Bob O'Connell Movies
Two women with serious differences are forced to look out for each other in this anarchic comedy. Sandy (Bette Midler) and Lauren (Shelley Long) are a pair of struggling actresses who don't get along especially well -- and are even less fond of each other when they discover that they're both dating the same man, Michael (Peter Coyote). However, when Michael suddenly goes missing, they discover that he's actually an espionage agent working with a foreign government, and as they set out to find him, they learn that he has implicated them in his schemes. Now Sandy and Lauren are stuck with each other as they look for Michael while trying to outrun the law. Outrageous Fortune also stars George Carlin as Frank, a burned-out '60s holdover who the women meet along the way. ~ Mark Deming, Rovi
- Starring:
- Shelley Long, Bette Midler, (more)
The "wise guys" referred to in the title, Harry Valentini (Danny DeVito) and Moe Dickstein (Joe Piscopo), turn out to be not so wise after all in this crime-oriented comedy. Harry and Moe run the risk of certain death when they steal money from a Mafia don (Dan Hedaya) and then try to multiply their ill-gotten gains at the horse races. Naturally, they lose the bundle and the next thing they know they're running from hitmen and trying to come up with enough cash to pay back their debt. Wise Guys' blend of comedy and action represented something of a change of pace for director Brian DePalma, best known for his offbeat thrillers and Hitchcock homages. ~ Eleanor Mannikka, Rovi
- Starring:
- Danny DeVito, Joe Piscopo, (more)
Timothy Hutton stars in this rabble-rousing movie in the tradition of Rocky, directed by Bob Clark. Hutton plays Jimmy Lynch, the younger brother of New York City firefighter Terry (Robert Urich). Terry is off-duty and has been drinking but rescues a young girl for a dangerous fire. When he injures himself in the fire and is hospitalized, New York City refuses to pay for his medical expenses because he was intoxicated during the rescue. Incensed that Mayor Tyler (Robert Culp) refuses to look after his brother, Jimmy decides to take them all on and mounts a series of public stunts designed to embarrass the mayor. Along the way, Jimmy becomes a folk hero, since he hides his identity behind the signature "Turk 182!" Jimmy is now a celebrity and consents to sit down for a television interview to reveal his true identity. But when the television station fails to broadcast the interview due to political pressure, Jimmy takes it upon himself to stage one final elaborate stunt to make the public aware of Terry's plight. ~ Paul Brenner, Rovi
- Starring:
- Timothy Hutton, Robert Urich, (more)
Although penned by the same screenwriter, David S. Ward, this sequel to The Sting (1973) is tarnished by comparisons to its predecessor. Jackie Gleason fills the shoes of Paul Newman as Harry Gondorff and Mac Davis slips into the Robert Redford role of Johnny Hooker, two con men pals whose latest "sting" involves Hooker pretending to be a down on his luck boxer. Their goal is the fixing of a prizefight, which will rook a tacky nightclub owner (Karl Malden) out of a fortune while simultaneously getting revenge on their old nemesis, Doyle Lonnegan (Oliver Reed). On their side is Veronica (Teri Garr), a seasoned scam artist, but what Gondorff and Hooker don't know is that Lonnegan is manipulating events behind the scenes. Director Jeremy Paul Kagan followed up this terribly unfunny and inferior sequel with the much better received The Journey of Natty Gann (1985), while Ward became a director of such comedies as Major League (1989) and King Ralph (1991). ~ Karl Williams, Rovi
- Starring:
- Jackie Gleason, Mac Davis, (more)
- 1978
- PG
Richard Dreyfuss plays Moses Wine, an ex-Sixties radical who pays the bills as a private eye. Wine is hired to stem a smear campaign against a popular political candidate. Gradually the plot thickens into a murder case, involving a hippie leader whose values, like Wine's, have been severely compromised over the years - and who plans to blow up a major LA freeway as a protest. Susan Anspach provides a great deal of dramatic (and sexual) tension as Wine's boss. Among the minor players are future stars Mandy Patinkin and F. Murray Abraham. The Big Fix was adapted by Roger L. Simon from his own novel. ~ Hal Erickson, Rovi
- Starring:
- Richard Dreyfuss, Susan Anspach, (more)
A Brooklyn bachelor's (John Lefkowitz) thirtieth birthday forces him to come to terms with his lack of success--in business, in love and in general. ~ Jason Ankeny, Rovi
