Edmond O'Brien Movies
Reportedly a neighbor of Harry Houdini while growing up in the Bronx, American actor Edmond O'Brien decided to emulate Houdini by becoming a magician himself. The demonstrative skills gleaned from this experience enabled O'Brien to move into acting while attending high school. After majoring in drama at Columbia University, he made his first Broadway appearance at age 21 in Daughters of Atrus. O'Brien's mature features and deep, commanding voice allowed him to play characters far older than himself, and it looked as though he was going to become one of Broadway's premiere character actors. Yet when he was signed for film work by RKO in 1939, the studio somehow thought he was potential leading man material -- perhaps as a result of his powerful stage performance as young Marc Antony in Orson Welles' modern dress version of Julius Caesar. As Gringoire the poet in The Hunchback of Notre Dame (1939), O'Brien was a bit callow and overemphatic, but he did manage to walk off with the heroine (Maureen O'Hara) at the end of the film. O'Brien's subsequent film roles weren't quite as substantial, though he was shown to excellent comic advantage in the Moss Hart all-serviceman play Winged Victory, in a role he repeated in the 1944 film version while simultaneously serving in World War II (he was billed as "Sergeant Edmond O'Brien"). Older and stockier when he returned to Hollywood after the war, O'Brien was able to secure meaty leading parts in such "films noir" as The Killers (1946), The Web (1947) and White Heat (1949). In the classic melodrama D.O.A. (1950), O'Brien enjoyed one of the great moments in "noir" history when, as a man dying of poison, he staggered into a police station at the start of the film and gasped "I want to report a murder...mine." As one of many top-rank stars of 1954's The Barefoot Contessa, O'Brien breathed so much credibility into the stock part of a Hollywood press agent that he won an Academy Award. On radio, the actor originated the title role in the long-running insurance-investigator series "Yours Truly, Johnny Dollar" in 1950. On TV, O'Brien played a Broadway star turned private eye in the 1959 syndicated weekly "Johnny Midnight," though the producers refused to cast him unless he went on a crash vegetarian diet. Plagued by sporadic illnesses throughout his life, O'Brien suffered a heart seizure in 1961 while on location in the Arabian desert to play the Lowell Thomas counterpart in Lawrence of Arabia, compelling the studio to replace him with Arthur Kennedy. O'Brien recovered sufficiently in 1962 to take the lead in a TV lawyer series, "Sam Benedict;" another TV stint took place three years later in "The Long Hot Summer." The actor's career prospered for the next decade, but by 1975 illness had begun to encroach upon his ability to perform; he didn't yet know it, but he was in the first stages of Alzheimer's Disease. Edmond O'Brien dropped out of sight completely during the next decade, suffering the ignominity of having his "death" reported by tabloids several times during this period. The real thing mercifully claimed the tragically enfeebled O'Brien in 1985. ~ Hal Erickson, All Movie Guide
In this film based on a true story, Burt Lancaster plays Robert Stroud, a withdrawn prison inmate who cures a sick bird that flies into his cell and eventually becomes a world-renowned ornithologist -- all while serving a life sentence. An overbearing warden (Karl Malden) eventually transfers Stroud to the notoriously brutal prison on Alcatraz, but he is able to continue his research, abort a riot, start a romance, and eventually get his story out through a determined reporter (Edmond O'Brien). Directed with his usual solid craftsmanship by John Frankenheimer, Birdman Of Alcatraz tells a quietly moving tale for which Lancaster, Telly Savalas (as one of Stroud's fellow inmates), and Thelma Ritter (as Stroud's mother) all received Oscar nominations. ~ Don Kaye, All Movie Guide
- Starring:
- Burt Lancaster, Karl Malden, (more)
- 1962
Moon Pilot is an engaging Disney sci-fi comedy that manages to shoot off a few neat and surprisingly satirical barbs at the hypertense US/Russia "space race" of the era. Tom Tryon plays an astronaut who is ordered to keep his upcoming moon flight a secret, even from his family. While on a plane, Tryon is approached by lovely Dany Saval, who seems to know all about the astronaut's hush-hush mission, and who warns him about possible defects in his spacecraft. Despite the diligence of his FBI guards, Tryon is confronted time and again by Saval, who eventually reveals herself to be a visitor from the planet Beta Lyrae. A friendly alien, Saval merely wants to offer Tryon a special coating formula that will safeguard his rocket. Enchanted by the girl, Tryon plays hookey on his guards to spend more time with her, leaving the FBI, NASA, the CIA and the local constabulary to chase their own tails. When his rocket is launched, Tryon discovers that Saval has stowed away. The two sing a romantic song about Beta Lyrae while mission control (personified by Brian Keith at his most bombastic) expresses confusion over the bizarre transmissions emanating from Tryon's capsule. The release of Moon Pilot was heralded by a "preview" on Disney's Wonderful World of Color TV series, titled "Spy in the Sky." ~ Hal Erickson, All Movie Guide
