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Bea Benaderet Movies

Bea Benaderet only appeared in a relative handful of movies, usually in small parts, but as a voice actress she was one of the busiest people on radio and later in cartoons, and in the final eight years of her life she was a fixture on two hit rural comedies on the CBS network. Benaderet was born in New York City in 1906, the daughter of Samuel Benaderet, who had emigrated from Turkey, and the former Margaret O'Keefe. The family moved to San Francisco, and she studied voice and acting. She did stage and stock work while still in school and made her debut on radio when that medium was in its infancy. She did one-off work in various commercials and one-shot parts until 1936 when Orson Welles, appreciating her range and potential, hired her for a regular role on The Campbell Playhouse. Her big break, however, came when she was hired by Jack Benny for his radio show, on which she essayed numerous roles and, in fact, became something of the distaff answer to Mel Blanc, Benny's resident male vocal jack-of-all-trades. She became a ubiquitous presence on radio, on The Adventures of Ozzie & Harriet, The Great Gildersleeve, and Fibber McGee and Molly. Benaderet did a few film appearances, in small roles across the years (she can be spotted as a clerk in Alfred Hitchcock's Notorious), but it was her voice that kept her busiest, starting in 1940 with Tex Avery's excruciatingly funny The Bear's Tale. From 1943 onward, she worked in cartoon voice roles by the dozens, even as radio began to recede in importance with the advent of television.
Benaderet made the transition to the new medium in high style, cast as Blanche Morton, the next-door-neighbor on The George Burns and Gracie Allen Show starting in 1950. She was the first choice of Lucille Ball and Desi Arnaz to play Ethel Mertz on I Love Lucy, but her commitment to Burns and Allen precluded this (much as they were unable to get their first choice for Fred Mertz, Gale Gordon, who was tied to Our Miss Brooks at the time). Meanwhile, around her work on the Burns and Allen show, she was busy providing voices to many of the Warner Bros. cartoons of the 1950s. At the end of the decade, she brought her voice work to a primetime series in the role of Betty Rubble in the Hanna-Barbera-created series The Flintstones, which also included in its cast such other radio veterans as Blanc, Alan Reed, and Jean Vander Pyl. At the start of the 1960s, she came very close to a costarring role in primetime, as Granny on The Beverly Hillbillies. The part was conceived by producer Paul Henning with Benaderet in mind, but she was considered a little too physically well-endowed for the role, and it was Benaderet herself who reportedly recommended Irene Ryan, who got the part; instead, Henning wrote in a new part, of Cousin Pearl Bodine (Jethro's mother), for Benaderet. In 1963, she won the starring role of Kate Bradley in the rural sitcom Petticoat Junction, and for the next four years she was seen weekly on the show as the mother of three attractive daughters and owner/manager of a small-town hotel. She also appeared in the same role in episodes of the spin-off series Green Acres, starting in 1965. In 1967, however, Benaderet, who was a heavy smoker, was diagnosed with lung cancer and went into the hospital for treatment. The producers hoped she would return and wrote an explanation for her character's absence. Her illness proved terminal, however, and the producers were left in a delicate position, as a story-arc begun with Bradley's married youngest daughter having her first child was to culminate with Kate Bradley's race to the hospital to witness the birth; a double was used, shot from the back, while Benaderet's colleague Vander Pyl (who had been the voice of Wilma Flintstone) dubbed her lines for a climactic scene that just passed muster in terms of tastefulness. Benaderet's character was subsequently written out of the series. Ironically, for all of the wholesome, homespun, motherly characters she played, Benaderet was known among her colleagues for a mouth that could out-curse a sailor, as well as her chain smoking. She was married twice, the first time to fellow actor Jim Bannon, with whom she had two children (one of them actor Jack Bannon), and the second to Gene Twombly, a soundman on the Jack Benny radio show. ~ Bruce Eder, Rovi
1967  
 
