Kevin J. O'Connor

Authors Dave Eggers and Vendela Vida provide the script for Sam Mendes' (Revolutionary Road) untitled comedy focusing on a married couple (John Krasinski and Maya Rudolph) searching for a place to live before their baby is born in this Focus Features production. Maggie Gyllenhaal and Curb Your Enthusiasm's Cheryl Hines co-star in the Big Beach and Neal Street co-production. ~ Jeremy Wheeler, All Movie Guide

Opposites attract in the close quarters of a one bedroom apartment in this romantic comedy from first-time director Claudia Meyers. Mel (Matthew Modine) plays saxophone with a jazz band, and the only thing he's ever pursued with the same passion as his music is women, whom he loves and leaves on a regular basis. However, Mel has decided it's time that he finally made a commitment to something besides his pet goldfish, and agrees to move in with his latest girlfriend, Inga (Ewa Da Cruz). This means giving up his apartment, which Mel sublets to Ginger (Gina Gershon), a pretty but seriously geeky scientist who has come to New York from the U.K. to study the sexual habits of frogs. One day, while riding a ferry, Mel literally runs into Diana (Christy Cashman), a beautiful blonde wearing a wedding dress, and he immediately falls head over heels for her. The fact Mel has been hired to play Diana's wedding reception (not to mention the fact Diana fully intends to marry someone who isn't Mel) doesn't dissuade him from trying to court her, and Mel moves out of Inga's place and into his old flat. Trouble is, Ginger refuses to move out, and being forced to share the apartment doesn't agree with either of them. But before long, Ginger's frogs begin displaying an unusual attraction to Mel's fish, just as the free-spirited musician and the uptight scientist discover they have more in common than they thought. Kettle of Fish received its world premier at the 2006 Tribeca Film Festival. ~ Mark Deming, All Movie Guide

Frequent television director David Von Ancken (Oz and The Shield) offers a thrilling meditation on the true nature of revenge with this post-Civil War era tale of a one man's quest to put his nemesis in the ground, and another man's struggle to survive at any cost. Deep in the snowy mountains of the American West, a lone man named Gideon (Pierce Brosnan) basks, lost in thought, in the warm glow of a small fire. When a shot suddenly rings out and a bullet whizzes just inches from his head, Gideon is suddenly pulled from his repose. His reaction is too slow, however, to save him from the impact of a second bullet fired immediately thereafter; a bullet that painfully lodges itself into the soft flesh of Gideon's tired shoulder. The man who fired these bullets is Colonel Morsman Carver (Liam Neeson), and Carver's goal is to hunt Gideon down like an animal and extract painful revenge for a past transgression that left Colonel Carver forever changed. From this point on, there will be no peace in either man's life as a harrowing game of kill-or-be-killed is played out against the backdrop of the awe-inspiring and deceptively treacherous wilderness where the unforgiving law of the land takes deadly precedence over the civility of modern society. ~ Jason Buchanan, All Movie Guide

Veteran screenwriters John Brancato and Michael Ferris created this X-Files-esque supernatural thriller series about a group of psychics who help the haunted and the doomed. Each of the group has their own metaphysical strengths: Warren (Kevin J. O'Connor) is a high-strung psychic, Mark (Gabriel Macht) is a med student with an innate empathy for suffering, Satori (Melissa) uses trendy occult imagery to connect to the supernatural, and Albert (John Aylward) is both grumpy and blind with a heightened sixth sense. The pilot opens with university student Marian (Julianne Nicholson) freaking out over visions of her dorm room's dead former resident. She is invited to sit with the "others" along with Elmer Greentree (Bill Cobbs), a sage-like medium who has the ability to see the afterlife. Soon Marian joins the group and starts ghost-busting. ~ Jonathan Crow, All Movie Guide

Loosely adapted from the classic 1932 horror film starring Boris Karloff, The Mummy is set in Egypt, where over 3,000 years ago the high priest Imhotep (played by Arnold Vosloo) was given the all-important assignment of preparing the recently dead for their journey into the afterlife. However, Imhotep made one terrible mistake - he became smitten with Anck-Su-Namun, the mistress of the Pharaoh himself. Driven mad by jealousy and love, Imhotep murdered the Pharaoh, and his punishment was to be buried alive and suffer the torment of an eternal life in his wretched tomb. In 1925, a band of adventurers seeking fame and fortune - led by Rick O'Connel (Brendan Fraser), an American expatriate who has joined the foreign legion, and Evelyn Carnarvon (Rachel Weisz), an amateur archeologist - find a previously unknown burial site in Egypt. The team starts to dig, hoping to find lost riches, but instead they disturb the tomb of Imhotep, and soon the cursed priest rises from his grave to wreck vengeance on humanity. The Mummy was written and directed by Stephen Sommers, whose previous cinematic journeys into the past include The Jungle Book and The Adventures Of Huck Finn. ~ Mark Deming, All Movie Guide

