Alex Norton Movies

The classic tale of swashbuckling adventure by the senior Alexandre Dumas comes to the screen in its umpteenth incarnation, this time from Kevin Reynolds, directing his first feature in five years. James Caviezel stars as Edmond Dantes, an honest sailor who plans to marry his beautiful lover Mercedes (Dagmara Dominczyk). Edmond doesn't know that his best friend Fernand Mondego (Guy Pearce) secretly desires Mercedes for himself and schemes with fallen aristocrat Villefort (James Frain) to frame Edmond for a crime he didn't commit. Sentenced to life on the remote island prison of D'If, Edmond becomes consumed by plans for revenge. Thirteen years pass and he meets a fellow innocent convict, Abbe Faria (Richard Harris), who becomes Edmond's mentor in swordfighting, finance, and escape, confiding that a vast treasure awaits a discoverer on the island of Monte Cristo. Eventually, Edmond is able to get away using Faria's tunnels and makes his way to Monte Cristo, where he retrieves the fortune and uses it to make himself over as the wealthy "Count of Monte Cristo." With the help of a loyal sidekick (Luis Guzman), Edmond insinuates himself into French royalty and sets about getting revenge on Villefort and Fernand, who is now married to Mercedes. The Count of Monte Cristo (2002) also stars Michael Wincott and Albie Woodington. ~ Karl Williams, Rovi

Following his Cannes award-winning performance in Ken Loach's My Name is Joe, Scottish actor Peter Mullan made his feature script and directorial debut with this British dark comedy-drama about four adult siblings on the eve of their mother's funeral in Glasgow. Eldest son Thomas (Gary Lewis) offers a tribute to her in a local pub, but his brother Michael (Douglas Henshall) is stabbed during a brawl at the bar, prompting third brother John (Stephen Cole) to seek vengeance. Michael evades medical treatment, trying to hold out until the next day in order to make a claim for workers compensation. Thomas leaves to join sister Sheila (Rosemarie Stevenson), who has cerebral palsy, in a night-long chapel vigil. The four attempt to reunite after they are separated when the full fury of a violent storm hits the town. Shown at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

Mel Gibson, long-time heartthrob of the silver screen, came into his own as a director with Braveheart, an account of the life and times of medieval Scottish patriot William Wallace and, to a lesser degree, Robert the Bruce's struggle to unify his nation against its English oppressors. The story begins with young Wallace, whose father and brother have been killed fighting the English, being taken into the custody of his uncle, a nationalist and pre-Renaissance renaissance man. He returns twenty years later, a man educated both in the classics and in the art of war. There he finds his childhood sweetheart Murron (Catherine McCormack), and the two quickly fall in love. There are murmurs of revolt against the English throughout the village, but Wallace remains aloof, wishing simply to tend to his crops and live in peace. However, when his love is killed by English soldiers the day after their secret marriage (held secretly so as to prevent the local English lord from exercising the repulsive right of prima noctae, the privilege of sleeping with the bride on the first night of the marriage), he springs into action and single-handedly slays an entire platoon of foot soldiers. The other villagers join him in destroying the English garrison, and thus begins the revolt against the English in what will eventually become full-fledged war. Wallace eventually leads his fellow Scots in a series of bloody battles that prove a serious threat to English domination and, along the way, has a hushed affair with the Princess of Wales (the breathtaking Sophie Marceau) before his imminent demise. For his efforts, Gibson won the honor of Best Director from the Academy; the movie also took home statuettes for Best Picture, Cinematography, Makeup, and Sound Effects. ~ Jeremy Beday, Rovi

Native American history got the Disney treatment in this biography aimed at younger audiences. Adam Beach stars as Squanto, an Eastern Massachusetts native of the 17th century, who befriends the English settlers who are starting to colonize the region. Naively trusting his new friends, Squanto and his best friend Epenow (Eric Schweig) offer to help some sailors load a vessel that's departing for England. The two Indians are shanghaied and taken across the ocean to serve as sideshow attractions for the greedy owner (Michael Gambon) of the shipping line. Squanto quickly escapes and finds refuge in a nearby cloister, where he is protected by the kindly monks, in particular Brother Daniel (Mandy Patinkin), who teaches Squanto to speak English. Squanto learns of a ship carrying more settlers to the New World, so he stows away and returns to his homeland, where he finds that his village has been wiped out by disease brought by the colonists. Nevertheless, Squanto brokers a peace deal between his hostile brothers and the settlers, and they celebrate the first Thanksgiving together. Beach went on to star in the Native American drama Smoke Signals (1998). ~ Karl Williams, Rovi

Brevity may be the soul of wit, but that doesn't make the 79-minute Blame It on the Bellboy any funnier. Orton (Dudley Moore) is an ambitious real estate agent. Horton (Richard Griffiths) is a middle-aged married man looking for extracurricular activity via a dating service. And Lawton (Bryan Brown) is a professional hit man. Orton, Horton and Lawton all check into adjoining rooms at a posh Venetian hotel. Bellboy Bronson Pinchot, whose grasp of the English language is virtually nonexistent, delivers the wrong messages to the three men. That's why Orton is trying to sell a valuable piece of property to a roomful of mafiosi, Horton is "paired up" with an unwitting female real estate broker, and Lawton is preparing to rub out a hapless dating-service subscriber......Written by director Mark Herman, this old-style doorslamming farce might have passed muster as a dinner-theater attraction, but on film it comes across as strained and tiresome. ~ Hal Erickson, Rovi

