Richard O'Brien Movies

Wounded in an ambush, Joe Cartwright is rescued by the Griswolds, a farming family. Delirious with fever, Joe experiences surrealistic flashbacks and bizarre disturbing visions (in one, he sees Hoss trying to kill him!) As his condition worsens, it becomes obvious that emergency surgery is called for-but Joe is too seriously injured to be moved from the Griswold farm. Featured in the cast of this superbly directed and photographed episode are Richard O'Brien and Peggy McCoy as Mr. and Mrs. Griswold, and David Huddleston as Doc Scully. Originally telecast October 3, 1971, "Bushwacked!" was written by Preston Wood. ~ Hal Erickson, All Movie Guide

This dull House of Wax variant involves a claw-handed escaped maniac (Patrick O'Neal), who rampages through late 19th-century Baltimore on a mission of vengeance. Hot on his trail are the proprietors of a "House of Horrors" wax museum and their Mexican dwarf sidekick Tun-Tun. Initially conceived as a TV movie, this tepid horror-thriller was instead spiced up with additional gore and violence for theatrical release. Apparently this was still not enough, as the producers then decided to add a few William Castle-type gimmicks -- the "Fear Flasher" and "Horror Horn" -- to prepare audiences for upcoming bouts of onscreen bloodletting. Unfortunately, no such device was employed to warn viewers of imminent boredom. ~ Cavett Binion, All Movie Guide

Photographer Christopher George is mistaken for an assassination target by paid killers. Since the actual victim-to-be is now safe, George cannot count on the protection of the authorities, so he takes it on the lam. He is sheltered by former girlfriend Judy Carne, who is kidnapped and threatened with death for her troubles. George decides to take matters in his own hands when it becomes impossible for him to separate the good guys from the bad. Made for television, Dead Men Tell No Tales would dearly love to be a Hitchcock film; it falls short of this goal, but is diverting fun all the same. ~ Hal Erickson, All Movie Guide

Opting for light entertainment after the critical satire of Shampoo (1975), producer-director-writer-star Warren Beatty remade the 1941 comic fantasy Here Comes Mr. Jordan. Dimly amiable L.A. Rams quarterback Joe Pendleton (Beatty) is prematurely called to Heaven by an over-eager escort (Buck Henry, who co-directed) after a traffic accident. When archangel Mr. Jordan (James Mason) discovers the error, he offers to return Joe to his body, only to find that it has been cremated. On the verge of playing in the Super Bowl, Joe demands a fit body rather than the old about-to-be-murdered industrialist Farnsworth he has been offered, but he reconsiders when he sees environmentalist Betty Logan (Julie Christie) in Farnsworth's house. Assuming Farnsworth's body while keeping his sweet self, Joe hires his beloved coach Max Corkle (Jack Warden) to get him in shape (after convincing Max who he really is), sets Farnsworth's business on an eco-friendly path, and romances Betty. Farnsworth's homicidal wife (Dyan Cannon) and secretary (Charles Grodin), however, are still determined to succeed in their plan to kill him. When Mr. Jordan finally finds the Super Bowl body Joe wanted, Joe has to trade his old self for the new life -- but will he remember his love for Betty? Heaven Can Wait offered contemporary yet old-fashioned escapism and tapped into the late-1970s vogue for nostalgic fun, becoming one of 1978's most popular summer movies after Grease. Updating the original while following its blueprint, Beatty and co-writer Elaine May switched Joe's sport and turned Joe into a man of his '70s moment, adoring Betty for her convictions and favoring "green" policies over corporate greed. Gently breathing life into a classic form, Heaven Can Wait found romantic innocence in a jaded time, and it went on to receive nine Oscar nominations, including Best Picture. ~ Lucia Bozzola, All Movie Guide

Eugene Roche is cast as alcoholic police detective Lyle "Sandy" Beech, whose drinking and dereliction of duty has gotten him demoted to patrolman on his old beat. Determined to win back his badge, Sandy embarks upon a personal mission to capture the murderer of his friend and colleague. But in so doing, the ex-detective threatens to sabotage the official murder investigation conducted by Lt. Kojak (Telly Savalas). ~ Hal Erickson, All Movie Guide

