Quinn O'Hara Movies

Made with an English soundtrack, this low-budget black-and-white Dutch film relates the efforts of three people to cope with unwanted love. Mystery writer Lukas has fallen in love with Rubia, who has fallen in love with Albert, who in turn is interested only his own wife. All the characters are unwaveringly fixated on the objects of their obsession, and violence results. At the end of the film, there is an explicit sexual love scene. ~ Clarke Fountain, Rovi

The inimitable Vincent Price puts an interesting spin on this otherwise pedestrian witch-hunt exercise -- a rehashing of Witchfinder General (aka The Conqueror Worm) and several of Roger Corman's numerous Poe variations from the previous decade. Here Price plays Edward Whitman, a corrupt, sadistic magistrate in 16th-century Ireland who puts a quick and deadly stop to the activities of a local Druidic coven... but not before the sect's leader Oona (Elisabeth Bergner) puts a curse on him and the Whitman family line, calling up a vengeful spirit known as a "sidhee" which takes flesh in the form of an otherwise mild-mannered stable boy (Patrick Mower). As swift and violent retribution works its way through the Whitman family, so does this film snowball toward its bizarre and muddled conclusion -- made all the more confounding by rather choppy editing. Just like Conqueror Worm and half a dozen others, this was fallaciously marketed by distributor American International Pictures as yet another adaptation of the works of Edgar Allan Poe -- as if AIP hadn't kicked Poe's corpse around enough in the '60s. ~ Cavett Binion, Rovi

In this campy sci-fi film, the hero and his little band of post nuclear holocaust survivors find themselves stalked by telepathic cannibal mutants. ~ Sandra Brennan, Rovi

With the help of numerous never-fail omens, not to mention her pet beetle, Granny has predicted that it is going to rain. Conversely, the Weather Bureau has declared that sunny skies are in the forecast. Inevitably, it all boils down to sophisticated science versus mountain instinct. John McGiver guest stars as pompous weather expect Judson Addison, while Helen Kleeb plays Addison's secretary. "Granny Versus the Weather Bureau" originally aired on March 25, 1964. ~ Hal Erickson, Rovi

Toward the end of Jerry Lewis's Paramount studio period, Lewis slapped together this bitter comedy about Hollywood phoniness and fame that has to be the most rancid portrait of the Hollywood star system in the Rat Pack era this side of Clifford Odets. When a famous entertainer suddenly is killed in an airplane crash, his team of flunkies -- producer Caryl Fergusson (Everett Sloane), writer Chic Wymore (Phil Harris), press agent Harry Silver (Keenan Wynn), director Morgan Heywood (Peter Lorre in his final film role), valet Bruce Alden (John Carradine), and secretary Ellen Betz (Ina Balin) -- decide to continue their life style by finding a complete unknown and manufacturing him into a Hollywood star. That unknown turns out to be the nervous and inept bellboy Stanley Belt (Jerry Lewis). They train Stanley to become an over-night singing sensation, and despite a disastrous recording session and a failed nightclub performance, the public relations blitz makes Stanley's recording of "I Lost My Heart in a Drive-In Movie" a smash single. So much so that Stanley is given a shot at appearing on "The Ed Sullivan Show." Expecting the worst, Stanley's management team abandons him right before his performance. But Stanley musters up enough confidence to go on the live program alone and manages to surprise his pessimistic ex-staff. A collection of Hollywood celebrities circa 1964 --George Raft, Ed Wynn, Ed Sullivan, Mel Torme, Rhonda Fleming and Hedda Hopper -- make cameo appearances. High spots include an apocalyptic music lesson with voice teacher Dr. Mule-rrr (Hans Conried), Ed Sullivan performing a bizarre impersonation of himself, and an ending that would make even Jean-Luc Godard blush. ~ Paul Brenner, Rovi