- Starring:
- Brian Keith, Edmond O'Brien, (more)
- 1962
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Like Pontius Pilate, director John Ford asks "What is truth?" in The Man Who Shot Liberty Valance--but unlike Pilate, Ford waits for an answer. The film opens in 1910, with distinguished and influential U.S. senator Ransom Stoddard (James Stewart) and his wife Hallie (Vera Miles) returning to the dusty little frontier town where they met and married twenty-five years earlier. They have come back to attend the funeral of impoverished "nobody" Tom Doniphon (John Wayne). When a reporter asks why, Stoddard relates a film-long flashback. He recalls how, as a greenhorn lawyer, he had run afoul of notorious gunman Liberty Valance (Lee Marvin), who worked for a powerful cartel which had the territory in its clutches. Time and again, "pilgrim" Stoddard had his hide saved by the much-feared but essentially decent Doniphon. It wasn't that Doniphon was particularly fond of Stoddard; it was simply that Hallie was in love with Stoddard, and Doniphon was in love with Hallie and would do anything to assure her happiness, even if it meant giving her up to a greenhorn. When Liberty Valance challenged Stoddard to a showdown, everyone in town was certain that the greenhorn didn't stand a chance. Still, when the smoke cleared, Stoddard was still standing, and Liberty Valance lay dead. On the strength of his reputation as the man who shot Valance, Stoddard was railroaded into a political career, in the hope that he'd rid the territory of corruption. Stoddard balked at the notion of winning an election simply because he killed a man-until Doniphon, in strictest confidence, told Stoddard the truth: It was Doniphon, not Stoddard, who shot down Valance. Stoddard was about to reveal this to the world, but Doniphon told him not to. It was far more important in Doniphon's eyes that a decent, honest man like Stoddard become a major political figure; Stoddard represented the "new" civilized west, while Doniphon knew that he and the West he represented were already anachronisms. Thus Stoddard went on to a spectacular political career, bringing extensive reforms to the state, while Doniphon faded into the woodwork. His story finished, the aged Stoddard asks the reporter if he plans to print the truth. The reporter responds by tearing up his notes. "This is the West, sir, " the reporter explains quietly. "When the legend becomes fact, print the legend." Dismissed as just another cowboy opus at the time of its release, The Man Who Shot Liberty Valance has since taken its proper place as one of the great Western classics. It questions the role of myth in forging the legends of the West, while setting this theme in the elegiac atmosphere of the West itself, set off by the aging Stewart and Wayne. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, James Stewart, (more)
- 1961
Edmond O'Brien became the latest actor to try his hand at directing in Man-Trap (he'd previous functioned as codirector on 1957's Shield for Murder). Jeffrey Hunter stars as an impressionable fellow whose old marine buddy (David Janssen) talks him into a questionable business venture. Hunter joins Janssen in a plot to hijack nearly four million dollars from the Mob. The results are far from beneficial, either for Hunter or his alcoholic, promiscuous young wife (Stella Stevens). Man-Trap was adapted from John D. MacDonald's novel Taint of the Tiger. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeffrey Hunter, David Janssen, (more)
- 1961
The Great Impostor is the true story of chameleonlike Canadian Ferdinand Waldo DeMara Jr., well-played by Tony Curtis. Unable to decide what he wants to do with his life, DeMara goes about pretending to be other people, hoping to eventually "find himself." He poses as a Harvard professor, a Trappist monk, a prison warden, and a navy physician, and manages each time to get away with the artifice. The film wavers uncertainly between tense drama and frothy comedy, with comedy finally winning out. Karl Malden co-stars as Father Devlin, the young DeMara's spiritual advisor, while Joan Blackman is the nominal (and hardly visible) heroine. The real Ferdinand DeMara (if indeed there was a real Ferdinand DeMara) can be seen in a supporting role in the 1960 melodrama The Hypnotic Eye. ~ Hal Erickson, All Movie Guide
