Cynthia Nixon Movies

Two sisters try to set their familial differences aside -- one in hopes of saving her own life -- in this drama with comic accents. Bessie (Diane Keaton) has lived in Florida for the past 20 years, where she's been caring for her chronically ill father Marvin (Hume Cronyn) and her Aunt Ruth (Gwen Verdon), who does not seem well aquatinted with reality. While Bessie's life has not been easy, she feels that it's rewarding in its way, and she's come to love her father very much. However, when Bessie is diagnosed with cancer, she's told that the only treatment likely to save her would be a bone marrow transplant from a close relative -- which leads Bessie to contact her sister Lee (Meryl Streep) for the first time since their father fell ill. Bessie and Lee have a number of issues with each other that they've never resolved, many concerning their responses to Marvin's illness (Bessie rushed to his side, while Lee preferred to stay away), and Lee's own life has been difficult. She's gotten herself out of a bad marriage, has only recently started supporting herself as a beautician, and has to raise two kids on her own. Ten-year-old Charlie (Hal Scardino) tries to simply ignore the chaos going on all round him, while Hank (Leonardo DiCaprio), a troubled 17-year-old, was recently institutionalized after burning down the family's home. As the straight-laced Bessie and the earthy Lee reestablish contact after two decades, they discover just how much emotional ground they have to cover before they can meet on common ground. Robert De Niro appears in a supporting role as Dr. Wally, Bessie's physician. Marvin's Room was based on the stage drama by Scott McPherson, which opened in 1990; McPherson himself was critically ill at the time -- he died two years later from complications relating to AIDS. ~ Mark Deming, All Movie Guide

John Hughes sticks to his seemingly fool-proof formula for success in Baby's Day Out, a cross-pollination of Home Alone and a Swee' Pea cartoon. The plot seems all-too familiar: posing as baby photographers, a group of three would-be kidnappers (led by the usually outstanding character actor Joe Pantoliano) enter an unsuspecting wealthy Chicago couple's home and make off with Baby Bink after leaving a ransom note. However, while waiting for the delivery of the ransom money, Baby Bink manages to escape and subsequently embarks on a series of cutesy-poo adventures in downtown Chicago (including a crawl through a skyscraper construction site), leaving the hapless crooks in hot pursuit. ~ Jeremy Beday, All Movie Guide

The ghoulish cartoon family created by Charles Addams returns for a second big-screen outing darker and nastier than the first. When Morticia Addams (Anjelica Huston) gives birth to new baby boy Pubert, the other Addams children, Pugsley (Jimmy Workman) and Wednesday (Christina Ricci), devise any number of ways to kill off their new sibling. This leads Morticia and her husband, Gomez Raul Julia, to hire a nanny (Joan Cusack) to oversee all three children. But the nanny has an agenda of her own, packing the Addams children off to a horrid parody of summer camp and setting out to seduce Uncle Fester (Christopher Lloyd), all with the goal of getting her hands on the Addams family fortune. Of course, the Addams eventually triumph, with this blacker-than-most satire extolling the virtues of eccentricity and non-conformity above all. It was followed by 1999's direct-to-video Addams Family Reunion, with Darryl Hannah and Tim Curry replacing Huston and the late Julia. ~ Don Kaye, All Movie Guide

An unlikely friendship develops between two seemingly dissimilar women in this made-for-television adaption. Gena Rowlands stars as Pat Foster, the wife of a wealthy Seattle businessman. When he dies unexpectedly, her finances are put into jeopardy and she suddenly feels empathy for a homeless woman (Tyne Daly) she regularly sees on the street. The film was adapted from Marsha Norman's play. ~ Bernadette McCallion, All Movie Guide

In this touching drama, based on a magazine article by Mary Stuart, a wealthy socialite finds herself impoverished following her husband's sudden death. Across the street from her tiny apartment, there lives a bag lady in large cardboard box. The women, realizing that they have more in common than they thought, become good friends. ~ Sandra Brennan, All Movie Guide

In a fictionalized replay of the Bernhard Goetz incident, former dancer Laura di Biasi (Cynthia Nixon), a white woman, is arrested after shooting two black youths on a subway. Di Biasi claims that she was acting in self defense, but Assistant D.A. Robinette (Richard Brooks), himself an African-American, suspects that the woman had a hidden agenda. This not only leads to a racially charged murder trial, but also considerable friction between Robinette and his partner Stone (Michael Moriarty). (Trivia note: Guest star Cynthia Nixon and Law & Order regular Chris Noth later starred together on the HBO sitcom Sex and the City.) ~ Hal Erickson, All Movie Guide

Joe Pytka's comedy stars Richard Dreyfuss as Trotter, a cab driver who gets a hot tip on a horse race and soon finds himself on the gambling hot streak of his life. ~ Jason Ankeny, All Movie Guide

Mark Twain's essay is brought to life with this video telling the Civil War story of a Confederate troop who has not been exposed to the atrocities of war. ~ All Movie Guide

