Pat O'Brien Movies
American actor Pat O'Brien could never remember just why he wanted to go on stage; it just sort of happened naturally, just as his college football activities at Marquette University and his enlistment in the Navy for World War I. In the company of college chum Spencer Tracy, O'Brien moved to New York in the early twenties, where, while studying at Sargent's Academy, they were cast as robots in the theatrical production RUR. O'Brien spent several years with numerous stock companies, forming lasting friendships with such future Hollywood notables as Frank McHugh, James Gleason and Percy Kilbride. He also met his wife, actress Eloise Taylor, with whom he remained for the next five decades. In 1930, O'Brien was brought to Hollywood to play ace reporter Hildy Johnson in The Front Page (1931); this came about because the director mistakenly believed O'Brien had played the role on Broadway, when in fact he'd played managing editor Walter Burns in a Chicago stock-company version. This misunderstanding was forgotten when O'Brien scored a success in Front Page, which led to a long term contract with Warner Bros. Casual film fans who believe that O'Brien played nothing but priests and football coaches might be surprised at the range of roles during his first five years at Warners. Still, the performances for which Pat O'Brien is best remembered are Father Jerry in Angels with Dirty Faces (1938), in which he begs condemned killer Jimmy Cagney to "turn yellow" during the Last Walk so Cagney won't be a hero to the neighborhood kids, and, of course, the title role in Knute Rockne, All American (1940), wherein he exhorted his flagging team to "win just one for the Gipper." Too old to serve in World War II, O'Brien tirelessly did his bit with several hazardous USO tours in the thick of the action. Following the war, O'Brien continued to play leads in a good series of RKO films, but he'd put on weight and lost a few hairs in the years since his Warner Bros. heyday, thus was more effectively cast in character roles like Dean Stockwell's vaudeville dad in The Boy With Green Hair (1949). Then, inexplicably, the roles dried up. O'Brien always believed that he was the victim of a blacklist -- not for being a Communist, but for being such a right winger that he was frozen out by Hollywood's liberal contingent. The diminishing box office for his films and an overall slump in the movie industry may also have played a part in O'Brien's fall from grace, but the fact was he found the going rough in the '50s. Fortunately, he had an aggresive agent and several loyal friends -- notably Spencer Tracy, who refused to star in MGM's The People Against O'Hara unless the studio set aside a big part for O'Brien. Television and summer stock kept O'Brien busy throughout most of the 1950s, with a brief comeback to stardom via a good part in Billy Wilder's Some Like It Hot (1959) and a weekly TV sitcom, "Harrigan and Son" (1960). O'Brien also worked up a well-received nightclub act, in which he described himself as "an Irish Myron Cohen" (Cohen was a popular Jewish dialect comedian of the era). Unlike his close friend James Cagney, O'Brien never stopped working, touring with his wife Eloise in straw hat productions of Never too Late and On Golden Pond. His performances proved that this was no pathetic oldster clinging desperately to the past, but a vibrant, up-to-date talent who could still deliver the goods. Nor was Pat O'Brien falsely modest. In answer to an interviewer's query if he felt that he'd been underrated by Hollywood, the seventy-plus O'Brien mustered all his Irish pugnacity and snapped "I'm damn good and I know it." As did everyone who saw Pat O'Brien's feisty final film performances in The End (1978) and Ragtime (1981). ~ Hal Erickson, All Movie Guide- 1981
Born in 1899, James Cagney managed to become one of America's greatest and most imitated actors. Some of his best-known films are also ones in which his sister Jeanne played a role: Yankee Doodle Dandy, The Time of Your Life, A Lion Is in the Streets, and Man of a Thousand Faces. He received an Oscar for his performance in Yankee Doodle Dandy, a film based on the life of George M. Cohan, who hand-picked Cagney for the role. Cagney's last film appearance was in Ragtime. Throughout his life, Cagney was deeply affected by his father's early death, helping his mother support the family from the time he was in his early teens. Despite this light shed on Cagney's personal life, this video concentrates more on detailing his notable screen performances.