One of Woody Allen's earlier, more slapstick-oriented efforts, Bananas tells the story of Fielding Mellish (Allen), a neurotic New Yorker who follows the object of his affections, Nancy (Louise Lasser), to the fictional Central American country of San Marcos, where she is involved in a revolution. Nancy wants nothing to do with Fielding, but he soon becomes a guest of the country's dictator (Carlos Montalban), before accidentally becoming the leader of San Marcos himself. Fielding is eventually shipped back to the US and tried as a subversive, but being that this is a comedy, and an especially light one at that, everything works out in the end. A far cry from Allen's later, more somber films, Bananas still works as an often hilarious amalgam of sight gags, one-liners, and bizarre asides. ~ Don Kaye, Rovi
- Starring:
- Woody Allen, Louise Lasser, (more)
Peter Boyle delivers a strong and raw performance as Joe Curran, a racist factory worker who hates "hippies and niggers." The film deals with New York City advertising executive Bill Compton (Dennis Patrick), who kills Frank (Patrick McDermott), the junkie lover of his daughter Melissa (Susan Sarandon, in her film debut), when she ends up in a mental hospital after suffering an overdose of speed. Stunned by his rage, Bill goes into a bar and comes upon Joe, who discovers the murder and holds Bill in great esteem for his killing of the long-haired drug pusher, congratulating Bill on a job well done. The two begin a class-spanning friendship. When Melissa escapes from the hospital, after finding out that her father killed her boyfriend, Bill and Joe comb Greenwich Village to find her. When they come upon a hippie pot party, the two reactionaries snap, pull out their guns, and go on a killing spree. ~ Paul Brenner, Rovi
- Starring:
- Dennis Patrick, Peter Boyle, (more)
In director Arthur Hiller's hit tearjerker -- based on Erich Segal's novella -- Ryan O'Neal plays Oliver Barrett IV, a comfortably off Harvard pre-law student who falls in love with Radcliffe music student Jenny Cavilleri (Ali MacGraw), a freewheeling, delightfully profane product of a blue-collar Italian-American family. Oliver's father (Ray Milland) heartily disapproves of the subsequent marriage and cuts off his son's allowance. Despite financial travails (the pampered Oliver actually has to go to work!), the couple is blissfully happy....until Jenny is diagnosed as having an unnamed disease that consigns her to an early death. The movie's tagline "Love means never having to say you're sorry" became an iconic American catchphrase, the film's theme a number one hit. One of the early products of Paramount guru Robert Evans, Love Story grossed more money than any Paramount production before it. This enormously successful film inspired a 1978 sequel, Oliver's Story. ~ Hal Erickson, Rovi
- Starring:
- Ali MacGraw, Ryan O'Neal, (more)
- 1970
Based on the tale of the same name by Hans Christian Andersen, this live-action story tells of a tiny girl and her adventures with magic and danger--and a dreamy prince. ~ Kristie Hassen, Rovi
New York detective Moe Brummell (George Segal) is assigned to track down a serial killer who has been preying on lonely middle-aged ladies. Each of the bodies is discovered with a lipstick kiss drawn on the forehead. We know (but Brummell doesn't) that the murderer is Christopher Gill (Rod Steiger), a round-the-bend actor whose hatred for his mother has driven him to his killing spree. Gill is fond of adopting a different personality and costume with each killing (a priest, a homosexual, a plumber etc.), making him doubly difficult to trace. When Brummell comments to the media that he's up against a criminal genius, he finds himself the reluctant recipient of Gill's anonymous phone calls, wherein the killer plants cryptic clues leading to his next crime. It may not be readily apparent from the previous sentence, but No Way to Treat a Lady is a comedy-albeit a jet-black one. Moe Brummell is hampered with an archetypal Jewish mamma (Eileen Heckart), who in her own way is as deadly as the elusive Christopher Gill. Lee Remick plays Brummell's girl friend, who, as the only person who might be able to identify Gill, is placed in harm's way at the film's climax. A curious by-product of No Way to Treat a Lady is the fact that Rod Steiger was cast in the lead in the 1976 biopic W.C. Fields and Me on the basis of the third-rate Fields imitation he offers to George Segal during one of his taunting phone calls. ~ Hal Erickson, Rovi
- Starring:
- Rod Steiger, Lee Remick, (more)
