Cynthia Nixon Movies

The ghoulish cartoon family created by Charles Addams returns for a second big-screen outing darker and nastier than the first. When Morticia Addams (Anjelica Huston) gives birth to new baby boy Pubert, the other Addams children, Pugsley (Jimmy Workman) and Wednesday (Christina Ricci), devise any number of ways to kill off their new sibling. This leads Morticia and her husband, Gomez Raul Julia, to hire a nanny (Joan Cusack) to oversee all three children. But the nanny has an agenda of her own, packing the Addams children off to a horrid parody of summer camp and setting out to seduce Uncle Fester (Christopher Lloyd), all with the goal of getting her hands on the Addams family fortune. Of course, the Addams eventually triumph, with this blacker-than-most satire extolling the virtues of eccentricity and non-conformity above all. It was followed by 1999's direct-to-video Addams Family Reunion, with Darryl Hannah and Tim Curry replacing Huston and the late Julia. ~ Don Kaye, All Movie Guide

For this film adaptation of Peter Shaffer's Broadway hit, director Milos Forman returned to the city of Prague that he'd left behind during the Czech political crises of 1968, bringing along his usual cinematographer and fellow Czech expatriate, Miroslav Ondricek. Amadeus is an expansion of a Viennese "urban legend" concerning the death of 18th-century musical genius Wolfgang Amadeus Mozart. From the vantage point of an insane asylum, aging royal composer Salieri (F. Murray Abraham) recalls the events of three decades earlier, when the young Mozart (Tom Hulce) first gained favor in the court of Austrian emperor Joseph II (Jeffrey Jones). Salieri was incensed that God would bless so vulgar and obnoxious a young snipe as Mozart with divine genius. Why was Salieri--so disciplined, so devoted to his art, and so willing to toady to his superiors--not touched by God? Unable to match Mozart's talent, Salieri uses his influence in court to sabotage the young upstart's career. Disguising himself as a mysterious benefactor, Salieri commissions the backbreaking "Requiem," which eventually costs Mozart his health, wealth, and life. Among the film's many pearls of dialogue, the best line goes to the Emperor, who rejects a Mozart composition on the grounds that it has "too many notes." Amadeus won eight Academy Awards, including Best Picture, Best Director, Best Adapted Screenplay, and Best Actor for F. Murray Abraham. In 2002, the film received a theatrical re-release as "Amadeus: The Director's Cut," a version that includes 20 minutes of additional footage. ~ Hal Erickson, All Movie Guide

John Hughes sticks to his seemingly fool-proof formula for success in Baby's Day Out, a cross-pollination of Home Alone and a Swee' Pea cartoon. The plot seems all-too familiar: posing as baby photographers, a group of three would-be kidnappers (led by the usually outstanding character actor Joe Pantoliano) enter an unsuspecting wealthy Chicago couple's home and make off with Baby Bink after leaving a ransom note. However, while waiting for the delivery of the ransom money, Baby Bink manages to escape and subsequently embarks on a series of cutesy-poo adventures in downtown Chicago (including a crawl through a skyscraper construction site), leaving the hapless crooks in hot pursuit. ~ Jeremy Beday, All Movie Guide

In this touching drama, based on a magazine article by Mary Stuart, a wealthy socialite finds herself impoverished following her husband's sudden death. Across the street from her tiny apartment, there lives a bag lady in large cardboard box. The women, realizing that they have more in common than they thought, become good friends. ~ Sandra Brennan, All Movie Guide

This TV film was the 2-hour pilot for the Gideon Oliver series. Louis Gossett Jr. stars as Oliver, an anthropology professor who uses his knowledge of other cultures to solve mysteries. In the opener, Professor Oliver tackles the murder of an ex-lover, who'd been investigating a cult of satanists. The storyline takes side trips into the porn industry and "snuff" films, but Gossett emerges with his dignity and reputation unsullied. Gideon Oliver was one of three rotating series telecast in 1988-89 under the umbrella title The ABC Monday Mystery Movie; the other components were B.L. Stryker and old reliable Columbo. When Mystery Movie was picked up for a second season, Gideon Oliver was not retained. ~ Hal Erickson, All Movie Guide

In this interesting drama based on a novel by Robert Cormier, flashbacks to two different periods of time mixed with scenes from the present slowly unveil the mysterious circumstances surrounding a lonely teen (Robert MacNaughton) who meets regularly with a psychiatrist delving into his past. The boy is in an institution and often rides around the grounds on his bicycle, pretending that the guards, groundskeepers, and personnel are his enemies. As the psychiatrist probes deeper, more of the boy's family's past comes to light. His father (Don Murray) had been a successful journalist until he testified in a criminal court case that made him a target of assassins -- and so he faked his death in an accident, changed his name, and moved out to Vermont. He never told his son who he was, and when he and his wife (Hope Lange) are killed one day in an "accident" the boy sees it and goes into shock. Now as he continues in his treatments at the institution, he begins to suspect that his psychiatrist and the institution's staff are, in fact, his father's enemies and orchestrated the assassination of his parents. ~ Eleanor Mannikka, All Movie Guide