In retrospect, the first episode of Petticoat Junction's fifth season, "Is This My Daughter?," is ironically amusing. Kate Bradley, widowed owner of Hooterville's Shady Rest Hotel, is astonished by how much her daughter Betty Jo (Linda Kaye Henning), has changed upon returning from a trip to Europe. This in itself is astonishing since, of the six actresses who have portrayed Kate's three daughters during the previous five seasons, Linda Kaye Henning is the only one who has been with the series since the outset! (This loyalty may or may not stem from the fact that Henning was the daughter of the "boss," Petticoat Junction executive producer Paul Henning). That said, it can be noted that Betty Jo is pretty much the entire focus of season five. After choosing among the three Bradley girls, handsome crop duster Steve Elliott (Mike Minor) decides to propose to Betty, leading inevitably to a wedding episode, cunningly designed to boost Petticoat Junction's sagging ratings. Halfway through the season, Kate Bradley goes "out of town," obliging her lazy Uncle Joe (Edgar Buchanan) to take charge of the Shady Rest, with the occasional help of a hitherto unseen Bradley relative, Aunt Helen (played by Rosemary de Camp, who had previously co-starred in producer Paul Henning's "The Bob Cummings Show.") Kate would not return to Hooterville until the season finale, and then only briefly. The reason for her conspicuous absence was both simple and tragic: series star Bea Benaderet was seriously ill with cancer, unable to appear before the cameras for any more than a few minutes at a time. Bea Benaderet would be heard (but not seen) in only one more Petticoat Junction episode, filmed just before her death on October 13, 1968. ~ Hal Erickson, Rovi

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Starring:
Bea BenaderetEdgar Buchanan, (more)
 
1966  
 
The legendary Hooterville volunteer fire department springs into action when an alarm brings them to the Douglas house. Lisa (Eva Gabor) is unimpressed, but Oliver is convinced that the fire brigade could use his services. However, there's a catch: the volunteers like to play music in their (ample) spare time -- and Oliver hasn't got an instrument. Need we add that the group's favorite selection is a rousing (if somewhat phlegmatic) version of "There'll Be a Hot Time in the Old Town Tonight"? ~ Hal Erickson, Rovi

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1966  
 
Just as Jeannine Riley was replaced by Gunilla Hutton in the role of Billie Jo Bradley at the beginning of Petticoat Junction's third season, Hutton herself is replaced in the same role by Meredith Mac Rae at the outset of season four. However, the rest of the series' familiar cast remains intact: Bea Benaderet as widowed hotel owner Kate Bradley, Edgar Buchanan as Kate's lovably lazy uncle Joe Carson, and Linda Kaye Henning and Lori Saunders as Billie Jo's sisters (and Kate's daughters) Betty Jo and Bobbie Jo. In another cast change, Elvia Allman succeeds Virginia Sale in the role of Selma Plout, Kate Bradley's perennial social rival; likewise, Lynette Winter takes over for Susan Walther as Selma's daughter Henrietta. And on a sadder note, Smiley Burnette makes his final series appearance as Charley Pratt, brakeman of the Hooterville Cannonball, in the episode "That Was the Night That Was"; Burnette died just before filming for the season wrapped, on February 16, 1967. The fourth-season cast alteration that had the longest-ranging effect on Petticoat Junction occurs in the second episode of the season, in which handsome young crop duster Steve Elliott (Mike Minor) crash-lands his plane just outside Kate Bradley's Shady Rest Hotel. For the rest of season four, all three of Kate's daughters (not to mention Henrietta Plout!) would vie for Steve's affections -- though as it turns out the following season, Betty Jo has had the inside track all along. ~ Hal Erickson, Rovi

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Starring:
Bea BenaderetEdgar Buchanan, (more)
 
