Nell O'Day Movies

Also known as Boss of Rawhide, this "Texas Rangers" western top-bills Dave O'Brien, James Newill, and Guy Wilkerson. This time, the three Rangers are called upon to solve a series of rangeland murders. The victims were all ranchers, and it looks as though the same gang was responsible for all the killings. Our heroes suspect that the gang leader is a "respectable" citizen-but who is it? Pepping up the proceedings (or slowing them down, depending upon one's point of view) are a couple of songs, adequately warbled by the stars. The leading lady is Nell O'Day, an accomplished horsewoman who should have had a western series of her own. ~ Hal Erickson, All Movie Guide

In this western, the Three Mesquiteers team up with a Texas Ranger to round up the outlaws who forced the ranger's younger brother into becoming a criminal. ~ Sandra Brennan, All Movie Guide

In this western the three Range Busters go undercover, take on a gang of ruthless outlaws, and bring them to justice. ~ Sandra Brennan, All Movie Guide

White villains once again agitate a friendly tribe of Indians in this average Columbia serial starring nonentity Robert Stevens (aka Robert Kellard. Stevens, who was awarded billing below leading lady Nell O'Day, played Sgt. MacLane of the Royal Canadian mounties, assigned to quell the uprising. As it turns out, a nasty renegade, Mort Ransome (Kenneth MacDonald), is behind the attacks, conspiring with evil medicine man Black Bear (Nick Thompson) to stir up the heretofore friendly tribe for his own gain. Between chapter one, "The Totem Talks" and the concluding (and self-explanatory) "The Mountie Gets His Man," MacLane, heroine Diana and the mounties survive Indian attacks, forest fires, explosions and sundry other perils, all courtesy of Columbia producer Larry Darmour. ~ Hans J. Wollstein, All Movie Guide

Stagecoach Buckaroo was Johnny Mack Brown's final Universal western of the 1941-42 season. A gang of holdup men has been plaguing the stagecoach line run by Denton (Henry Hall), the father of heroine Molly (Nell O'Day). Hoping to flush out the crooks, hero Steve (Johnny Mack Brown) rides shotgun on the next stage run, with his sidekick Clem (Fuzzy Knight) sitting inside the coach disguised as a female passenger! Clem's "drag" routine is played for as many laughs as it can get, then the film hunkers down to the business at hand-namely, gunfire and fisticuffs. Despite a short 58-minute running time, Stagecoach Buckaroo is able to accommodate four song numbers. ~ Hal Erickson, All Movie Guide

In one of his better early Westerns, Tim Holt, as Deputy Marshal Larry Durant, is sent to Spencerville where a gang of vigilantes has been terrorizing the citizenry. Going undercover as a gunsmith, Larry quickly learns that the leader of the vigilantes, John Spencer (John Elliott), is an honest man who only seeks to establish law and order. The real brains behind the crimes, meanwhile, are revealed to be Spencer's brother-in-law, Lou Harmon (Roy Barcroft), and his chief henchman, Leighton (Charles King), who speculate in the coming of the railroad by forcing the townspeople to relinquish their land. When Harmon learns from innocent tattle-tale Ike (Cliff Edwards) that the railroad will be bypassing Spencerville in favor of neighboring East Spencerville, the vigilantes shift their operations to that community. Spencer is killed by Leighton in the ensuing melee but with the assistance of the East Spencerville townspeople, Larry manages to trap Harmon and his gang in the local saloon. When not making life difficult for Tim Holt, comedy relief Cliff Edwards performs "Grandpap" and "Where the Mountain Meets the Sunset," both by Fred Rose and Ray Whitley. Pirates of the Prairie was a remake of Legion of the Lawless, a '40s Western starring Tim Holt's predecessor at RKO, George O'Brien. ~ Hans J. Wollstein, All Movie Guide

Rawhide Rangers is a satisfyingly equitable blend of western action, music and comedy relief. The villains are a group of frontier businessmen who set up a "protective" organization for the purpose of extorting money from the local ranchers. Enter hero Johnny Mack Brown, who has arrived in town to avenge the death of his brother. In short order, Brown deduces that the crooked businessmen were also responsible for his brother's murder, and then all heck breaks loose. Nell O'Day, one of the best horsewomen in Hollywood, is cast as the film's eminently self-reliant heroine. ~ Hal Erickson, All Movie Guide

In this western, a mining engineer vengefully seeks out the claim jumpers that murdered his brother. ~ Sandra Brennan, All Movie Guide