~ Elizabeth Smith, All Movie Guide
~ Elizabeth Smith, All Movie Guide
- 1980
In this children's movie, a single executive enjoys her life on the fast track, but when she is talked into becoming a den mother to a rambunctious pack of Cub Scouts, her life is temporarily derailed. ~ Sandra Brennan, All Movie Guide
- 1977
The fourth film starring Tom Laughlin as Billy Jack, Billy Jack Goes To Washington was a loose remake of Frank Capra's Mr. Smith Goes To Washington. The story begins with Billy receiving a pardon for the trumped-up charges that put him behind bars in The Trial Of Billy Jack. To curry favor with youth and minority voters, Billy is appointed to a vacant seat in the U.S. Senate. However, while Billy is told to not makes waves, he discovers Washington D.C. is a hotbed of rampant corruption, and he makes it his mission to bring honesty and justice back to our government. As with his other Billy Jack vehicles, Tom Laughlin wrote and directed the film as well as playing the title role; his wife Delores Taylor also appears again as Jean Roberts, and E.G. Marshall and Lucie Arnaz round out the supporting cast. Billy Jack Goes To Washington never received a theatrical release outside of a few scattered preview screenings, though Laughlin himself recently released the film on home video. ~ Mark Deming, All Movie Guide
- Starring:
- Tom Laughlin, Delores Taylor, (more)
Originally titled D.A.'s Investigator, Kiss Me Kill Me stars Stella Stevens as Stella Stafford, "leg woman" for the LA district attorney's office. The case at hand is the murder of a young, highly respected schoolteacher. Stella is certain that she has the killer dead to rights--but this is before she learns the down-and-dirty about the murder victim's secret life. Supporting Ms. Stevens is an impressive guest cast, including Dabney Coleman, Pat O'Brien, Bruce Boxleitner and Robert Vaughn. First telecast May 8, 1976, Kiss Me Kill Me was the pilot for an intended TV series. ~ Hal Erickson, All Movie Guide
- 1975
The central "character" of the Disney made-for-TV movie The Sky's the Limit is a battered old biplane. The aircraft comes in handy when a spry old farmer (Pat O'Brien) makes an effort to "reach" his truculent grandson (Ike Eisenmann). It so happens that the farmer was a World War I ace, and as such promises to take the boy up in the air for a crop-dusting session. Next step: get the biplane into flying shape. Also starring Lloyd Nolan and Jeanette Nolan (no relation), The Sky's the Limit premiered as a two-part Wonderful World of Disney episode on January 19 and 26, 1975. ~ Hal Erickson, All Movie Guide
- 1972
Created for the "dime novels" in 1886, scientific detective Nick Carter has been transferred to film and radio several times in the past six decades, though most of these projects have tended to update his adventures. 1972's made-for-TV Adventures of Nick Carter restores the "turn of the century" surroundings of the original stories. Robert Conrad (somewhat older than his literary counterpart) portrays Nick Carter, a New York private investigator hired to locate the missing wife of a wealthy "robber baron" playboy. He also devotes some time to locating the murderer of a close friend. Though hampered by a tight budget, the film does a nice job recreating a 19th century world of crooked cops, graft-greedy politicians, all-powerful plutocrats, raggedy paper boys and Lower East Side lowlifes. Adventures of Nick Carter was one of three pilots for a projected "rotating" series of TV detective shows based on famed literary sleuths; the other two series in this aborted project were to have spotlighted the adventures of Sherlock Holmes and Hildegarde Withers. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Conrad, Shelley Winters, (more)
- 1971
In this drama, a freed-POW returns home and is further traumatized by his supposed friends, family and neighbors. ~ Sandra Brennan, All Movie Guide
One of the better and more diverting of ABC's first full season of made-for-television movies, The Over-the-Hill Gang was a low-budget Western with a gimmick: Get a bunch of elderly actors, known either for their leading roles in the 1930s, or for playing comic sidekicks (and Walter Brennan was a lot of both categories) through the 1950s, and put them together in a plot. The result was this enjoyable oater about a quartet of retired Texas Rangers (Pat O'Brien, Walter Brennan, Chill Wills, Edgar Buchanan) who take on the corrupt mayor (Edward Andrews) of a small Nevada town where O'Brien's daughter (Kris Nelson) and newspaper editor son-in-law (Rick Nelson) live. Jack Elam represents the bad guys' muscle with his usual threatening aplomb, and Andy Devine gets a lot of mileage out of his role as a