1965  
 
Although the title of this episode sounds like something out of The Simpsons, rest assured we're still in Green Acres country. The fun begins on a rainy night, when soft-hearted Lisa (Eva Gabor) takes the Douglases' cow out of the leaky barn and into the warmth and comfort of the house. For financial reasons, Lisa's husband Oliver (Eddie Albert) had previously tried to hide the fact that Mr. Haney (Pat Buttram) had sold him a pregnant cow, but the truth comes out in a dramatic fashion -- along with a cute little calf. Somehow or other, everyone in town arrives at conclusion that Lisa and not the cow is about to become a mommy. ~ Hal Erickson, Rovi

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1965  
 
Standard TV sitcom procedure dictates that the husband always forgets his wedding anniversary. Surprisingly, Oliver (Eddie Albert) has no trouble remembering the day he and Lisa (Eva Gabor) became man and wife -- he just doesn't recall the year it happened. This premise proves to be an excellent opportunity for a series of zany complications, culminating in Oliver and Lisa spending their anniversary behind bars! ~ Hal Erickson, Rovi

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1965  
 
Since the first two black-and-white seasons of Petticoat Junction have not been included in the series' syndicated package, for many contemporary viewers Petticoat Junction "begins" with season three, when the show switches over to color. This is hardly the only change implemented as the program enters its third year: Jeannine Riley and Patricia Woodell, who since the series' inception had played the roles of Billie Jo and Bobbie Jo Bradley, both left the series at the end of the second season for personal reasons. Thus, Gunilla Hutton and Lori Saunders are introduced as the "new" Billie Jo and Bobbie Jo, joining established regulars Bea Benaderet (Kate Bradley), Edgar Buchanan (Uncle Joe Carson) and Linda Kaye Henning (Betty Jo). Originally networkcast from the fall of 1965 to the spring of 1966, this was also the season that the Petticoat Junction spin-off Green Acres debuted on CBS. Inasmuch as several of the Petticoat regulars were now making crossover Green Acres appearances -- notably Edgar Buchanan and Frank Cady (Sam Drucker) -- it is only fair that Green Acres stars Eddie Albert and Eva Gabor return the favor. Thus it is that Oliver and Lisa Douglas are prominently cast in such Petticoat episodes as "The Baffling Raffle," "The Good Luck Ring," "Joe Carson, General Contractor," "Hooterville a Go-Go" and "Betty Jo Goes to New York," among others. Ranked 15th in the Top Twenty programs of the 1964-1965 season, Petticoat Junction fell back to 23rd place in 1965-1966; ironically, its "stepchild" Green Acres made it to 6th place that same season! ~ Hal Erickson, Rovi

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Starring:
Bea BenaderetEdgar Buchanan, (more)
 
1965  
 
Upon taking possession of their new farm in Hooterville, Oliver (Eddie Albert) and Lisa (Eva Gabor) discover that former owner Mr. Haney (Pat Buttram) has taken all the furniture and accessories with him. Making matters worse, the wily Haney has compiled a list of "hidden charges" to further deplete Oliver's checking account. As for Lisa, she is bound and determined to make her first day on the farm her last, and grimly prepares her return to "Pahk Ahvenue." Several Petticoat Junction regulars make crossover appearances in this episode. ~ Hal Erickson, Rovi

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Starring:
Edgar BuchananBea Benaderet, (more)
 
1965  
 
Curious about the strange makeup of his topsoil, Oliver (Eddie Albert) has it tested by the Scientific College. Their findings reveal that the soil is comprised of several bizarre ingredients. This would be a mystery were it not for the audience's foreknowledge of the whimsicalities of Oliver's helpful spouse Lisa (Eva Gabor). Meanwhile, Oliver's mother (Eleanor Audley) attracts the attention of Uncle Joe (Edgar Buchanan), who is making another crossover appearance from Green Acres. ~ Hal Erickson, Rovi

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Starring:
Eleanor AudleyEdgar Buchanan, (more)
 
