Richard O'Brien Movies

After a dangerous tiger turns on its trainer and escapes from the circus, a small town in Texas finds itself in an uproar over its capture. As it is hunted by numerous parties, a young girl begins protesting and starts a nationwide movement to plead for the tiger's safety. As the situation gains more attention, the local attitude is torn by politics and outside pressure. At the time of its release, this feature (taken from a book by Ian Niall) was quite different for Disney as it portrayed realistic small-town politics rather than an ideal community. The titular tiger, on the other hand, seemed to have an uncanny knack of choosing baddies to prey upon while leaving all well-meaning folks alone. ~ Kristie Hassen, All Movie Guide

This dull House of Wax variant involves a claw-handed escaped maniac (Patrick O'Neal), who rampages through late 19th-century Baltimore on a mission of vengeance. Hot on his trail are the proprietors of a "House of Horrors" wax museum and their Mexican dwarf sidekick Tun-Tun. Initially conceived as a TV movie, this tepid horror-thriller was instead spiced up with additional gore and violence for theatrical release. Apparently this was still not enough, as the producers then decided to add a few William Castle-type gimmicks -- the "Fear Flasher" and "Horror Horn" -- to prepare audiences for upcoming bouts of onscreen bloodletting. Unfortunately, no such device was employed to warn viewers of imminent boredom. ~ Cavett Binion, All Movie Guide

While employed at the winery owned by Pete Crandall (James Gregory), Kimble (David Janssen) happens to be on hand when the leader of a grape picker's strike is murdered by Crandall's treacherous son Carl (Roy Thinnes). As the only witness to the killing, Kimble could easily clear his fellow worker Morales (Carlos Romero), whom Carl has framed for the crime. Unfortunately, Kimble dare not contact the police for fear of being arrested himself, so he enlists the aid of Morale's wife Elena (Pilar Seurat)--while Carl dispatches a team of hired thugs to make certain that no one will ever tell anyone that he pulled the trigger. ~ Hal Erickson, All Movie Guide

This typical western tale of beleaguered townsfolk mustering up the courage to fight the villain that controls their town with an iron fist features atypically bloody violence. Supposedly the top peacekeeper in the frontier town of Jericho, Sheriff Alex Flood (Dean Martin) is actually a ruthless bully and racketeer who owns or profitably intimidates every enterprise in Jericho with the help of his henchmen, including the Yarbrough (Slim Pickens). That is, every business except the lucrative stagecoach line run by the widow Molly Lang (Jean Simmons) and Hickman (John McIntire). Predictably, Flood wants command of the stage business, too, but Lang resists him, even when threatened with bodily harm. Tough gambler Dolan (George Peppard), a former marshal, rides into town intending to work for Lang as a driver, but when he learns of the tension between Lang and Flood he backs off, not wanting any trouble. However, when Yarbrough is caught by Lang trying to sabotage a coach on her property, the thug savagely beats her, forcing Dolan to get involved. ~ Karl Williams, All Movie Guide

It's a seemingly peaceful spring morning in New York City -- graduation day at the Police Academy -- and Police Commissioner Anthony X. Russell (Henry Fonda) is looking forward to giving a speech to the new officers. But all isn't well: Russell's been given apparently incontrovertible evidence that his oldest friend, Chief Inspector Charles Kane (James Whitmore), is shaking down a bar owner, and a black minister (Raymond St. Jacques) is claiming that his son was brutalized when he was picked up for questioning in a rape/assault case. Then Russell gets a call informing him that two first-grade detectives, Daniel Madigan (Richard Widmark) and Rocco Bonaro (Harry Guardino), allowed small-time hood Barney Benesch (Steve Ihnat) to get the drop on them, steal their guns, and escape while they were trying to pick him up for questioning at the request of Brooklyn detectives -- and Benesch is now a suspect in that earlier murder in Brooklyn. Madigan has other problems, including the fact that the commissioner -- his ex-captain -- doesn't trust him, always believing him to be a loose cannon who has taken advantage of the badge in accepting favors and cutting corners where peoples' rights were concerned. Madigan also has a beautiful, upwardly mobile wife (Inger Stevens) who loves him but can't abide all the time his job takes him away from her or crimps her socializing; and he has never fully gotten over Jonesy (Sheree North), a saloon singer he knew before he was married. Madigan and Bonaro are given 72 hours to bring in Benesch and begin beating the bushes for leads. They get help from "Midget" Castiglione (Michael Dunn), a bookmaker and an old enemy of Benesch's, and a nervous, long-haired punk named Hughie (Don Stroud). While the clock ticks away on Madigan's and Bonaro's careers, the commissioner must decide how to deal with Kane, whose father -- also a police officer -- was like his own, and he must also fathom how a four-star chief could be involved with anything as tawdry as pressuring a tavern owner. Russell genuinely believes that there must be "one standard, one rule" for any member of the department, but in the course of this one weekend, he finds this notion shattered by what he discovers about Madigan, King, and himself. Meanwhile, Benesch is still on the loose, acting like a complete psycho and a threat to anyone who crosses his path. Russell's and Madigan's paths finally cross personally, as the detective proves -- and the commissioner discovers -- just how good a cop he is. ~ Bruce Eder, All Movie Guide

