Gregory Nicotero Movies

This haunted house chiller is the second feature from Dark Castle Entertainment, the mid-budget outfit put together in 1999 to remake the cheesy horror genre pictures of William Castle by his daughter, Terry Castle, and producers Gilbert Adler, Robert Zemeckis, and Joel Silver. Financially ravaged and widowed by a fire that is consuming him with guilt, Arthur Kriticos (Tony Shalhoub) is left to raise two kids on his own: beautiful teenager Kathy (Shannon Elizabeth) and grade school student Bobby (Alec Roberts). Good news suddenly drops into their lives when a lawyer visits and reveals that they have inherited a lavish home from a late uncle, Cyrus (F. Murray Abraham), an eccentric ghost hunter. The Kriticos family moves into the remote house only to discover its odd secret: the dwelling contains a state-of-the-art, elaborate system of moving glass walls that trap spirits inside. Soon the ghosts, which can only be seen through the use of special high-tech spectacles, are loose in the elaborate contraption and are none too thrilled about their predicament. With the exits sealed, the family members try to learn the secret of Uncle Cyrus' bizarre mansion and survive supernatural assaults with the help of sassy housekeeper Maggie (Rah Digga), neurotic psychic Rafkin (Matthew Lillard), and Kalina (Embeth Davidtz), an activist championing the civil rights of ghosts. The eyeglasses through which the spirits can be viewed in Thirteen Ghosts (2001) were part of a ballyhoo gimmick involving pairs of spectacles handed out to audiences for screenings of the 1960 original, which was presented in "Illusion-O." ~ Karl Williams, All Movie Guide

Horror virtuoso John Carpenter hosts this goofy horror anthology, originally produced for Showtime as a gory stepchild of HBO's Tales from the Crypt series. Playing an emaciated, eye-rolling "coroner," John introduces the audience to a triptych of creepy vignettes in the EC horror-comics mode while paddling about in the guts of assorted cadavers and cracking jokes more gag-inducing than anything oozing on the slab. Two of the stories are directed by Carpenter himself: "The Gas Station" is a retread (pun intended) of Halloween-style scare tactics as a pretty gas-station attendant watches various oddballs pass by her window after hearing that an escaped killer is on the loose; "Hair" is a morbid, hilarious look at man's obsession with his own virility in which Stacy Keach turns to a bizarre hair-growth clinic (run by David Warner & Debbie Harry) which promises instant results, but at a horrific price. The third segment, directed by Tobe Hooper, involves a baseball player (Mark Hamill) who receives an eye transplant after a car accident and soon begins having optical flashbacks revealing (you guessed it) the identity and tendencies of the eye's former owner -- a serial killer. The second segment is by far the most entertaining, featuring a wonderfully neurotic performance by Keach, but the first and last chapters are too derivative to offer much for the discriminating horror buff, although the same fans will enjoy several cute cameos from other genre directors, including Wes Craven, Sam Raimi and Roger Corman. ~ Cavett Binion, All Movie Guide

Day of the Dead, the third and concluding chapter in George Romero's zombie trilogy is the most distinctly 1950s-style science fiction version of the lot. Set in Florida, as the film begins the dead have taken over the world, outnumbering humans 400,000 to one. The handful of surviving humans have taken refuge in an underground missile silo and argue and yell at each other like players in a Rod Serling Twilight Zone episode. Among the survivors are Sarah (Lori Cardille) -- a scientist who is trying to reverse the process whereby the dead turn into flesh-eating, irrational zombies -- and Dr. Logan (Richard Liberty) -- an out-of-his-mind psychologist who wants to capture the zombies and turn them into domestic help. Things heat up when the military tries to take over the scientific experiments. ~ Paul Brenner, All Movie Guide

Evil Dead director Sam Raimi takes the helm for this "spook-a-blast" shocker about an ambitious L.A. loan officer who incurs the wrath of a malevolent gypsy by refusing to grant her an extension on her home loan. Determined to impress her boss and get a much-needed promotion at work, Christine Brown (Alison Lohman) lays down the law when mysterious Mrs. Ganush (Lorna Raver) literally comes begging for mercy at her feet. In retaliation for being publicly shamed, Mrs. Ganush places the dreaded curse of the Lamia on her unfortunate target, transforming Christine's life into a waking nightmare. Her skeptical boyfriend, Clay (Justin Long), casually brushing off her disturbing encounters as mere coincidence, Christine attempts to escape eternal damnation by seeking out the aid of seer Rham Jas (Dileep Rao ). But Christine's time is fast running out, and unless she's able to break the curse, she'll be tormented by a demon for three days before literally being dragged to hell. ~ Jason Buchanan, All Movie Guide

