Jeanette Nolan Movies

California-born Jeanette Nolan racked up an impressive list of radio and stage credits in the 1930s, including a stint with Orson Welles' Mercury Theatre troupe. She made her film debut in 1948 in Welles' MacBeth; her stylized, Scottish-burred interpretation of Lady MacBeth was almost universally panned by contemporary critics, but her performance holds up superbly when seen today. Afterwards, Ms. Nolan flourished as a character actress, her range extending from society doyennes to waterfront hags. She appeared in countless TV programs, and played the rambunctious title role on the short-lived Western Dirty Sally (1974). Nolan made her final film appearance playing Robert Redford's mother in The Horse Whisperer (1998). From 1937, Jeanette Nolan was married to actor John McIntire, with whom she frequently co-starred; she was also the mother of actor Tim McIntire. ~ Hal Erickson, All Movie Guide
1963  
 
A haunting folk song written by Van Cleave serves as a framing device for this macabre hour-long Twilight Zone episode. Anne Francis plays the title character, a spiteful mountain girl who despairs when her boyfriend Billy-Ben Turner (James Best) dumps her in favor a Ellwyn Glover (Laura Devon). Hoping to win back Billy-Ben's affections, Jess-Belle asks witch-like Granny Hart (Jeanette Nolan) to stir up a love potion -- which has some unexpected side effects. Scripted by Earl Hamner, Jr. of The Waltons fame, "Jess-Belle" originally aired February 14, 1963. ~ Hal Erickson, All Movie Guide

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Starring:
Anne FrancisJames Best, (more)
1962  
 
A ferocious storm rages outside a remote wayside inn. The building's occupants include innkeeper Jeri Marcus (Jeanette Nolan), US Marshal Jim Buell (Crahan Denton), Buell's prisoner Davey Walsh (played by Gomer Pyle USMC's future "Sergeant Carter", Frank Sutton). . .and Paladin (ichard Boone), who has stopped at the inn during his search for a fugitive killer. Throughout the night, Walsh desperately insists that he is innocent--while Marshal Buell, convinced that Paladin has arrived to help Walsh escape, is nervously poised to shoot first and ask questions later. ~ Hal Erickson, All Movie Guide

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1962  
 
Immediately upon arriving in the West, Eastern-educated Maya (Jena Engstrom) engages the services of Paladin (Richard Boone). Maya wants to determine the whereabouts of her mother Alice (Jeanette Nolan), who had abruptly cut off her school tuition after sending her a series of increasingly ominious letters. Paladin quickly ascertains that Alice is the owner of a rowdy saloon--and that her unsavory past may well have caught up with her in a potentially disastrous fashion. ~ Hal Erickson, All Movie Guide

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1962  
 
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Like Pontius Pilate, director John Ford asks "What is truth?" in The Man Who Shot Liberty Valance--but unlike Pilate, Ford waits for an answer. The film opens in 1910, with distinguished and influential U.S. senator Ransom Stoddard (James Stewart) and his wife Hallie (Vera Miles) returning to the dusty little frontier town where they met and married twenty-five years earlier. They have come back to attend the funeral of impoverished "nobody" Tom Doniphon (John Wayne). When a reporter asks why, Stoddard relates a film-long flashback. He recalls how, as a greenhorn lawyer, he had run afoul of notorious gunman Liberty Valance (Lee Marvin), who worked for a powerful cartel which had the territory in its clutches. Time and again, "pilgrim" Stoddard had his hide saved by the much-feared but essentially decent Doniphon. It wasn't that Doniphon was particularly fond of Stoddard; it was simply that Hallie was in love with Stoddard, and Doniphon was in love with Hallie and would do anything to assure her happiness, even if it meant giving her up to a greenhorn. When Liberty Valance challenged Stoddard to a showdown, everyone in town was certain that the greenhorn didn't stand a chance. Still, when the smoke cleared, Stoddard was still standing, and Liberty Valance lay dead. On the strength of his reputation as the man who shot Valance, Stoddard was railroaded into a political career, in the hope that he'd rid the territory of corruption. Stoddard balked at the notion of winning an election simply because he killed a man-until Doniphon, in strictest confidence, told Stoddard the truth: It was Doniphon, not Stoddard, who shot down Valance. Stoddard was about to reveal this to the world, but Doniphon told him not to. It was far more important in Doniphon's eyes that a decent, honest man like Stoddard become a major political figure; Stoddard represented the "new" civilized west, while Doniphon knew that he and the West he represented were already anachronisms. Thus Stoddard went on to a spectacular political career, bringing extensive reforms to the state, while Doniphon faded into the woodwork. His story finished, the aged Stoddard asks the reporter if he plans to print the truth. The reporter responds by tearing up his notes. "This is the West, sir, " the reporter explains quietly. "When the legend becomes fact, print the legend." Dismissed as just another cowboy opus at the time of its release, The Man Who Shot Liberty Valance has since taken its proper place as one of the great Western classics. It questions the role of myth in forging the legends of the West, while setting this theme in the elegiac atmosphere of the West itself, set off by the aging Stewart and Wayne. ~ Hal Erickson, All Movie Guide

