Ted North Movies

Not by any means a great film, The Devil Thumbs a Ride nonetheless has an indefinable audience allure that sucks the viewer into its labyrinthine storyline and doesn't let go until the fade-out. Lawrence Tierney plays Steve Morgan, a charming but utterly sociopathic criminal who has just robbed and killed a movie theater cashier. Morgan hitches a ride with inebriated conventioneer Jimmy Furguson (Ted North). Later on, Furguson picks up two more hitchhikers: virginal Beulah Zorn (Nan Leslie) and good-time girl Agnes Smith (Betty Lawford). When circumstances lead Jimmy to believe that Steve is the fugitive whom the cops are looking for, Morgan sweet-talks his way into everyone's confidence. Before he knows what's happening, Jimmy is holed up in a beach house while Steve parties with Beulah and Agnes. Not even the most fervent of film noir fans will be able to predict the outcome of this one. Long ignored by movie buffs, The Devil Thumbs a Ride gained a large following through repeated TV showings in the 1960s and '70s. It is now considered so representative of its genre that one film historian used the film's title for a collection of his essays on B-melodramas. ~ Hal Erickson, All Movie Guide

This now-classic indictment of mob rule was a pet project of both star Henry Fonda and director William Wellman, both of whom agreed to work on lesser 20th Century-Fox projects in exchange for this film. After a hard winter on the range, cowboys Gil Carter (Fonda) and Art Croft (Harry Morgan) ride into a fleabitten small town for a drink. Within minutes, they get mixed up in a barroom brawl, which earns them the animosity of the locals. By and by, word reaches town that a local rancher has been killed by rustlers. With the sheriff out of town, a lynch mob is formed under the leadership of Major Tetley (Frank Conroy), a former Confederate officer who hopes to recapture past glories. Worried that they'll be strung up, Carter and Croft reluctantly join the mob and head out of town. In the dark of night, the group comes across three sleeping transients: a farmer named Martin (Dana Andrews), a Mexican (Anthony Quinn), and a senile old man (Francis Ford). The fact that Martin carries no bill of sale written by the so-called murder victim is evidence enough for Tetley to demand that the three men be hanged on the spot. Carter knows that this is a gross miscarriage of justice, but he's helpless to intervene. Resolving himself to his fate, Martin gives Carter a letter to deliver to his wife. The three unfortunates die at the end of the rope, and the mob rides off, only to discover that there never was a murder of any kind. Based on a novel by Walter Van Tilburg Clark, The Ox-Bow Incident is not so much a western as a gothic melodrama, with deep, looming shadows and atmospheric underlighting worthy of The Cabinet of Dr. Caligari. Though the film lost a fortune at the box office (a fact that Fox head Darryl F. Zanuck never tired of pointing out to Fonda and Wellman), it gains in stature with each passing year. ~ Hal Erickson, All Movie Guide

Based on the Ben Hecht/Charlie McArthur play Chicago, Roxie Hart is a short-but-sweet satire of highly publicized court trials. Ginger Rogers plays showgirl Roxie Hart, whose no-good husband kills a man and insists that Roxie take the blame, since juries seldom send a woman to the chair. She agrees, figuring that the publicity will be beneficial to her career. Roxie's case is taken by grandstanding attorney Adolphe Menjou, who regards the sacred halls of justice as his own three-ring circus. George Montgomery plays the reporter covering the trial, who falls in love with Roxie and eventually marries her after she dumps her cowardly hubby. Roxie Hart plays fast and loose with legal ethics, but is no less hilarious because of it. Some of the best moments belong to Iris Adrian, as an imprisoned "Bonnie Parker"-type killer who's jealous that Roxie is stealing all the headlines. ~ Hal Erickson, All Movie Guide

In this comedy, set in WW II, a Venezuelan rubber planter's son must travel to New York to try and secure a loan for the expansion of the family business. There he encounters an impoverished American girl whose fortune lies frozen in England until the war ends. To make ends meet, she rents her apartment to the Venezuelan and becomes his personal maid. Mayhem ensues as the two get involved in merry mix-ups, fall in love, fall out of love, and fall in love again. Eventually, she helps him get the loan he needs. ~ Sandra Brennan, All Movie Guide

