Jan Niklas Movies

An Austrian housewife discovers a new hobby that's fun, profitable, and lethal in this black comedy. Sixty-ish Trixi (Christiane Hoerbiger) is hardly an ordinary grandmother; she's grown bored with her longtime marriage to loutish Siggi (Klaus Ofczarek), and as a diversion, uses her grocery allowance to gamble. One of Siggi's friends, Karli (Peter Faerber), spies her at the racetrack, and threatens to tell her husband about her hobby; to his surprise, Trixi offers to have sex with him in exchange for his silence. Karli lets slip with a little secret about Siggi -- he has a secret fund of $70,000 that he's been saving without her knowledge. Trixi, already unhappy with her mate, decides this is the last straw, and poisons him in order to get her hands on the money. But Trixi later discovers that Siggi's hidden bankroll was much smaller than Karli had led her to believe, and when a widower asks Trixi for her hand in marriage, she accepts. After locating his nest egg, Trixi soon does away with husband number two, and is prepared to move on to husband number three, good-looking Ulrich (Jan Niklas), when fate throws a few spanners into the works -- Karli begins demanding money to keep quiet about Siggi's "mysterious" death, and Trixi finds she has attracted the attention of Julius (Udo Kier), an artist with a taste for rough sex. ~ Mark Deming, All Movie Guide

Bille August directed this film version of the Isabel Allende novel, featuring a cast that includes Jeremy Irons, Meryl Streep, and Glenn Close. The story is a sweeping and brooding melodrama, spanning generations and filled with violence, revenge, and telekinesis. The tale begins in South America in 1926, when a young man, Esteban (Jeremy Irons), falls in love with the daughter of a rich man, Rosa Del Valle (Teri Polo). He vows to become rich enough to make her his wife and spends months of toil in the gold fields to earn enough money to do just that. Before the two marry, however, Rosa is killed by poison meant for her father. After the tragedy, Esteban moves to Trés Marias, an abandoned ranch, and spends 20 years of his life turning the ranch into a thriving estate, exploiting the labor of the poor who live off the land. When he returns to the city, he comes across Rosa's younger sister Clara (Meryl Streep), now a woman with telekinetic abilities. Clara took a vow of silence years before, but upon the arrival of Esteban, she speaks for the first time in years -- "You have come to propose marriage to me," she says. Esteban and Clara marry, and Esteban takes her back to the ranch, where they have a daughter, Blanca (Winona Ryder). Their daughter falls in love with the son of one of Esteban's foremen, a hot-headed revolutionary named Pedro (Antonio Banderas). Now, the country is in the throes of revolution. Esteban banishes his sister Ferula (Glenn Close) from the ranch, beats his wife, and rapes a peasant woman. The product of Esteban's rape (Joaquin Martinez) grows into an angry young man who convinces Esteban to send him away to military school. When there is a military coup, the illegitimate son returns to Trés Marias with revenge and torture on his mind. ~ Paul Brenner, All Movie Guide

Noted French director Claude Chabrol helmed this oddity, a remake of German director Fritz Lang's 1922 classic Dr. Mabuse. The film features an all-star international cast as it tells the futuristic horror story of a bizarre epidemic which has swept West Berlin leaving a grim trail of grisly suicides. Meanwhile, the media broadcasts weird, highly suggestive propaganda. The authorities are appalled by all the bloodshed, but only one lone cop suspects that the "suicides" are really the work of a demented criminal mastermind. The film is also known as Dr. M. ~ Sandra Brennan, All Movie Guide

This two-part TV movie recounts the life of Anna Anderson, who until the day she died at age 82 insisted that she was really Anastasia Romanov, daughter of Czar Nicholas. Anna first makes her claim in 1920, when she is an inmate in a Berlin asylum. Her story of escape from the Bolsheviks who killed the rest of her family in 1918 seems so vivid that many Russian expatriates are willing to believe her. The film concludes in 1928, with Anna restating her claim before the surviving Romanovs living in New York. Amy Irving plays the leading character in a lady-or-the-tiger fashion, so that we never know if she truly swallows her own tale or if she's merely a clever charlatan. Olivia DeHavilland, Rex Harrison, Claire Bloom, Omar Sharif and Susan Lucci co-star in this opulent, location-filmed production, which originally aired on December 7 and 8, 1986. ~ Hal Erickson, All Movie Guide