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Starring:
John WayneJames Stewart, (more)
1962  
 
Originally telecast January 26 1962, this episode was the first of several Twilight Zone scriptwriting assignments for Earl Hamner, Jr., future creator of The Waltons. Arthur Hunnicutt stars as backwoodsman Hyder Simpson, who despite the dire predictions of his superstitious wife Rachel (Jeanette Nolan) embarks upon a hunting expedition with his faithful dog Rip. While chasing down their quarry, Hyder and Rip fall into a river and drown -- then promptly return home in ghostly form, to find Rachel weeping over Hyder's coffin. Not altogether convinced that he is dead, Hyder wanders the countryside in search of answers -- while Rip uses his still-acute sense of smell to save Hyder from making the biggest mistake of his life -- or death! ~ Hal Erickson, All Movie Guide

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Starring:
Arthur HunnicuttJeanette Nolan, (more)
1962  
 
After he is seen literally throwing his money away, eccentric businessman Gus Dalgran (Otto Kruger) is locked up in a mental instution. Dalgran's far from loyal employees decide to use his absence as an opportunty to double-cross him, whereupon he escapes--and then things really get out of hand! Can it be that Dalgran was merely feigning insanity to cover up the murder of his duplicitous nephew Kenneth (Don Dubbins)? And what clues will Perry Mason find while visiting the military base which also figures into the story? Featured in the cast is a young Burt Reynolds, as well as soap-opera veteran John Larkin, who had previously starred in the radio version of Perry Mason. ~ Hal Erickson, All Movie Guide

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1961  
 
One of director John Ford's least characteristic films, it derives from the latter part of his career, when the director's belief in the myth of the West had faded, and he was beset by failing health and personal problems. In the cynicism of its humor, the director seems be to taking a page from the work of his friend Howard Hawks. James Stewart stars as Guthrie McCabe, the marshal of a Texas town who spends most of his time in front of the local saloon, where he gets 10 percent of the action, in addition to favors from its owner, Belle Aragon Anelle Hayes. Based on his knowledge of the Commanche tribe, his friend, cavalry officer Jim Gary (Richard Widmark), asks him to help the army to recover long-missing white captives. Despite his initial reluctance, the ability of the opportunistic McCabe to neogotiate a lucrative per capita deal for his recovery of the captives, in addition to his desire to evade the marital intentions of Belle, seal the deal. Even after interviewing the captives' desperate relatives, the hardened McCabe is unmoved, although he believes their chance of ever seeing their relatives again as they once knew them is remote. However, as events unfold, the all-knowing marshal find he has a few things to learn. ~ Michael Costello, All Movie Guide

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Starring:
James StewartRichard Widmark, (more)
1961  
 
The Great Impostor is the true story of chameleonlike Canadian Ferdinand Waldo DeMara Jr., well-played by Tony Curtis. Unable to decide what he wants to do with his life, DeMara goes about pretending to be other people, hoping to eventually "find himself." He poses as a Harvard professor, a Trappist monk, a prison warden, and a navy physician, and manages each time to get away with the artifice. The film wavers uncertainly between tense drama and frothy comedy, with comedy finally winning out. Karl Malden co-stars as Father Devlin, the young DeMara's spiritual advisor, while Joan Blackman is the nominal (and hardly visible) heroine. The real Ferdinand DeMara (if indeed there was a real Ferdinand DeMara) can be seen in a supporting role in the 1960 melodrama The Hypnotic Eye. ~ Hal Erickson, All Movie Guide