corrupt, inept judge. The other surprise in the cast is Gypsy Rose Lee, looking radiant as ever, portraying an admirer of the former rangers, in what was her final screen appearance, and such familiar old faces as Myron Healey, William Benedict, and Elmira Sessions in supporting roles. When O'Brien and company realize that they're no longer fast enough to do the job with guns, they decide to use their wits instead, outsmarting and outflanking the villains. The pacing by director Jean Yarbrough (whose own career went back to the 1920s, and whose last film this was) is a little leisurely, but the script is fairly clever and it's a lot of fun watching the veteran actors chewing up the scenery, with Devine having the most fun of all in an unusual role as a villain. ~ Bruce Eder, All Movie Guide
- 1965
Adapting his own novel, Frank Gruber penned the screenplay for the A.C. Lyles production Town Tamer. Veteran filmmaker Leslie Selander directs an equally veteran cast in this high-action Western. After his wife is murdered, hired gun Tom Rosser (Dana Andrews) rides into town in search of revenge and justice. Two years later, the killers have become the corrupt town leaders: Marshall Lee Ring (Lyle Bettger) and saloon owner Riley Condor (Bruce Cabot). They are aided by the Marshall's sadist henchman Johnny Honsinger (Richard Jaeckel). Tom proceeds to clean up the town by engaging in constant shoot-outs and barroom brawls. Once he gets rid of the bad guys, he earns respect from Mayor Leach (Lon Chaney Jr.), Doctor Kent (Richard Arlen), and other townsfolk (Burton MacLane and Jeanne Cagney). ~ Andrea LeVasseur, All Movie Guide
- Starring:
- Dana Andrews, Terry Moore, (more)
- 1965
TV certainly makes strange bedfellows, as witness this Branded episode featuring veteran film star Pat O'Brien and recording entrepeneur Dick Clark as those colorful 19th century showmen P.T. Barnum and J.A. Bailey! Angrily turning down Barnum's offer to showcase him as "the greatest coward on earth" in a new Wild West show, Jason McCord (Chuck Connors)--who'd met P.T. when he won a $50 prize by defeating a circus strong man--learns that his gesture is futile, since Barnum intends upon using McCord's name whether he gets permission or not. In order to prevent this from happening, Jason somehow stage-manages a merger between Barnum and his up-and-coming rival "J.A." (whose last name is not revealed until the end of the episode, as if there was any doubt!) ~ Hal Erickson, All Movie Guide
- 1959
In its promotional material for the 1959 theatrical feature Darby O'Gill and the Little People, the Disney studio went into whimsical overdrive, hoping to convince the younger viewers that the leprechauns appearing in the film were not merely normal-sized actors made small via special effects, but instead the genuine article. As part of this delightful deception, the weekly Walt Disney Presents TV anthology offered an episode in which Walt Disney explained how he personally persuaded the King of the Leprechauns to appear in his film. It all begins when actor Pat O'Brien, returning from a trip to Ireland, regales Walt Disney with stories of the "little people" of the Emerald Isle. Banking on the fact that he is himself half-Irish, Walt travels to Old Erin to see for himself. After conferring with a local "shanachie," or storyteller (played by Darby O'Gill's titular star Albert Sharpe), Disney is granted an audience with his majesty himself, King Brian (Jimmy O'Dea) -- who has quite a healthy ego for one so tiny. This episode expertly blends new footage with previews from the upcoming film, which among other actors features a young Sean Connery (who was so obscure a performer at the time that he isn't even billed in the TV Guide listings!) While the actual Darby O'Gill scenes were directed by Robert Stevenson, the new transitional scenes were helmed by Harry Keller -- who after handling retakes of Orson Welles' Touch of Evil had no trouble seamlessly matching Stevenson's distinctive style. ~ Hal Erickson, All Movie Guide
- Starring:
- Walt Disney, Pat O'Brien, (more)
- 1958
In this sad drama, a boozy reporter must cope with a series of personal disasters begin with the death of his wife in a car crash. Next he loses his job. Finally he learns that his son must have a $5,000 eye operation in Switzerland. In desperation he decides to ask his old boss for his job back. Upon arriving to his office, he finds the man dead. He is then offered money by the killer, a diamond smuggler to take the murder rap. What else can the desperate man do? Later he confesses all to Scotland Yard. Unfortunately, they do not believe him. The smuggler hears of the attempt, and thinking the police believe the reporter, attempts to prevent the boy's plane from taking off. The late editor's niece gets involved and makes sure the plane does take off. She then captures the smuggler and his gang. ~ Sandra Brennan, All Movie Guide