1965  
 
Trying her best to acclimate herself to her new Hooterville farm, Lisa (Eva Gabor) decides that what the place needs is a cosmopolitan touch -- thus she hires an expensive interior decorator. This proves to be headache enough for Oliver (Eddie Albert), but things get worse when his overbearing mother (Eleanor Audley) drops in. But the most horrendous turn of events in this episode occurs when Lisa gamely tries to prepare her first meal -- and we all know what her "hots-cakes" look like (and how much they weigh!) ~ Hal Erickson, Rovi

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Starring:
Eleanor AudleyBob Jellison, (more)
 
1964  
 
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The second season of Petticoat Junction carries on the tradition of season one: Widowed Kate Bradley (Bea Benaderet) continues trying to make financial ends meets as owner of the Shady Rest, the only travelers' hotel in the town of Hooterville, and also seeks out eligible boyfriends for her toothsome daughters Betty Joe (Linda Kaye), Billie Jo (Jeannine Riley), and Bobbie Jo (Patricia Woodell); Kate's shiftless uncle Joe Carson (Edgar Buchanan) persists in dodging honest work by pursuing a million-and-one scams and get-rich-quick notions; and Homer Bedloe (Charles Lane), the conniving trouble-shooter for the C.F.&W. Railroad, tirelessly hatches new schemes to put his line's last remaining steam engine, the Hooterville Cannonball, out of commission (Indeed, so obsessed does Bedloe become in this pursuit that his obsession takes a Freudian turn in the offbeat episode "Bedloe's Nightmare"). A few casting notes: the season opener "Betty Jo's Dog" introduces canine actor Higgins, later to gain fame as the titular star of the Benji movies, in the role of the Shady Rest's unnamed pooch. In "As Hooterville Goes," Virginia Sale makes her first series appearance as Kate Bradley's overbearing social rival Selma Plout. In a later episode, it is rumored that Kate's daughter Billie Jo is engaged to Selma's son Dan, played by Mike Minor -- who would become a Petticoat Junction regular two years later in the role of Steve Elliott, the future husband of Billie Jo's sister Betty Jo! And Byron Foulger, who in season six would begin showing up in the recurring role of train conductor Wendell Gibbs, plays Mr. Guerney in "The Shady Rest Hotel Corporation." Although no longer the fourth most popular series in the U.S., Petticoat Junction managed to finish its second season in a respectable 15th place. Like season one, season two of Petticoat Junction was filmed in black-and-white -- and as a result, has been removed from the series' all-color syndicated package. ~ Hal Erickson, Rovi

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Starring:
Bea BenaderetEdgar Buchanan, (more)
 
1963  
 
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Strictly speaking, there are but four basic plotlines during the first season of Petticoat Junction. The first concerns the efforts by widow Kate Bradley (Bea Benaderet) to make a financial go of the Shady Rest, the quaint traveler's hotel she owns in the Illinois town of Hooterville. The second involves the romantic travails of Kate's three extremely attractive daughters, Betty Jo (Linda Kaye) , Billie Jo (Jeannine Riley), and Bobbie Jo (Patricia Woodell). The third is devoted to the limitless get-rich-quick schemes hatched by Kate's lazy uncle Joe Carson (Edgar Buchanan), in lieu of seeking out anything resembling gainful employment. And the fourth is manifested in the tireless and fruitless crusade by Homer Bedloe (Charles Lane), scheming troubleshooter for the C.F.&W. Railroad line, to shut down and scrap the Hooterville Cannonball, the line's sole surviving steam locomotive -- thereby throwing venerable engineers Charley Pratt (Smiley Burnette) and Floyd Smoot (Rufe Davis) out of work.
Worth noting this season are the various actors cast as the boyfriends of the Bradley girls, including Ken Osmond of Leave It to Beaver fame in one of his rare non-Eddie Haskell roles; and Jack Bannon, the son of series regular Bea Benaderet and later a regular on Lou Grant. In other casting notes, Elvia Allman, who in subsequent seasons played Kate Bradley's obnoxious social rival Sema Plout, appears in a different role in the episode "A Night at the Hooterville Hilton"; Dennis Hopper, five years removed from Easy Rider, plays a bearded itinerant poet in "Bobbie Jo and the Beatnik"; future Batman leading man Adam West is seen as doctor in "Hooterville vs. Hollywood"; Steve Franken, fresh from his stint as the insufferable Chatsworth Osborne Jr. on Dobie Gillis, is equally insufferable as the son of Homer Bedloe in "Bedloe & Son"; and another Dobie Gillis alumnae, Sheila James (aka Zelda Gillis), joins the three Bradley sisters to form a female version of the Beatles in "The Ladybugs." (No, her character name isn't "Bingo"!) The final episode of the season introduces Hank Patterson and Barbara Pepper as Mr. and Mrs. Ziffel, who would be firmly established as the "parents" of porcine superstar Arnold the Pig on the Petticoat Junction spinoff Green Acres. Ranking fourth in the 1963-1964 Nielsen ratings, the first season of Petticoat Junction was filmed in black-and-white -- and as such, has been removed from the series' all-color syndicated package. ~ Hal Erickson, Rovi