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Starring:
Tony CurtisEdmond O'Brien, (more)
1961  
 
Paroled after serving 20 years for robbery, Harry Beggs (Crahan Denton) returns to his hometown, hoping to patch things up with his wife, Edith (Jeanette Nolan). Harry has managed to save 1,636 dollars during his sentence, and with this he hopes to jump-start his life. Unfortunately, he meets a sexy young girl (Susan Silo) at a bar -- and by the time he leaves, his money is gone. This is disturbing enough, but not nearly so disturbing as what happens when Harry finally arrives at Edith's doorstep. ~ Hal Erickson, All Movie Guide

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1960  
 
Paladin (Richard Boone) receives an urgent missive from "Sheriff M.J. Smuggley", who asks the soldier-of-fortune to help purge a faraway town of a plethora of hired gunmen. Upon arrival in town, Paladin is surprised to learn that Sheriff Smuggley is actually a feisty middle-aged woman named Maude (Jeanette Nolan). Despite her ferocious demeanor, Maude is unable to persuade the locals to take her seriously in her efforts to clean up the town, so Paladin champions her cause--and as usual puts his own life on the line in the process. ~ Hal Erickson, All Movie Guide

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1960  
R  
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In 1960, Alfred Hitchcock was already famous as the screen's master of suspense (and perhaps the best-known film director in the world) when he released Psycho and forever changed the shape and tone of the screen thriller. From its first scene, in which an unmarried couple balances pleasure and guilt in a lunchtime liaison in a cheap hotel (hardly a common moment in a major studio film in 1960), Psycho announced that it was taking the audience to places it had never been before, and on that score what followed would hardly disappoint. Marion Crane (Janet Leigh) is unhappy in her job at a Phoenix, Arizona real estate office and frustrated in her romance with hardware store manager Sam Loomis (John Gavin). One afternoon, Marion is given $40,000 in cash to be deposited in the bank. Minutes later, impulse has taken over and Marion takes off with the cash, hoping to leave Phoenix for good and start a new life with her purloined nest egg. 36 hours later, paranoia and exhaustion have started to set in, and Marion decides to stop for the night at the Bates Motel, where nervous but personable innkeeper Norman Bates (Anthony Perkins) cheerfully mentions that she's the first guest in weeks, before he regales her with curious stories about his mother. There's hardly a film fan alive who doesn't know what happens next, but while the shower scene is justifiably the film's most famous sequence, there are dozens of memorable bits throughout this film. The first of a handful of sequels followed in 1983, while Gus Van Sant's controversial remake, starring Vince Vaughn and Anne Heche, appeared in 1998. ~ Mark Deming, All Movie Guide

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Starring:
Anthony PerkinsJanet Leigh, (more)
1960  
 
Seven-year-old Peggy Smith (Laurie Perreau) has spent most of her life at the exclusive Westcroft Boarding School. Her tuition has been paid by an unknown person, who has also sent Peggy a doll each year. Curious about her benefactor, and wishing to find out who her parents were, little Peggy consults attorney Perry Mason (Raymond Burr). It turns out that Peggy is the granddaughter of wealthy recluse Courtney Jeffers (Francis X. Bushman), whose hard heart melts the moment he sets eyes on the child. But no sooner has Jeffers acknowledged that Peggy is his granddaughter than he is bludgeoned to death--and the person accused of the crime is Linda Osborne (played by Maggie Mahoney, real-life mother of actress Sally Field), who at Peggy's request is defended by Perry during the inevitable courtroom intrigues. ~ Hal Erickson, All Movie Guide

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1959  
 
The Rabbit Trap was part of a cycle of 1950s films based on TV dramas; in this instance, the film was adapted from a teleplay by J.P. Miller. Ernest Borgnine plays a workaholic husband and father whose demanding job (the "rabbit trap" of the title) affords him little time for his wife (Bethel Leslie) and son (Kevin "Moochie" Corcoran). At long last, Borgnine earns a vacation, but his boss calls him back for an important assignment. Weighing his priorities, Borgnine chooses his family over his job. You could do that back in 1959. Appropriately, Rabbit Trap has an "all TV" cast, include Borgnine, Leslie, Jeanette Nolan and a young but already scrappy Don Rickles. ~ Hal Erickson, All Movie Guide

