Gregory Nicotero Movies

Ever since the days of Lon Chaney, Sr. special effects make-up has played a crucial role in the history of motion picture cinema. Produced by Starz Inside, this revealing documentary explores the history of special effects make-up through classic movie clips, rare behind-the-scenes photos, and interviews with the filmmakers and artists who have all helped to elevate the uniquely cinematic art form. George A. Romero, John Carpenter, Wes Craven, John Landis, Greg Nicotero, Rob Bottin, Tom Savini, and Howard Berger, among others, all share their favorite special effects make-up stories as clips from The Thing, An American Werewolf in London, Day of the Dead, Frankenstein, Planet of the Apes, and more detail just what kind of effects can be achieved when the professionals get involved. ~ Jason Buchanan, All Movie Guide

Maverick filmmaker Robert Rodriguez details the violent struggle between a ravenous army of zombie-like humanoids who have taken control of the planet and the remaining survivors who refuse to go down without a fight. A dangerous government experiment has unleashed an abominable contamination that turns normal people into murderous mutants. Now, as an infinitely multiplying horde of frenzied psychotics flood the Texas plains, a dangerous outlaw named Wray (Freddy Rodriguez), a sexy stripper named Cherry (Rose McGowan), an unscrupulous smuggler named Abby (Naveen Andrews), and the curiously incapacitated Dr. Dakota Block (Marley Shelton) must try and make their way to the helicopter that could provide their only means of escaping to a place untouched by this nightmarish scourge that threatens to wipe out all of humankind. This nonstop action-horror hybrid originally was released as part of Rodriguez and Quentin Tarantino's ambitious Grindhouse double bill. ~ Jason Buchanan, All Movie Guide

Everyone loves a good, two-fanged fright flick, and from the silent screen to the 21st Century, vampire films have drawn moviegoers to theaters in droves. Much like the immortal monsters that stalk the night in search of precious blood, it seems that our fascination with these strange and seductive creatures will never die. In this ocumentary, interviews with a wide array of filmmakers, actors, special-effects artists, writers, and critics combine with a hearty collection of memorable film clips to explore the evil and eroticism that abounds in vampiric cinema. Vampires director John Carpenter, Underworld director Len Wiseman, and The Lost Boys director Joel Schumacher all weigh in on what inspired them to craft films featuring vampires, while Kristanna Loken and Stuart Townsend reveal what it was like to assume the persona of a creature that so many viewers fear, yet embrace at the same time. Additional interviews with Stan Winston and Greg Nicotero highlight how creative vampires can be tons of ghoulish fun, while writers Marv Wolfman and David Goyer discuss understanding their motivations and critics Leonard Maltin and Harry Knowls explain just why these monsters are so compelling to watch up on the big screen. ~ Jason Buchanan, All Movie Guide

For decades fright fans have cowered in horror as vicious killers stalked their helpless prey in the cold flicker of the projector bulb and in darkened living rooms with the curtains firmly drawn. Now, for anyone who has ever wondered just what motivated the filmmakers behind these brutal classics, this look at the history of the modern slasher film offers demented insight into some of the most terrifying motion pictures ever released. From Psycho to the giallo genre to Freddy Vs. Jason, Going to Pieces offers a comprehensive overview of the entire slasher genre as discussed by such horror luminaries as Wes Craven, John Carpenter, Sean S. Cunningham, and Rob Zombie. ~ Jason Buchanan, All Movie Guide

Filmmaker John Carpenter helped redefine the American horror film in 1978 with Halloween, a low-budget thriller which became a major box office success. Since then, Carpenter has devoted his career to bringing a fresh perspective to genre filmmaking, striving to maintain the freedom of an independent while working within the studio system. (Carpenter not only writes and directs his own projects, but often also serves as producer and composer as well.) John Carpenter: Fear Is Just the Beginning...The Man and His Movies is a documentary about this two-fisted maverick auteur, which offers a look at the making of such favorites as Escape From New York, The Thing, The Fog, and many more. The documentary includes interviews with Jamie Lee Curtis, Kurt Russell, Adrienne Barbeau, Debra Hill, and other friends and colleagues. ~ Mark Deming, All Movie Guide

