Jeanette Nolan Movies

Shakespeare's tragic tale of the rise and fall of ambitious 12th-century Scottish warrior MacBeth has proven irresistible to filmmakers. Orson Welles was so anxious to transfer the play to the screen that he acceded to the demands of his parent studio, Republic pictures, that he shoot his version of MacBeth in 23 days on standing B-western sets. The result may not be the best-ever cinematic MacBeth, but it's certainly one of the most moody and atmospheric. Director Welles naturally casts star Welles in the title role, with his old radio colleague Jeanette Nolan as Lady MacBeth (her highly stylized performance has been unfairly castigated by purists, but we defy you to take your eyes off her). Dan O'Herlihy plays MacDuff, Roddy MacDowell is Malcolm, and Edgar Barrier the unfortunate Banquo. Erskine Sanford, William Alland and Gus Schilling, veterans all of Welles' masterpiece Citizen Kane, are also prominently featured, as is Welles' daughter Christopher (as one of MacDuff's murdered children). The severe cutting of the original text is compensated for by the addition of a new character, the "Holy Father" (played in Boris Karloff-style makeup by Alan Napier), whose potted Shakespearian speeches help to bridge several continuity gaps. Highlights include MacBeth's tremulous sighting of Banquo's ghost, an extended monologue in which only MacBeth's head is illuminated, and the synthesizer-like interpolations of the three ubiquitous witches. Welles had originally instructed his actors to deliver their dialogue in a thick Scots burr, but this proved so incomprehensible to preview audiences that Republic ordered the film to be completely redubbed. The original, fully restored version of MacBeth (as opposed to the 89-minute general release cut) was made available on videocassette in the mid-1980s. ~ Hal Erickson, All Movie Guide

Rudolph Mate directs this sentimental melodrama about a ridiculously self-sacrificing wife based on the book by Ruth Southard and starring a 12-year-old Natalie Wood. Mary Scott (Margaret Sullavan) is pregnant when she finds out that she has terminal cancer with only a few months left to live. She keeps this information a secret from her husband, Brad Scott (Wendell Corey), who is carrying on an affair with his assistant, Chris Radna (Viveca Lindfors). Mary encourages her husband to pursue Chris as a replacement wife and mother after she dies. While on a final vacation with Brad, Mary dies and leaves Chris at home babysitting their daughter, Polly (Natalie Wood). No Sad Songs for Me features an Oscar-nominated score by George Duning. ~ Andrea LeVasseur, All Movie Guide

Errol Flynn is top-billed in Kim, but the title character is played by Dean Stockwell. The son of an Irish sergeant, young Kim wanders through the streets and hills of Colonial India, disguised as a native boy. Kim's adventures include an episode with a horse trader (Errol Flynn) who is actually a British secret agent; a sojourn with a holy lama (Paul Lukas) on a mysterious quest; and involvement with a plan to rid the Khyber Pass of Czarist Russian agitators. Kim had been in the planning stages since 1938 (those considered for the title role included Freddie Bartholomew and Mickey Rooney), but the property's catch-as-catch-can storyline, coupled with the changing political climate in postwar India, delayed production until 1949. While a great deal of Kim was filmed on location in India, some of the more complicated exterior sequences were lensed in Lone Pine, California. ~ Hal Erickson, All Movie Guide

The Happy Time was adapted from the long-running Broadway play by Samuel Taylor, which in turn was based on the novel by Robert Fontaine. Set in Quebec during the early part of the 20th century, the film concentrates on the activities of a large French-Canadian family headed by Charles Boyer. Most of the humor arises from "coming of age" complications and sexual awakenings, especially when worldly prodigal son Louis Jourdan returns to the fold and exercises his influence on impressionable young Bobby Driscoll. Not permitted to include the racier portions of the play, director Richard Fleischer compensated by adopting a frenetic, farcelike pace, which works about half the time. Happy Time was later musicalized on Broadway in the 1960s, with Robert Goulet in the Louis Jourdan part. ~ Hal Erickson, All Movie Guide

Fritz Lang directed this gritty drama of gangland murder and police corruption, which was considered quite violent in its day. Dave Bannion (Glenn Ford) is a scrupulously honest police detective who learns that one of his fellow officers has committed suicide. Bannion is told by the officer's wife, Bertha (Jeanette Nolan), that he was severely depressed after being told he was diagnosed with a terminal illness. But the cop's mistress, a barmaid named Lucy (Dorothy Green), has another tale to tell. She claims that he left behind a suicide note detailing a complex trail of corruption in the department, leading to mob boss Mike Lagana (Alexander Scourby), and now Bertha plans to use the note to blackmail Lagana. When Lucy is found dead beside an abandoned road, with her body showing obvious signs of torture, Bannion is convinced that her story was true, and he goes after Lagana. When he threatens to expose Lagana's dealings, the gangster orders Bannion killed. But the car bomb meant to finish Bannion off instead kills his wife Katie (Jocelyn Brando). The police take Bannion off the case, but, convinced his peers are trying to cover their tracks, Bannion follows the case alone, determined to get revenge. Lee Marvin and Gloria Grahame shine in key supporting roles. ~ Mark Deming, All Movie Guide