In this drama two children return from their separate boarding schools to a nasty surprise. The father of one is romantically involved with the other's aunt. The two immediately try to destroy the love affair. They all get involved with chasing some thieves and end up in jail. There the judge marries the lovers and the children are finally able to accept it. ~ Sandra Brennan, All Movie Guide

Johnny Mack Brown from Alabama stretches his acting range to play the Man From Montana. The old "divide and conquer" western plotline is trotted out once more, as evil land usurpers pit homesteaders against cattlemen in a range war. Riding into this tense situation is Bob Dawson (Brown), who deduces that the man behind all the trouble is probably a highly respected member of the community. Dawson is absolutely right, but it takes a couple of brutal murders before the "mystery man" finally tips his hand. Nell O'Day, an expert horsewoman in her own right, plays the heroine, while Fuzzy Knight supplies an acceptable blend of comedy relief and rugged self-reliance. ~ Hal Erickson, All Movie Guide

W.C. Fields heads to Esoteric studios to pitch a story idea to producer Franklin Pangborn. The producer wants to make a conventional romantic musical starring Fields' niece, teen-aged soprano Gloria Jean, but "The Great Man" has other ideas. As Pangborn sits in dumbfounded silence, Fields unravels an incoherent farrago which begins with him travelling to a Russian colony in Mexico--by way of an airliner with an open observation platform. Fields dives from the plane when his precious flask of gin falls overboard; he lands safely at the mountaintop mansion of the formidable Mrs. Hemoglobin (Margaret Dumont). Playing a kissing game with Hemoglobin's beauteous daughter (Susan Miller), who has never seen a man before, Fields decides to make a quick exit when Mama wants to get in on the game too. Reunited with Gloria Jean in the Russian colony, Fields learns that Mrs. Hemoglobin is worth millions, so he climbs back up the mountain, ignoring such obstacles as a displaced African gorilla. Disposing of his rival Leon Errol, Fields is about to wed Mrs. Hemoglobin, but is talked out of it at the last moment by Gloria Jean. At this point in the narrative, producer Pangborn can stand no more. He tells Fields to take his nonsensical screenplay and vacate the premises. After a brief episode at a soda fountain ("This scene was supposed to be in a saloon, but the censors made us cut it out"), Fields drives off to new adventures with his niece--but not before a zany slapstick car-chase finale, prompted by Fields' mistaken belief that he's rushing a corpulent middle-aged lady to the maternity hospital. W. C. Fields' original screenplay for Never Give a Sucker an Even Break (written under the fanciful pseudonym of Otis Criblecoblis) made a lot more sense than what ended up on screen, but Fields' extended absences from the studio, coupled with Universal's desire to reshape the film into a vehicle for their new star Gloria Jean, necessitated a complete restructuring of the plot. While hardly Fields' best or most representative film, Sucker is an excellent example of the sort of nonsensical "nut" humor in vogue in 1941 thanks to Olsen and Johnson's Hellzapoppin'. And, occasionally, the film stands still long enough to allow W. C. Fields to mutter a priceless aside or toss off a perfectly timed double-take. ~ Hal Erickson, All Movie Guide

The comic effusions of Hugh "woo woo" Herbert helps to keep this otherwise forgettable farce afloat. It all begins when Bob Wade (Tom Brown) and Rosalie Brown (Peggy Moran), are conned into buying a run-down vaudeville agency. Upon taking charge of the failing enterprise, they find they have a partner named Hubert (Herbert),who's likewise been victimized by con artists. Pooling their wits and resources, the three suckers put some life back into their agency by promoting variety acts for department-store window displays. A stupid misunderstanding nearly breaks up the budding romance between Bob and Rosalie, but helpful Hubert patches things up in his own inimitable fashion. ~ Hal Erickson, All Movie Guide

This third film version of Maxwell Anderson's play Saturday's Children stars Claude Rains as the impecunious but proud father of a large brood. Rains' daughter Anne Shirley marries idealistic John Garfield, a would-be inventor who works for Shirley's father. Feeling that he's been tricked into marriage, Garfield gives every indication of turning out to be as much "failure" as Rains. Only when Garfield and Shirley are on the verge of breaking up do they realize that material gain is not the only barometer of success in life. Previous filmizations of this story include Saturday's Children (29), starring Corinne Griffith, and Maybe It's Love (35), costarring Ross Alexander and Gloria Stuart. ~ Hal Erickson, All Movie Guide