Day of the Dead, the third and concluding chapter in George Romero's zombie trilogy is the most distinctly 1950s-style science fiction version of the lot. Set in Florida, as the film begins the dead have taken over the world, outnumbering humans 400,000 to one. The handful of surviving humans have taken refuge in an underground missile silo and argue and yell at each other like players in a Rod Serling Twilight Zone episode. Among the survivors are Sarah (Lori Cardille) -- a scientist who is trying to reverse the process whereby the dead turn into flesh-eating, irrational zombies -- and Dr. Logan (Richard Liberty) -- an out-of-his-mind psychologist who wants to capture the zombies and turn them into domestic help. Things heat up when the military tries to take over the scientific experiments. ~ Paul Brenner, All Movie Guide

Kiefer Sutherland stars as an NYPD detective-turned-security guard who discovers something sinister lurking in the mirrors of a fire-damaged department store in Haute Tension writer/director Alexandre Aja's menacing study in the origins of evil. It's been just about a year since mercurial police detective Ben Carson (Sutherland) was suspended from the NYPD for the fatal shooting of an undercover officer, and ever since that fateful day he's been locked in a self-destructive spiral of anger and alcoholism. Increasingly isolated from his wife and kids, Ben spends most nights crashed-out at his sister Angela's (Amy Smart) apartment in Queens. But Ben hasn't given up hope just yet, and in order to get his life back together and prove that he's still capable of supporting his family he takes a job as the night watchman at the Mayflower department store. The Mayflower used to be a lavish symbol of inner-city prosperity, that is, until a raging inferno gutted the building while claiming numerous lives in the process. These days, the Mayflower is a scorched reminder of human misery, the ornate mirrors therein reflecting a suffering so profound that it begins to wear on Ben's already-fragile psyche. Not only that, but whatever force dwells behind the shimmering glass seems to have gained the power to alter reality as well.

After Ben gazes into the mirrors and sees a vision of himself being relentlessly tortured, he is horrified to experience violent convulsions, spontaneous bleeding, and frightening asphyxiation. And while his sister is always willing to lend a sympathetic ear, she chalks the anomalies up to an unusually potent mix of stress and anxiety. Unfortunately for Ben, his estranged wife, Amy (Paula Patton), isn't nearly as forgiving. A prosaic NYPD medical examiner who has seen her fair share of tragedy, Amy fears that Ben's erratic behavior could be placing their children in danger. Later, as Ben begins to draw connections between his increasingly gruesome visions and a former Mayflower security guard who vanished without a trace, he begins to suspect that an unimaginable evil is using the mirrors as a gateway into the real world, and that his family is in mortal danger from forces beyond their realm of understanding. Perhaps if he Ben can manage to convince Amy that their children's lives are at risk, he can summon the courage to face the greatest evil he has ever known. ~ Jason Buchanan, All Movie Guide

Frequent Stephen King collaborator Frank Darabont (The Shawshank Redemption) teamed with the celebrated horror author once again for this tale of terror concerning a small town engulfed by a malevolent mist, based on a story originally published in King's 1985 horror anthology Skeleton Crew. When a thick fog descends upon a rural community and claims the lives of anyone unfortunate enough to be caught outside, a small band of survivors seeks refuge in a local grocery store. Now trapped in a darkened cloud of pure horror, the frightened denizens of the town are forced to fend off an advancing horde of murderous monsters. Punisher star Thomas Jane heads up an ensemble cast that includes Andre Braugher, Laurie Holden, William Sadler, and Marcia Gay Harden. ~ Jason Buchanan, All Movie Guide

A naïve group of National Guard trainees embark on a routine training mission in the New Mexico desert, only to find themselves face to face with a murderous band of cannibalistic mutants in prolific music video director Martin Weisz's sequel to the successful 2006 remake. An isolated desert research camp has been mysteriously abandoned, and now it's up to an elite unit of soldiers to uncover the truth about the scientists who vanished without a trace. Their attention soon diverted by a distress signal emitting from a distant mountain range, the squadron quickly regroups and sets out to investigate. Unbeknownst to the soldiers, however, is the fact that these are the very same hills where the Carter family recently fell prey to a flesh-eating pack of hideously deformed mutants. As the ranks of the cavalry unit steadily begin to dwindle, it soon becomes obvious that their guns provide little defense from an evil driven by hunger to commit the ultimate crime against humanity. Original Hills Have Eyes and Hills Have Eyes, Part 2 writer/director Wes Craven teams with son Jonathan to script this grim and unforgiving tale of man versus mutant. ~ Jason Buchanan, All Movie Guide