- Starring:
- Tony Curtis, Edmond O'Brien, (more)
Robert Stack and Dorothy Malone are Cliff and Laurie Henderson, a married couple on a vacation with their young daughter (Tammy Marihugh), taking their first sea voyage aboard the aging ocean liner Claridon. All is well for them, but not for the ship below decks, where a fire has broken out. The engine room crew, led by Chief Engineer Steven Pringle (Jack Kruschen) and 2nd Engineer Walsh (Edmond O'Brien) extinguish the blaze, but the ship's captain (George Sanders) refuses their request to shut down the boilers and check for further damage. Disaster follows as the boilers explode, taking Pringle with them and blasting a hole through to the upper decks and an opening to the sea that's not only too big to patch but allowing in too much water for the pumps to handle. Still, the Captain won't order the passengers to the lifeboats -- he hopes that the engine room crew under Walsh can hold the bulkhead and keep the ship afloat. Meanwhile, Cliff has to rescue his daughter from their wrecked stateroom, and must do what he can to help Laurie, who is trapped beneath a huge piece of steel bulkhead, while the ship slowly loses its battle with the sea. ~ Bruce Eder, All Movie Guide
- Starring:
- Robert Stack, Dorothy Malone, (more)
- 1960
Hubert Cornfield wrote, directed, and co-produced this standard suspense story about two people who commit both murder and fraud -- out of revenge on the one hand and materialistic gain on the other. Marian Forbes (Laraine Day) has been having an affair with her boss and when he drops her for another woman she sees green -- jealousy and greed take over. She convinces an acquaintance (Edmond O'Brien) to murder her former lover and then impersonate him just long enough to get their hands on a large sum of money. Everything comes off as she plans, but then as the two cover up their crime, the danger of being discovered looms larger at every turn. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Edmond O'Brien, Julie London, (more)
- 1959
This routine drama about love, betrayal, and ambition stars Richard Basehart as Georges, the spineless husband of Dominique (Andrea Parisy) a woman who has enough ambition for the both of them. Edmond O'Brien is the unfortunate boss who has allowed some deeds on valuable Tahitian phosphate mines to lapse. While the wife keeps the boss distracted with a series of sexual encounters, she also convinces her husband to transfer the deeds to their names. After the deed is done, so to speak, the couple slowly climb up the economic and social ladder. But since karma never sleeps, they ultimately have to face the consequences of their actions. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Andréa Parisy, Edmond O'Brien, (more)
Lt. (jg) Ken Braden (James Garner) is a US Navy frogman and underwater demolitions expert who is assigned to a vital mission, and to a submarine captained by Commander Stevenson Edmond O'Brien. But Stevenson is a CO who may have seen too many men die -- the two immediately come into conflict over Braden's presence on the boat and his mission, a top secret foray into Japanese waters that jeopardizes the boat. The captain, in his strict adherence to regulations, makes it as difficult as possible for Braden to carry out his assignment, and Braden doesn't make matters easier between them by speaking his mind. And the crew's low morale only makes matters worse as the voyage progresses and the dangers around them mount. ~ Bruce Eder, All Movie Guide
- Starring:
- James Garner, Edmond O'Brien, (more)
- 1958
In this musical drama, a popular rock star leads a successful and happy life while his grandfather, a stern, traditional preacherman admonishes the lad for his sinful existence. The young man is filled with guilt and after the old reverend dies, becomes a preacher himself. But try as he might, he simply cannot bring his heart into his words. A wise aunt counsels him and tells him that his talent came from God and that he should use it. Songs include: "Rock of Ages," "Sing, Boy, Sing," "Gonna Talk with My Lord," "Who Baby?" "Crazy 'Cause I Love You," "Bundle of Dreams," "Your Daddy Wants to Do Right," "Just a Little Bit More," "That's All I Want from You," "People in Love," "Soda-Pop Song," "Would I Love You." ~ Sandra Brennan, All Movie Guide
- Starring:
- Tommy Sands, Lili Gentle, (more)
- 1958
In this drama, a sea captain is accused of negligence when his ship sinks and 162 passengers drown. A zealous defense attorney, proud of his perfect track record, is assigned to defend the sailor. Though the captain is clearly guilty, the DA gets him acquitted. Afterward, the lawyer's wife and friends are utterly disgusted and end up leaving him. In the end, the lawyer vindicates himself by proving that the captain is indeed innocent. He then brings the guilty ship's mate to justice. ~ Sandra Brennan, All Movie Guide