Ever since the days of Lon Chaney, Sr. special effects make-up has played a crucial role in the history of motion picture cinema. Produced by Starz Inside, this revealing documentary explores the history of special effects make-up through classic movie clips, rare behind-the-scenes photos, and interviews with the filmmakers and artists who have all helped to elevate the uniquely cinematic art form. George A. Romero, John Carpenter, Wes Craven, John Landis, Greg Nicotero, Rob Bottin, Tom Savini, and Howard Berger, among others, all share their favorite special effects make-up stories as clips from The Thing, An American Werewolf in London, Day of the Dead, Frankenstein, Planet of the Apes, and more detail just what kind of effects can be achieved when the professionals get involved. ~ Jason Buchanan, All Movie Guide

For decades fright fans have cowered in horror as vicious killers stalked their helpless prey in the cold flicker of the projector bulb and in darkened living rooms with the curtains firmly drawn. Now, for anyone who has ever wondered just what motivated the filmmakers behind these brutal classics, this look at the history of the modern slasher film offers demented insight into some of the most terrifying motion pictures ever released. From Psycho to the giallo genre to Freddy Vs. Jason, Going to Pieces offers a comprehensive overview of the entire slasher genre as discussed by such horror luminaries as Wes Craven, John Carpenter, Sean S. Cunningham, and Rob Zombie. ~ Jason Buchanan, All Movie Guide

Cabin Fever director Eli Roth skips the humor of his freshman feature and goes straight for the jugular in this unrelenting scare-fest about a pair of libidinous American backpackers seeking cheap thrills in the European countryside. Their carefree college days close behind and the responsibility of the real world looming ever closer on the horizon, Josh (Derek Richardson) and Paxton (Jay Hernandez) strap on their backpacks and prepare for a stratospheric last hurrah of booze, babes, drugs, and debauchery halfway across the globe. It's during a visit to Amsterdam that the pair meets up with raucous Icelandic backpacker Oli (Eythor Gudjonsson), and after the three globe-trotting thrill seekers catch wind of a Slovakian city whose male population has dwindled as a result of civil strife -- leaving the ladies ready and willing to accept any male companionship that might turn up at the local hostel -- the trio quickly beats a hasty retreat to the out-of-the-way oasis. Upon check-in, the trio is greeted by a bevy of beautiful locals and is quickly convinced that the hedonistic hideaway is indeed the real deal. Hazily awakening the following morning to find no trace of backpacking buddy Oli, Paxton chalks his former traveling companion's disappearance up to capriciousness and prepares for another day of debauchery, despite Josh's rapidly elevating sense of unease. Now trapped defenselessly in a foreign land without any means of escape and no way of anticipating the unimaginable hell that lies ahead, the pair is plunged into a torturous netherworld where the screams of the damned fill the air with dread and the warm rays of the sun are little more than a fading memory. ~ Jason Buchanan, All Movie Guide

In this remake of William Castle's campy 1958 classic, an eccentric millionaire named Steven Price invites a diverse group of people to a reputedly haunted mansion that was formerly the site of an insane asylum. Steven offers his guests $1,000,000 each if they can spend the entire night at the old house without fleeing in terror. It sounds simple enough, but when those stories about ghosts haunting the mansion turn out to be true, the guests may no longer opt to stick around. In this version, Steven is played by Geoffrey Rush, and his guests include Jeffrey Combs, Taye Diggs, Peter Gallagher, Chris Kattan, and Bridgette Wilson; Famke Janssen plays Evelyn Price. Sadly, this remake does not feature the original's memorable special-effects gimmick, "Emergo," an inflatable plastic skeleton that rolled on wires through the theater during showings. ~ Mark Deming, All Movie Guide

Hired to help locate a missing author, an insurance investigator discovers to his terror that the nightmarish events depicted in the writer's best-selling horror novels are coming true. Wishing to be both a horror film and a parody of the genre, John Carpenter's In the Mouth of Madness combines supernatural thrills with winking references. For instance, the vanished author, Sutter Cane (Jürgen Prochnow), is modeled on writers like Stephen King and Howard Phillips Lovecraft, from his great popularity to his obsession with small-town New England. Indeed, it is to one such hamlet that investigator John Trent (Sam Neill) and Cane's female editor (Julie Carmen) travel, discovering a town filled with terrifying scenes right out of Cane's books, from random axe murders to far worse. Have Cane's fans gone psychotic and begun imitating his writings, or are Cane's stories of an otherworldly evil invading the earth actually true? In the Mouth of Madness's mix of self-referential satire and real frights anticipates the later Scream (1996). ~ Judd Blaise, All Movie Guide

Gory slasher mayhem from Evil Dead co-writer Scott Spiegel, this claustrophobic thriller is set entirely in a small supermarket, whose owner is preparing to go out of business. This doesn't sit too well with the film's resident maniac, who busily butchers the night crew using the tools of the trade (hooks, axes, knives, power tools and so on). The victims include Spiegel's pal and Evil Dead director Sam Raimi as the butcher-shop buffoon who meets a nasty end on a meathook; even Raimi's favorite lantern-jawed star Bruce Campbell puts in an eyeblink cameo as a brutish cop. Though the film sports some clever, audacious gore effects from KNB FX Group, most of this footage is absent from Paramount's home video print. ~ Cavett Binion, All Movie Guide

