Jack O'Leary Movies

Director of the first Police Academy movie, Hugh Wilson is also responsible for the action comedy-caper Burglar. Bernice Rhodenbarr (Whoopi Goldberg) is a retired cat burglar who works at a bookstore. Bad cop Ray Kirschman (G.W. Bailey) blackmails her, so she agrees to do a job for Dr. Cynthia Sheldrake (Lesley Ann Warren) in order to get the money. While she is doing the robbery, she accidentally stumbles onto the scene of a murder. Since she is the prime suspect, Bernice is forced into many chase scenes as she plays detective to find out who the real murderer is in order to clear her name. She is aided by her only two friends: the hapless dog groomer Carl Hefler (Bob Goldthwait) and the drunken floozy Frankie (Elizabeth Ruscio). Along the way, she almost gets killed by numerous tough guys while being closely followed by two stupid cops (Anne DeSalvo and John Goodman). ~ Andrea LeVasseur, Rovi

In this sci-fi comedy, a high school hood, Michael Harlan, procrastinates on his science project until the day before it is due. Hastily seeking to rectify his predicament, the youth begins scouring an abandoned military dump and runs across a strange looking machine with a large crystal orb. He has no idea that it belonged to a shot down alien space craft and that it contains not only the power to generate time warps, it can also destroy the world. If he did, he might not have turned it on. Unfortunately, he does activate it and sends his entire class back in time. The special effects are especially notable, as the kids roam Earth from the dawn of time, to the future. ~ Sandra Brennan, Rovi

Only after the passing of his dear buddy T-Bone does Coach (Nicholas Colasanto) discover that the dead man once had an affair with Coach's wife. To make matters worse, Coach has already agreed to deliver T-Bone's eulogy. Swallowing his pride, Coach attends the funeral and fulfills his obligations magnificently -- only to watch helplessly as the solemnity of the occasion disintegrates when word leaks out that good ol' T-Bone was a serial philanderer. ~ Hal Erickson, Rovi

In this carefree children's adventure, a grandfather and his grandson fulfill the former's life-long dream and embark upon a cross-country ballon flight. Back on the distant ground, the flyers are pursued by the boy's mother, the cops, the Feds, and others. ~ Sandra Brennan, Rovi

While traveling across Arizona with his divorced mother and her new boyfriend, a precocious young boy stumbles onto a grisly murder scene, placing the three of them in mortal danger at the hands of a pair of good-ol'-boy twin psychopaths. It's hard to tell whether the producers of this film decided to "dress up" a standard slasher script with spooky desert vistas and quality actors (including cuddly little Peter Billingsley, who forever endeared himself to viewers of the perennial favorite A Christmas Story), or rather chose to inject gratuitous T&A and gore scenes into an otherwise more sophisticated Hitchcockian thriller to lure the Friday the 13th crowd. Whatever the motivation, the end result is a muddled mishmash of family drama and sleazy dead-teen mayhem that never found an audience. ~ Cavett Binion, Rovi

The Skid Row derelicts that occupy most of the screen time in this uneven drama about the effects of alcohol addiction do nothing to gain an audience's sympathy. Sam (Donald Moffat) has kicked his habit and picked himself up out of the gutter only to find that no avenues are open to take him away from the gutter. Then he learns that his friend C.G. (Ralph Waite, also the director) is in trouble. As one sequence of aimless, drunken behavior follows another and the audience is regaled by C.G.'s commentaries delivered in an alcoholic stupor, it is hard to understand why Sam is teetering on the brink of sloshing around in this world again. ~ Eleanor Mannikka, Rovi

In this concluding episode of a two-part story, George Jefferson (Sherman Hemsley), with the help of several new "good buddies," manages to get his extremely pregnant daughter-in-law, Jenny (Berlinda Tolbert), to the maternity hospital just in time. Jenny's husband, Lionel (Mike Evans), his move to Chicago still pending, rushes back to New York to be by her side when the baby arrives. As the in-laws gather in the waiting room, a perplexing question arises: Since Lionel is black, and Jenny is the product of an interracial marriage, exactly what color will the baby be? ~ Hal Erickson, Rovi

Fact-based drama starring Robert Redford as Henry Brubaker, the new inmate at a run-down Southern prison that's become notorious for corruption and violence. After he witnesses several instances of gross misconduct and defuses a tense confrontation with a crazed inmate (Morgan Freeman), Brubaker reveals to the guards and administrators that he's not a criminal at all, but the new warden, assigned by the governor to infiltrate the facility undercover. His identity confirmed, Brubaker takes office and sets about shaping up policies and procedures, despite resistance from, incredibly, even some of the more entitled convicts. With the help of the prison's chief trustee (Yaphet Kotto) and a compassionate ally (Jane Alexander), the warden effects some positive change, but powerful business interests line up against him when his ideas threaten their financial bottom line. A reform-minded, socially conscious, and politically liberal picture of the type usually associated with director Norman Jewison, this fact-based prison drama was the result of a troubled production that saw original director Bob Rafelson replaced with Cool Hand Luke (1967) and The Amityville Horror (1979) helmsman Stuart Rosenberg. Despite the backstage turmoil, Brubaker was an acclaimed release and an Oscar-nominated, career-finale triumph for co-screenwriter Arthur A. Ross, creator of Creature From the Black Lagoon (1954) and father of successful writer/director Gary Ross. ~ Karl Williams, Rovi

While taking a train trip from L.A. to Chicago, mild-mannered George Caldwell (Gene Wilder) makes the acquaintance of Hilly Burns (Jill Clayburgh). As they indulge in a brief bit of spooning, Hilly tells George that her boss is on the verge of exposing a group of vicious art forgers. Later that evening, George sees the body of Hilly's boss being thrown off of the train. Detective Sweet (Ned Beatty) agrees to investigate, but he too is bumped off. The instigator of these outrages is master forger Roger Devereau (Patrick McGoohan), who, with his crony Mr. Whiney (Ray Walston) is planning a particularly diabolical crime. Worse still, they take Hilly prisoner so she can't tip off the cops. When George is also targeted for elimination, he manages in slapstick fashion to elude the killers. Falling off the train, he ends up being arrested on some trumped-up charge or other by a local sheriff. He makes his escape in the company of petty thief Grover Muldoon (Richard Pryor) -- and that's only the beginning. A box-office smash, Silver Streak paved the way for the equally successful 1980 Wilder-Pryor vehicle Stir Crazy. ~ Hal Erickson, Rovi

Jerry Fogel is cast as Paul Billingham (aka Ralph Alfalfa the Happy Farmer of Chicago radio fame). Though a huge success on the airwaves, Billingham harbors a dark secret: He stutters. Now that he has been offered a TV job, Billingham is terrified that the bizarre physical subterfuges he uses to speak coherently into the microphone will be exposed -- so naturally, he goes to Bob for advice. Written by Andrew Smith, "Easy for You to Say" originally aired on February 11, 1978. ~ Hal Erickson, Rovi