- 1958
The distinguished CBS dramatic anthology Studio One moved from New York to Hollywood with this adaptation of David Karp's cautionary novel The Brotherhood of the Bell. In an indeterminate future, government agent James Waterson (Cameron Mitchell) must choose between friendship and blind loyalty. Years earlier, Waterson had joined a secret order called the Brotherhood of the Bell, which promised him a multitude of professional opportunities in exchange for certain favors. Now the Brotherhood wants Waterson to fire his assistant and close friend, Clark Sherrell (Tom Drake), and replace him with another member of the order. Now that things have gotten personal, Waterson's eyes are opened to the inescapable fact that the Brotherhood of the Bell will stop at nothing to achieve its goal of total world domination. Ten years after this 1958 Studio One telecast, The Brotherhood of the Bell was remade as a TV movie starring Glenn Ford as "Andrew Paterson," who had been transformed from a government functionary to a college professor. ~ Hal Erickson, All Movie Guide
- Starring:
- Cameron Mitchell, Tom Drake, (more)
- 1955
This probing drama offers an inside look into corruption within the United Auto Workers and is loosely adapted from the true tale of the Reuther brothers. The story begins when someone bombs the union headquarters. Blair Vickers (Dennis O'Keefe), the head of the union, is an honest man whose brother is killed during the crime. The man behind the bombing, Gus Linden (Pat O'Brien), a gangster who has just finished serving time for labor racketeering, is determined to gain control of the UAW. Linden's children do not believe their father is capable of such a terrible crime, and accuse Vickers of having framed him. However, Vickers gradually turns them against their father by having them see for themselves that he is a corrupt, murderous thug who is unfaithful to their mother to boot. Eventually, with the reluctant help of Linden's mistress, Joni Calvin (Tina Carver), Vickers defeats the mob, and restores decency to the union. ~ Steve Press, All Movie Guide
- Starring:
- Dennis O'Keefe, Pat O'Brien, (more)
- 1954
Based on a novel by Gwen Bristow, Jubilee Trail is a sprawling, all-star western from the Republic Studio mills. Despite is vaunted budget, the plot is strictly B-picture material. Ambitious California landowner Charles Hale (Ray Middleton) hopes to add to his riches by marrying off his brother Oliver (John Russell) to a wealthy Spanish family. But when Oliver weds a gal named Garnet (Joan Leslie) instead, Charles vows revenge against the new bride. Later, Oliver is killed, leaving Garnet to raise their baby alone. Charles intends to claim the baby for himself, but Garnet, who has subsequently fallen in love with John Ives (Forrest Tucker), isn't about to let that happen. Top-billed Vera Ralston plays saloon-hall chirp Florinda, a Woman With a Past who is peripherally involved in the plot proper, while Richard Webb, TV's "Captain Midnight", fills the obligatory "disgruntled suitor" role. The film is stolen hands down by Pat O'Brien as a drunken doctor who serves as last-minute problem-solver. ~ Hal Erickson, All Movie Guide
- Starring:
- Vera Ralston, Joan Leslie, (more)
A real "must see" for devotees of 1950s pop culture, Ring of Fear boasts a script co-written by character actor Paul Fix and a cast which includes the likes of animal trainer Clyde Beatty and pulp-fiction novelist Mickey Spillane. The story takes place in Beatty's travelling circus, where a homicidal maniac named Dublin (Sean McClory) is doing his best to wreck the show. It's all because Dublin is in love with Valerie (Marian Carr), the wife of aerialist Armond St. Denis (John Bromfield). Since the cops don't know who's behind all the trouble, they call in crime expert Spillane (cast as himself). Dublin nearly succeeds in bumping off Spillane before he himself is dispatched by a giant tiger. Representing the Law is Pat O'Brien, who delivers his silly dialogue with conviction. ~ Hal Erickson, All Movie Guide
- Starring:
- Pat O'Brien, Mickey Spillane, (more)
- 1952
Running an action-packed 67 minutes, Okinawa is an expert combo of wartime newsreel footage and studio re-enactments. The plot concerns the gun crew of a destroyer, engaged in the torturous allied invasion of Okinawa, which cost more American and Japanese lives than any previous Pacific-Theater battle. Pat O'Brien does his usual as the ship's commander, while other stock types are essayed by Cameron Mitchell, Richard Denning, Rhys Williams, Richard Benedict and James Dobson. Curiously, Okinawa was co-written by Leonard Stern, a man more closely associated with TV comedy than two-fisted war epics, and directed by Leigh Jason, who generally piloted musical shorts and features. Actor-producer Alvy Moore (who later played county agent Hank Kimball on TV's Green Acres) shows up in a bit role. ~ Hal Erickson, All Movie Guide