Horror icon George A. Romero effectively hits the "reset" button on his hugely influential Dead series with this scaled-back look at the zombie apocalypse as told from the perspective of a student filmmaker who sets out to shoot a low-budget fright film, but instead captures the breakdown of modern society at the decaying hands of flesh-eating ghouls. Jason Creed (Joshua Close) and his crew are shooting a mummy movie in the Pennsylvania woods when media reports begin pouring in about the dead rising from their graves to feast on the flesh of the living. While self-centered star Ridley (Phillip Riccio) beats a hasty retreat to his family's fortified mansion halfway across the state, the remaining cast and crew are forced to fight for their lives despite having no weapons to speak of, and only a wobbly recreational vehicle in which to seek shelter. Immediately recognizing the gravity of the situation and outspokenly skeptical of the media, determined director Creed decides to use his own camera to capture the real story in a documentary entitled "The Death of Death." Now, as the group attempts to fight their way to safety, the skeptics will all watch as their greatest fears become reality, and the realists will attempt to process a nightmare that modern science would pass off as impossible. ~ Jason Buchanan, All Movie Guide

Alexandre Aja directs this remake of Wes Craven's film The Hills Have Eyes. In this update, a family is taking a cross-country road trip when their trailer breaks down, leaving them stranded in the desert of New Mexico. There, they find themselves under attack by the savage "hill people," who were deformed by radiation during nuclear testing. ~ Cammila Albertson, All Movie Guide

Cabin Fever director Eli Roth skips the humor of his freshman feature and goes straight for the jugular in this unrelenting scare-fest about a pair of libidinous American backpackers seeking cheap thrills in the European countryside. Their carefree college days close behind and the responsibility of the real world looming ever closer on the horizon, Josh (Derek Richardson) and Paxton (Jay Hernandez) strap on their backpacks and prepare for a stratospheric last hurrah of booze, babes, drugs, and debauchery halfway across the globe. It's during a visit to Amsterdam that the pair meets up with raucous Icelandic backpacker Oli (Eythor Gudjonsson), and after the three globe-trotting thrill seekers catch wind of a Slovakian city whose male population has dwindled as a result of civil strife -- leaving the ladies ready and willing to accept any male companionship that might turn up at the local hostel -- the trio quickly beats a hasty retreat to the out-of-the-way oasis. Upon check-in, the trio is greeted by a bevy of beautiful locals and is quickly convinced that the hedonistic hideaway is indeed the real deal. Hazily awakening the following morning to find no trace of backpacking buddy Oli, Paxton chalks his former traveling companion's disappearance up to capriciousness and prepares for another day of debauchery, despite Josh's rapidly elevating sense of unease. Now trapped defenselessly in a foreign land without any means of escape and no way of anticipating the unimaginable hell that lies ahead, the pair is plunged into a torturous netherworld where the screams of the damned fill the air with dread and the warm rays of the sun are little more than a fading memory. ~ Jason Buchanan, All Movie Guide

One of the most infamous horror films of the 1970s is revisited in this remake produced by action-spectacle maven Michael Bay. In the summer of 1973, four teenagers -- Erin (Jessica Biel), Morgan (Jonathan Tucker), Kemper (Eric Balfour), and Andy (Mike Vogel) -- are driving through Texas on a road trip when they pick up a hitchhiker, Pepper (Erica Leerhsen), who is on her way to Mexico to score some dope. With Pepper adding to the party atmosphere, the other four decide to join her, but as they're passing through a small town in Travis County, they see a bloody and distraught girl (Lauren German) wandering by the side of the road, and after stopping to help her, they realize she's been involved in something horribly traumatic. As the kids try to help the girl piece together the story of what happened, they find themselves drawn into the web of a murderous family of subnormal cannibals. Inspired -- like the original Texas Chainsaw Massacre, Psycho, The Silence of the Lambs, and Deranged -- by the crimes of Wisconsin multiple murderer Ed Gein, this remake of The Texas Chainsaw Massacre also features narration by John Larroquette, who narrated the original film (it was his first screen credit), as well as supporting performances by R. Lee Ermey, Andrew Prine, and Andrew Bryniarski. ~ Mark Deming, All Movie Guide