Barry O'Hara Movies

The first independent production of former studio mogul Jack Warner, 1776 was adapted from the hit 1969 Broadway musical by Peter Stone and Sherman Edwards. William Daniels, Ken Howard, and Howard Da Silva are among the many actors who recreate their Broadway roles. The story is set during the first Continental Congress, when the Declaration of Independence was drafted by such founding fathers as John Adams (Daniels) and Benjamin Franklin (Da Silva). The script attempts to "humanize" these remote historical figures by contemporizing them -- particularly the character of Ben Franklin. Blythe Danner's character of Martha Jefferson is expanded for the film version to allow for an elaborate outdoor production number. After 1776, Warner made only one more film, the 1972 "grunge Western" Dirty Little Billy. On an added note: the picture was originally rated G with its theatrical running time of 141 minutes. It was later expanded to 166 minutes; the added scenes caused the MPAA to re-rate it PG (for language) in 1992. Both versions are available on video. ~ Hal Erickson, All Movie Guide

A cinematic take on a 1960s best-seller, Valley of the Dolls traces the ups and downs of three young women as fame, booze, pills, and men consume their lives. Well-bred, small-town Anne Welles (Peyton Place star Barbara Parkins) arrives in New York eager for fame but settles for a job assisting theatrical attorney Henry Bellamy (Robert H. Harris). The job leads her to cross paths with Helen Lawson (Hollywood veteran Susan Hayward), the grand dame of Broadway musicals, and Neely O'Hara (sitcom star Patty Duke), an up-and-coming performer whom Lawson unceremoniously boots from her latest show. Neely lands on her feet thanks to a series of nightclub gigs, and soon she and Anne befriend Jennifer North (Sharon Tate), a buxom starlet. As Neely becomes a huge star of stage and screen and Jennifer appears topless in a string of European "art" films, Anne becomes a wealthy cosmetics spokeswoman and suffers though a passionate but failed affair with aspiring writer Lyon Burke (Paul Burke). As the pressures of fame and failed romance take their toll on all three women, they take refuge in food, sex, liquor, and pills -- especially Neely, who becomes downright monstrous (the titular "dolls" are the uppers and downers to which she becomes hopelessly addicted). Although the film's characters are fictitious composites, Neely most closely resembles Judy Garland; Garland herself was originally cast as Lawson, but she was replaced after only a few days by Hayward. Although the film's trailer played up the story's titillating subject matter, the script for Valley of the Dolls actually toned down Jacqueline Susann's novel. And despite the fact that Dionne Warwick can be heard singing "(Theme From) The Valley of the Dolls" twice during the film, contractual snags kept her from releasing the soundtrack version; a different arrangement later became a number two pop hit in 1968. ~ Brian J. Dillard, All Movie Guide

Fluffy the lion is featured in this comedy. He plays the subject of an ambitious experiment done by Daniel Potter (Tony Randall) -- a scientist trying to prove that even a wild animal like a lion can be made into a pet with proper training. Wherever he goes, Potter's ponderous pet incites mayhem amongst the region's fearful residents. To escape his panicky neighbors, Potter and Fluffy hide out in a hotel. There the owner's plucky daughter (Shirley Jones) falls for the unlikely duo. ~ Sandra Brennan, All Movie Guide

After being hit on the head by a falling safe (!), Herman (Fred Gwynne) completely loses his memory. The police find Herman and take him into protective custody, whereupon Lily (Yvonne DeCarlo) and Grandpa (Al Lewis) try to figure out a way to get him back. They hit upon the brilliant idea of "adopting" Herman as their son--an idea that may not work, depending upon "John Doe" Herman's reaction to his "new" family. ~ Hal Erickson, All Movie Guide

When Mayberry choir director John Masters (Olan Soule) announces that he needs a new first tenor, Barney volunteers for the job. Unfortunately, Barney's musical skills are on a par with his talents as deputy. When it becomes obvious that the other choir members haven't the heart to tell Barney that his singing stinks, Andy comes up with a face-saving strategy that could well have been borrowed from the climax of Singin' in the Rain. Originally shown on February 19, 1962, "Barney and the Choir" was written by Jack Elinson and Charles Stewart. ~ Hal Erickson, All Movie Guide

Cliff Brandon (Victor Mature) is a US pilot serving in China in 1943, flying supplies to Allied soldiers in Burma. He's the best at what he does in the air, but he's also emotionally cut off from everyone around him, disillusioned by the loss of men in his command during nearly two years of war. When he's not in the air on a mission, or riding his new men (including Stuart Whitman, Tige Andrews and Johnny Desmond) to learn their jobs as fast as they can so they can survive, he's usually either passed out drunk or getting there on the ground. One night, while staggering out of his usual watering hole, he chances to meet an elderly Chinese man and, after a barely understood conversation, hands him a pile of money. When Cliff awakens the next day, he discovers that he's bought three months of housekeeping service from the man's daughter, Shu-Jen (Li Li Hua). At first he's at a loss over what to do about her -- he would gladly send her back to her father, until he learns from local missionary Father Cairns (Ward Bond) that Shu-Jen (whose name means "precious jewel") is the sole supporter of her family; and that if he sends her back, they'll return his money as a matter of honor, and have to sell her services as a housekeeper again; and that the next time that may be to someone who is a lot less honorable than Cliff, and could destroy the rest of the girl's life. So they're stuck with each other, and in the course of three months together Cliff discovers through Shu-Jen a joyous side to life that he'd forgotten -- his men even notice that he smiles occasionally, and he actually seems like a human being, enough so that Cliff soon wants more out of life than just day-to-day survival; he wants a life with Shu-Jen. And despite her initial misgivings, they decide to marry. But duty constantly beckons to Cliff, especially when he's moved to a forward base to support a new Allied offensive -- he isn't there for the birth of their child, but he is able to bring them both to him, only to find that the war is now on both their doorsteps. ~ Bruce Eder, All Movie Guide