Leo Nomis Movies
This 1938 remake of Howard Hawks' 1930 film The Dawn Patrol is faithful to the original's basic plotline. The story is set during World War I; the scene is the French headquarters of the British Royal Flying Corps, 59th division. The corps is suffering heavy losses, a fact that ace pilot Courtney (Errol Flynn) ascribes to the supposed ruthlessness of squadron commander Brand (Basil Rathbone). What the audience knows that Courtney doesn't is that Brand is distraught at losing his men, but is forced by his own superiors to push the pilots beyond their limits. After being accused day after day of being a butcher, Brand takes grim delight in turning over his command to Courtney. Soon Courtney finds himself enduring the "butcher" tag, especially after the younger brother of his best friend Scott (David Niven) is killed. To redeem himself, Courtney gets Scott drunk and takes his place in a suicidal bombing mission. Courtney is killed, Scott assumes command, and the cycle begins again. The extensive use of combat scenes from the original Dawn Patrol has led some viewers to assume that the 1930 version is the superior of the two. In fact, the remake is far better than the original on several counts, not least of which was the star power of Errol Flynn and Basil Rathbone in their third screen teaming. ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, David Niven, (more)
- 1932
Howard Hawks directed this fast-paced auto racing drama. Joe Greer (James Cagney) is a top-ranked race car driver; his younger brother Eddie (Eric Linden) wants to follow in Joe's footsteps, but Joe knows his brother's reckless side and tries to keep him away from the racer's life. Eddie, however, can't be dissuaded from a career on the track, and he turns out to like his women as fast as his cars when he gets involved with Ann (Joan Blondell). Joe's best friend Spud (Frank McHugh) tries to keep the feuding brothers apart, but his attempts to do so in the midst of a race leads to Spud's death. Joe is despondent after Spud's passing and gives up his career in racing, while Eddie becomes eligible for the Indianapolis 500. Joe grudgingly comes to the race to see his kid brother in action, but he gets the chance to redeem himself when Eddie is hurt and needs a driver to complete the race in his car. Racing legend Billy Arnold, who won the Indy 500 in 1930, advised the production. ~ Mark Deming, All Movie Guide
- Starring:
- James Cagney, Joan Blondell, (more)
- 1932
Unable to find steady work after WWI, three former flying aces -- Gibson (Richard Dix), Woody (Robert Armstrong) and Red (Joel McCrea) -- hire themselves out as stunt flyers for the movies. They find themselves employed by tyrannical director Von Furst (Erich Von Stroheim, playing what amounts to a self-caricature), who has no qualms about sending men to their deaths for the sake of "realism." Developing an esprit de corps with their fellow stunt pilots, our heroes regularly converge at the local watering hole to honor the latest casualties, wiping their names from a blackboard just as they'd done back in the Great War. When Von Furst, driven to insane jealousy by his much-abused wife Follette (Mary Astor), murders one of the pilots in cold blood, the others take a grim but thoroughly justifiable revenge. Boasting several first-rate aviation sequences, The Lost Squadron was scripted by real-life Hollywood stunt flyer Dick Grace (who also appears in the film); it was also the first RKO Radio production to carry the screen credit "executive producer, David O. Selznick." ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Dix, Mary Astor, (more)
No one was surprised in 1929 that aviation mogul Howard R. Hughes would produce a paean to World War I flying aces like Hell's Angels. Given Hughes' comparative inexperience as a moviemaker, however, everyone was taken slightly aback that the finished film was as good as it was. The very American Ben Lyon and James Hall play (respectively) Monte and Roy Rutledge, a couple of British brothers who drop out of Oxford to join the British Royal Flying Corps. Several early scenes establish Lyon and Hall's romantic rivalry over two-timing socialite Helen (Jean Harlow). While flying a dangerous bombing mission over Germany, the brothers are shot down. The commandant (Lucien Prival), who'd earlier been cuckolded by one of the brothers, savors his opportunity for revenge. He offers the boys their freedom if they'll reveal the time of the next British attack; if they don't cooperate, they face unspeakable consequences. Roy, driven mad by his combat experiences, is about to tell all when he is shot and killed by Monte. The latter is himself condemned to a firing squad by the disgruntled commandant -- who, it is implied, will soon meet his own doom at the hands of the British bombers. Nobody really cares about this hoary old plot, however; Hell's Angels culls most of its strength from its crackerjack aerial sequences. The highlight is a Zeppelin raid over London, one of the most hauntingly effective sequences ever put on film. From the first ghost-like appearance of the Zeppelin breaking through the clouds, to the self-sacrificing behavior of the German crew members as they jump to their deaths rather than provide "excess weight," this is a scene that lingers in the memory far longer than all that good-of-the-service nonsense in the finale. Also worth noting is the star-making appearance of Jean Harlow. When Hell's Angels was begun as a silent film, Norwegian actress Greta Nissen played the female lead. During the switchover to sound, producer Hughes decided that her accent was at odds with her characterization, so he reshot her scenes with his latest discovery, Harlow. While she appears awkward in some of her scenes, there's no clumsiness whatsoever in her delivery of the classic line about slipping into "something more comfortable." Originally, Marshall Neilan was signed to direct the film, but became so rattled by Howard Hughes' interference that he handed the reins to Hughes himself, who was in turn given an uncredited assist by Luther Reed. Also ignored in the film's credits are the dialogue contributions by future Frankenstein director James Whale, who'd been hired as the film's English-dialect coach. Modern audiences expecting a musty museum piece are generally surprised by Hell's Angels' high entertainment content: they are also startled by the pre-code frankness of the dialogue, with phrases like "The hell with you" bandied about with reckless abandon. In recent years, archivists have restored the film's two-color Technicolor sequence, providing us with our only color glimpses of the radiant Jean Harlow. ~ Hal Erickson, All Movie Guide
- Starring:
- Ben Lyon, James Hall, (more)