Everyone knows that teenagers are smarter than adults, and if given a chance the kids could save the world--if they don't blow it to bits first. The Manhattan Project tells of how 16-year-old Christopher Collet tries to alert his community to the dangers of nuclear energy. John Lithgow, a doctor in a pharmaceutical research plant wherein covert plutonium experiments are taking place, is the boy friend of Cowlet's mom Jill Eikenberry. While Lithgow is romantically occupied, Cowlet and his girl Cynthia Nixon steal the plutonium and construct their own atomic bomb. They do this, of course, as a warning to foolhardy grownups--none more foolhardy than the folks who put up good money to make this film. Manhattan Project was directed by longtime Woody Allen collaborator Marshall Brickman, whose expert sense of comic timing obscures the thickheaded "message" of this picture. ~ Hal Erickson, All Movie Guide

For this film adaptation of Peter Shaffer's Broadway hit, director Milos Forman returned to the city of Prague that he'd left behind during the Czech political crises of 1968, bringing along his usual cinematographer and fellow Czech expatriate, Miroslav Ondricek. Amadeus is an expansion of a Viennese "urban legend" concerning the death of 18th-century musical genius Wolfgang Amadeus Mozart. From the vantage point of an insane asylum, aging royal composer Salieri (F. Murray Abraham) recalls the events of three decades earlier, when the young Mozart (Tom Hulce) first gained favor in the court of Austrian emperor Joseph II (Jeffrey Jones). Salieri was incensed that God would bless so vulgar and obnoxious a young snipe as Mozart with divine genius. Why was Salieri--so disciplined, so devoted to his art, and so willing to toady to his superiors--not touched by God? Unable to match Mozart's talent, Salieri uses his influence in court to sabotage the young upstart's career. Disguising himself as a mysterious benefactor, Salieri commissions the backbreaking "Requiem," which eventually costs Mozart his health, wealth, and life. Among the film's many pearls of dialogue, the best line goes to the Emperor, who rejects a Mozart composition on the grounds that it has "too many notes." Amadeus won eight Academy Awards, including Best Picture, Best Director, Best Adapted Screenplay, and Best Actor for F. Murray Abraham. In 2002, the film received a theatrical re-release as "Amadeus: The Director's Cut," a version that includes 20 minutes of additional footage. ~ Hal Erickson, All Movie Guide

In this interesting drama based on a novel by Robert Cormier, flashbacks to two different periods of time mixed with scenes from the present slowly unveil the mysterious circumstances surrounding a lonely teen (Robert MacNaughton) who meets regularly with a psychiatrist delving into his past. The boy is in an institution and often rides around the grounds on his bicycle, pretending that the guards, groundskeepers, and personnel are his enemies. As the psychiatrist probes deeper, more of the boy's family's past comes to light. His father (Don Murray) had been a successful journalist until he testified in a criminal court case that made him a target of assassins -- and so he faked his death in an accident, changed his name, and moved out to Vermont. He never told his son who he was, and when he and his wife (Hope Lange) are killed one day in an "accident" the boy sees it and goes into shock. Now as he continues in his treatments at the institution, he begins to suspect that his psychiatrist and the institution's staff are, in fact, his father's enemies and orchestrated the assassination of his parents. ~ Eleanor Mannikka, All Movie Guide

Originally telecast as an ABC Theatre of the Month special, My Body, My Child nobly attempts to tackle the abortion issue--but does so with a painfully contrived, mazelike Perils of Pauline script. Irish-American schoolteacher Vanessa Redgrave, married to Italian fireman Joe Campanella and already the mother of three daughters, believes that she's pregnant. Her doctor pooh-poohs the notion and prescribes several forms of drugs to counter her "faux" morning sickness. The effect of the narcotics, coupled with the fact that Redgrave's invalid father (Jack Albertson, in his final role) has been charged with the mercy killing of her mother, lead the poor schoolmarm to attempt suicide. This time the doctor on the scene announces that Redgrave is pregnant, and that her previous drug intake will result in a deformed, retarded child. Now arrive at the abortion issue: With all the cards stacked against her, what will Redgrave do in regards to her body and her child? Unfortunately, after raising so many diverse social issues, My Body, My Child drops many of those issues in order to rush towards its climax. ~ Hal Erickson, All Movie Guide

Inspired by a true story, Prince of the City stars Treat Williams as a Manhattan detective who agrees to help the US Department of Justice weed out corruption in the NYPD. Williams agrees on the assurance that he'll never have to turn in a close friend. Wired for sound, Williams almost immediately stumbles upon a police conspiracy to smuggle narcotics to street informants in order to insure cooperation. While this might be condonable in a stretch, the fact is that the many cops are using the drugs on their own, and are also highly susceptible to bribes. Williams gets the goods on the miscreants, but in so doing he breaks the "code" and becomes a pariah to his fellow officers. As we learn in the unsettling final scene, Williams will always be considered a "fink," even by honest cops. Prince of the City is too long for its own good, but its opening expository sequences and its final twenty minutes more than compensate for the duller stretches. ~ Hal Erickson, All Movie Guide