Bill Nunn Movies

Sean Combs, Phylicia Rashad, Audra McDonald, Sanaa Lathan, and John Stamos all return to reprise the roles they originally played on Broadway in this made for television take on Lorraine Hansbury's timeless play about a 1950s-era Chicago family longing for a better life. Walter Lee has died, and now his widow Lena Younger (Rashad) is about to receive a $10,000 check from her late-husband's insurance company. Everyone in the family dreams about the ways their lives will be changed with the arrival of the money, family matriarch Lena - who longs to retire from her job as a domestic servant for a wealthy white family - in particular. Having lived in a one room tenement apartment ever since she and her late husband originally married, Lena is eager to purchase a house of her own and provide her family with a real home. Lena's son Walter Lee, Jr. (Combs), currently employed as a chauffer, and has recently become taken with the idea of purchasing a liquor store as a means of solving his family's financial woes. Like her mother-in-law, Walter's wife Ruth (McDonald) is also a domestic servant for a white family, and dreams of the day she can walk away from her job. While Walter's sister Beneatha (Lathan) strives to become a medical professional, tuition is expensive and she is currently being pursued by two men - wealthy but superficial George Murchison (Sean Patrick Thomas) and intellectual classmate Joseph Asagai (David Oyelowo). Much to everyone's surprise, Lena uses the lion's share of the money to purchase a home in the all-white residential neighborhood of Cllaybourne, splitting the remainder between Walter (for his entrepreneurial endeavor) and Beneatha (for tuition). Around the same time Walter loses his share of the inheritance to a smooth talking con man who claimed he could help finance the liquor store, the Claybourne "home improvement" association makes the discovery that the Youngers are black and sends emissary Mr. Lindner (John Stamos) to try prevent their neighborhood from becoming integrated by buying the house back. Now faced with the prospect of losing it all, Walter considers making a deal with Mr. Lindner in order to recover his losses. ~ Jason Buchanan, Rovi

Your friendly neighborhood web-slinger is back, only this time his sunny outlook has become partially overcast in the third chapter of director Sam Raimi's Spider-Man saga. Tobey Maguire, Kirsten Dunst, and James Franco return to reprise their roles from the previous two installments, with Thomas Haden Church, Topher Grace, and Bryce Dallas Howard making their first appearances in the series as Flint Marko (aka Sandman), Eddie Brock (aka Venom), and Gwen Stacy, respectively. Peter Parker (Maguire) has finally leaned to walk the middle ground between being the superhero that his city needs and the man that Mary Jane (Dunst) loves. All is well in New York City until one night, as Peter and M.J. sit gazing at the stars, a falling comet streams across the sky and crashes into the ground close by. But this isn't any ordinary shooting star, and upon impact the mysterious space rock is split open to reveal a shape-shifting symbiote with the power to overtake anything that it comes into contact with. Later, as Harry Osborn (James Franco) acquires his late father's flying board, engineers a powerful new Goblin outfit, and takes to the sky to avenge dad's death, the mysterious space sludge infects both Peter's Spider-Man suit and ambitious street photographer Eddie Brock (Grace). Peter's strange new suit gives him a newfound sense of power as it gradually overpowers his personality, and he discovers that escaped convict Flint Marko was in fact the man responsible for the death of Uncle Ben (Cliff Robertson). Unfortunately for Peter, Marko has recently acquired the power to morph at will and quickly completes his transformation into the dreaded Sandman. As the Sandman gives in to his darkest criminal instincts and the slithering space symbiote transforms Eddie Brock into the nightmarish fanged villain known as Venom, the citizens of New York City must once again call on Spider-Man to fend off destructive forces that are far too powerful for the likes of mortal man. ~ Jason Buchanan, Rovi