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Starring:
Bea BenaderetEdgar Buchanan, (more)
 
1963  
 
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The astonishing success of The Beverly Hillbillies enabled producer Paul Henning to pitch another "rural" sitcom to a most receptive CBS. Debuting September 24, 1963, Petticoat Junction (original title: Whistle Stop) was, in its first few seasons, a vehicle for Bea Benaderet, an old friend and colleague of Henning's since The Burns and Allen Show, and most recently seen as Cousin Pearl on Beverly Hillbillies. Benaderet was cast as Kate Douglas, the widowed owner of the Shady Rest, the only traveler's hotel in the Illinois farming community of Hooterville. Edgar Buchanan co-starred as Kate's uncle Joe Bradley, self-appointed manager of the hotel, who, when not hatching his latest get-rich-quick scheme, was figuring out new methods to expend as little energy as possible. Kate was the mother of three beautiful, curvaceous daughters: Betty Jo (played through the series' run by Paul Henning's daughter Linda Kaye Henning), Billie Jo (played during the first two seasons by Jeannine Riley, during season three by Gunilla Hutton, and from season four onward by Meredith Mac Rae), and Bobbie Jo (played by Patricia Woodell in seasons one and two, and by Lori Saunders thereafter). The town and hotel were connected (more or less) to the outside world by the Hooterville Cannonball, the last and oldest steam engine in the C.F.&W. railroad line, run by engineers Charlie Pratt (Smiley Burnette) and Floyd Smoot (Rufe Davis). Other Hooterville residents over the years included storekeeper Sam Drucker (Frank Cady), town gossip Selma Plout (Virginia Sale, then Elvia Allman) and her gangly daughter Henrietta (Susan Walther, then Lynette Winter), barber Bert Smedley (Paul Hartman), and train conductor Wendell Gibbs (Byron Foulger). The most omnipresent of the recurring characters was Charles Lane as Homer Bedloe, the delightfully flint-hearted vice president of the C.F.&W., who never tired of hatching sinister schemes to put the antiquated Hooterville Cannonball out of business.
After two black-and-white seasons, the series switched to color for season three in 1965, the same year that Petticoat Junction's spinoff series Green Acres made its CBS debut. Thereafter, the casts of the two series made innumerable crossover appearances, with Petticoat Junction's Frank Cady and Green Acres co-stars Tom Lester (as handyman Eb Lawson) and Kay E. Kuter (as farmer Newt Kiley) virtually becoming regulars on both shows. At the beginning of season four, Mike Minor joined the cast as Steve Elliott, a pilot whose plane had crashed just outside the Shady Rest. After a lengthy courtship, Steve married Kate's oldest daughter Betty Jo -- just as actors Mike Minor and Linda Kaye became husband and wife in real life. In addition to the aforementioned turnover in the actresses playing Billie Jo and Bobbie Jo, there were several other cast changes and dropouts during Petticoat Junction's eight seasons. Sadly, two of these were dictated by mortality: supporting player Smiley Burnette died in 1967, and series star Bea Benaderet passed away at the beginning of the 1968-1969 season (upon Kate Bradley's departure, Uncle Joe assumed ownership of the Shady Rest). In the course of the same season, June Lockhart joined the cast as lady doctor Janet Craig, who had arrived in Hooterville to replace retiring town physician Dr. Barton Stuart (Regis Toomey). The producers had hoped that same rapport which existed between Bea Benaderet and Edgar Buchanan would be replicated by Buchanan and Lockhart, but this was not to be. After 221 episodes, Petticoat Junction was canceled on September 12, 1970, the first casualty in CBS's drive to "de-ruralize" its network demographic and appeal to a more urban, sophisticated audience. ~ Hal Erickson, Rovi