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Starring:
Ernest BorgnineDavid Brian, (more)
1959  
 
The mother (Jeanette Nolan) of teenager Sharon Trotter (Dorothy Provine) is appalled by the fact that Sharon is having an affair with a much older married man, Ben Nelson (Robert Alda). Worse still, Ben has been stringing Sharon along, promising that he will get a divorce from his wife (Fay Wray), but refusing to do so. This sordid state of affairs inevitably results in a murder -- giving Mrs. Trotter ample opportunity to avenge her daughter's honor. ~ Hal Erickson, All Movie Guide

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1958  
 
Will Rogers Jr. follows in the cinematic footsteps of his famous father in the evenly-paced western Wild Heritage. Rogers is cast as a frontier judge, given to his own special, down-to-earth brand of jurisprudence. In truth, however, Will Jr's role is a subordinate one; most of the film's running time concerns two families heading westward by covered wagon. When rustlers attack, it is the sons of the respective families who emerge as the heroes. One of the "good guys" is portrayed by Rod McKuen, long before he became Poet Laureate of the flower-child generation. ~ Hal Erickson, All Movie Guide

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Starring:
Will Rogers, Jr.Maureen O'Sullivan, (more)
1958  
 
After a jade chess set owned by the uncle of hotel bellhop Hey Boy (Kam Tong) is stolen, Paladin (Richard Boone) agrees to track down the thieves and reclaim the loot. Riding to a lonely Montana town in hopes of intercepting the outlaws, Paladin spends the night in a rundown boarding house owned by Ma Warren (Jeanette Nolan). Before long, the original mission is all but forgotten as Paladin becomes enmeshed in a star-crossed romance between Ma's daughter Nancy (Lisa Gaye) and her would-be husband Chuck Anderson (Corey Allen, previously seen as James Dean's "chickie run" rival in Rebel Without a Cause). Future Bonanza costar Dan Blocker shows up in a minor role. ~ Hal Erickson, All Movie Guide

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1958  
 
Perry's client Janet Morris (Bethel Leslie) is charged with poisoning her husband Dr. Morris (Sheppard Strudwick), who has been reported killed in a plane crash. As it turns out, however, the crash victim is not Dr. Norris but instead David Kirby (Dabbs Greer); Norris has faked his demise so he can run off to Mexico with his girlfriend (played by Maxine Cooper, best known for her work in the 1955 cult film favorite Kiss Me Deadly). No matter: Janet must now stand trial for Kirby's murder, meaning that Mason will have to dig up the elusive Dr. Morris to prove his client's innocence...but who exactly is guilty? Based on a 1954 novel by Perry Mason creator Erle Stanley Gardner, this episode would be remade in 1965 as "The Case of the Vanishing Victim". ~ Hal Erickson, All Movie Guide

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1958  
 
The conflict between duty and conscience is explored in the WWII drama The Deep Six. Alan Ladd stars as Naval gunnery officer Alec Austin, a Quaker whose sincere pacifist sentiments do not sit well with his crew members. When he refuses to fire upon an unidentified plane, the word spreads that Austin cannot be relied upon in battle (never mind that the plane turns out to be one of ours). To prove that he's worthy of command, Austin volunteers for a dangerous mission: the rescue of a group of US pilots on a Japanese-held island. The ubiquitous William Bendix costars as Frenchy Shapiro (!), Austin's Jewish petty officer and severest critic. If the film has a villain, it is Keenan Wynn as ambitious Lt. Commander Edge, who seems to despise anyone who isn't a mainline WASP.The Deep Six was based on a novel by Martin Dibner. ~ Hal Erickson, All Movie Guide

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Starring:
Alan LaddWilliam Bendix, (more)
1958  
 
