John Normington Movies

Produced for London Weekend Television, Wilt is based on the novel of the same name by Tom Sharpe. Griff Rhys Jones and Mel Smith, stars of the internationally popular TV series Not Necessarily the News, head the cast as Henry Wilt and Inspector Flint. Though master of his own destiny on the lecture circuit, Wilt is a natural-born doormat in his day-to-day life. He also has a bad habit of inadvertently gumming up the various investigations conducted by Inspector Flint. Things come to a head when the hapless Wilt is implicated in a murder, allowing the zealous Flint to persecute -- er, prosecute -- the poor man to the full limit of the law. With its parade of eccentric character and Gilbert & Sullivan-style plot complications, Wilt can't help but raise chuckles. ~ Hal Erickson, All Movie Guide

In the second episode of the three-part story "The Happiness Patrol," the Doctor (Sylvester McCoy) and Ace (Sophie Aldred) have arrived on Terra, a planet governed by the Happiness Patrol, who punish those not expressing eternal joy by killing them on the spot. Since both the Doctor and Ace have been designated as "Killjoys," they are targeted for extinction by the robotic Kandyman (David John Pope). The only hope for the time-travelers is to foment a rebellion against the smiley-faced dictator, Helen A (Sheila Hancock). Written by Graeme Curry, "The Happiness Patrol, Episode 2" first aired on November 9, 1988. ~ Hal Erickson, All Movie Guide

In the conclusion of the three-part story "The Happiness Patrol," the Doctor (Sylvester McCoy) sparks a revolution against Helen A (Sheila Hancock), dictator of Terra, where the punishment for not expressing constant happiness is death. Once he has neutralized Helen A's robotic henchman, Kandyman (David John Pope), the Doctor goes to work on the dictator herself -- and he doesn't intend to resort to violence. A poignant ending caps Graeme Curry's teleplay for "The Happiness Patrol, Episode 3," which first aired on November 16, 1988. ~ Hal Erickson, All Movie Guide

The two-part TV movie Hitler's SS: Portrait in Evil crystallizes that evil by concentrating on two Berlin brothers. In 1931, Helmut Hoffman (Bill Nighy) a brilliant student and self-styled opportunist, joins Hitler's SS. At the same time, his younger brother Karl (John Shea), a top athlete and idealist, becomes a chauffeur for the "S.A." (storm troopers). When the SS topples the SA from power, Karl ends up in Dachau. He is rescued through his brother's influence--if you can describe sending Karl to fight on the Russian Front a "rescue." As he watches the Third Reich deteriorate, Helmut at long last suffers pangs of conscience. As if the story of the rise of Nazism needed any further melodrama, Hitler's SS shoehorns in a romantic triangle involving Karl, Helmut, and beautiful nightclub-singer Lucy Gutteridge. The all-star supporting cast of Hitler's SS includes Carroll Baker as the Hoffman brothers' anguished mother; Tony Randall as an androgynous entertainer named Putzi (shades of Cabaret's Joel Grey); and David Warner, repeating his Holocaust role as SS head man Heydrich. ~ Hal Erickson, All Movie Guide

In the second episode of the pivotal four-part story "The Caves of Androzani," the Doctor (Peter Davison) and Peri (Nicola Bryant) have arrived on the planet Androzani Minor -- where, unbeknownst to themselves, their bodies are "invaded" by a supposedly life-prolonging drug called Spectrox. The two time travellers also find themselves trapped in the middle of a three-way battle between hideously deformed mad scientist Sharaz Jek (Christopher Gable), corrupt businessman Morgus (John Normington), and the colonial troops headed by General Chellak (Martin Cochrane). Originally telecast on March 9, 1984, "The Caves of Androzani, Episode 2" was written by Robert Holmes. ~ Hal Erickson, All Movie Guide