It's a seemingly peaceful spring morning in New York City -- graduation day at the Police Academy -- and Police Commissioner Anthony X. Russell (Henry Fonda) is looking forward to giving a speech to the new officers. But all isn't well: Russell's been given apparently incontrovertible evidence that his oldest friend, Chief Inspector Charles Kane (James Whitmore), is shaking down a bar owner, and a black minister (Raymond St. Jacques) is claiming that his son was brutalized when he was picked up for questioning in a rape/assault case. Then Russell gets a call informing him that two first-grade detectives, Daniel Madigan (Richard Widmark) and Rocco Bonaro (Harry Guardino), allowed small-time hood Barney Benesch (Steve Ihnat) to get the drop on them, steal their guns, and escape while they were trying to pick him up for questioning at the request of Brooklyn detectives -- and Benesch is now a suspect in that earlier murder in Brooklyn. Madigan has other problems, including the fact that the commissioner -- his ex-captain -- doesn't trust him, always believing him to be a loose cannon who has taken advantage of the badge in accepting favors and cutting corners where peoples' rights were concerned. Madigan also has a beautiful, upwardly mobile wife (Inger Stevens) who loves him but can't abide all the time his job takes him away from her or crimps her socializing; and he has never fully gotten over Jonesy (Sheree North), a saloon singer he knew before he was married. Madigan and Bonaro are given 72 hours to bring in Benesch and begin beating the bushes for leads. They get help from "Midget" Castiglione (Michael Dunn), a bookmaker and an old enemy of Benesch's, and a nervous, long-haired punk named Hughie (Don Stroud). While the clock ticks away on Madigan's and Bonaro's careers, the commissioner must decide how to deal with Kane, whose father -- also a police officer -- was like his own, and he must also fathom how a four-star chief could be involved with anything as tawdry as pressuring a tavern owner. Russell genuinely believes that there must be "one standard, one rule" for any member of the department, but in the course of this one weekend, he finds this notion shattered by what he discovers about Madigan, King, and himself. Meanwhile, Benesch is still on the loose, acting like a complete psycho and a threat to anyone who crosses his path. Russell's and Madigan's paths finally cross personally, as the detective proves -- and the commissioner discovers -- just how good a cop he is. ~ Bruce Eder, Rovi
- Starring:
- Richard Widmark, Henry Fonda, (more)
- 1962
In this decidedly Hollywood view of what growing up Puerto Rican in New York must really be like, almost an entire family (with only one son and a daughter) faces disintegration and tragedy. The father loses his job, which puts the family in a crisis situation. So the son goes out to find work as a delivery boy and the daughter eventually lapses into prostitution. Trouble brews when the son confronts a local gang leader whom he believes has misused his sister, and the mother similarly tracks down a bully for more or less the same reason. In a plot twist, it is the mother's confrontation that goes from bad to worse, precipitating a comparable and tragic denouement at home. ~ Eleanor Mannikka, Rovi
- Starring:
- Camilo Delgado, Rosita de Triana, (more)
Never Love a Stranger--especially if it's young hoodlum Frank Kane (John Drew Barrymore). When it is discovered that his natural parents were Jewish, Kane is removed from the Catholic orphanage that has been his only home. Seething with resentment, he vows to succeed at gangsterdom. He rises spectacularly to the top before his inevitable downfall-and has a high old time doing so. The basis for Never Love a Stranger was a Harold Robbins novel, which obviously drew upon actual people and events; it's quite entertaining to guess who the fictionalized characters are supposed to be. Of the stellar supporting cast, Robert Armstrong is a standout as a soft-spoken gunman. ~ Hal Erickson, Rovi
- Starring:
- John Drew Barrymore, Lita Milan, (more)
- 1936
The Lone Wolf Returns stars Melvyn Douglas as Louis Joseph Vance's reformed criminal Michael Lanyard, a.k.a. The Lone Wolf. Lanyard lapses back into his old ways when he attempts to steal an emerald pendant belonging to Gail Patrick, but he falls in love with the girl and remains on the straight and narrow. A pair of less sentimental crooks frame Lanyard and force him to participate in a high-stakes heist. The Lone Wolf turns the tables on the crooks and wins his lady love. Previously filmed in 1926, The Lone Wolf Returns was the first of Columbia's "B" series featuring the gentleman thief. ~ Hal Erickson, Rovi
- Starring:
- Melvyn Douglas, Gail Patrick, (more)
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