The key prop in this episode is an antique porcelain doll, used by Communist agents DeBecker (William Smithers) and Linker (Robert Wolders) to transport stolen microfilm. Once alerted to the doll's existence, Erskine (Efrem Zimbalist Jr.) conducts a search for the precious plaything which takes him all the way from Oregon to New York State. This episode is distinguished by the superlative performances of veteran actresses Josephine Hutchinson and Viveca Lindfors. ~ Hal Erickson, All Movie Guide

Father Gregory Lind (Robert Forster) is the Catholic priest who questions his dedication to his parishioners. He becomes disenchanted with the church over the official stance on birth control, unwanted pregnancy and social change. He tries to confide in his family but they rebuke him for questioning his faith. He falls in love with Pamela Gibson (Lauren Hutton) a wealthy social worker. The Bishop (Will Geer) tries to bring Gregory back to the fold, but his love for Pamela is too much. He is beaten up by street thugs who believe he is gay. Gregory considers leaving the church for a new life with the woman he loves. The story for this romantic melodrama is taken from the novel The Wine And The Music by William E. Barrett. ~ Dan Pavlides, All Movie Guide

In a plot reminiscent of such "perfect crime" films as The Asphalt Jungle and The Killing, three strangers are brought together to commit a $900,000 bank robbery. Much of the preliminary footage is devoted to establishing the personalities and motives of the three crooks. Playboy Eliot Fielding (Peter Haskell) has turned criminal in hopes of wooing and winning his wealthy girlfriend; George Whelan (Richard O'Brien wants to use his cut to open a hardware store; and lifelong loser Roy Mills (Albert Salmi) desires to fulfill his pathetically childish dreams of luxury. As expected, the best-laid plans go horribly awry when the three thieves end up as reluctant kidnappers (appearing as the father of the kidnap victim is former movie Tarzan Lex Barker). This is the final episode of The F.B.I.'s sixth season. ~ Hal Erickson, All Movie Guide

Photographer Christopher George is mistaken for an assassination target by paid killers. Since the actual victim-to-be is now safe, George cannot count on the protection of the authorities, so he takes it on the lam. He is sheltered by former girlfriend Judy Carne, who is kidnapped and threatened with death for her troubles. George decides to take matters in his own hands when it becomes impossible for him to separate the good guys from the bad. Made for television, Dead Men Tell No Tales would dearly love to be a Hitchcock film; it falls short of this goal, but is diverting fun all the same. ~ Hal Erickson, All Movie Guide

The "Andromeda Strain" is a deadly extraterrestrial virus. It is brought to Earth when a research satellite crashes near a tiny Arizona town. Everyone in the community dies within days, except for a baby and an "insulated" drunkard. Recruited from labs all over North America, doctors Charles Dutton (David Wayne), Jeremy Stone (Arthur Hill), Ruth Leavitt (Kate Reid), and Mark Hall (James Olson) don radiation suits and race against time to isolate and destroy the virus. The film is based on a novel by Michael Crichton. ~ Hal Erickson, All Movie Guide

The exciting world of rodeo provides the framework for this western saga that centers around a temperamental bronc rider who tries prove himself worthy of his wife, son, and his best friend's respect. He also wants to keep his freedom. Songs include: "Easy Made for Lovin," "My Special Day," "I'm a Rodeo Cowboy." ~ Sandra Brennan, All Movie Guide

Young singer John Davidson is cast, appropriately enough, as young singer Tory Hughes. When his contract is taken over by a Mob loan shark, Tory discovers to his chagrin that his whole life is being taken over as well. Indeed, Tory is expected to lure other unwitting victims into the shark's jaws--unless the FBI can put an end to the whole sordid mess. ~ Hal Erickson, All Movie Guide

Bud Yorkin directed this middling comedy, written by Walter Hill from a novel by Terrence Lore Smith. Ryan O'Neal plays a computer expert named Webster, who alleviates on-the-job doldrums by moonlighting as a successful jewel thief. Webster invites himself to upscale soirees, where he cases out the location and proceeds with his heists. During his adventures, he meets up with Laura (Jacqueline Bisset), a high society woman who teams up with Webster to assist on his heists. Gradually the two fall in love. However, it's not all easy going, since an insurance detective (Warren Oates) suspects that Webster is the jewel thief but he has no proof ... yet. ~ Paul Brenner, All Movie Guide