In the conclusion of the pivotal four-part story "The Caves of Androzani," the Doctor (Peter Davison) risks his own life to save his travelling companion, Peri (Nicola Bryant), from the fatal side effects of the "miracle" drug Spectrox. In so doing, the Doctor collapses -- and as he lies in helpless dormancy, a bizarre but familiar metamorphosis takes place. Peter Davison makes his farewell appearance in this episode, which features an unbilled cameo appearance by Colin Baker. Originally telecast on March 16, 1984, "The Caves of Androzani, Episode 4" was written by Robert Holmes. ~ Hal Erickson, All Movie Guide

In The Medusa Touch Brunel (Lino Ventura), a French detective on temporary assignment with Scotland Yard, investigates a mysterious series of disasters. The uncanny events begin happening shortly after writer John Morlar (Richard Burton) was hit over the head by an unknown intruder and rendered comatose. Slowly, Brunel begins to connect the strange things that are happening in the world with the deranged dreams of the comatose Morlar. He gets the final clue he needs from Morlar's reluctant psychiatrist, Dr. Zonfield (Lee Remick), who holds the key to Morlar's past. Once it is discovered that Morlar has the ability to think horrible thoughts and make them come true, Brunel and Zonfield must take off with dispatch to a London cathedral, where the Queen is scheduled to make an appearance -- but Morlar is thinking about the cathedral, and it is crumbling fast. Well-liked in Britain, this movie did not do well in the U.S. ~ Clarke Fountain, All Movie Guide

In the year 2018 violence has been outlawed and corporations have replaced government as the ruling party following the demise of politics. With the absence of war or conflict, a forcibly passive population's bloodlust is satisfied by a brutal new sport known as Rollerball. A high-octane melding of the outlawed sports of the past, the worldwide phenomenon of Rollerball has resulted in a corporate-backed sensation. The most popular athlete in the world, Jonathan E. (James Caan) has steadily risen through the ranks to become a legendary veteran of the sport. When the corporate backers of Rollerball begin to fear that Jonathan's popularity has instilled him with a potentially dangerous amount of power, a thunderous struggle between man's free will and the oppression of the masses threatens to shatter the fragile strings that the puppet masters use to manipulate mankind. His determination to remain with the sport flying in the face of the very reason Rollerball was conceived, the corporate rulers hatch a plot to abandon the rules in hopes that Jonathan will be killed and their grip of power will remain an unyielding chokehold on an increasingly bloodthirsty populace. ~ Jason Buchanan, All Movie Guide

Nicol Williamson stars as a Liverpool/Irish layabout who inherits a business from his father. Even in his executive togs, Williamson remains out of step with society. Already a surly sort, Williamson becomes even less likeable as the film progresses, especially when seeking to avenge a long-ago slight against his father. The film is a belated but still compelling entry in Britain's "Angry Young Man" cinematic cycle, with the "protagonist" remaining on top at the expense of his soul. Reckoning was based on The Harp That Once, a novel by Patrick Hall. ~ Hal Erickson, All Movie Guide

British director Peter Hall's 1968 filmization of Shakespeare's A Midsummer Night's Dream, starring the Royal Shakespeare Company, is faithful to the text and to the main plot, which involves the "bewitching" of several groups of mortals by a covey of mischievous invisible fairies. So why did critics complain? Hall's handling of Shakespeare's prose and iambic pentameter didn't bother the purists as much as the director's visual choices. Hall was criticized for staging the film in a typically rainy British winter rather than the mid-Summer alluded to in the play's title. The director responded by pointing out that the fairies, led by Oberon and Titania, were deliberately toying with the expectations and sensibilities of the Mortals -- thus, it made sense to confuse the "human" characters by playing havoc with the weather. Other stylistic alterations included updating the story to the 19th century, and the near-nudity of Judi Dench as Titania. Most of the film is shot in close-up (most effectively during the soliloquies of Diana Rigg, as Helena), not so much to hide budgetary deficiencies as to play better on television. Also featuring Ian Holm (as Puck) Barbara Jefford, Helen Mirren, Michael Jayston, Paul Rogers, Ian Richardson and David Warner, this Midsummer Night's Dream premiered in the U.S. on the CBS TV network on Sunday evening, February 9, 1969. ~ Hal Erickson, All Movie Guide