- Starring:
- Pat O'Brien, Cameron Mitchell, (more)
- 1951
Though made in 1951, Criminal Lawyer has the feel of a 1930s film, right down to the casting of Pat O'Brien in the lead. The star plays attorney James Regan, whose unethical methods have earned him the disdain of the American Bar Association. Eventually, Regan is even disgusted with himself, and accordingly crawls into a liquor bottle. Redeemed by the love of girl-Friday Maggie Powell (Jane Wyatt), Regan tackles a difficult make-or-break case which comprises the film's tense denouement. Critics in 1951 were impressed by the subtle performance by brutish Mike Mazurki as Regan's bodyguard; few of them were aware that the college-educated Mazurki was a sensitive, highly intelligent performer who was not at all like the thugs and pluguglies he played on screen. ~ Hal Erickson, All Movie Guide
- Starring:
- Pat O'Brien, Jane Wyatt, (more)
- 1951
Fish-market worker Johnny O'Hara (James Arness) is named as a suspect when his boss -- with whom he had a dispute the previous day -- is shot to death in an apparent robbery. When he's arrested, his family appeals to their old friend James Curtayne (Spencer Tracy), who was once a renowned criminal attorney but is now in civil practice. He resists their entreaties until he realizes that no decent attorney will handle the case properly; his daughter (Diana Lynn) watches with alarm, however, for we soon learn that Curtayne is an alcoholic, and that the major factor in his life that pushed him over the edge was the stress of having someone's life in his hands. He discovers soon enough just how much Johnny's life is in his hands when his client refuses to level with him about his real whereabouts on the night of the murder. He also realizes as the trial starts precisely how rusty he is in the courtroom, and the old stresses return -- and with them, his drinking. Curtayne not only manages to lose the case but destroys his career when he tries to buy off a larcenous prosecution witness. His client facing a death sentence and his own life and career in ruins, he's seemingly hit bottom, but then new evidence surfaces, of a nature that not even the ambitious prosecutor (John Hodiak) can ignore. Recognizing that his client was actually innocent and also acting in his silence -- however stupidly -- from the noblest of motives, Curtayne is willing to redeem himself by putting his own life on the line, confronting a killer who has taken more than one life without any compunction whatsoever, and who has no reason to spill anything.
The People Against O'Hara was a well-made, largely location-shot crime drama set in New York City, but it wouldn't have been nearly so prestigious a movie were it not for the presence of Spencer Tracy in the role of Curtayne. Ironically enough, he only agreed to do the film on the condition that his friend Pat O'Brien, who hadn't been in a major studio release in a couple of years, be given a large role, which he got as the lead detective on the case, and O'Brien and Tracy get a couple of really good scenes together. The film also includes an unbilled appearance by Charles Bronson, who was still working as Charles Buchinski in 1951, and is highlighted by a superb prominent supporting performance by William Campbell, who seems to quietly relish every nuance of his portrayal of a totally slimy character. ~ Bruce Eder, All Movie Guide
The People Against O'Hara was a well-made, largely location-shot crime drama set in New York City, but it wouldn't have been nearly so prestigious a movie were it not for the presence of Spencer Tracy in the role of Curtayne. Ironically enough, he only agreed to do the film on the condition that his friend Pat O'Brien, who hadn't been in a major studio release in a couple of years, be given a large role, which he got as the lead detective on the case, and O'Brien and Tracy get a couple of really good scenes together. The film also includes an unbilled appearance by Charles Bronson, who was still working as Charles Buchinski in 1951, and is highlighted by a superb prominent supporting performance by William Campbell, who seems to quietly relish every nuance of his portrayal of a totally slimy character. ~ Bruce Eder, All Movie Guide
- Starring:
- Spencer Tracy, Pat O'Brien, (more)