It's a seemingly peaceful spring morning in New York City -- graduation day at the Police Academy -- and Police Commissioner Anthony X. Russell (Henry Fonda) is looking forward to giving a speech to the new officers. But all isn't well: Russell's been given apparently incontrovertible evidence that his oldest friend, Chief Inspector Charles Kane (James Whitmore), is shaking down a bar owner, and a black minister (Raymond St. Jacques) is claiming that his son was brutalized when he was picked up for questioning in a rape/assault case. Then Russell gets a call informing him that two first-grade detectives, Daniel Madigan (Richard Widmark) and Rocco Bonaro (Harry Guardino), allowed small-time hood Barney Benesch (Steve Ihnat) to get the drop on them, steal their guns, and escape while they were trying to pick him up for questioning at the request of Brooklyn detectives -- and Benesch is now a suspect in that earlier murder in Brooklyn. Madigan has other problems, including the fact that the commissioner -- his ex-captain -- doesn't trust him, always believing him to be a loose cannon who has taken advantage of the badge in accepting favors and cutting corners where peoples' rights were concerned. Madigan also has a beautiful, upwardly mobile wife (Inger Stevens) who loves him but can't abide all the time his job takes him away from her or crimps her socializing; and he has never fully gotten over Jonesy (Sheree North), a saloon singer he knew before he was married. Madigan and Bonaro are given 72 hours to bring in Benesch and begin beating the bushes for leads. They get help from "Midget" Castiglione (Michael Dunn), a bookmaker and an old enemy of Benesch's, and a nervous, long-haired punk named Hughie (Don Stroud). While the clock ticks away on Madigan's and Bonaro's careers, the commissioner must decide how to deal with Kane, whose father -- also a police officer -- was like his own, and he must also fathom how a four-star chief could be involved with anything as tawdry as pressuring a tavern owner. Russell genuinely believes that there must be "one standard, one rule" for any member of the department, but in the course of this one weekend, he finds this notion shattered by what he discovers about Madigan, King, and himself. Meanwhile, Benesch is still on the loose, acting like a complete psycho and a threat to anyone who crosses his path. Russell's and Madigan's paths finally cross personally, as the detective proves -- and the commissioner discovers -- just how good a cop he is. ~ Bruce Eder, All Movie Guide

In this Disney comedy, a pair of spoiled kids, bored by their filthy rich grandfather, decide they'd rather be with their mom who is in Hong Kong. In order to get her attention, they engineer their own kidnapping. ~ Sandra Brennan, All Movie Guide

Quincy (Jack Klugman) investigates when the mother and sister of apparent murder victim Peter Nielsen (Bruce Wright)--whom he has already officially declared dead--come forth to declare that the "dead" man is not only still alive, but has been in contact with them since the "killing." The investigation leads to a downtown messenger service, which turns out to be a front for an illegal drug ring. Appearing as the alleged victim's mother is Priscilla Pointer, in real life the mother of actress Amy Irving. ~ Hal Erickson, All Movie Guide

This typical western tale of beleaguered townsfolk mustering up the courage to fight the villain that controls their town with an iron fist features atypically bloody violence. Supposedly the top peacekeeper in the frontier town of Jericho, Sheriff Alex Flood (Dean Martin) is actually a ruthless bully and racketeer who owns or profitably intimidates every enterprise in Jericho with the help of his henchmen, including the Yarbrough (Slim Pickens). That is, every business except the lucrative stagecoach line run by the widow Molly Lang (Jean Simmons) and Hickman (John McIntire). Predictably, Flood wants command of the stage business, too, but Lang resists him, even when threatened with bodily harm. Tough gambler Dolan (George Peppard), a former marshal, rides into town intending to work for Lang as a driver, but when he learns of the tension between Lang and Flood he backs off, not wanting any trouble. However, when Yarbrough is caught by Lang trying to sabotage a coach on her property, the thug savagely beats her, forcing Dolan to get involved. ~ Karl Williams, All Movie Guide

Young singer John Davidson is cast, appropriately enough, as young singer Tory Hughes. When his contract is taken over by a Mob loan shark, Tory discovers to his chagrin that his whole life is being taken over as well. Indeed, Tory is expected to lure other unwitting victims into the shark's jaws--unless the FBI can put an end to the whole sordid mess. ~ Hal Erickson, All Movie Guide

The key prop in this episode is an antique porcelain doll, used by Communist agents DeBecker (William Smithers) and Linker (Robert Wolders) to transport stolen microfilm. Once alerted to the doll's existence, Erskine (Efrem Zimbalist Jr.) conducts a search for the precious plaything which takes him all the way from Oregon to New York State. This episode is distinguished by the superlative performances of veteran actresses Josephine Hutchinson and Viveca Lindfors. ~ Hal Erickson, All Movie Guide

The FBI launches a search for Curtis Stone (Roy Poole), a sleazy extortionist who preys upon the families of servicemen. There is someone else anxious to catch up with Stone: Sgt. Paul Devlin (John Ericson), whose wife committed suicide while he was in Vietnam. Holding Stone responsible for his wife's death, Devlin is determined to mete out his own brand of retribution--and Inspector Erskine (Efrem Zimbalist Jr.) is equally determined to prevent the embittered Devlin from becoming a murderer. ~ Hal Erickson, All Movie Guide