Eccentric Sadie Grimes (Jeanette Nolan) demands an exorbitant price (fifty thousand dollars!) for her dilapidated house. The reason? Sadie's criminal son, Michael (James Drury), was killed in the house after hiding 200,000 dollars in stolen money somewhere on the premises. When prosperous-looking Mr. Waterbury (Robert Emhardt) expresses a desire to purchase the house -- even at the outrageous price -- Sadie's suspicions are aroused. ~ Hal Erickson, All Movie Guide

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1958  
 
Lt. Friday (Jack Webb) and Sgt. Smith (Ben Alexander) investigate the disappearance of a Mrs. Muller. It seems that just before the woman vanished, paroled murderess Annie Joplyn (Jeanette Nolan) was released in Mrs. Muller's custody. Contrary to her reputation, Annie is eager to help the detectives in their investigation--a bit too eager, as far as Friday is concerned! This episode is based on "The Big Thank You", the Dragnet radio broadcast of March 9, 1950. ~ Hal Erickson, All Movie Guide

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1957  
 
Carol Lynley makes her first significant TV appearance in this episode, which also represents an early directorial effort by Robert Altman. Lynley is cast as Janice, a psychotic 17-year-old girl who uses a thirtysomething lout named Tex (Vince Edwards) as a pawn in her scheme to rid herself of her nagging aunt, Mae (Jeanette Nolan), so that she can marry her impoverished boyfriend Stan (Stephen Joyce). At episode's end, it appears that the conniving Janice has outsmarted herself...or has she? ~ Hal Erickson, All Movie Guide

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1957  
 
April Love is a musicalized remake of 1944's Home in Indiana. Pat Boone stars as a potential juvenile delinquent who is sent to work on a Kentucky farm. When he meets apple-cheeked local girl Shirley Jones, Boone decides that mending his ways might be an option. Before long, he is devoting himself to the task of training a horse to become a winning trotter. Nominated for an Academy Award, the film's title song proved to be one of Pat Boone's most durable hits. April Love benefits from its actual Lexington, Kentucky locations, lovingly photographed in CinemaScope and Deluxe Color by Wilfred Cline. ~ Hal Erickson, All Movie Guide

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Starring:
Pat BooneShirley Jones, (more)
1957  
 
In this western, a cavalryman disobeys his officer's command to massacre Indians at Sand Creek, goes AWOL and heads for his home in Texas where he wants to protect the women who will soon bear the brunt of the Indians' revenge. Because he defected from the cavalry, his friends and neighbors consider him a traitor, but the young man disregards them. With his expert advice, the women become crack shots. He trains them at an abandoned mission. One of the women is a real smart aleck and it is she whom he falls in love with. When the angry Indians arrive, the ladies defeat them. Later, the young deserter is found not-guilty during court-martial proceedings. His C.O. is not so lucky and is charged with the Sand Creek slaughter. ~ Sandra Brennan, All Movie Guide

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Starring:
Audie MurphyKathryn Grant, (more)
1957  
 
It's "Freud on the Frontier" time in the tension-filled western The Halliday Brand. Ward Bond plays Big Dan, the despotic head of the Halliday clan, while Joseph Cotten and Betsy Blair costar as Halliday's offspring Daniel and Martha. Intensely anti-Indian, Big Dan encourages a mob to lynch Jivaro (Christopher Dark), Martha's half-breed sweetheart. Despising his father's complicity in Jivaro's death, Daniel breaks off his relationship with the elder Halliday, casting his lot with Jivaro's father (Jay C. Flippen) and sister (Viveca Lindfors). The climactic showdown between father and son is superbly and innovatively handled by director Joseph H. Lewis. ~ Hal Erickson, All Movie Guide

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Starring:
Joseph CottenViveca Lindfors, (more)
1956  
 
Though the film's title may suggest otherwise, Seventh Cavalry takes place after Custer's Last Stand. Randolph Scott stars as Cavalry officer Tom Benson, who is branded a coward after supposedly deserting at the Little Big Horn. Benson hopes to redeem himself by personally leading a burial detail to the battlefield, despite the fact that the Indians haven't exactly left the premises. The excitement level in the closing reels more than justifies the slow, steady buildup to the finale. Innovative direction by the reliable Joseph H. Lewis enlivens this verbose western. ~ Hal Erickson, All Movie Guide

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Starring:
Randolph ScottBarbara Hale, (more)

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