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Starring:
Bea Benaderet
 
1962  
 
The first season of The Beverly Hillbillies can be regarded as a "shakedown" cruise, with the newly-rich Clampett family making first contact with the wealthy upper crust of Beverly Hills, CA, adapting to their strange but luxurious surroundings with a combination of farcical ignorance and warm-hearted common sense and decency. After striking oil on his property in the opening episode, poor-but-proud mountaineer Jed Clampett (Buddy Ebsen) is informed that his land is now valued in a "new kind of dollars" -- namely, "million" dollars (about 20 million, to be exact). On the advice of his social-climbing cousin Pearl Bodine (Bea Benaderet), Jed decides to move out of the hills and into a posh Beverly Hills mansion, taking his innocently voluptuous daughter Elly May (Donna Douglas), his elderly but feisty mother-in-law Granny (Irene Ryan) and Pearl's oafish son Jethro Bodine (Max Baer Jr.) along for the ride. Endeavoring to help the Clampett clan make the transition from abject poverty to untold wealth are Milburn Drysdale (Raymond Bailey), president of the Commerce Bank of Beverly Hills and the caretaker of Jed's fortune, and Drysdale's ultra-efficient secretary Miss Jane Hathaway (Nancy Kulp). Many of the earliest episodes are built around the Clampetts' hilarious misinterpretations of their new creature comforts: the mansion's swimming pool is referred to as "the cee-ment pond"; the billiard table is labeled "the fancy eatin' table"; the billiard cues are dubbed "pot passers"; and it takes several episodes for Jed and company to figure out where "thet music is a-comin' from" whenever somebody rings their doorbell. Meanwhile, animal-loving Elly May merrily goes about adopting as many local "critters" as she can find, the impressionable Jethro shows off the "cipherin' skills" he has accumulated as the world's oldest sixth grader (his future plans are to become either a brain surgeon or a fry-cook), and Granny crankily tries to transform her corner of Beverly Hills into a replica of her old mountain trappings, replete with a still for her "rheumatizz medicine."
Among the many subplots developed this season are Cousin Pearl's ongoing rivalry with Granny; Pearl's tireless efforts to marry off Jethro's twin sister Jethrine (also played by Max Baer Jr.), and her own furtive romance with oil-company executive John Brewster (Frank Wilcox); the Herculean efforts by Mr. Drysdale's snobbish wife Margaret (Harriet MacGibbon) to remove "those dreadful Hillbillies" from her neighborhood; and the ill-fated attempt by the Drysdale's overaged-preppy offspring Sonny Drysdale (Louis Nye) to woo and win Elly May, which nearly results in an old-fashioned shootin' feud between the Drysdales and the Clampetts! Though roundly panned by many of America's top TV critics (with such rare exceptions as the erudite Gilbert Seldes, who lauded the series for brilliantly upholding the tradition of the classic "rube outwits city slicker" stage comedies of the previous century), The Beverly Hillbillies closed out its first season as the nation's top-rated program. ~ Hal Erickson, Rovi

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Starring:
Buddy EbsenIrene Ryan, (more)
 