A pregnant Alice Faye was forced to bow out of this colorful Fox musical, which instead went to Rita Hayworth, whom the studio borrowed from Columbia. Hayworth plays the highly fictitious Sally Elliott of the title, a musical star teaming up with Indiana boy Paul Dresser (Victor Mature), a runaway who after a brief stopover in a tank town medicine show arrives in Gay Nineties New York full of verve and vigor. There he composes the title tune for the fair lady and becomes the toast of Tin Pan Alley. There are the obligatory bumps on the road along the way, of course, but everything ends, as any Fox musical should, with a grand and glorious finale. Although Fox publicity claimed that My Gal Sal was based on a My Brother Paul, a biography by the composer's brother, Theodore Dreiser, it was actually concocted from an unpublished manuscript by Dreiser and his wife Helen Richardson. The film earned Oscars™ for art and set decoration and included such Dresser songs as "On the Banks of the Wabash", "I'se Your Honey, If You Wants Me, Liza", "Come Tell Me What's Your Answer (Yes or No)" and "Mr. Volunteer. House songwriters Leo Robin and Ralph Rainger contributed "Me and My Fella" and "On the Great White Way. ~ Hans J. Wollstein, All Movie Guide

A Clarence Buddington Kelland story was the source for the mildly farcical For Beauty's Sake. If he wants to inherit a fortune, bookish astronomy professor B. E. Dillsome (Ted North) must operate his aunt's beauty parlor for a two-year period. Business is very, very slow, prompting Dillsome's girlfriend Dime Pringle (Marjorie Weaver) to bring in a hot-shot press agent Jonathan B. Sweet (Ned Sparks) to publicize the establishment. Before long, our benighted hero finds himself mixed up in a murder plot and a blackmail scheme. The raucous comedy relief of Joan Davis and the patented deadpan asides of Ned Sparks more than make up for the film's plot deficiencies. ~ Hal Erickson, All Movie Guide

This is perhaps the best of the many Zorro films as Tyrone Power gives an outstanding performance as the alternately swishing and swashbuckling son of a 19th century California aristocrat. As a champion of the oppressed, Zorro must face a wicked governor portrayed by J. Edward Bromberg, who, of course, has a beautiful niece whom our hero loves. Basil Rathbone is a delightfully evil assistant to the governor. Based on Johnston McCulley's novel The Curse of Capistrano, The Mark of Zorro was a remake of the 1921 silent film and by far superior to all the Zorro incarnations. Interspersed with humor and one-liners but still keeping up with the highest of swashbuckling traditions, it is an action-packed story of one man standing against a corrupt, oppressive government on behalf of those less able to bear their burdens. ~ Tana Hobart, All Movie Guide

"Over the hill" at the tender age of 12, Shirley Temple closed out her 20th Century-Fox contract with the musical seriocomedy Young People. After years of trodding the boards in vaudeville, Wendy Ballantine (Temple) and her adoptive parents Joe (Jack Oakie) and Kit (Charlotte Greenwood retire) to a small town so that the youngster can receive a proper upbringing. Alas, the town is full of Babbitt-like bigots who disapprove of "show people", and who make no secret of their desire that Wendy and her family leave town immediately. But when a dangerous storm arises, the courage of Wendy, Joe and Kit-coupled with their rescue of several stranded children-forces the townsfolk to realign their thinking and welcome the family into their fold. The best moments in Young People occur at the very beginning, wherein Shirley Temple literally grows up before the audience's eyes via filmclips from her earlier starring vehicles (watch how Jack Oakie suddenly turns into James Dunn-from the waist down-in a musical number lifted from 1934's Stand Up and Cheer). ~ Hal Erickson, All Movie Guide

The physically challenged bride of the title is played by Lynne Roberts, but it's reporter Ted North who's the film's true central character. Low man on the newspaper totem pole, North gets a chance to scoop everyone in town when he witnesses a bank robbery. Rather than file his story, North tracks down the crooks himself, infiltrates their gang, and helps deliver them to the cops. The whole megillah is over in a brisk 55 minutes. Incidentally, Lynne Roberts has two perfectly good legs (does she ever!) during most of the proceedings, despite the title. ~ Hal Erickson, All Movie Guide