Gods and Monsters was promoted from the outset as an artistic drama, but the publicity tended to play coyly on the possibility of a homosexual romance between the retired film director James Whale, played by Ian McKellen and his hunky gardener Clayton Boone (Brendan Fraser). While the film does involve romance, the central relationship between the director and his gardener is about the development of a genuine friendship between two outwardly dissimilar but inwardly kindred spirits. In the story, Whale has been living for many years in peaceful, if not entirely contented retirement, under the loving and watchful eye of his contentious and argumentative Hungarian housekeeper (Lynn Redgrave). His earlier celebrity as the director of the original Frankenstein movie and its sequel, The Bride of Frankenstein, results in his being visited occasionally by disagreeable young men who have come to bask in the reminiscences of this creator of two "camp" classics. His reputation as a fairly outrageous homosexual comes into play here, when one particularly unpleasant and effeminate young man comes by seeking cinematic tidbits: the director challenges the boy to a game of stripping off one article of clothing for every revelation he shares about his moviemaking past. He had gotten the boy down to his briefs when he is stricken with one of his ever-recurring bouts of epilepsy, the result of a series of strokes. By way of contrast, while he is clearly interested in his gardener as a sex-object, gradually luring him into ever closer association, the openness and vulnerability of this awkwardly aggressive heterosexual boy inspires him to reveal the history of his heart. It turns out that, like the young man who is modeling for his supposed artworks, he came from a poor and difficult background. By the time naïve gardener learns of the director's homosexuality from the housekeeper, he has been drawn too deeply under the man's spell to stay away from their meetings for long. While the tension between the men never departs, a genuine relationship of caring develops between them. Meanwhile, Whale has been clearly observing the progressive deterioration of his mental faculties, and is increasingly being overwhelmed by vivid memories and visions. ~ Clarke Fountain, All Movie Guide

In this thriller, a young man finds himself accused of abducting his own girlfriend and holding her for ransom. Meanwhile, his lover is in grave danger from her murderous captor. ~ Sandra Brennan, All Movie Guide

This 1997 remake of the '60s successful, sequel-spawning The Love Bug (the highest grossing film in the U.S. in 1969) includes a cameo by Dean Jones, star of the original Love Bug. Herbie, a 1963 VW Bug with personality, is saved from destruction by former race-car driver Hank Cooper (Bruce Campbell), who sees the car has special talents. Conceited Scotsman Simon Moore III (John Hannah) creates an evil vehicle named Horace the Hate Bug and sends it after Hank and his girlfriend, auto journalist Alex (Alexandra Wentworth). Clarence Williams III is seen as an eccentric garage owner, and Monkee Mickey Dolenz appears as a racing promoter. The remake first aired November 30, 1997 as part of ABC's Wonderful World of Disney series. ~ Bhob Stewart, All Movie Guide

A private investigator hired to protect a popular stage magician finds himself drawn into a dark, occult underworld in this supernatural horror film from writer-director Clive Barker. With several nods to film noir tradition, the danger begins for detective Harry D'Amour (Scott Bakula) when he is approached by a beautiful woman, Dorothea Swann (Famke Janssen). Dorothea is married to Philip Swann (Kevin J. O'Connor), a wealthy illusionist who has found fame by disguising real magic as stage trickery, and believes that her husband may be in danger. Harry reluctantly agrees to investigate, and he discovers that Swann has made enemies of a bizarre religious cult who wish to resurrect their leader, an evil sorcerer killed by Swann. ~ Judd Blaise, All Movie Guide

When New York psychiatrist Bill Capa (Bruce Willis, in an uncharacteristically un-smirking performance) visits Los Angeles to take over his murdered colleague's therapy group, he finds himself embroiled in the thick of a mystery when he bumps into (literally) Rosa (Jane March) and begins a torrid affair. Double-identities, death threats and love scenes abound as he delves deeper into the case to uncover the truth about his friend's death. ~ Jeremy Beday, All Movie Guide

A man from the future fights to survive in a society thrown back to the dark ages in this sci-fi adventure set in 2022. Capt. Robbins (Ray Liotta) is a military man who, after he's convicted of the murder of his superior officer, is sentenced to a high-tech prison ruled by the Warden (Michael Lerner), a cruel taskmaster who enjoys torturing his inmates. After a scuffle with the Warden, Robbins is transferred to a primitive island penal colony known as Absalom, where the civilization is dominated by two groups, the Insiders, a peaceful tribe led by the Father (Lance Henriksen), and the Outsiders, a pack of violent misfits led by Marek (Stuart Wilson). Robbins runs afoul of the Outsiders and is injured in a skirmish; he escapes to the Insiders' camp, where he plots his revenge. No Escape was based on the novel The Penal Colony by Richard Herley. ~ Mark Deming, All Movie Guide

Stephen Frears' Hero is a contemporary re-working of a Frank Capra-styled fable about a two-bit criminal named Bernie (Dustin Hoffman) who saves several passengers from a plane crash and leaves the scene without being identified, leaving only a lost shoe for identification. One of the passengers happens to be news-reporter Gale (Geena Davis) who is intent on finding her savior, and offers a million dollars to the "hero" of the crashed flight. Bernie has since given his remaining shoe to a homeless man named John (Andy Garcia) who decides to cash in on the offer. A handsome, charming man, John wins the hearts of the entire city. Soon, Bernie realizes that he's been cheated out of a million dollars, and he begins an effort to get his proper recognition--and his money. Hero manages to be quite funny and satirical while sticking to a story that is essentially a Hollywood fable. That is to the credit of director Frears and the cast, who turn in uniformly excellent performances. Nevertheless, Hoffman is superb as a bitterly comic and spiteful variation on his classic Ratso Rizzo character. By the way, be on the lookout for Chevy Chase in a very funny cameo. ~ Stephen Thomas Erlewine, All Movie Guide

A Lebanese gunrunner is murdered, and the most likely suspect is Ian O'Connell (Anthony Heald), an Irish Republican Army terrorist. This poses a dilemma for detective Logan (Chris Noth), who wonders if his own pro-Irish sentiments may prevent him from conducting an impartial investigation. Originally scheduled to air on January 22, 1991, this episode of Law & Order was bumped forward to March 26 of that year (curiously, only nine days after St. Patrick's Day). ~ Hal Erickson, All Movie Guide