1962  
 
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Several major changes were wrought upon The Flintstones as the animated series entered its third season. To begin with, the series was telecast in color for the first time with the episode titled "Invisible Barney" on September 28, 1962. Also, the opening credits sequence was refilmed, replacing the original action of Fred driving home, stopping at the dry-cleaners, picking up a newspaper and crashing into his garage with the more familiar sequence of Fred knocking off from work, then taking Wilma to a drive-in movie. Additionally, the series' longtime instrumental theme music "Rise 'N' Shine" was supplanted by the now-legendary vocal composition "Meet the Flintstones" (and for the benefit of those who still can't understand the middle lyrics, they are "Let's ride with the family down the street/through the courtesy of Fred's two feet"). Finally, and most importantly, stone-age suburbanites Fred and Wilma Flintstone became parents. The blessed event occurred on February 22, 1963, in the episode titled "Dress Rehearsal"; on that occasion, Wilma gave birth to a baby daughter named Pebbles. (Trivia note: a least two of the pre-Pebbles episodes, which alluded to the fact that Fred and Wilma were childless, had new footage added for their original network reruns so that they would appear to be "flashbacks". These additional scenes were shown but once, and have never been syndicated). Unlike previous seasons, The Flintstones' musical highlights were few and far between during Season Three. An exception to this "The Twitch" (from the episode of the same name), a spirited takeoff of the then-current dance craze "The Twist." Although the novelty of The Flintstones had worn off a bit during its three years on the air, the series still posted excellent prime-time ratings, finishing the season as America's 30th most popular TV program, just one notch below the live-action western Have Gun--Will Travel. ~ Hal Erickson, Rovi

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Starring:
Alan Reed, Sr.Mel Blanc, (more)
 
1961  
 
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The second season of the animated "prehistoric" sitcom The Flintstones gets under way with "The Hit Songwriters", the series' first utilization of a celebrity guest star (or, to be more precise, a caricatured celebrity supplying his/her own voice). The star in question is composer Hoagy Carmichael, who curiously appears under his own name rather than a Stone Age-style variation a la "Ann Margrock" or "Stoney Curtis." Carmichael also provides an original song for the proceedings: "Yabba Dabba Doo", inspired by Fred Flintstone's frequent bellow of joy. Almost as memorable is the "Rockenschpeel Jingle" sung by Wilma Flintstone ("Make your hobby hubby/Keep your hubby happy/If he's a little chubby/He's a happy pappy/With ROCKENSCHPEEL!" in the later second-season installment "The Happy Household." If Barney Rubble sounds a bit strange in some of the episodes, it is because voice artist Mel Blanc had been incapacitated for several months after a near-fatal car accident. In some instances, Hal Smith (best known as town drunk Otis Campbell on The Andy Griffith Show), substitutes for Blanc; in others, Barney's voice is provided by Hanna-Barbera stalwart Daws Butler. Among the season's best episodes are "Alvin Brickrock Presents", a deliciously macabre takeoff of Alfred Hitchcock's TV anthology; "The Rock Quarry Story", featuring a famous movie star who sounds just like Gary Cooper (courtesy of the versatile John Stephenson); "The X-Ray Story", wherein a doctor's misdiagnosis leads to a unforgettable 24-hour revelry for poor Fred Flintstone; and "Wilma's Vanishing Money", which apparently went over so well with audiences that it was remade as a live-action installment of The Danny Thomas Show two years later--then re-remade as an episode of the 1970 Hanna-Barbera cartoon prime-timer Where's Huddles! Still being filmed in color but networkcast in black-and-white, The Flintstones managed to close out its second season as America's 21st highest rated TV show, in a dead heat with The Many Loves of Dobie Gillis. ~ Hal Erickson, Rovi

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Starring:
Alan Reed, Sr.Mel Blanc, (more)
 
