Mike Nussbaum Movies

An amiable gangster who has been targeted for death sets out for one last plate of veal ossobucco, never realizing that it may be the last meal he ever eats. The colds winds are blowing into Chicago, and no one in town has realized that this will be the biggest snowstorm in the history of the Windy City. Jelly Dinotto is a misfit Mafioso who's earned a reputation as a large and lovable thug. Having just received marching orders to go back to Italy, Jelly takes his cousin Nick to nearby Vesuvios Restaurant in order to enjoy one last plate of veal ossobucco before he departs -- never once suspecting that his departure will be more permanent than he ever suspected, and that Nick himself has been charged with orchestrating the dirty deed. As the two cousins sit down for dinner and the snow begins to fall outside, it quickly becomes apparent that the gangsters will be trapped in the restaurant with a pair of underachieving Chicago detectives and the few employees who have stuck around to close up shop. With the snow piling up fast and the prospects for leaving town long gone, Jelly and earthy waitress Megan (Illeana Douglas) strike up a friendly conversation. Unbeknownst to Megan is the fact that Jelly has been carrying a torch for the pretty waitress for quite some time now. But will the meal that Megan has just delivered to Jelly's table be his last, or is there a chance that love will somehow find the power to overcome death as this desperate group sits snowbound in a Chicago restaurant? ~ Jason Buchanan, Rovi

For his fifth effort as a feature-film director, one-time cinematographer Barry Sonnenfeld brought his cartoonish visual style and darkly humorous sensibilities to this adaptation of, appropriately enough, a tongue-in-cheek sci-fi comic book. Will Smith stars as James Darrel Edwards, a New York City cop with an athletic physique and a flippant, anti-authoritarian attitude toward law enforcement. After chasing down a mysterious perpetrator one night who turns out to be an alien, James is recruited by "K" (Tommy Lee Jones), a veteran of a clandestine government agency secretly policing the comings and goings of aliens on planet Earth. Nicknamed the "men in black" for their nondescript uniform of black suit, shoes, tie, and sunglasses, the agents are assigned to recover a bauble that's been stolen by an intergalactic terrorist (Vincent D'Onofrio). It seems the item is none other than the galaxy itself, and its theft has plunged humanity into the center of what's shaping up to become an interstellar war, unless K and his new wisecracking partner, now renamed "J," can stop the bad guy. On their side but somewhat in the dark is a pretty, unflappable city medical examiner (Linda Fiorentino) who has been zapped one too many times by K's ingenious memory-sapping device. Men in Black was a box office smash, inspiring an animated children's television series and a hit soundtrack album that featured a performance by star (and rapper) Smith. ~ Karl Williams, Rovi

In a fit of nostalgia, Frasier (Kelsey Grammer) and Niles (David Hyde Pierce) purchase their favorite restaurant, a landmark establishment that has fallen on hard times. The brothers eagerly look forward to the opening of the newly christened "Les Frères Heureux," which translates as "The Happy Brothers." But "happy" is not the word that immediately springs to mind on opening night -- especially after Frasier and Niles have managed to either injure or scare off virtually the entire staff. ~ Hal Erickson, Rovi

Gladiator is the kind of boxing movie that goes that extra mile -- a self-loathing boxing saga that relishes in bare-knuckled sucker punches, illegal eye-rubs, and gentlemen boxers who obey the Marquis of Queensbury rules by drop-kicking opponents when the are not only down but unconscious. James Marshall plays Tommy Riley, a Windy City high school student conned into participating in the illegal underground boxing arenas of the South Side of Chicago. In high school, Tommy was a prize boxer, and this skill comes in handy when his Father (John Heard) runs up a large gambling debt. When a sleazy boxing manager (Robert Loggia) spots Tommy defending himself during recess, he offers him quick money to box. Tommy, although he hates the sport, readily agrees, thinking his winnings will help his father pay off his debts. He quickly comes under the thumb of unscrupulous boxing promoter Horn (Brian Dennehy), who is involved in fight-fixing and dirty fighting. Manipulating the odds and exploiting his boxers make Horn rich and more venal. In the rancid environment, Tommy befriends another fighter, Lincoln (Cuba Gooding Jr.), a black fighter who sees fighting as his way out of poverty. Inevitably, Horn arranges for the two friends to duke it out in the ring together. ~ Paul Brenner, Rovi

Overexposed starts out as a "heavy breather of the week" TV movie and develops into a truly involving suspense tale. Marcy Walker plays a wife and mother, stalked by wacko Terence Knox. This isn't just the usual hit-and-run harassment; Knox is a businessman who has an "X-rated" video of an adulterous affair, with Walker as "star." He had tricked her into sleeping with her years earlier; now he plans to destroy her marriage (her husband is his business associate) and then claim her for himself. Based on fact, Overexposed was filmed in Chicago by Oprah Winfrey's Harpo Productions. ~ Hal Erickson, Rovi

