Maide Norman Movies

Just because "everybody does it," does that make it right? This is one of the questions posed by the made-for-TV romantic melodrama His Mistress. Robert Urich stars as high-profile tycoon Allen Beck, "happily" married to trophy wife Katherine (Linda Kelsey). When Allen takes a liking to his extremely ambitious employee, Anne Davis (Julianne Philips), he exercises his executive prerogative by taking the pliant Anne as his mistress, setting her up in a luxurious condo penthouse. At one point, Anne indignantly declares "I thought your supporting me was an insignificant gesture that has nothing to do with our relationship." His Mistress was first shown by NBC on October 21, 1984. ~ Hal Erickson, All Movie Guide

The only installment of the Halloween series to abandon the Michael Myers story line, Halloween III: Season of the Witch is an intricate sci-fi horror hybrid. A week before Halloween, an older man named Harry Grimbridge (Al Berry) is wounded by a mysteriously dispassionate group of assailants in an industrial parking lot. After receiving treatment at a local hospital from Dr. Dan Challis (Tom Atkins) -- a hard-drinking divorced father of two -- Grimbridge is killed by an assassin who later sets himself on fire. Blowing off his own kids, Challis teams up with Grimbridge's daughter, Ellie (Stacey Nelkin), to find out why the middle-aged toy salesman was murdered. The duo's search soon leads them to a Halloween-mask factory run by inventor and practical joker Conal Cochran (Dan O'Herlihy). In between bouts of passionate lovemaking, Ellie and Challis begin to realize that the sinister old businessman has something other than treats in mind for America's kids -- something to do with the Silver Shamrock masks that Challis' children and thousands of other youngsters have bought for the holiday. Original screenwriter Nigel Kneale, whose scripts for Britain's Quatermass TV series made him a beloved science fiction fixture, sued the producers of Halloween III to have his name removed from the credits after seeing the gory finished product; director Tommy Lee Wallace ultimately received screenplay credit. John Carpenter, director of the first Halloween film, co-produced the third installment with Debra Hill, who would later soldier on without Carpenter for additional, belated sequels. ~ Brian J. Dillard, All Movie Guide

The phenomenal success of the 1977 ABC miniseries Roots all but demanded a sequel to writer Alex Haley's epic story of his African and African-American forebears. Debuting February 18, 1979, Roots: The Next Generations picked up where its predecessor left off, with Haley's slave ancestors winning their freedom in the aftermath of the Civil War. Even so, life for black Americans was wrought with hardship and oppression thanks to the rise of the Ku Klux Klan, the staunch refusal of the white power structure to pass anti-lynching laws, and the formation of the dreaded Jim Crow laws which legalized racial segregation in the South (and much of the North). Covering the period from 1882 to the mid-1970s, the miniseries first focuses on blacksmith Tom Harvey (Georg Stanford Brown), great-grandson of Kunta Kinte (the protagonist of the original Roots), and his family. Meanwhile, reacting to the marriage of his son to a black woman, anal-retentive Southern colonel Warner (Henry Fonda) begins setting the legal wheels in motion to deny blacks like Tom the right to vote and to hold "white" jobs. A few decades later, Tom's son-in-law encourages his fellow blacks to stand firm against the KKK's reign of terror. His labors on behalf of his race are rewarded when his daughter Bertha (Irene Cara) becomes the first descendant of Kunta Kinte to receive a college education. It is Bertha Palmer who weds the equally ambitious Simon Haley (Dorian Harewood), who goes on to serve in WWI and to organize farmers and sharecroppers during the Depression. Simon's son Alex (played at various ages by Kristoff St. John, Damon Evans, and finally James Earl Jones) is just as determined to succeed in a white man's world as his father, and to that end becomes a professional writer after his own service stint in the Coast Guard during WWII. At the height of his professional success (largely due to his having ghost-written the autobiography of Muslim activist Malcolm X), Alex Haley pays a visit to his boyhood hometown -- where, almost by accident, he receives the first clue to his heritage, a clue that will lead him on an odyssey of self-discovery, arriving full circle at Kunta Kinte's birthplace in Africa. Although the miniseries' "money scene" was Haley's nervous interview with American Nazi Party leader George Lincoln Rockwell (Marlon Brando in a superb cameo turn), the climactic episode, in which Haley tearfully embraces the living African descendants of Kunta Kinte, is one of the most unforgettable moments in the history of network television. Running 12 episodes and 14 hours, Roots: The Next Generations concluded on February 25, 1979, playing to huge ratings all along the way and ultimately garnering several Emmy nominations (and one win). ~ Hal Erickson, All Movie Guide

