Jim Nickerson Movies

Jimmy Nickerson, fight coordinator on such films as Raging Bull and Rocky, takes the directorial reins for this tale of a self-destructive amateur boxer seeking to follow in his father's footsteps by making a name for himself in the ring. Hector Villa (Kuno Becker) may have the spirit of a winner, but his better judgment is consistently clouded by his anger. Though Hector picks fruit on the Texas ranch of Big Al Stevens during the daylight hours, nightfall finds the migrant laborer earning more than a day's pay by fighting for cash in local bars and converted barns. When Hector's mother, Rosa, falls ill, her loyal son takes as many fights as possible in order to pay for her expensive heart medication. But Big Al's son Robert is the undefeated champ of the local boxing scene, and when Big Al learns that Hector may be capable of delivering the blow that could dethrone his son, he has his henchmen beat Hector and leave him for dead in the Mexican desert. Now homeless and penniless on the desolate streets of Mexico, Hector is forced to literally fight for his life. When Hector learns that his mother has died, he seeks out local fighting legend Billy Jenkins in hopes that the grizzled former boxer and trainer will help him develop the skills needed to settle the score with Big Al and Robert. The man who once served as Robert's coach before learning that the unscrupulous young fighter was "on the juice," Billy knows that there is no way Hector could beat an opponent with such an unfair advantage. Upon learning that Big Al has accepted Hector's challenge to take on his son Robert thanks to the persuasive efforts of the migrant community, Hector and Billy begin training for the fight that could make or break Hector's future career in the ring. ~ Jason Buchanan, All Movie Guide

Two leaders with different philosophies about battle and leadership wage war with each other in this tense military thriller. Capt. Frank Ramsey (Gene Hackman) is the commanding officer of a nuclear submarine, the U.S.S. Alabama. Ramsey is a distinguished veteran near the end of his career, and he leads his men with an iron hand; as he puts it, "We're here to preserve democracy, not to practice it." Ramsey is assigned a new second-in-command, Lt. Cmmdr. Ron Hunter (Denzel Washington); Hunter is much younger than Ramsey, Harvard educated, and believes the goal of the military in the nuclear age is to prevent war, not fight it. While at sea, word reaches the Alabama that a splinter group of Russian forces have seized missile silos, and the ship is put on red alert. The Alabama has orders to fire, but as it is receiving a new incoming order the radio malfunctions. It's Ramsey's contention that an order is an order and they are to move forward with the attack, while Hunter feels if there is any question at all about their mission, they should wait until they can receive further instruction, with Hunter going so far as to threaten mutiny against Ramsey if the missile strike is carried out. Quentin Tarantino and Robert Towne both contributed to the screenplay without credit. ~ Mark Deming, All Movie Guide

Gladiator is the kind of boxing movie that goes that extra mile -- a self-loathing boxing saga that relishes in bare-knuckled sucker punches, illegal eye-rubs, and gentlemen boxers who obey the Marquis of Queensbury rules by drop-kicking opponents when the are not only down but unconscious. James Marshall plays Tommy Riley, a Windy City high school student conned into participating in the illegal underground boxing arenas of the South Side of Chicago. In high school, Tommy was a prize boxer, and this skill comes in handy when his Father (John Heard) runs up a large gambling debt. When a sleazy boxing manager (Robert Loggia) spots Tommy defending himself during recess, he offers him quick money to box. Tommy, although he hates the sport, readily agrees, thinking his winnings will help his father pay off his debts. He quickly comes under the thumb of unscrupulous boxing promoter Horn (Brian Dennehy), who is involved in fight-fixing and dirty fighting. Manipulating the odds and exploiting his boxers make Horn rich and more venal. In the rancid environment, Tommy befriends another fighter, Lincoln (Cuba Gooding Jr.), a black fighter who sees fighting as his way out of poverty. Inevitably, Horn arranges for the two friends to duke it out in the ring together. ~ Paul Brenner, All Movie Guide

George Rivero stars in Fist Fighter as C.J. Thunderbird, a participant in the dangerous, illegal world of bare-knuckle boxing. Working the bare-knuckle circuit in Mexico, Thunderbird forms a business partnership with old buddy Harry "Punchy" Moses (Edward Albert). This angers avaricious promoter Billy Vance (Mike Connors), who'd like to have complete control over Thunderbird. Vance pulls all sorts of dirty tricks to undermine Thunderbird's effectiveness--including having Our Hero thrown into prison on a trumped-up charge, and kidnapping leading lady Ellen (Brenda Bakke)--but the champ gets even during a climactic set-to with goonish Moreno (Simon Andreu). ~ Hal Erickson, All Movie Guide

Klaus Maria Brandauer stars in this drama as Alek Neuman, a one-time boxing champion in the Soviet Union. While he was one of the top-ranked Russian fighters of his day, he was never allowed to box in the Olympics, because the Soviets would not permit Jews to compete on their national teams. Many years later, an elderly Alek is able to emigrate to the United States; he settles in the Brighton Beach section of Brooklyn, New York, where he makes ends meet as a dishwasher. Alek is depressed and starts sinking into alcoholism until he meets Timmy Boyle (Adrian Pasdar) and Roland Jenkins (Wesley Snipes), two up-and-coming amateur boxers. Alek thinks that the two young fighters have potential, and he offers to coach them. While Timmy and Roland aren't sure at first if they trust Alek (or each other), in time they grow to respect each other, and it looks as if they may make the United States Olympic team -- where they may fight against the Russian team that wouldn't accept Alek years before. Brandauer won critical acclaim for his performance in Streets of Gold, which also featured Wesley Snipes several years before his breakthrough role in Spike Lee's Mo' Better Blues. ~ Mark Deming, All Movie Guide