Stan Lee's all-too-human superhero returns to the screen in this highly anticipated sequel to 2002's blockbuster hit Spider-Man. Peter Parker (Tobey Maguire) is attempting to juggle college classes and his job as a photographer with the Daily Bugle while maintaining his secret life as costumed crime-fighter Spider-Man. Parker is also struggling to hold on to his relationship with Mary Jane Watson (Kirsten Dunst), who is beginning to enjoy success as a model and actress, and both Mary Jane and Peter have noticed he's beginning to buckle under the strain. Parker's friendship with Harry Osborn (James Franco) is also beginning to fray due to Peter's seeming alliance with Spider-Man, whom Harry blames for the death of his father, the nefarious Norman Osborn. As Parker weighs his responsibilities to himself and those around him against the obligations that come with his special powers, Spider-Man is faced with a new nemesis -- Dr. Otto Octavius (Alfred Molina), a deranged scientist whose latest project has turned him into the near-invincible cyborg Doctor Octopus. Spider-Man 2 was directed by Sam Raimi, who helmed the first film, and much of the original cast has also reunited for this sequel, including Rosemary Harris, J.K. Simmons, and Bruce Campbell. ~ Mark Deming, Rovi

After incorporating elements of comic book style and design into many of his films, director Sam Raimi helms this straight-ahead, big-budget comic book adaptation, which also marks acclaimed young actor Tobey Maguire's first dip into live-action blockbuster filmmaking. Spider-Man follows the template of the original Stan Lee/Steve Ditko source material, with hero Peter Parker an orphaned, intellectual teen loner living in Queens with his aunt (Rosemary Harris) and uncle (Cliff Robertson), and dreaming of the girl next door, Mary Jane (Kirsten Dunst). On a field trip to a Columbia University lab, Peter is bitten by a genetically altered spider and overnight he gains superhuman strength, agility, and perception. At first, Peter uses his powers for material gain, winning a wrestling match with a purportedly lucrative prize. But when Peter apathetically fails to stop a burglar from robbing the wrestling arena, a tragedy follows that compels him to devote his powers to fighting crime -- as the superhero Spider-Man. When he's not busy fighting crime in a spider suit, Peter moves into an apartment with his best friend, Harry (James Franco), and begins work as a photographer at the Daily Bugle. Meanwhile, his do-gooder alter ego finds a nemesis in the form of the Green Goblin (Willem Dafoe), a super-powered, megalomaniacal villain who happens to be the alter ego of Harry's father, weapons-manufacturing mogul Norman Osborn. Spider-Man was written by the prolific blockbuster scribe David Koepp (Jurassic Park, Panic Room). ~ Michael Hastings, Rovi

A powerful behind-the-scenes man in politics and show business finds himself skidding into a very public scandal in this taut drama. Eli Wurman (Al Pacino) was raised in the deep South, attended Harvard Law School, and has devoted his spare time to progressive political causes since working alongside Dr. Martin Luther King Jr. in the 1960s. However, Wurman now makes his living as a press agent and PR man, and while he's near the top of his profession, years of overwork, constant smoking and drinking, and ceaseless tension are taking their toll, leaving him on the verge of collapse, with only the prescriptions of his friend Dr. Napier (Robert Klein) keeping him on his feet. One of Wurman's biggest clients is Cary Launer (Ryan O'Neal), a fading film star with political aspirations who, after attending a disastrous Broadway opening, asks Wurman to do him a big favor -- bail Launer's girlfriend, Jilli (Téa Leoni), out of jail and keep an eye on her. Wurman manages to get Jilli out of the stir, but she insists upon being escorted to an exclusive sex and opium den for a night of heavy drinking and drugging, and then reveals to Wurman that she owns a device which she's used to record footage of the most public figures who attend the club, including Elliott Sharansky, a billionaire Jewish civic leader (Richard Schiff). That night, a half out-of-it Eli accompanies Jilli back to her hotel room when an intruder barges in and forces an overdose on her, killing her instantly. The next morning, Wurman has only fuzzy memories of what transpired. He decides to focus on his attempts to set up a political fundraiser, but has a hard time getting the right A-list celebs to appear, just as many of New York's power brokers aren't especially interesting in working with Wurman or Launer. In the midst of this chaos, Victoria (Kim Basinger), who was married to Wurman's late brother, arrives in New York and urges him to leave the city and his career behind while he still can. People I Know was screened in competition at the 2003 Sundance Film Festival. ~ Mark Deming, Rovi