Writer and director John Carpenter returns to the mixture of science fiction and horror that made The Thing (1982) a success. Natasha Henstridge stars as Lt. Melanie Ballard of the Martian Police Force, a member of a law enforcement team two centuries in the future, dispatched to the remote colony of Shining Canyon. There, the most notorious criminal on Mars, James "Desolation" Williams (Ice Cube), awaits transport to a more secure jail. Besides Ballard, the other cops include the rookie Bashira (Clea Duvall), hotshot and fast talker Jericho (Jason Statham), tough veteran and squad leader Helena (Pam Grier), and reliable soldier Descanso (Liam Waite). Once Ballard and her companions arrive in Shining Canyon, however, they discover that it's a literal ghost town. It seems that an archaeologist team led by Professor Whitlock (Joanna Cassidy) has uncovered an ancient relic at a nearby dig site, unleashing the vengeful spirits of the planet's long-ago warrior inhabitants, which have now possessed the bodies of the human invaders and set about trying to destroy them. After her team is decimated by the Martian specters, Ballard is forced to turn for help to the one person she can't really trust: Williams. Ghosts of Mars screenwriter Larry Sulkis broke into the film business as producer of the satirical commercials in Carpenter's They Live (1988). ~ Karl Williams, All Movie Guide

George A. Romero, who revolutionized the American horror film in 1968 with the instant classic Night of the Living Dead, returns to his dystopian zombie cycle with this horror thriller. In Land of the Dead, the zombies whose numbers had been slowly but steadily growing through Dawn of the Dead and Day of the Dead now dominate the streets of most American cities, while urban skyscrapers have been taken over by surviving humans, usually greed-addled opportunists who allow the living to stay in their fortified compounds for a price. Guarding the buildings are rough-and-tumble mercenaries who have learned to do battle with the zombies, making use of powerful weapons to gain advantage. But as the zombie civilization grows, the creatures have begun to slowly evolve, with their dormant thought processes beginning to awaken, and as unrest begins to ferment among the mercenaries and the entrepreneurs who pay them, the ghouls may have found a way to defeat the last stronghold of humanity. Land of the Dead stars Dennis Hopper as arch capitalist Kaufman, and Simon Baker, John Leguizamo, Robert Joy, and Asia Argento as some of the mercenaries; Asia Argento's father, Dario Argento, served as a producer on one of the earlier films in the series, Dawn of the Dead. ~ Mark Deming, All Movie Guide

Kiefer Sutherland stars as an NYPD detective-turned-security guard who discovers something sinister lurking in the mirrors of a fire-damaged department store in Haute Tension writer/director Alexandre Aja's menacing study in the origins of evil. It's been just about a year since mercurial police detective Ben Carson (Sutherland) was suspended from the NYPD for the fatal shooting of an undercover officer, and ever since that fateful day he's been locked in a self-destructive spiral of anger and alcoholism. Increasingly isolated from his wife and kids, Ben spends most nights crashed-out at his sister Angela's (Amy Smart) apartment in Queens. But Ben hasn't given up hope just yet, and in order to get his life back together and prove that he's still capable of supporting his family he takes a job as the night watchman at the Mayflower department store. The Mayflower used to be a lavish symbol of inner-city prosperity, that is, until a raging inferno gutted the building while claiming numerous lives in the process. These days, the Mayflower is a scorched reminder of human misery, the ornate mirrors therein reflecting a suffering so profound that it begins to wear on Ben's already-fragile psyche. Not only that, but whatever force dwells behind the shimmering glass seems to have gained the power to alter reality as well.

After Ben gazes into the mirrors and sees a vision of himself being relentlessly tortured, he is horrified to experience violent convulsions, spontaneous bleeding, and frightening asphyxiation. And while his sister is always willing to lend a sympathetic ear, she chalks the anomalies up to an unusually potent mix of stress and anxiety. Unfortunately for Ben, his estranged wife, Amy (Paula Patton), isn't nearly as forgiving. A prosaic NYPD medical examiner who has seen her fair share of tragedy, Amy fears that Ben's erratic behavior could be placing their children in danger. Later, as Ben begins to draw connections between his increasingly gruesome visions and a former Mayflower security guard who vanished without a trace, he begins to suspect that an unimaginable evil is using the mirrors as a gateway into the real world, and that his family is in mortal danger from forces beyond their realm of understanding. Perhaps if he Ben can manage to convince Amy that their children's lives are at risk, he can summon the courage to face the greatest evil he has ever known. ~ Jason Buchanan, All Movie Guide