Nat Benchley Movies

Al Giardello (Yaphet Kotto) is fed up with the liberties taken by the homicide squad's FBI liaison -- never mind that his own son Mike (Giancarlo Esposito) is himself an FBI agent. Elsewhere, the detectives resent the preferential treatment afforded ADA Eleanor Burke (Haviland Morris), who intends to use Battered Spouse Syndrome to defend herself against charges of murdering her husband. Ballard (Callie Thorne) shames Lewis (Clark Johnson) into teaming with her to solve a barroom stabbing. And waitress Billie Lou (Ellen McElduff) receives an unexpected -- and very inebriated -- wedding proposal. ~ Hal Erickson, Rovi

Beverly Sutphin (Kathleen Turner) is the perfect suburban housewife and mother. She likes to cook, her home is immaculately clean, she's always well-groomed and cheerful, and she loves her husband Eugene (Sam Waterston) and her two children, Misty (Ricki Lake) and Chip (Matthew Lillard). There's just one problem with Beverly -- if you do anything to make someone in her family feel bad, you're dead meat on a stick. While she does a great job of hiding it, Beverly has a vicious and vengeful streak, and when she's not making obscene prank calls to the neighbors or bribing her garbagemen to save embarrassing items from her neighbors' trash, she's mowing down whoever would be so rude as to make her husband go into his office on a Saturday, break up with her daughter, or suggest that her son watches too many horror movies. Taking John Waters back to R-rated territory after the relatively sedate Hairspray and Cry Baby, Serial Mom captures a comfortable middle ground between Hollywood professionalism and Waters' subversive sense of humor, and Kathleen Turner has a field day as the sweet-on-the-outside, evil-on-the-inside Beverly. The supporting cast includes such Waters favorites as Patty Hearst, Traci Lords, Mink Stole, and Susan Lowe; Joan Rivers and Suzanne Somers appear as themselves, and all-female grunge-metal band L7 plays the all-female grunge-metal band Camel Toe. ~ Mark Deming, Rovi

A frustrated writer helps save a woman being railroaded by the law -- or is she? -- in this comic mystery with romantic overtones. Phil Blackwood (Tom Selleck) is a best-selling mystery novelist who has run into a bad case of writer's block. Hoping to find inspiration for his next book, Phil goes to the city courthouse and witnesses the arraignment of Nina Ionescu (Paulina Porizkova), a beautiful Romanian immigrant who is accused of killing a man with a pair of scissors. For Phil, it's love at first sight, and after sneaking into jail disguised as a priest, he makes her an offer. Phil offers to let her stay at his house, and he provides her with an alibi -- she can claim that she couldn't have committed the crime, because she was with him at the time of the attack. Nina agrees, but after Phil encounters a handful of dangerous foreign agents, Nina's acrobatic parents, and a highly suspicious district attorney, he begins to wonder if Nina might have committed the murder after all. Her Alibi also features William Daniels as Sam, and James Farentino as Frank Polito; the song "Falling In Love" was written and recorded for the film by Randy Newman. ~ Mark Deming, Rovi

Writer/director/producer James L. Brooks scores on all counts with this clear-eyed look at the television news business and the dysfunctional types who work in it. Brooks' intelligent script introduces us to Jane Craig (Holly Hunter), an ambitious producer at the network news division's Washington D.C. branch, who is calm under fire yet has a good cry at her desk every morning over her empty personal life. Jane works well with Aaron Altman (Albert Brooks), an excellent reporter who lacks the visual charisma to make him a star. Into their lives comes Tom Grunick (William Hurt), a regional newscaster who admits he can't write news and doesn't understand many of the events he's covering, but has the presence and physical appeal that the increasingly entertainment-oriented network wants for its news programs. Jane is also physically attracted to him, which drives her crazy, because Grunick stands for everything she's fighting against in the news business, while Altman is devastated by her attraction because he secretly yearns for Jane. As Grunick becomes a rising star at the network, and layoffs of the old guard loom, the three leads deal with their feelings for each other, their careers, and their values. Hunter, Hurt, and Brooks are all superb, as is the excellent supporting cast (including an unbilled turn by Jack Nicholson as the network's smarmy national anchor). Brooks' script is funny, poignant, gritty, and brutally honest in its examinations of the television industry and the ways in which professionals interact on and off the job. ~ Don Kaye, Rovi