A prison drama centering on the travails of three friends unjustly imprisoned for a crime they didn't commit, Lockdown opens with Avery (Richard T. Jones), a talented young swimmer who desperately wants to free himself, his wife Krista (Melissa De Sousa), and their infant son from life in the projects of Albuquerque, NM. Avery's future seems bright when, after winning a regional swimming competition, he is approached by Charles Pierce (Bill Nunn), a talent scout who takes an interest in the young man's athletic promise. Unfortunately, Avery's dreams quickly disintegrate when he and his pals Cashmere (Gabriel Casseus) and Dre (De'Aundre Bonds) are pulled over by cops one night and framed for a robbery/murder they didn't commit. Faster than you can say "blatant miscarriage of justice," Avery, Cashmere, and Dre land in the slammer, where they are separated and forced to fend for themselves. Avery ends by getting a valuable prison education from his Ralph Ellison-quoting cellmate Malachi (Clifton Powell), while Cashmere quickly becomes part of the African-American gang network operating under the leadership of Clean Up (rapper Master P, whose No Limit Films produced the film). Dre, meanwhile, meets the worst fate of the three, resorting to heroin after he's gang-raped by a group of Nazi thugs. On the outside, Krista and Pierce work tirelessly to free the trio from prison. ~ Rebecca Flint Marx, Rovi

Set in the institutionally segregated New Orleans of 1965, the made-for-cable Passing Glory is the story of black priest Father Joseph Verrett (Andre Braugher) and his efforts to arrange the first integrated high-school basketball game in the city's history. Against the wishes of trepid white parish leader Father Robert Grant (Rip Torn), Fr. Verrett encourages the team members of the all-black -- and undefeated -- St. Augustine High School basketball team to prepare to play the equally successful all-white team of Jesuit Prep. Throughout it all, Fr. Verrett must learn to curb his own impatience over the racial status quo, and to keep his own faith afloat. Although some of the scenes are drawn in broad, unsubtle strokes -- especially those involving the bigoted father of Jesuit Prep's best player -- the film is thoroughly credible, right down to the last-second winning basket. Earning extra points for having its heart in the right place, Passing Glory made its TNT cable network bow on February 21, 1999. ~ Hal Erickson, Rovi

Rap music star and No Limit Records boss Master P, after a series of successful straight-to-video features and one theatrical release, I Got The Hook-Up, made a bid for wider big-screen success with Foolish, which teamed him with comedian Eddie Griffin. "Fifty Dollah" Waise (Master P) is involved in a crime ring that earns him good money but worries his grandmother (Marla Gibbs), who dotes on him and encourages him to follow a more righteous path. Fifty Dollah's brother "Foolish" (Eddie Griffin) is an aspiring comedian, but his inability to get his career going convinces his older sibling he's wasting his talents. While Fifty Dollah tries to get his own life in order and give Foolish the push he needs, he also has to deal with a sudden conflict with criminal leader Eldorado Ron (Andrew Dice Clay) and a painful romantic triangle when he and Foolish fall for the same woman (Amy Petersen). In addition to music from Master P and a host of other No Limit artists, Foolish features an original score by former Prince associates Wendy Melvoin and Lisa Coleman. Master P also wrote the film's screenplay. ~ Mark Deming, Rovi

Actress Polly Draper, best known for her role on the TV series thirtysomething, wrote and co-produced this family drama, as well as playing the female lead. Draper plays Laura, a single mother whose ten-year-old son Miles (Christopher Marquette) is already displaying a remarkable gift as a jazz pianist. However, Miles suffers from a mild case Tourette's Syndrome, a disorder that's not life threatening but causes victims to display a series of pronounced physical and facial tics, as well as occasional emotional outbursts. Miles makes friends with two bartenders at a jazz club, who let the kid sneak in to see shows and eventually introduce him to acclaimed jazz saxophonist Tyrone Pike (Gregory Hines). It seems Tyrone and Miles have something in common -- Tyrone also has Tourette's, but unlike Miles he's learned to disguise his condition with a variety of mannerisms, and prefers not to discuss the matter. Tension develops between the two when Tyrone and Laura develop a mutual attraction, which creates tension between the two musicians and forces Tyrone to confront some personal issues he's spent much of his life avoiding. The Tic Code was shown at the Vancouver Reel to Real Festival, the Berlin Film Festival, the Hamptons Film Festival and the Giffoni Film Festival in 1999 before its run on the Starz! premium cable service. ~ Mark Deming, Rovi