Stretching the Airport concept as far as it will go, this third film in the series sticks a jet full of old actors 50 feet underwater in the Bermuda Triangle. Oxygen (and credibility) grows short, and Jimmy Stewart plays an art collector targeted for a heist. Jack Lemmon is the unfortunate pilot, and Christopher Lee shows up along with Brenda Vaccaro, Joseph Cotten, and Olivia de Havilland. Jerry Jameson, auteur of The Bat People, was selected to helm this entry featuring that film's star, Michael Pataki. George Kennedy, the only man to appear in all four Airport films, is along for the ride as well. ~ Robert Firsching, All Movie Guide

Things look bleak for the Evans household when both James (John Amos) and J.J. (Jimmie Walker) lose their jobs. Determined to provide for his loved ones, J.J. prepares to "be all that he can be" by joining the army. William Christopher, who was appearing semi-regularly as Father Mulcahy on M*A*S*H when this episode was filmed, guest stars as the army doctor; on the other hand, series regular Esther Rolle (Florida) isn't in this episode at all. ~ Hal Erickson, All Movie Guide

Brock Peters plays the central figure in this story, a man charged by Stone (Karl Malden) and Keller (Michael Douglas) with a murder that he didn't commit. Unfortunately, once he surrenders his fingerprints to the authorities, he will be exposed as the same person who ran away from a homicide investigation 25 years earlier. Also in the cast are a pre-stardom Dabney Coleman) and onetime Bonanza regular Mitch Vogel, here playing father and son, and future Lou Grant regular Robert Walden. ~ Hal Erickson, All Movie Guide

This sports drama is based on the true story of professional basketball players Maurice Stokes and Jack Twyman. When Stokes (Bernie Casey), who is black, is rendered comatose and paraplegic by a head injury, his white teammate Twyman (Bo Svenson) exerts himself mightily to raise money for Stokes' physical therapy and medical treatment in the hopes that he will one day walk again. Before the injury, Twyman was just a friendly teammate. Afterwards, he became more or less a member of Stokes' family. ~ Clarke Fountain, All Movie Guide

Created by Earl Hamner, A Dream for Christmas is set in the 1950s. African-American minister Will Douglas (Hari Rhodes) moves his family from Arkansas to the Watts section of Los Angeles to take charge of an impoverished church. The attendance, at least at first, is as poor as the congregation. Worse still, the church is slated to be demolished. But it's close to Christmas, a time when miracles have been known to happen. Featured in the all-black cast are Beah Richards, Lynn Hamilton, Robert Do'Qui, Juanita Moore, and Clarence Muse. Appropriately enough, A Dream for Christmas originally aired on December 24, 1973. It was originally designed as the pilot for a never-sold TV series titled The Douglas Family. ~ Hal Erickson, All Movie Guide

In her final acting appearance, Susan Hayward is ironically cast as a research doctor who can no longer face up to the notion of dealing with death on a daily basis. Recently widowed, Dr. Maggie Cole is on the verge of giving up her job and going into seclusion. She is shaken back to reality by crusty but lovable "street doctor" Lou Grazzo (Darren McGavin), who coerces Maggie into accepting a job at a Chicago slum clinic. At first adjusting admirably to her new surroundings, Maggie undergoes a devastating assault to her emotions when she befriends a teenaged leukemia patient. Written by real-life M.D. Sandor Stern and originally telecast by ABC on September 27, 1972, Say Goodbye, Maggie Cole was supposed to have been the pilot for a weekly series, but plans for this project were abandoned after the death of star Susan Hayward. ~ Hal Erickson, All Movie Guide

