Jacques Nolot Movies

Imprisoned by his past and unable to cope with the loneliness that permeates every aspect of his life, an HIV-afflicted 58-year-old man seals himself up from the world in order to embark on an inward journey in director Jacques Nolot's existential drama. Pierre is desperate to move past the suffering and overcome an unshakable case of writer's block. After ingesting some psychotropic substances in hopes that it will help to clear his mind, Pierre learns that an old friend who had ostensibly stood him up for a lunch appointment has in fact died. In the following days, this desperate lost soul will be forced to contend with the law, meet with a few long-lost friends, and make one last effort to fulfill his greatest fantasies with the help of a kindly gigolo. Perhaps Pierre's primary problem is that he was born of the wrong gender. ~ Jason Buchanan, All Movie Guide

Adapted from a work by Paul Bowles and co-written by Andre Techine, this film -- directed by Benoit Graffin) -- is about the complicated relationship between a young up-and-comer and a silver-haired lothario. Driss is a jack-of-all trades type who sells fish from his car and moves furniture from one end of his hometown Tangiers to the other. His girlfriend is a free-spirited and wealthy European lass who runs an antique shop. One day, Driss becomes fascinated with Fouad, an old man who runs a rundown café by the beach. Fouad disdains his fellow Moroccans, calling them lazy, preferring the company of Europeans -- particularly, as Driss later learns -- young European women. Always on the make, Driss offers Fouad a business proposition -- to revamp his establishment and turn it into a proper restaurant with Driss as his business partner. He is later shocked and hurt to learn that Fouad starts to remodel his business but without Driss. Sending out his friends as spies, Driss learns a number of unsettling things about his would-be associate. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

The idea for this film about a generation and its lost ideals came to Romain Goupil after attending several funerals of friends in the fall of 1996, where the '68 generation, now in influential positions in media or politics, kept meeting each other. It seemed as if the revolution that they had tried to make was being buried with each coffin. A mort la mort is in some ways an homage to this generation, now in their fifties. They were a privileged generation that thought that they could change the world, doing everything that their parents failed to do. There were no actual deaths in France as there were in Germany or Italy, but the system was not ideal for personal issues or for love. There was always a scapegoat for the injustices of the world, be it capitalism or imperialism. That way the blame could be placed somewhere else. Some of the '68 generation are still faithful to the principles of their youth and still continue to fight for the illusions of the past. But with the war going on in Kosovo, the only way is to take direct action against Fascism. While narrating the story of a generation, the director uses humor, making fun of the thousand ways of fidelity to ideas, to passion and to women and how the ideal of fidelity fares when confronted with reality. The protagonist, Thomas (played by Goupil himself) tries to face life that has passed with a theory of offense. That is why he has to say "'Death to Death'' to put an end to all deaths, but this is an illusion, it is fiction which only cinema can make real. The film tries to face all issues by taking a contrary approach. 52nd Cannes Film Festival, 1999. ~ Gönül Dönmez-Colin, All Movie Guide

Scripter Jacques Nolot made his directorial debut with this French drama, winner of the Prix Georges Sadoul. In a small town in southwestern France, successful actor Jacques Pruez (Nolot) returns home briefly to visit his dying mother. When she dies, neighbor women bath and dress her naked body. At her burial, he is asked to sign autographs. During his stay, a look at local nastiness and the habits of Pruez family members reveals why Jacques Pruez left the town and rarely returned. Shown in the Cinemas in France section at the 1998 Cannes Film Festival. ~ Bhob Stewart, All Movie Guide

Three old French jamons attempt to make a comeback by working in a road-show production of Scoubidou in this hilarious French farce. Also on the tour are the flighty leading actress Carla Milo, and a murderous producer, Shapiron, who knows the show is a stinker and tries to convince Carla to feign an illness so they can collect the show's insurance money. Unfortunately, Carla would never dream of letting down her "fans" and so refuses. The three hams, meanwhile do not get along at all. Victor suffers great swings, he is either terrified of the crowd or grossly overacting while evil-tempered Georges is only in it for the money. Then there's Eddie, who thinks of himself as a Casanova and adores the notion of a little behind-the-scenes romance. When the desperate Shapiron decides to use physical force to get Carla to quit, the three has-beens rally 'round to protect her. This happens during a performance, much to the delight of the audience. Soon the show becomes a huge success and is slated to play on Broadway where the silliness intensifies because none of the actors can really speak English. ~ Sandra Brennan, All Movie Guide

