Jack O'Halloran Movies

Reconstructed using archival film and sound elements long thought to be extinct, this special cut of Superman II pieces together unseen footage shot by Richard Donner in order to present the most comprehensive version of what was to be the original cut of the blockbuster sequel. As initially planned, the first two films were to be filmed back-to-back using the same sets and actors to save on production costs. However, with a budget escalating out of control and Warner Bros. breathing down the producers' necks, the decision was made to drop any further filming on the sequel in order to finish the first movie and usher it into theaters. Of course, the first Superman was a wild success, so then it was just a matter of ramping up production again, though this time, Donner was not asked back. Instead, producers went with Richard Lester, who had served them well with his Three Musketeers films. Decisions were made to drop most of the key scenes that were already in the can, including all of the footage featuring Marlon Brando as Jor-El, the Man of Steel's father. After completion, the sequel found much success in theatrical and home-video box-office returns, though that didn't stop die-hard fans from speculating what Donner's cut would have looked like. Once the Internet was spawned, Warner Bros. saw interest grow more and more for this alternate version, even prompting the company to send cease and desist letters to individuals who had posted a re-edit of the film using deleted footage taken from an alternate TV version from the U.K. With the release of Superman Returns, the company saw this as a chance to finally deliver what people had wanted for years and enlisted Michael Thau to oversee the restoration process. Under the tutelage of Donner's notes, scripts, storyboards, and the director himself, the new version was delivered to home audiences in 2006, thereby not only giving people a look into what could have been, but giving a director an unprecedented chance to realize a vision long thought lost in the annals of movie history. ~ Jeremy Wheeler, All Movie Guide

So many screenwriters have surreptitiously updated the works of Mark Twain with contemporary jargon and "political correctness", without saying they've done as much, that it's a bit refreshing to see an admitted, all-out updating of Twain. Scenarist Chrstopher Sturgeon has transplanted the characters and situations of Tom Sawyer and Huckleberry Finn into a modern-day setting that accomodates both Hannibal, Missouri and Las Vegas, Nevada! The "Huck" counterpart, played by Chauncey Leopardi, escapes his abusive stepfather in the company of a cardsharp named Injun Joe-played herein by genuine Native American Graham Greene. Featured in the cast are such surefire laughgetters as Joe Piscopo and John Astin, the latter cast in the "Widow Douglas" role (you have to be there). As audacious and stilted as it sounds, Huck and the King of Hearts works, and works beautifully. ~ Hal Erickson, All Movie Guide

This gangster satire involves a boss (William Hickey) who turns over the reins of his organization to an incompetent son (Eddie Deezen). ~ John Bush, All Movie Guide

Dan Aykroyd must have practiced for months to perfect his Jack Webb inflections for Dragnet. Screenwriter Tom Mankiewicz's directorial debut (also written by Mankiewicz, along with Aykroyd, and Alan Zweibel) is a gentle spoof of the legendary '50s television police drama -- pitting '50s conservatism smack up against the attitudes of the '80s. Basically, the film is another 48 Hours or Beverly Hills Cop clone. Aykroyd stars as Joe Friday, the nephew of the original Friday. But with his brown suit, fedora, and lockjaw, he could just as well be the incarnation of Jack Webb. He is involuntarily assigned a smart alecky, street-wise partner, Pep Streebeck (Tom Hanks), and they are appointed to investigate a series of religious cult murders in L.A. The two cops follow the trail to a phony televangelist, the Reverend Jonathan Whirley (Christopher Plummer). From there, they are only at step away from uncovering an Orange County-based religious cult calling itself P.A.G.A.N. (People Against Goodness and Normalcy). After sneaking into a secret ceremony, Friday falls in love with the sacrificial victim Connie Swail (Alexandra Paul). So much so that even after his superior Captain Gannon (Harry Morgan, reprising his role from the '60s revival of the Dragnet program) orders him off the case, Friday continues on, with the requisite car chases and crashes that usually climax any '80s cop movie or comedy. ~ Paul Brenner, All Movie Guide

James Coburn is "The Baltimore Bullet", a legendary pool player who's seen better days. Coburn "adopts" aspiring pool champ Bruce Boxleitner, teaching him practically everything he knows. As we know it must, the plot requires Coburn and Boxleitner to face each other in the climactic winner-take-all match. As much fun as Baltimore Bullet is, the film can't help but be dwarfed by the 1986 Hustler sequel The Color of Money. Ronee Blakely proves an appealing heroine, while several real-life pool greats (Willie Mosconi, Irving Crane, Steve Mizerak etc.) show up in cameo roles. ~ Hal Erickson, All Movie Guide

Dick Richards directed this French Foreign Legion adventure that's at once parodies and pays tribute to the venerable Hollywood epics that preceded it. Gene Hackman stars as Major William Sherman Foster, a soldier who has been kicked out of West Point but has managed to obtain command of a group of Legionnaires after the end of World War I. His troops have been ordered to accompany an archeological expedition traveling to Morocco headed by Francois Marneau (Max von Sydow). Foster's motley band includes an on-the-lam cat burglar named Marco Segrain (Terence Hill), an ex-guardsman from the deposed Russian monarchy named Ivan (Jack O'Halloran), an adventure-seeking aristocrat named Fred Hastings (Paul Sherman), and an alluring beauty named Simone Picard (Catherine Deneuve). As the band makes their way to Morocco, they cross paths with the fervid and bloodthirsty Arab leader El Krim (Ian Holm), who vows to unite his people to expel foreigners from their land. ~ Paul Brenner, All Movie Guide

Previously filmed in 1942 as The Falcon Takes Over and in 1944 as Murder, My Sweet, Raymond Chandler's Farewell My Lovely was given its third cinematic go-round under its original title in 1975. Spouting the Chandlerish prose as if it were second nature, Robert Mitchum stars as 1940s private eye Philip Marlowe, hired by the goonish Moose Malloy (Jack O'Halloran) to locate his former girl friend. This involves Marlowe in the theft of a jade necklace, which in turn leads to murder. All roads seemingly lead to adventuress Mrs. Grayle (Charlotte Rampling), wealthily married but far from satisfied. ~ Hal Erickson, All Movie Guide