- Starring:
- Edmond O'Brien, Mona Freeman, (more)
- 1957
Produced by Alan Ladd's own Jaguar company, The Big Land stars Ladd as Texas cattleman Morgan. As a means to expedite shipment of his stock to Missouri, Morgan convinces several Kansas farmers to build a small town as a railroad link between the Rio Grande and Kansas City. He is opposed in this by crooked cattle buyer Brog (Anthony Caruso), who realizes that any speed-up of Morgan's shipments will increase livestock prices. Surprisingly, Alan Ladd seems tired and listless throughout the proceedings; in fact, Virginia Mayo, cast as a saloon hall gal, delivers the film's liveliest performance. Still, the Ladd name brought in plenty of business, encouraging the star to stick with westerns well into the next decade. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, Virginia Mayo, (more)
- 1957
Novelist John P. Marquand's soft-spoken Japanese detective Mr. Moto was brought to the screen in an entertaining 1930s B-picture series by 20th Century-Fox. But when the same studio purchased Marquand's novel Stopover Tokyo in 1957, Mr. Moto was totally excised from the screenplay. The film's main character is an American intelligence agent, played by Robert Wagner. Assigned to protect the US ambassador to Japan (Larry Keating) from assassination, Wagner is stymied by the ambassador's refusal to cooperate. This makes it all the easier for communist spy Edmond O'Brien to set a time bomb in the embassy. Wagner races against time to neutralize the bomb, and in so doing loses the love of Joan Collins, who wants no part of the espionage racket. Stopover Tokyo was a rare excursion into directing by Oscar-winning screenwriter Richard L. Breen. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Wagner, Joan Collins, (more)
- 1957
Rod Serling wasn't telling whom he based the leading character of his TV play The Comedian upon, but sharp-eyed viewers could detect traces of everyone from Milton Berle to Red Buttons. Mickey Rooney stars as a top-rated television comedian who is all love-and-kisses when before the cameras but a flaming mass of vitriol towards his coworkers. Rooney's beleaguered head writer Edmond O'Brien worries that he's on the verge of being fired, so he steals an old piece of material from a long-dead comic for Rooney's opening monologue. Meanwhile, Rooney's brother Mel Torme, fed up with being the public butt of the comedian's jokes, is goaded into an on-camera revenge. Throwing out his original intention of having the vicious Rooney get his comeuppance, Serling ends The Comedian with Rooney still dispensing nastiness to one and all, and with Torme sobbingly accepting his lot in life; O'Brien, at least, is afforded a happier denouement. Originally telecast live on Playhouse 90 on February 14, 1957, The Comedian won an Emmy as "best single program"; a kinescope of the telecast is currently available on videocassette. ~ Hal Erickson, All Movie Guide
- 1956
Natalie Wood plays what was touted as her first "grown up" role in the tense melodrama A Cry in the Night. Based loosely on the Caryl Chessman case, the film showcases Raymond Burr as a psycho who stalks and attacks young couples on Lover's Lane. Overpowering Wood's boyfriend, Burr kidnaps the girl and locks her up in a seedy one-room apartment. Though he barely lays a hand on her, Wood has every reason to be terrified of her captor, who has a disturbing habit of brutally killing small animals. Meanwhile, Wood's police-captain father Edmond O'Brien brusquely ignores all manner of civil liberties as he and fellow officer Brian Donlevy turn the town inside out in search of the girl and her abductor. Carol Veazie appears as Burr's blowsy, dominating mother, while Mary Lawrence offers an interesting characterization as Wood's plain-Jane sister, who is jealous of all the attention showered on her missing sibling. Cry in the Night is a surprisingly lively offering from the normally uninspired director Frank Tuttle. ~ Hal Erickson, All Movie Guide
- Starring:
- Edmond O'Brien, Brian Donlevy, (more)
- 1956
- NR
The Korean conflict of the early '50s saw widespread use of psychological torture by the North Korean communists on enemy prisoners of war. That young American GIs cracked under this brainwashing at higher rates than the troops of our allies led to much soul searching within the military and the nation during that era. In Hollywood, this was most famously reflected in The Manchurian Candidate (1962), and lesser-known films like Time Limit (1955) and The Rack. The failure of all three films at the box office suggests that the public didn't care to be reminded of this painful issue. Paul Newman stars as Captain Edward W. Hall Jr., a career soldier being tried by a military court for collaborating with the enemy. As the son of a highly distinguished career officer (Walter Pidgeon), and with a brother who had been killed in the war, he is especially tormented by the accusations which have been brought against him. Although reluctant to take the case, Major Sam Moulton (Wendell Corey) elicits incriminating testimony from Hall, comparing him unfavorably with soldiers like Captain John Miller (Lee Marvin), who were able to withstand similar punishment. But defending attorney Lt. Colonel Frank Wasnick (Edmond O'Brien), makes the case that this new type of torture is a new and barely understood weapon, to which some will be more innately immune than others. ~ Michael Costello, All Movie Guide
