Maureen O'Hara Movies

Based on a true story, the made-for-TV Cab to Canada stars the indomitable Maureen O'Hara as Katherine Eure, a wealthy and very proper "little old lady from Pasadena." En route to a funeral, Katherine summons the cab driven by one Mike Donahue (Jason Beghe). In answer to the traditional "Where to, lady?," Kathryn knocks Mike for a loop when she imperiously insists upon being driven to Vancouver, British Columbia...some 3,100 miles away. During the motor odyssey that follows, Kathryn proves that she's something substantially more than just another arrogant old dowager, just as the down-to-earth Mike loses his natural-born animosity toward those better off than himself. Meanwhile, the authorities are at their wit's end, convinced that Kathryn has been kidnapped, and are prepared to mete out harsh punishment for her captor. A pre-Sixth Sense Haley Joel Osment appears as Bobby. Cab to Canada made its CBS network bow on November 29, 1998. ~ Hal Erickson, All Movie Guide

Writer-director Chris Columbus mines Paddy Chaveysky's Marty for this bittersweet comedy about a lonely 38-year old Chicago cop dominated by his harridan mother. Danny Muldoon (John Candy), in spite of being well known and well liked in his neighborhood, still lives at home with his mother Rose (Maureen O'Hara, returning to the screen after a twenty year absence) and spends most of his time worrying about her. One night at the local Irish bar, he meets the shy Theresa Luna (Ally Sheedy), whose father is the local funeral director, and both Danny and Theresa immediately fall in love. The only obstacle to their happiness is the jaded opinions of Danny's friends. Rose, in particular, launches into a bigoted Italian salvo that intimidates Danny, making it difficult for him to continue the relationship. ~ Paul Brenner, All Movie Guide

Hosted by the American Film Institute, this video is a tribute to career of John Ford. Included are excerpts from: Stagecoach, Fort Apache and The Grapes of Wrath. ~ Tana Hobart, All Movie Guide

In this syrupy comedy, a father attempts to reconnect with his troubled, estranged son, a philosophy professor. The chance at reconciliation comes when the son learns that his father, whom he hasn't seen in years is fighting a strange nameless movie disease in a French hospital. The young man's wife is not pleased. While aboard the jet, the son reflects upon his upbringing and the fights that would erupt between his mother, a fundamentalist Christian, and his father, an atheist. He remembers how his father turned to a free-spirited artist for comfort. Just before she left him, the artist gave the father a lovely poem. Later after his son became a teacher, the father decides to enter to piece in a poetry contest and wins $10,0000, which he plans to donate to his son's department. Unfortunately someone discovers that the artist's "original" poem is anything but and the father is publicly humiliated while his son is passed for promotion. Seeing how unhappy his son has become, the father decides to go to a church and pray for his son to get promoted. It works, but unfortunately a man had to die for the son to get it leaving the father to be wracked with guilt. Fortunately with the son's arrival comes the father's salvation. ~ Sandra Brennan, All Movie Guide

Originally released in Great Britain as The Battle of the Villa Fiorita, this film is not a wartime epic but a cozy domestic drama. Maureen O'Hara plays an American woman who leaves British husband Richard Todd, taking their two children along. While vacationing on the Riviera, Maureen falls in love with Rosanno Brazzi, a widowed Italian concert pianist who also has children. None of the kids are keen on this continental romance, and do their best to break up the affair. One of the children is played by pre-teen Olivia Hussey, several years before her star turn in Zefferelli's Romeo and Juliet. Consistently lovely to look at, Affair at Villa Fiorita is not for those who prefer surprises in their film fare. ~ Hal Erickson, All Movie Guide

George Washington McLintock (John Wayne) has a saddlebag full of trouble. The owner of the largest ranch in the territory, which also includes a mine and a lumber mill that he built up himself, should be a happy, fulfilled man, but he isn't. His wife, Katherine (Maureen O'Hara), walked out on him two years ago without a word of explanation and has been living back east and running in very fancy circles. He's getting older, a fact of which he's constantly reminded as friends around him decline in health. He's being challenged by their sons, eager to make their mark on the territory, and by the homesteaders who are pouring in with the support of the government, hoping to farm on land that's just barely adequate for cattle to graze on; he's got government officials underfoot, including an inept Indian agent (Strother Martin) and a corrupt land agent (Gordon Jones); the thick-headed, longwinded territorial governor, the honorable Cuthbert H. Humphrey (Robert Lowery), and the government back east are trying to push the Indians -- whose chiefs are some of McLintock's oldest enemies and his best and most honored friends -- by shipping them off to a reservation, where they'll be cared for like old women; and to top it all off, Katherine is coming back to secure a divorce and take custody of their 17-year-old daughter, Rebecca (Stefanie Powers), who's been at school back east and no longer likes anything to do with the West, any more than her mother does. All of that -- plus the presence of a young hired hand (Patrick Wayne) who's interested romantically in McLintock's daughter -- is the setup for a sprawling comedy Western with serious overtones, part battle-of-the-sexes and part political tract.

