor Young, the film won Oscars for Archie Stout's Technicolor photography and for John Ford's direction-a real coup for "poverty row" Republic Pictures. If you haven't already luxuriated in this wonderful film, be sure to catch in on the tube next St. Patrick's Day. ~ Hal Erickson, All Movie Guide

In his final Durango Kid Western (and final film appearance), Charles Starrett once again played an avenger named Steve, Reynolds this time. Donning his mask once again, Steve comes to the aid of Jock Mahoney, who has been wrongfully accused of murder. The real murderer, as it turns out, is Jock's own lawyer, Gail Kingston (Angela Stevens). As usual, Smiley Burnette is along for the ride to provide comedy relief and a hayseed ditty or two. ~ Hans J. Wollstein, All Movie Guide

This 1951 Gene Autry vehicle is based on a supposedly true incident. At the close of the Civil War, a band of Southern guerillas disguised themselves as Union soldiers, the better to perform acts of sabotage in Utah. Autry plays a cavalry scout who goes after guerilla leader McQuarrie (Jim Davis). Though heavily outnumbered, Gene manages to come out on top. Hardly plausible, Silver Canyon is enhanced by an excellent supporting cast, including Pat Buttram as Autry's sidekick, Bob Steele as an all-around louse, and perennial Autry leading lady Gail Davis as the spunky heroine. ~ Hal Erickson, All Movie Guide

At first glance, Cow Town seems to be a documentary, as an unseen narrator describes the changes made in the Old West by the advent of barbed wire. Before long, however, the audience is assured that this will be a typical Gene Autry western. Autry plays a ranch owner who incurs the wrath of his neighbors by placing barbed wire around his turf. The local cowboys are certain that the new "invention" will mean the end of their jobs, since there will no longer be a need for ranch hands to keep the cattle from roaming free. Feeding into these fears is a group of "concerned citizens," who turn out to be a band of cattle rustlers. Autry manages to round up the baddies, smooth the ruffled feathers of the cowboys, and sing several old favorites. The supporting cast includes Gail Davis, who'd later star in the Autry-produced TV series Annie Oakley, and ace stunt men Jock Mahoney and Ted Mapes. ~ Hal Erickson, All Movie Guide

In this final episode of the Boston Blackie mystery series, our hero and his side-kick find themselves accused of murder after they are seen exiting a Chinese laundry where the proprietor is soon found murdered. Blackie must find the real killers before he gets in real trouble. Action and mystery ensue. ~ Sandra Brennan, All Movie Guide

Gene Autry enjoyed considerable success with his recording of Stan Jones' haunting "Riders in the Sky". He then parlayed this success into a film, which proved to be one of Autry's best postwar efforts. The basic plot concerns Autry's efforts to clear rancher Ralph Lawson (Steve Darrell) of a trumped-up murder charge. The trumper-upper, Rock McCleary, is played by Robert Livingston, a former cowboy star who turned to character roles late in his career. The heroine is played by Gloria Henry, ten years removed from her TV fame as Alice Mitchell in Dennis the Menace. The title song is imaginatively staged by director John English, with a ghostly Tom London riding hard and fast as a montage of moody images play across the screen. So effective was this vignette that Columbia included it in the coming-attractions trailer for Riders in the Sky. ~ Hal Erickson, All Movie Guide

One of the many Bowery Boys movies, in this one Slip and Sach are mistaken for two private investigators and risk their lives trying to solve a missing persons mystery. ~ Tana Hobart, All Movie Guide

With a title like Singin' in the Corn, how could the star be anyone else but rambunctious rustic comedienne Judy Canova. This time, Canova plays Judy McCoy, a carnival mind-reader playing the boonies in the company of her partner Glen Cummings (Allen Jenkins). Judy's travelling days come to an end when she inherits her late uncle's estate. But the will has a proviso: She won't get a penny unless she returns a ghost town to a local singing Indian tribe (That's right, operator, a singing Indian tribe). The villain, Honest John Richards (Alan Bridge), connives to turn the Indians against Judy, but she is rescued by the intervention of her uncle's ghost! Director Del Lord, a graduate of Columbia's comedy 2-reelers, relies heavily on stock footage from earlier films to bring the running time up to 64 minutes: one critic commented that editor Aaron Stell should have been credited as co-director. ~ Hal Erickson, All Movie Guide

This Technicolor musical biopic stars Argentina-born Dick Haymes as Irish-American composer Ernest R. Ball. Climbing to fame with such sentimental songs as "When Irish Eyes are Smiling" (hence the title), Ball romances a lovely showgirl (June Haver), who in turn catches the eye of a charming underworld character (Anthony Quinn). Monty Woolley does a variation of The Man who Came to Dinner in his role as a roguish Broadway producer. Seldom cluttering up its story with the facts, Irish Eyes are Smiling is chiefly a showcase for the superb singing of Dick Haymes. The film was produced by legendary journalist Damon Runyon, which should surprise several citizens more than somewhat. ~ Hal Erickson, All Movie Guide

Dismissed by critics as corny and obvious in 1944, this overlong but sincere biopic looks pretty good when seen today, cliches notwithstanding. Fredric March, 47 at the time, convincingly plays American author Sam Clemens, aka Mark Twain, from his early 20s to his death at 75. In typical movie-biography fashion, every single incident that happens in Twain's life is an INSPIRATION: he hears the depth-indication call "Mark Twain" while working on a riverboat and his face lights up; he engages in a jumping-frog contest against Bret Harte (John Carradine) and comes up with his first popular published story; and so on. Alexis Smith is better than usual in the role of Twain's wife Olivia Langdon, even keeping a straight face while Twain courts her in Fluent Quotation ("Everybody talks about the weather but nobody ever does anything about it", he says during a Hollywood-romance cloudburst). Though the script barely touches upon the dark side of Twain's nature, we are not spared his financial reverses (brought about by bad investments and his struggle to publish Ulysses S. Grant's memoirs. The closing sequence, with Tom Sawyer and Huck Finn beckoning the spirit of Mark Twain to heaven as Halley's Comet fills the skies, may seem laughable on paper, but works quite well on film; even director Irving Rapper expressed amazement at the effectiveness of this scene! ~ Hal Erickson, All Movie Guide