Johnny One-Eye was adapted from one of Damon Runyon's lesser-known stories. Pat O'Brien and Wayne Morris star as Martin Martin and Dane Cory respectively, former partners in crime who have long since split up. When a new district attorney puts the heat on, Cory, anxious to save his own hide, accuses Martin of an unsolved murder. Holed up in abandoned house, Martin is befriended by a little girl (Gayle Reed) and her dog. It so happens that the girl is the daughter of the crusading DA, and thereby hangs the rest of this tale. Produced by Benedict Bogeaus, Johnny One-Eye co-stars Bogeaus' wife Dolores Moran as a moll named Lily White. The film represented the last directorial assignment of Robert Florey, who retired shortly afterward. ~ Hal Erickson, All Movie Guide
- Starring:
- Pat O'Brien, Wayne Morris, (more)
- 1950
Mickey Rooney is The Fireball in this independently produced sports film. The sport in this case is roller-skating, which was enjoying a resurgence of popularity in 1950 thanks to the various "Roller Derby" telecasts. Rooney plays Johnny Cesar, an orphan kid who rises to fame and fortune on the basis of his skill on skates. As his popularity grows, so does Johnny's arrogance. It takes a bout with polio to bring Johnny back down to earth. Pat O'Brien is cast as the priest who encourages Johnny to hone his skating skills, then gives the boy moral support when he's stricken down by illness. Marilyn Monroe has a showy supporting role as one of Johnny's casual dates. Best bit: the lanky solo skater who does his thing while Pat O'Brien looks on in mute amazement. ~ Hal Erickson, All Movie Guide
- Starring:
- Mickey Rooney, Pat O'Brien, (more)
- 1949
The Dangerous Profession of the title is the bail-bond business. George Raft stars as Kane, a former cop turned professional bail-raiser. When one of his customers, robbery suspect Brackett (Bill Williams), is mysteriously murdered, Kane wants to know why. His reasons are twofold: he has an insatiable curiosity, and he's fallen in love with Brackett's widow Lucy (Ella Raines). As his business partner Farley (Pat O'Brien) looks on in mute bewilderment, Kane risks life and limb to solve the mystery. The plot doesn't always make sense, but in 1949 it was reassuring to see George Raft and Pat O'Brien harking back to their cinematic halcyon days of the 1930s. ~ Hal Erickson, All Movie Guide
- Starring:
- George Raft, Ella Raines, (more)
Finding a curiously silent young runaway boy (Dean Stockwell) whose head has been completely shaved, small town police call in a psychologist (Robert Ryan) and discover that he is a war orphan named Peter Frye. Moving in with an understanding retired actor named Gramps (Pat O'Brien), Peter starts going to school and generally begins living the life of a normal boy until his class gets involved with trying to help war orphans in Europe and Asia. Peter soon realizes that -- like the children on the posters, whose images haunt him -- he, too, is a war orphan. The realization about his parents and the work helping the orphans makes Peter turn very serious, and he is further troubled when he overhears the adults around him talking about the world preparing for another war. Peter awakens the next day and his hair has turned green, prompting him to run away after being taunted by the townspeople and his peers. Suddenly, appearing before him in a lonely part of the woods are the orphaned children whose pictures he saw on the posters. They tell him that he is a war orphan, but that with his green hair he can make a difference and must tell people that war is dangerous for children. He leaves determined to deliver his message to any and all. Upon his return, the townspeople chase Peter, and even Gramps tries to encourage him to consider shaving his hair so that it might grow back normally. He agrees to get his head shaved, and the town barber does the job -- that night, however, Peter runs away. Later reunited with Gramps, Peter learns that there are adults out there who accept what he has to say and want him to go on saying it. He's sure that his hair will grow back in green again, and he will continue to carry his message. ~ Bruce Eder, All Movie Guide
- Starring:
- Pat O'Brien, Robert Ryan, (more)
- 1948
"Boys Town" goes to turn-of-the-century St. Louis in this moving drama that chronicles the love of a determined priest struggling to turn around the lives of a street-wise gang of newsboys living at his homeless shelter. The good father has little money and must use his wits and ability to convince others to help out to supply the little shelter. Much of the story centers on his relationship with a troubled lad who accidentally kills someone. ~ Sandra Brennan, All Movie Guide
- Starring:
- Pat O'Brien, Griff Barnett, (more)