- Starring:
- Paul Newman, Wendell Corey, (more)
- 1956
A prosaic filmization of George Orwell's cautionary novel, 1984 is set in a futuristic totalitarian society where individuality is forbidden. The ruler is the never-seen "Big Brother," whose minions have monitored and bugged the activities of the populace so that no one can harbor any "subversive" thoughts. Edmond O'Brien plays Winston Smith, a government functionary satisfied with his lot, until he commits the illegal act of falling in love with Julia (Jan Sterling), a member of the anti-sex league. The lovers try to escape the all-powerful influence of Big Brother, but their every move is recorded by listening and viewing devices. Both are captured and sent to rehabilitation centers; preying upon Winston's and Julia's innermost fears, the lieutenants of Big Brother break down their resistance and force them to betray one another. ~ Hal Erickson, All Movie Guide
- Starring:
- Michael Redgrave, Edmond O'Brien, (more)
- 1956
The inimitable writer-director Frank Tashlin once more aims his satiric barbs at modern culture (modern 1950s culture, that is) in The Girl Can't Help It. Much of the film is dominated by Edmond O'Brien as mob boss Murdock, who while serving a term in federal prison becomes a singing sensation with his hit tune "Rock Around the Rock Pile." Once he's sprung, Murdock hires impoverished agent Tom Miller (Tom Ewell), not to promote his own career, but to turn his curvaceous lady friend Jerri Jordan (Jayne Mansfield) into a star. Alas, Jerri has no singing or acting talent whatsoever, a fact that she's eager and willing to admit. A domestic type at heart, all Jerri really wants out of life is to marry Murdock, so that she can clean his house, cook his meals and raise his children. When Murdock refuses to grant her wishes, Jerri falls in love with Tom instead.
Every so often, director Tashlin takes time out from the plot to poke fun at such technical marvels as CinemaScope and Technicolor, and to lampoon the American male's fixation on female bosoms and bottoms (at one point, Jayne Mansfield leans towards the camera, her cleavage exposed as far as the censors will allow, and plaintively asks Tom Ewell if he believes that she's equipped for motherhood). While much of the humor in the film is dated, The Girl Can't Help It is an invaluable record of the pop-music scene of the 1950s, featuring such guest artists as Julie London (playing Tom Ewell's dream girl), Ray Anthony, Fats Domino, The Platters, Little Richard and his Band, Gene Vincent and his Blue Caps, the Treniers, Eddie Fontaine, Abbey Lincoln and Eddie Cochran. ~ Hal Erickson, All Movie Guide
Every so often, director Tashlin takes time out from the plot to poke fun at such technical marvels as CinemaScope and Technicolor, and to lampoon the American male's fixation on female bosoms and bottoms (at one point, Jayne Mansfield leans towards the camera, her cleavage exposed as far as the censors will allow, and plaintively asks Tom Ewell if he believes that she's equipped for motherhood). While much of the humor in the film is dated, The Girl Can't Help It is an invaluable record of the pop-music scene of the 1950s, featuring such guest artists as Julie London (playing Tom Ewell's dream girl), Ray Anthony, Fats Domino, The Platters, Little Richard and his Band, Gene Vincent and his Blue Caps, the Treniers, Eddie Fontaine, Abbey Lincoln and Eddie Cochran. ~ Hal Erickson, All Movie Guide
- Starring:
- Tom Ewell, Jayne Mansfield, (more)
We don't see much of Omaha Beach in D-Day, the Sixth of June. Instead, the film concentrates on a romantic triangle involving American officer Robert Taylor, British officer Richard Todd and the lovely Dana Wynter. Taylor and Todd spend the last hours before D-Day reminiscing about Wynter. The romantic dilemma is eventually solved shortly after the invasion, when one of the men conveniently steps on a land mine. Lionel Shapiro's novel was geared more for the beach-and-bonbons crowd than war buffs, and the film follows suit. 20th Century-Fox gives a far more thorough account of D-Day itself in 1963's The Longest Day. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Richard Todd, (more)