On the 1st of January in 1900, Danny Boodmann (Bill Nunn), the mechanic of the transatlantic liner Virginian bound for America, finds an abandoned baby on board and decides to keep him. Nicknamed Novecento (1900), the boy grows up on the ship hidden from everyone. His presence is revealed when Danny dies in an accident. The young '1900' manages to hide again despite threats from the captain. Discovering a passion for music, he teaches himself to play the piano without being able to read the notes, and he soon becomes a virtuoso whose reputation spreads beyond the confines of the ship. Even the famous jazz piano player, Jelly Roll Morton (Clarence Williams III), gets on board for a challenge because he has heard rumors about the greatest piano player in the world living on a ship. The story is told by Max Tooney, Novocento's old trumpeter friend, who reminisces about the incredible pianist who never set foot on land. After two films about cinema, Giuseppe Tornatore comes up with the story of a highly imaginative artist who lives only for and through his art. Tornatore was inspired by a theatre monologue written in 1994 by Alessandro Baricco, and the film was shot partly in Odessa, on a sixty-year-old Russian freighter, and partly in the Cinecitta studios in Rome. Tim Roth's performance as the talented but reserved Novocento is remarkable, and the music of Ennio Morricone plays a vital role in the film. La leggenda del pianista sull'oceano, which was retitled The Legend of 1900 for US distribution after forty-five minutes have been cut, was originally two hours and forty minutes when it was shown to great success in Italy in autumn of 1998. The US version had its world premiere at the 1999 Locarno International Film Festival. ~ Gönül Dönmez-Colin, Rovi

This thriller is adapted from the 1995 novel by James Patterson about a serial killer prowling a Southern university. Washington, D.C., forensic psychologist Dr. Alex Cross (Morgan Freeman) is also a best-selling author. After his niece Naomi (Gina Ravera) is reported missing, he heads his Porsche for Durham, North Carolina, where eight young women have been reported missing. Bodies are found by local policemen (Cary Elwes and Alex McArthur), along with the killer's signature, "Casanova." Casanova is a "collector" of strong-willed women who are forced to submit to his demands. Soon, local doctor Kate McTiernan (Ashley Judd) is abducted from her home and taken to a dungeon -- where other women are imprisoned in underground chambers. After McTiernan succeeds in escaping, she joins Cross and other detectives in the search for Casanova -- a trail that leads to Los Angeles, where similar crimes are being committed by someone known as "The Gentleman Caller." Are these two criminals in competition with each other or are they working together? ~ Bhob Stewart, Rovi

This post-modern comic variation on The Defiant Ones concerns Keats (Damon Wayans), an undercover police detective trying to get the goods on crime kingpin Frank Colton (James Caan). Keats poses as a crook to make friends with one of Colton's underlings, a drug dealer and car thief named Archie Moses (Adam Sandler). Keats is using Archie as part of a sting operation to put Colton away; however, Archie doesn't care for this, and when he finds out Keats's true plan and actual identity, it leads to an altercation that ends with Archie shooting Keats in the head. Several months later, Keats emerges from the hospital with a metal plate in his skull, and he has to bring Archie in. However, now Archie and Keats are both on Colton's enemies list, and the two find themselves on the run in Arizona, trying to outwit Colton's team of assassins, but having Archie on hand doesn't do much good in the outwitting department. Bulletproof was directed by Ernest Dickerson, who got his start as a cinematographer for Spike Lee. ~ Mark Deming, Rovi