"If you build it, he will come." That's the ethereal message that inspires Iowa farmer Ray Kinsella (Kevin Costner) to construct a baseball diamond in the middle of his cornfield. At first, "he" seems to be the ghost of disgraced ballplayer Shoeless Joe Jackson (Ray Liotta), who materializes on the ballfield and plays a few games with the awestruck Ray. But as the weeks go by, Ray receives several other messages from a disembodied voice, one of which is "Ease his pain." He realizes that his ballfield has been divinely ordained to give a second chance to people who have sacrificed certain valuable aspects of their lives. One of these folks is Salingeresque writer Terence Mann (James Earl Jones), whom Ray kidnaps and takes to a ball game and then to his farm. Another is Doc Graham (Burt Lancaster), a beloved general practitioner who gave up a burgeoning baseball career in favor of medicine. The final "second-chancer" turns out to be much closer to Ray. That "magical" field in Dyersville, Iowa still draws thousands of baseball-happy tourists each year. ~ Hal Erickson, Rovi

In his directorial debut, Pulitzer Prize-winning playwright David Mamet creates a stylish cinematic puzzle of games within games, as con men are joined by a psychologist in creating the perfect caper. Dr. Margaret Ford (Lindsay Crouse), the writer of psychological self-help books, meets Mike (Joe Mantegna) as she attempts to help a patient who owes heavy gambling debts. When she herself is the victim of a con, she becomes intrigued by the psychological drama of the con game and joins in a complicated scam involving a suitcase of cash. Mamet directs his extremely complicated plot with skill and complete control until it is impossible to tell who is the con and who is the victim. The suspense builds to an amazing surprise ending which is both reasonable and believable but completely unpredictable. Crouse and Mantegna are outstanding as are all the supporting performances. Mamet and his cinematographer Juan Ruiz-Anchia create a visually stunning, compelling film that does justice to Mamet's superbly written screenplay ~ Linda Rasmussen, Rovi

"Fatal attraction" has become a household term for love turned to murderous obsession, thanks to the success of Adrian Lyne's 1987 movie. Dan (Michael Douglas) is a family man whose one-night affair with Alex (Glenn Close) turns into a nightmare when she insists on continuing the relationship, claiming to be carrying his baby. Alex systematically terrorizes Dan, even temporarily kidnapping his daughter, in her attempts to win back his affection. Douglas' besieged family man guiltily tries to preserve his marriage and family from the consequences of his own indiscretion. Close's performance as the love-struck psycho-siren remains her signature role: She conveys the buried feminist message of the film in her challenge to Dan to take responsibility for his sexual behavior. Though many critics acknowlegded the film's striking similarities to Clint Eastwood's 1971 film Play Misty for Me, Fatal Attraction spawned numerous other movies about middle-class families besieged by a lone psychotic intent on infiltrating and destroying the fabric of the family unit, including The Stepfather (1987), Pacific Heights (1990), The Hand That Rocks the Cradle (1992), and Fear (1996). ~ Laura Abraham, Rovi

Jane Fonda stars in this made-for-TV movie, which uses the backdrop of World War II and urbanization to tell the story of one woman's fight to keep her family together. Gertie Nevels (Fonda), the wife of a Kentucky sharecropper, wants nothing more than to one day own her own farm. Thriftily hiding her savings from husband Clovis (Levon Helm), she prepares to make her dream come true -- until Clovis summons her to come join him in Detroit, where he's gone to work in a factory to help with the war effort. Arriving with her children in tow, Gertie finds Clovis all settled into a tenement-like block house and living the life of a union man. Soon, though, the downside of urban life -- from monstrous neighbors and repressive schools to the pitfalls of the industrial landscape itself -- threaten Gertie's family both individually and as a whole. Despite Clovis' freewheeling way with money and his propensity to blame her for the family's problems, Gertie continues to save money. A lifelong whittler, she begins selling hand-crafted wooden dolls, and when the union goes on strike, Gertie finds herself supporting the family. Adapted from Harriet Arnow's novel by Hume Cronyn and Susan Cooper, who would go on to collaborate on the similarly themed Foxfire in 1987, The Dollmaker was directed by feature and TV veteran Daniel Petrie. It debuted on ABC on May 13, 1984, and earned Fonda an Emmy for her work. ~ Brian J. Dillard, Rovi

In Paul Mazursky's rueful character drama, 57-year-old Art Carney plays Harry, a 70-plus Manhattan widower who loses his tiny apartment to the wrecking ball. Accompanied by his pet, an aged cat named Tonto, Harry sets out on an odyssey to Los Angeles. During his journey, he finds a kindred spirit in a youthful hitchhiker (Melanie Mayron), who eventually finds happiness with Harry's grandson (Joshua Mostel). Harry makes stops at the homes of his grown children (Philip Bruns, Ellen Burstyn, and Larry Hagman), but each visit is more disappointing than the last; he also touches base with an old flame (Geraldine Fitzgerald), who has slipped into senility. By the time he arrives in L.A., Harry has become dispirited by his desultory visits with friends and family, but he eventually realizes that each new day can be a beginning rather than an end. ~ Hal Erickson, Rovi

Featuring members of Chicago's distinguished Second City comedy troupe, this way-out sci-fi comedy tells the tale of a failed alien invasion. The basically friendly Monitors have come to Earth to take over and force humans to clean up their acts by forbidding them to engage in politics, violence and sex. Naturally humanity is not willing to give up its favorite pastimes, and earth's inhabitants stage a world-wide rebellion. Monitors was an attempt by the film equipment maker Bell and Howell to establish Chicago as a new center for filmmaking. Unfortunately, the film bombed and their attempt failed. Larry Storch plays a military madman, Keenan Wynn plays a stuffy general, and Ed Begley is the President of the United States. ~ Sandra Brennan, Rovi