Fred Nurney Movies

Beating the U.S. Army to the punch by nearly six years, Elliot Ness (Robert Stack) goes after a criminal gang with links to the Nazi party. Otto Frick (Jack Warden), a racketeer in charge of several travelling carnivals which are distributing narcotics throughout the country, enters into an unholy partnership with the Hitler government. The Nazis agree to supply narcotics for free--on the condition that Frick drum up membership for the German-American Bund, in anticipation of a huge pro-Hitler rally at Madison Square Garden. Meanwhile, Frick's cohort Hans Eberhardt (Richard Jaeckel) is seduced into double-crossing his partner by Hedda Messlinger (Erika Peters), the sexy "niece" of a suave Nazi contact man (Francis Lederer). ~ Hal Erickson, All Movie Guide

This second film version of Lloyd C. Douglas' spiritual novel Magnificent Obsession is in its own way as successful as the first (filmed in 1935) in glossing over the plot holes and logic gaps in the original novel. Rock Hudson plays Bob Merrick, a reckless playboy who is indirectly responsible for the death of a kindly and much-beloved doctor. The dead man's wife, Helen Phillips (Jane Wyman), refuses to accept Bob's apologies. When Helen is accidentally blinded, Bob decides to "do right" by her anonymously, illustrating author Douglas' curious edict that the best sort of good deed is the one for which you're not rewarded. In record time, Bob becomes a brilliant physician, and it is he who performs the sight-restoring surgery on Helen. Rather than fade into the woodwork unheralded, Bob is at last forgiven by Helen, who has fallen in love with him during her sightless months without even knowing it. Luxuriously produced by Ross Hunter and directed con brio by Douglas Sirk, Magnificent Obsession was one of the most successful of Universal's big-budget "weepers" of the 1950s. ~ Hal Erickson, All Movie Guide

All I Desire an early exercise in Douglas Sirk Baroque, is set at the turn of the century. Long divorced from her husband Richard Carlson, itinerant actress Barbara Stanwyck returns to her home town to watch her daughter perform in a high school play. Stanwyck decides to turn over a new leaf and devote herself to the daughter she's never known. This she finds next to impossible, thanks to ugly small-town gossip attending her return. The film was obviously building up to an unhappy ending, but producer Ross Hunter intervened, tacking on an unbelievably upbeat denouement. This artistic outrage evidently didn't hurt Hunter's relationship with director Douglas Sirk, inasmuch as the two would continue to successfully collaborate in the future. All I Desire is based on a novel by Carol Brink. ~ Hal Erickson, All Movie Guide

Bud Abbott and Lou Costello play wrestling promoters whose star attraction, Wee Willie Davis, skips town to return to his home in Arabia. While scouring the desert in search of Davis, Bud and Lou inadvertently purchase slave girl Patricia Medina, and with equal inadvertence join the Foreign Legion. In their own bumbling, inept fashion, our heroes manage to foil a desert uprising fomented by shiek Douglas Dumbrille and traitorous Legion commandant Walter Slezak. The film's highlights include an opening-scene parody of pre-rehearsed wrestling matches, a "mirage" routine capped by one of the hoariest vaudeville punchlines in history, and a runaway-jeep climax. All in all, however, Abbott & Costello in the Foreign Legion is one of the team's lesser efforts. ~ Hal Erickson, All Movie Guide

The trendy elegance of director Douglas Sirk's later big-budget soap operas is nowhere to be found in Sirk's Atomic-Age melodrama Mystery Submarine. MacDonald Carey stars as Brett Young, a U.S. undercover agent whose job it is to prevent atomic secrets from falling into the wrong hands. Marta Toren co-stars as Madeline Brenner, a woman of mystery who is seemingly in cahoots with enemy agents. The film's "maguffin" consists of the top-secret info stored within the brain cells of scientist Adolph Guernitz (Ludwig Donath). The titular mystery submarine figures into the film's climax, which takes place just off the coast of Mexico. ~ Hal Erickson, All Movie Guide

Hold That Baby! was the 14th entry in Monogram's money-spinning "Bowery Boys" series. Ever in search of spare change, the Bowery Boys, headed by Slip Mahoney (Leo Gorcey) go into the laundromat business. While unfolding some linen, Sach (Huntz Hall) comes across a seemingly abandoned baby. The infant turns out to be their heir to a huge fortune. Hoping to return the baby to its mother (Anabel Shaw), who has been wrongfully committed to a mental institution, Slip, Sach and the boys must contend with the child's avaricious aunts (Florence Auer and Ida Moore) and a bunch of gangsters. The best scene finds Slip posing as a Viennese psychiatrist; almost as good is a vignette involving Sach and a hospital supply room. ~ Hal Erickson, All Movie Guide

Herbert Heyes, a largely unsung character actor who once played opposite Theda Bara in the silent days, is afforded one of his largest talking-picture assignments in The Cobra Strikes. Heyes is cast as Dr. Damon Cameron, who is murdered shortly after developing a revolutionary new medical instrument. The killer's motives seem obscure at first: what is certain is that several other murders take place before newspaper columnist Mike Kent (Richard Fraser) figures out what's what. A clue: Dr. Damon Cameron has a lookalike brother named Ted (also played by Herbert Heyes). Up-and-coming leading lady Leslie Brooks is hilariously miscast as a Russian novelist. ~ Hal Erickson, All Movie Guide