Initially conceived as a theatrical feature, but originally aired on television in the United States, Robin Hood puts slight, but effective, twists on the legendary tale. Starring Patrick Bergin in the title role, the film follows Robin and his group of bandits as they fight Prince John and save Maid Marion (Uma Thurman). This version is a little grittier than both Errol Flynn's classic movie or the contemporary extravaganza starring Kevin Costner, since Bergin is quite down-to-earth and Thurman makes Marion into a brat, not a helpless maiden. However, these qualities and the stately photography make the film quite entertaining, and it easily equals Costner's version, even if it can't match Flynn's timeless movie. ~ Stephen Thomas Erlewine, Rovi

Something of a sleeper in its 1990 release, White Hunter, Black Heart is one of Clint Eastwood's most engaging films. It is based on Peter Vietel's novel about the location shoot of John Huston's immortal The African Queen. But the focus is never on Bogie and Hepburn. Egomaniacal director John Wilson (Eastwood) is far more interested in killing an elephant than in making a movie. His old friend and scriptwriter Pete Verrill (Jeff Fahey) and his producer, Paul Landers (George Dzundza), are on hand to try and talk him down from this pursuit. Eastwood's verbose, outlandish performance will be particularly remarkable to fans who tend to think of him as the soft-spoken tough guy. ~ John Voorhees, Rovi

In 1963, the conservative British government was shaken to its foundations by the Profumo Scandal. The central character in this disastrous affair was John Profumo, Britain's minister of war, who had become sexually involved with call-girl Christine Keeler, whose "sponsor" was high-priced osteopath Dr. Stephen Ward. Fancying himself a dashing international adventurer, Ward had also offered Christine to alleged Soviet spy Eugene Ivanov. Another of Ward's stable, Mandy Rice-Davies, allegedly had slept with numerous British and American luminaries. The whole sordid story, which ended with Ward's suicide and Profumo's public disgrace, was recounted with relish in director Michael Caton-Jones's Scandal, which featured John Hurt as Stephen Ward, Joanne Whalley-Kilmer as Christine Keeler, Ian McKellan as Profumo, Bridget Fonda as Mandy Rice-Davies, and Jeroen Krabbe as Ivanov. In its original form, the film was ripe enough to court an X-rating; post-production trimming enabled it to squeak by with an R. ~ Hal Erickson, Rovi

James Richards is an ordinary middle-class man living a very comfortable and orderly life in London, working as a statistician. In this drama, he discovers that his safe and cozy world is rife with hidden corners and unimagined dangers. He first discovers that things are not as they seem when, through a client, he learns of a special film that has been suppressed by the British government. His search for that film leads him into the labyrinth of underground tunnels and offices which were built under the city during World War II, and he is pitted against an organized government conspiracy. ~ Clarke Fountain, Rovi

The story of the real-life Scottish criminal who spent a decade in and out of British prisons is the subject of this film directed by John MacKenzie (Long Good Friday) and produced by Beatle George Harrison's company, Hand Made Films. The life of the violent criminal is captivating, for, following his turbulent years in and out of captivity, his later years saw him marrying a psychiatrist and supervising efforts at rehabilitating convicts. ~ Rovi

Writer/director Bill Forsyth's follow-up to his best film, Local Hero, is another comic exploration of a man undergoing a personal crisis. In Local Hero, the American played by Peter Riegert finds himself enchanted by the people and ambience of a Scottish village he has been dispatched to purchase for an oil company. In Comfort and Joy, Alan (Bill Paterson) is a Glasgow radio disc jockey whose air name is the chirpy Dickey Bird. After Maddy, his girlfriend (Eleanor David), walks out on him at Christmas, he's spurred to re-evaluate his life. Looking for more meaningful work than spinning pop tunes and offering inane chatter to his geriatric listeners, Alan decides to make a radio documentary. He chances upon a local rivalry between two ice cream companies, who are sabotaging each other's trucks in an effort to monopolize the market. Attracted to Charlotte (C.P. Grogan), the daughter of one of the company owners, Alan finds himself playing peacemaker rather than documentarian. That this cold war takes place in the dead of a bitter Scottish winter is only one of Forsyth's many sly touches. ~ Tom Wiener, Rovi

The second episode of The Black Adder's first season, "Born to Be King," was a reworking of the series' unsold pilot episode. Having inadvertently placed Richard IV (Brian Blessed) on the throne of England, the scheming Edmund (Rowan Atkinson) must find some way to discredit the heir apparent Prince Harry (Robert East) and thereby become king himself. Slowing down his efforts in this episode are the preparations for the Queen's birthday party and the planned assassination of disagreeable Scottish war hero McAngus (Alex Norton). "Born to Be King" was originally telecast on June 22 1983. ~ Hal Erickson, Rovi