Liam O'Callaghan Movies

The owner of a British nightclub attempts to do the impossible by coaxing a legendary Irish tenor out of retirement for a once-in-a-lifetime show in this engagingly quirky comedy. The owner, Mickey O'Neill, is particularly desperate to land a performance by the great Josef Locke, as his already questionable reputation was ruined when he booked an impostor claiming to be Locke. Now only providing a show by the real thing can make up for it. Trouble is, Locke fled England several decades before to avoid charges of tax evasion, and would face immediate arrest upon his return. Naturally, the comedy emerges from O'Neill's desperate attempts to convince Locke to participate in the scheme. Much of the film's charm comes from the presentation of eccentric but believable characters, particularly Locke himself -- a real historical figure given warm life by Ned Beatty, who was nominated for a Best Supporting Actor Golden Globe for his performance. The film as a whole manages a similar balancing act between realism and comic fantasy, grounding even the less believable aspect of the narrative in strongly observed local color. ~ Judd Blaise, All Movie Guide

In this suspenseful thriller, some unknown man out there has a warped mind, a warped view of sex, and an urge to kill in a very specific way. An innocent yet seductive country woman named Patricia Telling (Moira Harris) moves into a new apartment building in Dublin, where a serial killer seems to have her in his sights. The killer's m.o. is to call a woman on the phone and charm her into inviting him over. Once he's alone with her, he murders her after stripping her naked and putting her body in a certain pose. Several men are suspect because of their odd behavior: Robert (John Cavanaugh), a colleague and teacher at Patricia's school; Danny (Timothy Bottoms), who lives in the building with his wife, and the police inspector McMyler (Christopher Casenove). The question is: will the murderer will be identified before Patricia is the next victim? ~ Eleanor Mannikka, All Movie Guide

John Boorman directed this gloriously savage interpretation of Arthurian legend loosely based on Thomas Malory's novel Le Morte d'Arthur. By turns gleaming and filthy, tender and bloody, the film is a visually stunning epic which is never less than compelling. Nigel Terry is perfectly cast as Arthur, whose unwavering trust and faith are shown to be both quietly heroic and achingly naïve. Interestingly, the quest for the Grail is the least effective part of the film, despite bold cinematography by Alex Thomson (who was nominated for an Oscar) and a fine performance by Paul Geoffrey as Perceval, whose greatest desire is attained in his dying sight. It is the scenes of Camelot in which Boorman is at his most effective, as Arthur is betrayed by the burning passions of Guenevere (Cherie Lunghi) and Lancelot (Nicholas Clay), whose boiling internal forces cannot be denied, whatever the cost. The wicked Mordred (Robert Addie) and Morgana (Helen Mirren) are commanding when onscreen, and Nicol Williamson's performance as the grandiosely self-sacrificing Merlin is outstanding. Liam Neeson and Patrick Stewart also appear in this dense, passionate, and stirring triumph featuring a marvelous Trevor Jones score. The gruesome effects by Peter Hutchinson and Alan Whibley, however, and sights such as a knight having sex in full body armor make this a fairy tale strictly for adults. ~ Robert Firsching, All Movie Guide