Ironside (Raymond Burr) tries to help his friend Loi Tala (Patrick Adiarte), a Samoan-born boxer who wants to retire from the ring, marry his sweetheart and return to his homeland. Alas, Samoan tradition demands that he uphold the honor of his family by continuing his boxing career, even though he hates it. Inevitably, things take a disastrous turn when Loi Tala seriously injures one of his sparring partners. ~ Hal Erickson, All Movie Guide

As a child, "Baby Jane" Hudson was the toast of vaudeville. As an adult, however, Baby Jane was overshadowed by her more talented sister, Blanche, who became a top movie star. Then, one night in the early '30s, came the accident, which crippled Blanche for life and which was blamed on a drunken, jealous Jane. Flash-forward to 1962: Jane (Bette Davis), decked out in garish chalk-white makeup, still lives with the invalid Blanche (Joan Crawford) in their decaying L.A. mansion. When Jane isn't tormenting the helpless Blanche by serving her dead rats for breakfast, she is plotting and planning her showbiz comeback. Convinced that her days are numbered if she remains in the house with her addlepated sister, Blanche desperately tries to get away, but all avenues of escape are cut off by the deranged Jane. What Ever Happened to Baby Jane? sparked a trend toward casting venerable Hollywood female stars in such grotesque Grand Guignol melodramas as Lady in a Cage (1964) and Hush...Hush Sweet Charlotte (1965). In addition to revitalizing the careers of Davis and Crawford, whose real-life mutual animosity came through loud and clear, the film made a star of sorts of 24-year-old character actor Victor Buono, cast as a porcine mama's-boy musical composer. Lukas Heller's screenplay was based on the novel by Henry Farrell. ~ Hal Erickson, All Movie Guide

Alfred Hitchcock Presents moved from its familiar Sunday-night slot on CBS to a new Tuesday-night berth for rival network NBC to launch its sixth season with this amusingly ironic tale from the pen of frequent series contributor Roald Dahl. Audrey Meadows adroitly suppresses her familiar "Alice Kramden" characterization in the role of Mrs. Bixby, the pampered -- and faithless -- wife of a prosperous doctor (Les Tremayne). When Mrs. Bixby's latest paramour, a colonel (Stephen Chase), decides to break off their relationship, he gives her a costly mink coat as a parting gift. Not wanting to have her husband find out how she really got the coat, Mrs. Bixby works out an elaborate subterfuge involving a "found" pawn ticket. But it turns out that Dr. Bixby is not entirely above a bit of subterfuge himself! ~ Hal Erickson, All Movie Guide

Perhaps the definitive Douglas Sirk production, Written on the Wind is based on the novel by Robert Wilder. The story revolves around the Hadleys, a wealthy but thoroughly debauched family of Texas oil millionaires. Robert Stack is self-destructive alcoholic Kyle Hadley, while Dorothy Malone won an Oscar for her equally vivid potrayal of Kyle's nymphomaniac sister Marylee. Kyle manages to win beautiful, level-headed advertising executive Lucy Moore (Lauren Bacall) away from his best friend, virile Hadley Oil geologist Mitch Wayne (Rock Hudson), but Lucy soon comes to regret her decision to marry into the hell-on-earth Hadley family. When Lucy becomes pregnant, Kyle assumes that Mitch is the father, leading to a maelstrom of fever-pitch emotionalism and stark tragedy. Before he quite knows what is happening, Mitch is on trial for murder; the one person who can clear him is the craven Marylee, who demands Mitch's sexual favors as the price for her testimony. ~ Hal Erickson, All Movie Guide