Though the film's title may suggest otherwise, Seventh Cavalry takes place after Custer's Last Stand. Randolph Scott stars as Cavalry officer Tom Benson, who is branded a coward after supposedly deserting at the Little Big Horn. Benson hopes to redeem himself by personally leading a burial detail to the battlefield, despite the fact that the Indians haven't exactly left the premises. The excitement level in the closing reels more than justifies the slow, steady buildup to the finale. Innovative direction by the reliable Joseph H. Lewis enlivens this verbose western. ~ Hal Erickson, All Movie Guide

The catch-all title Tribute to a Bad Man had been floating around MGM for years (at one point, it was the working title for The Bad and the Beautiful) before it was finally affixed to this big-budget western. Originally intended as a vehicle for Spencer Tracy, the film was recast with James Cagney when Tracy walked out of his MGM contract. Cagney stars as no-nonsense land baron Jeremy Rodock, who plays by his own rules, his own sense of justice and his own code of honor. Young cowhand Steve Miller (Don Dubbins) learns the hard way what it means to incur Rodock's wrath when he falls in love with Jocasta Constantine (Irene Papas), whom Rodock considers his own personal property. Through the example of the even-tempered Miller, however, Rodock rediscovers his own essential humanity. The film's "money scene" takes place when Rodock punishes a group of scraggly horse thieves by forcing them to march barefoot through the sagebrush. ~ Hal Erickson, All Movie Guide

April Love is a musicalized remake of 1944's Home in Indiana. Pat Boone stars as a potential juvenile delinquent who is sent to work on a Kentucky farm. When he meets apple-cheeked local girl Shirley Jones, Boone decides that mending his ways might be an option. Before long, he is devoting himself to the task of training a horse to become a winning trotter. Nominated for an Academy Award, the film's title song proved to be one of Pat Boone's most durable hits. April Love benefits from its actual Lexington, Kentucky locations, lovingly photographed in CinemaScope and Deluxe Color by Wilfred Cline. ~ Hal Erickson, All Movie Guide

It's "Freud on the Frontier" time in the tension-filled western The Halliday Brand. Ward Bond plays Big Dan, the despotic head of the Halliday clan, while Joseph Cotten and Betsy Blair costar as Halliday's offspring Daniel and Martha. Intensely anti-Indian, Big Dan encourages a mob to lynch Jivaro (Christopher Dark), Martha's half-breed sweetheart. Despising his father's complicity in Jivaro's death, Daniel breaks off his relationship with the elder Halliday, casting his lot with Jivaro's father (Jay C. Flippen) and sister (Viveca Lindfors). The climactic showdown between father and son is superbly and innovatively handled by director Joseph H. Lewis. ~ Hal Erickson, All Movie Guide

After a jade chess set owned by the uncle of hotel bellhop Hey Boy (Kam Tong) is stolen, Paladin (Richard Boone) agrees to track down the thieves and reclaim the loot. Riding to a lonely Montana town in hopes of intercepting the outlaws, Paladin spends the night in a rundown boarding house owned by Ma Warren (Jeanette Nolan). Before long, the original mission is all but forgotten as Paladin becomes enmeshed in a star-crossed romance between Ma's daughter Nancy (Lisa Gaye) and her would-be husband Chuck Anderson (Corey Allen, previously seen as James Dean's "chickie run" rival in Rebel Without a Cause). Future Bonanza costar Dan Blocker shows up in a minor role. ~ Hal Erickson, All Movie Guide

The conflict between duty and conscience is explored in the WWII drama The Deep Six. Alan Ladd stars as Naval gunnery officer Alec Austin, a Quaker whose sincere pacifist sentiments do not sit well with his crew members. When he refuses to fire upon an unidentified plane, the word spreads that Austin cannot be relied upon in battle (never mind that the plane turns out to be one of ours). To prove that he's worthy of command, Austin volunteers for a dangerous mission: the rescue of a group of US pilots on a Japanese-held island. The ubiquitous William Bendix costars as Frenchy Shapiro (!), Austin's Jewish petty officer and severest critic. If the film has a villain, it is Keenan Wynn as ambitious Lt. Commander Edge, who seems to despise anyone who isn't a mainline WASP.The Deep Six was based on a novel by Martin Dibner. ~ Hal Erickson, All Movie Guide

Lt. Friday (Jack Webb) and Sgt. Smith (Ben Alexander) investigate the disappearance of a Mrs. Muller. It seems that just before the woman vanished, paroled murderess Annie Joplyn (Jeanette Nolan) was released in Mrs. Muller's custody. Contrary to her reputation, Annie is eager to help the detectives in their investigation--a bit too eager, as far as Friday is concerned! This episode is based on "The Big Thank You", the Dragnet radio broadcast of March 9, 1950. ~ Hal Erickson, All Movie Guide