The second film in the trilogy made by director Istvan Szabo and actor Klaus Maria Brandauer -- hammocked between Mephisto and Hanussen -- Colonel Redl continues Mephisto's fascination with a man overwhelmed by history. In that film, Brandauer played an actor who tried to ignore the rise of the Third Reich, and here he's an ambitious military officer in pre-World War I Austria whose career path is set early on. In military school, he's forced to inform on a student who's the source of a practical joke; though he beats himself up for being a Judas, he soon realizes that to rise in the ranks he must overcome his peasant background and hide his homosexuality by ingratiating himself with his superiors. In time, he becomes Chief of Military Intelligence for the Austro-Hungarian empire.
Though he professes to hate politics and politicians, Redl also can't avoid them. When the leader for whom Redl is supposedly spying among the officer corps, draws up a list of who can't be exposed for traitorous activities (including Austrian nobles, Hungarians, Czechs, Serbs, Croatians, and even the usual scapegoats, Jews -- the aftershocks of the Dreyfuss affair are still rumbling), he tells Redl that he must find a double of himself, a Ukrainian. Now certain that he will be exposed, Redl surrenders to fate, quoting to his wife from Montaigne: "It's no sin to be involved. It's a sin to remain involved." Brandauer is a wonder as the self-loathing Redl, and Szabo's camera picks up every nuance on his expressive face. The film eschews music except for several party scenes, and the absence of a score is most effective in the final shots of Redl's fellow officers awaiting his fate. ~ Tom Wiener, All Movie Guide

Two strangers with almost no common ground are stuck travelling across Europe together in this British comedy. Sally (Lindsay Duncan) is an ardent feminist from London who, with the help of two of her closest friends, builds her own car. Sally and her comrades are to attend a conference on women's rights in Germany, and they intend to drive the new vehicle there as a symbolic gesture. However, when the time for the symposium rolls around, her friends are unable to attend, and Sally doesn't care to drive that far on her own. Searching for a travelling companion, at the last minute she settles on Harry (Stephen Rea), whom she's told is a leftist gay man. However, Harry is not the person Sally thought he was; he turns out to be a bullheaded and thoroughly heterosexual football supporter who regards the women's movement as little more than a joke. Will these two make it all the way to Germany without killing each other? ~ Mark Deming, All Movie Guide

With George C. Scott and Marlon Brando heading the cast, The Formula should have been far better than it is. Adapted by Steve Shagan from his own best-selling novel, the film is predicated on the concept that a formula for synthetic fuel had been developed by the Nazis during WW II. In the intervening 35 years since the war's end, the formula has disappeared and several people connected with it have died under mysterious circumstances. Also during this period, oil magnate Adam Steiffel (Marlon Brando) had commiserated with one of the decedents. Police officer Barney Caine (George C. Scott), a friend of the dead man, hopes to solve the mystery, and in so doing gets mixed up in a wide-ranging conspiracy to manipulate worldwide fuel prices. Reportedly, The Formula underwent a great deal of editing-room surgery before its release. If so, the editors certainly erred in retaining so many of the film's interminable "steadicam" sequences. ~ Hal Erickson, All Movie Guide

Based on the best-selling novel by Nobel-laureate Heinrich Böll, this drama is a passionate indictment of Catholicism. Hans Schnier (Helmut Griem) has earned his living as a clown, though he is in fact a very covert sort of social critic. After enduring a difficult childhood in Bonn during the Second World War, including his mother's fanatic Nazism, he is appalled to discover many of the people he knows and loves swept deeply into involvement in the Catholic Church. His complete estrangement from his family and friends, who are now either bourgeois or passionately Catholic (or both), is demonstrated to him, after he makes a series of efforts to make contact. ~ Clarke Fountain, All Movie Guide