In a fictionalized replay of the Bernhard Goetz incident, former dancer Laura di Biasi (Cynthia Nixon), a white woman, is arrested after shooting two black youths on a subway. Di Biasi claims that she was acting in self defense, but Assistant D.A. Robinette (Richard Brooks), himself an African-American, suspects that the woman had a hidden agenda. This not only leads to a racially charged murder trial, but also considerable friction between Robinette and his partner Stone (Michael Moriarty). (Trivia note: Guest star Cynthia Nixon and Law & Order regular Chris Noth later starred together on the HBO sitcom Sex and the City.) ~ Hal Erickson, All Movie Guide

Little Darlings is a teen sex comedy about a group of 15-year-old girls at a summer camp who establish a contest to see which one of them will lose their virginity first. Tatum O'Neal stars as Ferris, a naive but sexually aware rich girl on the make with the older camp swimming instructor Gary (Armand Assante). Her rival in this race for deflowering is Angel (Kristy McNichol), who is quick to point out, "Don't let the name fool you." She sets her sights on the young Randy (Matt Dillon). But the contest gets obscured by inter-personal crises: Cinder (Krista Errickson), a young tease in a bunny suit, seduces Randy away from Angel, while Ferris has second thoughts about offering herself to the camp counselor. ~ Paul Brenner, All Movie Guide

Love, Lies and Murder is based on a true story that began its tragic unspooling on March 19, 1985 in Garden Grove, California. 23-year-old wife and mother Linda Brown is murdered. She leaves behind her computer-consultant husband Clancy Brown, her 17-year-old sister (Sheryl Lee), a 14-year-old stepdaughter (Moira Kelly) from her husband's previous marriage, and an 8-month-old infant. When police investigate, the stepdaughter confesses to the killing. This closes the case--until Mr. Brown callously marries his late wife's sister, and doubts begin to stir as to whether or not the stepdaughter was coerced into confessing. ~ Hal Erickson, All Movie Guide

Two sisters try to set their familial differences aside -- one in hopes of saving her own life -- in this drama with comic accents. Bessie (Diane Keaton) has lived in Florida for the past 20 years, where she's been caring for her chronically ill father Marvin (Hume Cronyn) and her Aunt Ruth (Gwen Verdon), who does not seem well aquatinted with reality. While Bessie's life has not been easy, she feels that it's rewarding in its way, and she's come to love her father very much. However, when Bessie is diagnosed with cancer, she's told that the only treatment likely to save her would be a bone marrow transplant from a close relative -- which leads Bessie to contact her sister Lee (Meryl Streep) for the first time since their father fell ill. Bessie and Lee have a number of issues with each other that they've never resolved, many concerning their responses to Marvin's illness (Bessie rushed to his side, while Lee preferred to stay away), and Lee's own life has been difficult. She's gotten herself out of a bad marriage, has only recently started supporting herself as a beautician, and has to raise two kids on her own. Ten-year-old Charlie (Hal Scardino) tries to simply ignore the chaos going on all round him, while Hank (Leonardo DiCaprio), a troubled 17-year-old, was recently institutionalized after burning down the family's home. As the straight-laced Bessie and the earthy Lee reestablish contact after two decades, they discover just how much emotional ground they have to cover before they can meet on common ground. Robert De Niro appears in a supporting role as Dr. Wally, Bessie's physician. Marvin's Room was based on the stage drama by Scott McPherson, which opened in 1990; McPherson himself was critically ill at the time -- he died two years later from complications relating to AIDS. ~ Mark Deming, All Movie Guide

Originally telecast as an ABC Theatre of the Month special, My Body, My Child nobly attempts to tackle the abortion issue--but does so with a painfully contrived, mazelike Perils of Pauline script. Irish-American schoolteacher Vanessa Redgrave, married to Italian fireman Joe Campanella and already the mother of three daughters, believes that she's pregnant. Her doctor pooh-poohs the notion and prescribes several forms of drugs to counter her "faux" morning sickness. The effect of the narcotics, coupled with the fact that Redgrave's invalid father (Jack Albertson, in his final role) has been charged with the mercy killing of her mother, lead the poor schoolmarm to attempt suicide. This time the doctor on the scene announces that Redgrave is pregnant, and that her previous drug intake will result in a deformed, retarded child. Now arrive at the abortion issue: With all the cards stacked against her, what will Redgrave do in regards to her body and her child? Unfortunately, after raising so many diverse social issues, My Body, My Child drops many of those issues in order to rush towards its climax. ~ Hal Erickson, All Movie Guide

In what can only be described as a dramatic change of pace, Robert Altman directed this raunchy teen comedy based on the antics of two characters featured in a series of stories published in the National Lampoon. Oliver Cromwell Ogilvie (Daniel Jenkins), aka O.C., and his buddy Mark Stiggs (Neil Barry), are a pair of misfit teenagers whose greatest joy in life is making those around them miserable. O.C.'s ancient grandfather (Ray Walston) has just had his insurance cancelled, and when he discovers that suburbanite salesman Randall Schwabb (Paul Dooley) is responsible, O.C. and Stiggs swing into a summer-long campaign to get revenge on Schwabb and his family. While it received some of the most brutally negative reviews of Altman's career, O.C. and Stiggs is worth a quick look for its cast, which includes fellow outcast auteurs Dennis Hopper and Melvin Van Peebles, comics Louis Nye and Jane Curtain, the one-time glamour girl of the Clifford Irving scandal Nina Van Pallandt, and Thomas Hal Phillips, reprising his role as Hal Phillip Walker from Nashville. World music superstars King Sunny Ade and his African Beats appear and provide the musical score. ~ Mark Deming, All Movie Guide