Barbara Stanwyck plays Polly Fulton, rebellious daughter of a wealthy industrialist (Charles Coburn). Polly marries a conservative economist professor (Richard Hart), but she chafes at his values and leaves him for socialist professor Van Heflin. Polly nearly ruins both her father's reputation and her own by embracing Heflin's radicalism. Based on a novel by J. P. Marquand, B.F.'s Daughter emerges as an unsubtle swipe at the policies of the late president Franklin Roosevelt; perhaps this was at the behest of MGM's arch-Republican head man Louis B. Mayer. In England, where the letters "B. F." comprise a euphemism for "bloody fool", the film was retitled Polly Fulton. ~ Hal Erickson, All Movie Guide

Alan Ladd stars in Calcutta as devil-may-care pilot Neale Gordon. With his equally fearless partners Pedro Blake (William Bendix) and Bill Cunningham (John Whitney), Gordon handles the air-freight route between Calcutta and Chungking. When Cunningham meets his death at the hands of jewel smugglers, Gordon vows to play judge and jury and bring the criminals to justice himself. Among the suspects are the film's two gorgeous leading ladies, sweetie-pie Virginia Moore (Gail Russell) and sultry nightclub singer Merina Tanev (June Duprez). Once Gordon figures out who his real friends are, he relies on his fists to mete out retribution, resulting in one sequence that's guaranteed to raise the hackles of every feminist in the crowd. Even with a short running time of 73 minutes, Calcutta secured top-of-the-bill bookings. ~ Hal Erickson, All Movie Guide

Though Alfred Hitchcock's Notorious was produced by David O. Selznick's Vanguard Films, Selznick himself had little to do with the production, which undoubtedly pleased the highly independent Hitchcock. Ingrid Bergman plays Alicia Huberman, who goes to hell in a handbasket after her father, an accused WWII traitor, commits suicide. American secret agent Devlin (Cary Grant) is ordered to enlist the libidinous Alicia's aid in trapping Alexander Sebastian (Claude Rains), the head of a Brazilian neo-Nazi group. Openly contemptuous of Alicia despite her loyalty to the American cause, Devlin calmly instructs her to woo and wed Sebastian, so that that good guys will have an "inside woman" to monitor the Nazi chieftain's activities. It is only after Alicia and Sebastian are married that Devlin admits to himself that he's fallen in love with her. The "MacGuffin" in this case is a cache of uranium ore, hidden somewhere on Sebastian's estate. Upon discovering that his wife is a spy, Sebastian balks at eliminating her until ordered to do so by his virago of a mother (Madame Konstantin). Tension mounts to a fever pitch as Devlin, a day late and several dollars short, strives to rescue Alicia from Sebastian's homicidal designs. Of the several standout sequences, the film's highlight is an extended love scene between Alicia and Devlin, which manages to ignite the screen while still remaining scrupulously within the edicts of the Production Code. In later years, Hitchcock never tired of relating the story of how he and screenwriter Ben Hecht (who was nominated for an Oscar) fell under the scrutiny of the FBI after electing to use uranium as a plot device -- this before the bombing of Hiroshima and Nagasaki. A huge moneymaker for everyone concerned, Notorious remains one of Hitchcock's best espionage melodramas. In 1992, Notorious was remade for cable television; it goes without saying that the original is vastly superior. ~ Hal Erickson, All Movie Guide

William Powell plays a cynical con man who graduates from penny-ante operations to a big-time charity racket. The scam involves collecting money on behalf of St. Dismas, bringing Powell in close contact with several men of the cloth. As the racket rolls on, Powell is touched by the sincerity of the religious men and the plights of the charity's rightful recipients. He has a change of heart, confessing his original criminal intentions but seeing to it that the money goes to the right people. Hoodlum Saint was typical of the facile religiosity often found in MGM pictures of the period. The film is best remembered as the first non-aquatic performance of MGM swimming star Esther Williams. ~ Hal Erickson, All Movie Guide

A Scandal in Paris is a liberal adaptation of the life story of Eugène François Vidocq, who was French prefect of police during the Napoleonic era. George Sanders stars as Vidocq, who spends most of the film as an aimless rogue willing to lie, cheat, and steal for his own comfort. The women who affect Vidocq's life include a saucy cabaret entertainer (Carole Landis) for whom Vidocq steals, and a good woman (Signe Hasso) for whom he straightens himself out. Fledgling director Douglas Sirk displayed his love of the Baroque (both in decor and characterizations) that would distinguish his later high-budget Universal soap operas. Most prints of A Scandal in Paris bear the film's alternate title, Thieves' Holiday. ~ Hal Erickson, All Movie Guide

Ernst Lubitsch was the original director for A Royal Scandal, but illness forced him to bow out; his replacement was Otto Preminger, who did his utmost to retain the "Lubitsch touch." Based on a play by Lajos Biro and Melchior Lengyel, the film dwells upon a fictional incident in the life of Russia's Catherine the Great, here played with blue-blooded bawdiness by Tallulah Bankhead. Catherine falls in love with a handsome young army officer (William Eythe), who turns out to be an insurrectionist planning her downfall. At the last moment, Catherine relents, allowing the officer to escape with his true love, lady-in-waiting Anne Baxter. A bit too cute for its own good, Royal Scandal has some choice moments: Most notable are Tallulah Bankhead's pained reaction upon being hailed as "The Mother of All Russias," and supporting actor Grady Sutton's southern-accented reference to the "U-ral Mountains". ~ Hal Erickson, All Movie Guide