McLintock! was made mostly to keep John Wayne's production company solvent in the wake of the losses incurred from the production of The Alamo. Wayne needed a film that could be made quickly and have mass appeal, and he got more than he bargained for in James Edward Grant's screenplay, which owed a little to both The Taming of the Shrew and The Quiet Man. Shot in the spring of 1963 and premiered in late November of that year, McLintock! proved to be one of the star's most popular and successful films of the '60s. It was a prized possession of the Wayne estate and was held unavailable for all of the '80s and beyond until they missed the copyright renewal in 1991 -- after that, it emerged in numerous substandard videocassette and DVD editions. There was an authorized VHS edition from MPI in the early '90s, and there were legitimate showings on WTBS, but until 2005 there was no decent quality DVD version. Late that year, Paramount Home Video, working under license from the Wayne estate, released a beautiful letterboxed DVD edition loaded up with extras. ~ Bruce Eder, All Movie Guide

Sam Peckinpah's first feature as director is this modest Western, taking place in the late 1860s. Yellowleg (Brian Keith), a former sergeant in the Union army, is obsessed with tracking down Turk (Chill Wills), a Rebel army deserter who, during the War Between the States, tried to scalp him as he lay wounded on a battlefield. Yellowleg finds Turk and his sidekick Billy (Steve Cochran) in a cantina and convinces them to help him rob a bank. They journey to Gila City, where the bank is located, and find that another group of bank robbers are also in Gila City to rob the same bank. During a shoot-out with the other bank robbers, Yellowleg accidentally kills the nine-year-old son of dance-hall hostess Kit Tilden (Maureen O'Hara). Remorseful at having caused the death of Kit's son, Yellowleg forces Turk and Billy to accompany him through Apache territory to bury Kit's son at the gravesite of her husband in the ghost town of Siringo. When Billy attacks Kit, Yellowleg throws him out of their camp. Then Turk deserts. As Kit and Yellowleg finally reach Siringo, Yellowleg realizes that he is in love with her. But then, Billy and Turk reappear, having robbed the bank in Gila City, leading to a final confrontation between Yellowleg and Turk. ~ Paul Brenner, All Movie Guide

The first half of this 1961 Walt Disney Presents episode shows the work that went behind the delightful animated opening titles of the upcoming Disney theatrical feature The Parent Trap. Famed studio artists Bill Justice, X. Attencio, and T. Hee are seen bringing the titles to life, from storyboard to final print; as a bonus, excerpts from The Parent Trap are previewed, and Tommy Sands and Annette Funicello are shown recording the film's hit title song The rest of the episode consists of Disney's Oscar-winning "True-Life Adventure" short subject Nature's Half Acre, originally released theatrically in 1952. Narrated by Winston Hibler, the film follows the four seasons of nature, from the viewpoint of several species of birds, insects, and plants. "Title Makers and Disney's Half Acre was Walt Disney's final TV-anthology episode for the ABC network, and the last one telecast in black-and-white. Beginning in the fall of 1961, the producer's series would air on NBC under the title Walt Disney's Wonderful World of Color. ~ Hal Erickson, All Movie Guide

The Wings of Eagles is filmmaker John Ford's paean to his frequent collaborator--and, it is rumored, drinking buddy--Cmdr. Frank "Spig" Wead. John Wayne stars as Wead, a reckless WW1 Naval aviator who (it says here) was instrumental in advancing the cause of American "air power". In private life, Wead becomes estranged from his wife Minnie (Maureen O'Hara) after the death of their baby. Drinking heavily, Wead tumbles down the stairs of his home, and as a result he is apparently paralyzed for life. With the help of happy-go-lucky Navy mechanic Carson (Dan Dailey), Wead is able to regain minimal use of his legs, but it seems clear that his Naval career is over. Fortunately, he manages to find work as a prolific Hollywood screenwriter, and after the attack of Pearl Harbor he is called back to active duty to oversee the construction of "jeep carriers". Not one of John Ford's more coherent films--in fact, it's downright sloppy at times--The Wings of Eagles nonetheless contains several highlights, not least of which are the "I'm gonna move that toe" scene with John Wayne and Dan Dailey, and Ward Bond's inside-joke performance as irreverent film director "John Dodge". ~ Hal Erickson, All Movie Guide

This very lightweight comedy focuses on young orphan Willie Taylor (Tim Hovey). Upset with the prevarications of the adult world, Willie launches a truth-telling campaign at school, with the blessings of his pretty teacher Joan Madison (Maureen O'Hara). Things begin to get dicey when Willie publicly reveals a slightly dishonest real-estate deal mastermined by his Uncle Arthur (Barry Atwater). Crusading reporter Ernie Miller (John Forsythe) transforms little Willie into a big celebrity, and in so doing wins the love of Joan. A good supporting cast helps smooth over the lumpier passages of Everything but the Truth. ~ Hal Erickson, All Movie Guide

The life story of West Point athletic director Marty Maher was the inspiration for John Ford's The Long Gray Line. Told in flashback, the film recalls the first days at the Point for Irish immigrant Maher (Tyrone Power), a pugnacious boy who can't seem to fit in with the institution's regimen of unquestioning discipline. Athletic director Ward Bond takes a liking to Maher and arranges for the young man to become his assistant; Bond also plays Cupid between Maher and Irish maidservant Mary O'Donnell (Maureen O'Hara). When Mary's baby is stillborn, the Mahers begin to regard the West Point cadets as their surrogate children: this eventually leads to the film's most touching scene, in which Mary bids farewell to her son-substitute as he marches off to World War II. Following Mary's death, Marty stays on at the Point, until the place seems somehow incomplete without his presence. On the occasion of his forced retirement, Maher gently pleads with one of his former students--President Dwight D. Eisenhower--to permit him to remain at his post (Ike is played by Harry Carey Jr. in his early scenes, and by the voice of Paul Frees in the wraparound White House scenes). Based on Marty Maher's autobiography, The Long Gray Line seems at first glance too leisurely for its own good, but this appealing film gradually grows on its audience--just like Marty Maher himself. ~ Hal Erickson, All Movie Guide

In this adventure, set in North Africa, a secret agent must find a band of smugglers. The man who recommended her for the job is another American agent who works in foreign law enforcement. Only he knows her real identity and he is soon killed leaving her to break up the ring with the assistance of another agent masquerading as a smuggler. The are also assisted by a friendly saloonkeeper. The story was shot on location in Tangiers. ~ Sandra Brennan, All Movie Guide