1961  
 
David O. Selznick had intended to film an adaptation of F. Scott Fitzgerald's Tender is the Night as a vehicle for his wife Jennifer Jones. But financial difficulties compelled Selznick to sell the property (including Ms. Jones' services) to 20th Century-Fox. Jones stars as a wealthy but disturbed woman of the 1920s who marries her psychiatrist (Jason Robards Jr.). They live together at her Riviera estate, where the doctor's analytical skills atrophy. As Jones grows stronger, the doctor becomes totally dependent upon her emotionally and financially. The film's supporting characters are equally self-destructive, notably an alcoholic composer (Tom Ewell) and Jones' avaricious sister (Joan Fontaine). Perhaps if Selznick had produced Tender is the Night, the film wouldn't have wallowed in misery for its own sake; on the other hand, we still would have been stuck with Jennifer Jones, who is woefully miscast. ~ Hal Erickson, Rovi

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Starring:
Jennifer JonesJason Robards, Jr., (more)
 
1960  
 
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Season One of The Flintstones begins with the series' second pilot episode, "The Flintstone Flyer", in which Fred Flintstone and Barney Rubble use their newly invented flying machine to sneak out on a social commitment with their wives Wilma and Betty. The season's third episode, "The Swimming Pool", is actually a remake and expansion of the series original four-minute "sample" episode prepared for potential sponsors,in which Daws Butler rather than Alan Reed supplied the voice of Fred and June Foray instead of Jean VanderPyl was heard as Wilma. As for the actual first full-length pilot episode, "The Great Tycoon", it remained unseen until unveiled as Episode #22 on February 24, 1961. Longtime fans of the series will be interested to note that The Flintstones uses a different opening-credits sequence and different theme song (Hoyt Curtin's "Rise 'N' Shine" than in later years. Also the characters are drawn in more blunt, rough-hewn fashion, and the humor is more geared for grownups than children. A sure giveaway that Hanna-Barbera wanted the series to be regarded as adult fare was in their choice of sponsors: One-a-Day Vitamins and Winston Cigarettes (collectors can still revel in those rare cast commercials showing Fred and Barney puffing away on coffin nails and enthusing over the pleasures of "filter-tip smokin'"). Finally, it is worth mentioning that the character of the Flintstones' pet dinosaur Dino makes his first official appearance in "The Snorkasaurus Story". Unlike the later Dino, this incarnation has the power of speech--indeed, he acts and sounds just like Sgt. Ernie Bilko, the scampish con artist created by comedian Phil Silvers. The series wastes no time in using its Stone Age milieu to poke fun at modern life. Both Elvis Presley and his manager Col. Tom Parker are given a good going-over in "The Girls' Night Out"; the TV detective series Peter Gunn is skewered in the person of private eye Perry Gunnitte (so tough that he only drinks "rocks on the rocks") in "Love Letters on the Rocks"; the then-current genre of gimmicky monster movies is spoofed in "The Monster from the Tar Pits"; a jazz musician who sounds an awful lot like Miles Davis shows up in "Hot Lips Hannigan"; the cops in "The Hot Piano" speak in low, clipped, Dragnet-style tones; and a certain prominent dance instructor of the era is satirized in "Arthur Quarry's Dance Class." Also, Season One yields several of the musical highlights so beloved of Flintstones aficionados. The best melodic moments include the "Carhop Song" ("Here we come, on the run/with a burger on a bun") in "The Drive-In"; Fred's off-key rendering of "Sextet from Lucia" in "The Split Personality"; and the interminable "Happy Anniversary" quartet in The Hot Piano." Telecast in black and white (though filmed in color), the first season of The Flintstones finished up as the nation's 18th highest-rated program, right between Bonanza and The Red Skelton Show. ~ Hal Erickson, Rovi

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Starring:
Alan Reed, Sr.Mel Blanc, (more)
 
1959  
 
In this Western, a good-hearted gunfighter helps a young cowboy find the cruel cattle baron who killed his daddy. ~ Sandra Brennan, Rovi

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