Pete Kelly's Blues is arguably the most stylish of director/star Jack Webb's theatrical features. Beginning with a brilliantly evocative pre-credits prologue, wherein we see how WWI vet Pete Kelly (Webb) came into possession of his precious trumpet, the film traces Kelly to his 1927 gig at a Kansas City speakeasy. Most of the film concerns Kelly's efforts to keep his "Big Seven" aggregation together, his off-and-on romance with socialite Ivy Conrad (Janet Leigh), and his frequent confrontations with mob boss Fran McCarg (Edmond O'Brien). The Richard L. Breen screenplay is full of the deliciously hyperbolic allusions, similes, and metaphors that characterized Webb's radio version of Pete Kelly's Blues, while the musical score is graced by the jazz artistry of such greats as Ella Fitzgerald and Teddy Buckner. Peggy Lee, cast as a mob mistress who is rendered an imbecile after falling down a flight of stars, deservedly earned an Academy Award nomination for her performance. Likewise superb is Andy Devine, cast against type as a corrupt, brutal Kansas City detective, and Lee Marvin as Kelly's best pal. Disney art director Harper Goff, who'd been performing miracles on Webb's TV series Dragnet, brilliantly sustains the smoky zeitgeist of the Prohibition era. Pete Kelly's Blues was later spun off into a TV series starring William Reynolds as Kelly. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Webb, Janet Leigh, (more)
- 1954
A corrupt cop creates all kinds of problems in this crime drama. The trouble begins when he kills a bookie and then grabs $25,000. Later he tells his chiefs that he did it because he had to, but as no one was there to witness the killing, they are forced to take his word for it. Unfortunately for the bad egg, there was one witness. Fortunately for him, he manages to kill that witness. The killing alerts a detective who was once framed by the crook and another gangster. The detective's investigations lead him to the bad apple's newly built suburban home, in which his illicit money is hidden. ~ Sandra Brennan, All Movie Guide
- Starring:
- Edmond O'Brien, John Agar, (more)
- 1954
Produced and directed by the prestigious Frank Lloyd, The Shanghai Story was promoted as a "class" production by the bread-and-butter firm of Republic Pictures. The film takes place in the eponymous far-eastern metropolis (courtesy of the Republic backlot), where Communist police chief Colonel Zorek (Marvin Miller) hopes to trap an American spy. Zorek rounds up the usual suspects and sequesters them in a seedy hotel. Could the spy be Dan Maynard (Edmond O'Brien), a cynical doctor? Is it munitions profiteer Ricki Dolmine (Barry Kelley)? Perhaps it's two-fisted mercenary seaman Knuckles Greer (Richard Jaeckel). Orrrrrrr, maybe it's the mysterious Rita King (Ruth Roman), who is inexplicably given permission to come and go as she pleases by the otherwise intractable Zorek. True to form, this Republic A-picture resolves its problems with a final reel of good old B-flick action and violence. ~ Hal Erickson, All Movie Guide
- Starring:
- Ruth Roman, Edmond O'Brien, (more)
The Barefoot Contessa begins at the funeral of Ava Gardner, a former Spanish peasant, cabaret dancer and movie star, who at the time of her death was a full-fledged contessa. Her life story unfolds in flashback recollections from her mourners. Film director Humphrey Bogart recalls how his career was saved when he discovered Gardner on behalf of Howard R. Hughes-like mogul Warren Stevens. Press agent Edmond O'Brien remembers how Ava was wooed and then abandoned by mercurial millionaire Marius Goring, and Italian count Rosanno Brazzi reflects on how he was able to wed the tempestuous Gardner, only to watch his world crumble after revealing on their wedding night that he was "only half a man." O'Brien received Best Supporting Actor awards at both the Academy Awards and Golden Globes in 1954. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Ava Gardner, (more)
- 1953
A "big" western by Allied Artists standards, Cow Country is directed with his usual panache by horse-opera expert Lesley Selander. Adapted from a novel by Curtis Bishop, the film stars Edmond O'Brien as Ben Anthony, an adventurer-for-hire who casts his lot with Texas cattleman Walt Garnet (Robert H. Barrat). The villains want to drive Anthony and his fellow ranchers off their land, but Ben's six-guns prevent this, at least temporarily. Meanwhile, Linda Garnet (Helen Westcott), Walt's daughter and the fiancee of the film's chief bad guy Harry Odell (Bob Lowery), aligns herself with Ben when Odell proves to be spectacularly unfaithful with saloon chirp Melba Sykes (Peggie Castle). Barton MacLane rounds out the cast in one of his standard loud, abrasive roles. ~ Hal Erickson, All Movie Guide
- Starring:
- Edmond O'Brien, Helen Westcott, (more)