This is a nostalgic French coming-of-age drama from director Andre Techine set in a Provence deeply divided over the war for independence being waged against French colonialism in Algeria. In 1962, Francois (Gael Morel) and Maite (Elodie Bouchez) are best friends and students at a boarding school in southwestern France, where Maite's mother Madame Alvarez (Michele Moretti) is an instructor. Francois is realizing he's gay because of his attraction to his working class roommate Serge (Stephane Rideau). Although Serge seduces Francois one night, he is not gay and is actually attracted to Maite. So is Henri (Frederic Gorny), a radically-politicized Algerian-born Frenchman who supports France in the war, an unpopular position, particularly with Madame Alvarez, a communist. The classroom sparring between Henri and Alvarez galvanizes the school, but then word comes that Serge's older brother has been killed in the war. Madame Alvarez, who loved him but refused to help him desert the military, becomes so unhinged that she must be sent away for treatment. Wild Reeds (1994) won four Cesars (France's equivalent of the Oscar), including the award for that year's Best Picture, beating such other notable films as Red (1994) and Queen Margot (1994). ~ Karl Williams, All Movie Guide

Young, naive and innocent, Pierre (Manuel Blanc) has dreams of becoming an actor. He is a good-looking and personable boy, and he has just moved to the city to see if he can't accomplish his dreams. He gets a job as an orderly at a hospital and is further supported by an older woman (Helene Vincent), a nurse he has met there, in return for his sexual favors. However, in his acting class, he quickly discovers that he is not overflowing with talent, and his dream of becoming an actor grows dim. Instead, despite the advice of a knowledgeable and worldly older gay man (Philippe Noiret), he becomes a sex worker. It has long been a staple of the movies that certain hustlers and prostitutes maintain a distinction between their work and their lives by not kissing their clients, hence the title of this film, J'embrasse Pas. He grows to love the seedy, degraded lifestyle, and seems to be adapting well to his new profession until he has the poor judgement to fall in love with a high-class prostitute (Emmanuelle Béart) and earns the antagonism of her pimp. ~ Clarke Fountain, All Movie Guide

Set in a cafe which has become the hangout for a group of unhappy and frustrated men, this slice-of-life film follows them as they complain to one another about their lives, discuss their options, and generally quarrel and suffer. They are joined by a woman who is the ex-lover of one of them. Her presence heightens the already immense sexual frustration of these unsuccessful men - so much so, that one of them rapes her in a back room of the cafe. ~ Clarke Fountain, All Movie Guide

Postwar France was slow to recover from the after-effects of the World War Two. The economy was doing poorly, and many people were poor and homeless, sleeping under bridges, etc. The winter of 1953-54 proved particularly difficult for these people, as it was one of the coldest on record. Father Pierre (Lambert Wilson), a parish priest, on seeing the suffering of these people (and their frequent death from the cold), was moved to write the French government seeking help for them. When his letter, which was published in the newspapers, succeeded in rousing overwhelming popular support for helping the homeless, he was able to form a charitable group (still active today) titled "Les Chiffoniers d'Emmaus," or "The Ragpickers of Emmaus" to channel help to them. This biographical film tells the true story of Abbe Pierre's successful efforts in those years. ~ Clarke Fountain, All Movie Guide

The lines between love, sex, and politics become hopelessly blurred in this French drama from director Andre Techine. Jeanne (Sandrine Bonnaire), born and raised in Northern France, is visiting the Mediterranean for the first time, prompted by two events: the wedding of her sister, and the disappearance of her brother. Jeanne's brother is a deaf-mute who supports himself as a pickpocket under the tutelage of Said (Abdel Kechiche), and one of his only friends is Klotz (Jean-Claude Brialy), an older married man with bisexual leanings who has a weakness for young Arab boys. Jeanne meets Klotz and finds herself attracted to his son Stephane (Simon de la Brosse), who like his father is interested in both women and men. However, Jeanne also meets Said, and she finds herself infatuated with him as well, and she's soon torn between the two in a romantic and sexual dilemma that mirrors France's political turmoil regarding the nation's growing Arab population. Jean-Claude Brialy's performance in this film earned him a Best Supporting Actor award from the French Academy of Cinema. ~ Mark Deming, All Movie Guide