Carol O'Leary Movies
- 1980
Adapted from the Judith Krantz novel of the same name, the CBS miniseries Scruples zeroes in on a trendy, upscale Beverly Hills boutique. The guiding force behind the Scruples shop is beautiful Billy Ikelhorn (Lindsay Wagner), who, though born into grinding poverty, had risen to the uppermost rungs of L.A. society by virtue of her marriage to millionaire Ellis Ikelhorn (Efrem Zimbalist Jr.). When her husband dies after a long illness, Billy compensates for her grief by becoming a Boadicea of the fashion industry. Her personal and professional life is entangled with those of her closest associates, fashion photographer Spider Elliott (Barry Bostwick) and designer Valentine O'Neill (Marie-France Pisier). Originally telecast in six two-hour episodes on February 25, 26, and 28, 1980, Scruples proved popular enough to warrant a 1981 TV-movie sequel, starring Shelley Smith as Billy, Dirk Benedict as Spider and Olga Karlatos as Valentine. ~ Hal Erickson, All Movie Guide
- Starring:
- Lindsay Wagner, Barry Bostwick, (more)
- 1977
After several years of marriage, suburban housewife Andrea Fleming (Susan Blakely) realizes that she has never truly been happy. This is particularly galling in that Andrea's repressive mother (Joanne Linville) instilled within her the desire to find the "secret of happiness" before reaching adulthood--but never told her how to go about this. Upon her mother's death, Andrea is possessed by desires she can neither understand nor control, and begins seeking out the aforementioned "secret" by promiscuously embarking upon several casual affairs. Star Susan Blakely also wrote and performed the theme music for Secrets, which was first telecast by ABC on February 20, 1977. ~ Hal Erickson, All Movie Guide
"He sold his soul for rock-n-roll," read the tagline for Brian De Palma's satirical Phantom of the Opera for the '70s rock scene. After hearing Winslow Leach (William Finley) perform a song from his Faust rock opera, Phil Spector-ish impresario Swan (Paul Williams) decides that Winslow's opera would be the perfect debut attraction for his new rock palace, the Paradise. Swan steals the music and has Winslow imprisoned -- but not before Winslow meets aspiring songbird Phoenix (Jessica Harper). Jumping prison, Winslow breaks into Swan's Death Records factory to ruin the recordings, but a record press accident grossly disfigures him. Winslow then sneaks into the Paradise to sabotage Swan's show, disguising himself as the Phantom. Swan, however, cuts a deal with the Phantom to finish his cantata; he promises that Phoenix will sing it but then reneges, hiring prissy glam rocker Beef (Gerritt Graham). Determined to have Phoenix sing, the Phantom soon discovers just how far Swan will go to give the people what they want. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Paul Williams, William Finley, (more)
- 1971
Returning to college to take a Psychology course, Shirley (Shirley Jones) makes the acquaintance of 19-year-old Paul Bruner (Michael Burns), who mistakes her maternal kindness for true love. Before long, the moonstruck Bruner is ardenty courting the nonplussed Shirley--and he won't take no for answer. In desperation, Shirley enlists the aid of Paul's parents (played by former Dick Van Dyke Show regular Anne Morgan Guilbert and future Three's Company costar Norman Fell) to help her let the boy down gently...with surprising results. Song: "Brown Eyes". ~ Hal Erickson, All Movie Guide
- 1970
- R
Made on the heels of Paul Mazursky's Bob & Carol & Ted & Alice, this cinematic experiment is one of the director's more personal films. With a big tip-'o-the-hat to Fellini's 8 1/2 (to make sure no one misses the references to the film, Federico Fellini appears in a cameo), Alex in Wonderland centers on a young director (Donald Sutherland) who feels compelled to follow his recent box-office hit with another blockbuster. While mulling over this dilemma, the director's mind wanders to his past, his present, and probable future. One of the film's memorable sequences involves a restaging of the Vietnam War in downtown Hollywood. ~ Hal Erickson, All Movie Guide
- Starring:
- Donald Sutherland, Ellen Burstyn, (more)
"Consider the possibilities," read the ads for Paul Mazursky's 1969 satirical comedy about what happens when the sexual revolution hits affluent bourgeois life. After a weekend of "beautiful" emotional honesty at an Esalen-type retreat, married wannabe hipsters Bob (Robert Culp) and Carol (Natalie Wood) return to their well-heeled Los Angeles life determined to apply the principles of free love and complete openness to their marriage. To the respective curiosity and repulsion of their married best friends, Ted (Elliott Gould) and Alice (Dyan Cannon), Bob and Carol have affairs that they happily reveal to everyone. Inspired by all that openness during the quartet's trip to Vegas, Ted admits an affair of his own, provoking the outraged Alice to demand that this new ethos be taken to its obvious conclusion: a mate-sharing foursome. Once they're bedded down and ready to go, however, they start to have second thoughts. Without sacrificing authenticity for comedy, first-time director Mazursky and co-writer/producer Larry Tucker delve into the confusion of the Eisenhower generation when faced with the temptations of the counterculture. Too old to be hippies and too young to be fogies, the would-be California swingers sincerely attempt to try on the lifestyle, but it never looks quite right. A then-controversial example of the New Permissiveness both onscreen and off, Bob & Carol debuted at the New York Film Festival to great praise, particularly for Gould and Cannon. Whether they wanted to laugh at their elders' faux looseness or see what their peers might be doing, audiences turned Bob & Carol into a substantial hit, and its observations about marriage and sex remain humorously sharp even if the encounter group jargon is past its vogue. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Natalie Wood, Robert Culp, (more)
One of the few 1960s satires of the hippie culture that doesn't appear to be concocted by grumpy old men, I Love You, Alice B. Toklas stars Peter Sellers as Harold Fine, a staid, fortysomething Jewish attorney. Engaged to the equally straitlaced Joyce (Joyce Van Patten), Harold wistfully dreams of having a more exciting lifestyle. Through a fluke, Harold is obliged to drive a station wagon emblazoned with "psychedelic" imagery; it is with this vehicle that he picks up his flower-child brother Herbie (David Arkin), and Herbie's groovy chick Nancy (Leigh Taylor-Young). Rather enjoying the company of people outside of his establishment orbit, Harold visits Nancy at her pad, where she plies him with "hash brownies" -- concoctions laced with marijuana. His inhibitions released by the spiked pastries, Harold kicks over the traces, grows his hair to shoulder length, and embarks upon an affair with Nancy. But when the effects of the brownies wear off, Harold suddenly feels like the rather foolish middle-aged man that he is. The beauty of I Love You, Alice B. Toklas is that it patronizes neither the hippies nor the Establishment characters; both groups are shown as human beings rather than agit-prop stereotypes. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Sellers, Jo Van Fleet, (more)
- 1966
Tony (Larry Hagman) makes the mistake of telling Jeannie (Barbara Eden) that his childhood ambition was to become a doctor. Almost instantly, "Doctor" Anthony Nelson pops up in an operating room, where Roger is just about to undergo removal of his appendix. Making things even more delicate is the fact that the ever-suspicious Dr. Bellows is certain that he's seen this "new" doctor somewhere else before. How will Jeannie be able to straighten out THIS mess? (PS: Isn't that little "Marcia Brady" in one scene?) ~ Hal Erickson, All Movie Guide