William Friedkin's crime thriller, based on a book by U.S. Secret Service agent Gerald Petievich, concerns an arrogant Secret Service official who wants to get his man at any price. Willem Dafoe plays Eric Masters, an ultra-smooth counterfeiter who has managed to sidestep the police for years. He is so up-front about his dealings, in fact, that when some undercover agents try to make a deal with him at his health club, Eric tells them, "I've been coming to this gym three times a week for five years. I'm an easy guy to find. People know they can trust me." But when young and eager Secret Service agent Richard Chance (William L. Petersen) finds out that his partner has been cold-bloodedly murdered by Eric, he trains his relentlessness upon capturing Eric -- whether it means robbery, murder, or exploiting his friends and associates. As Chance erases the dividing line between good and evil, he drags his new partner John Vukovich (John Pankow) and Ruth Lanier (Darlanne Fluegel), an ex-con, down into the maelstrom with him. ~ Paul Brenner, All Movie Guide

Martin Scorsese's brutal character study incisively portrays the true rise and fall and redemption of middleweight boxer Jake La Motta, a violent man in and out of the ring who thrives on his ability (and desire) to take a beating. Opening with the spectacle of the over-the-hill La Motta (Robert De Niro) practicing his 1960s night-club act, the film flashes back to 1940s New York, when Jake's career is on the rise. Despite pressure from the local mobsters, Jake trusts his brother Joey (Joe Pesci) to help him make it to a title bout against Sugar Ray Robinson the honest way; the Mob, however, will not cave in. Jake gets the title bout, and blonde teenage second wife Vickie (Cathy Moriarty), but success does nothing to exorcise his demons, even as he channels his rage into boxing. Alienating Vickie and Joey, and disastrously gaining weight, Jake has destroyed his personal and professional lives by the 1950s. After he hits bottom, however, Jake emerges with a gleam of self-awareness, as he sits rehearsing Marlon Brando's On the Waterfront speech in his dressing room mirror: "I coulda been a contender, I coulda been somebody." Working with a script adapted by Mardik Martin and Paul Schrader from La Motta's memoirs, Scorsese and De Niro sought to make an uncompromising portrait of an unlikable man and his ruthless profession. Eschewing uplifting Rocky-like boxing movie conventions, their Jake is relentlessly cruel and self-destructive; the only peace he can make is with himself. Michael Chapman's stark black-and-white photography creates a documentary/tabloid realism; the production famously shut down so that De Niro could gain 50-plus pounds. Raging Bull opened in late 1980 to raves for its artistry and revulsion for its protagonist; despite eight Oscar nominations, it underperformed at the box office, as audiences increasingly turned away from "difficult" films in the late '70s and early '80s. The Academy concurred, passing over Scorsese's work for Best Director and Picture in favor of Robert Redford and Ordinary People, although De Niro won a much-deserved Oscar, as did the film's editor, Thelma Schoonmaker. Oscar or no Oscar, Raging Bull has often been cited as the best American film of the 1980s. ~ Lucia Bozzola, All Movie Guide

This spoof of a "typical" double-feature bill of the 1930s is introduced by George Burns, who explains that we're about to see two classic films produced by the legendary Warren Brothers. The first, "Dynamite Fists," is a black-and-white takeoff of such boxing dramas as Golden Boy. Harry Hamlin plays a John Garfield-like pugilist who is brought along by a tough-but-lovable fight promoter George C. Scott. Nasty gangster Eli Wallach attempts to compromise Hamlin by offering him the delectable Trish VanDevere, but Hamlin proves loyal to Scott. When Scott is killed by Wallach, Hamlin vows to become an attorney and bring the murderer to justice -- which he does in the space of one year. Along the way, Hamlin's gangster brother-in-law secures an eye operation for his nearly blind sister Kathleen Beller (whose bump-in-the-wall myopia is good for several laughs). After "Dynamite Fists," we are treated to a coming-attractions trailer for a Dawn Patrol-style aviation epic, again starring George C. Scott. The last segment, "Blansky's Beauties of 1933," is an all-stops-out Technicolor lampoon of Busby Berkeley musicals. Told by doctor Art Carney that he is dying, Broadway impresario Blansky (George C. Scott again) determines to produce one last spectacular show before the curtain goes down for good. The highlights in "Blansky's Beauties" are too numerous to mention here: memorable bits include composer Barry Bostwick's rooftop number, and the opening dialogue exchange between Carney and Scott (told that he has a month to live, Scott philosophically replies that at least he has 30 days left -- whereupon Carney dolefully reminds his patient that it's February). An additional sequence, parodying the Republic serials of the era, was filmed for Movie, Movie but cut from the final release print. Michael Kidd, who plays "Pop Popchick" in "Dynamite Fists," handled the choreography in "Blansky's Beauties." On the videocassette version of Movie, Movie, "Dynamite Fists" has been reprocessed in color. ~ Hal Erickson, All Movie Guide

Harry and Walter Go to New York was born of the theory that, the more stars and money that you throw into a film, the better the film will be. The theory has seldom been proven true, and it certainly wasn't in this case. Harry (James Caan) and Walter (Elliot Gould) are a third-rate vaudeville team, playing tank towns in turn-of-the-century USA. Thrown into the hoosegow on a petty-theft charge, our heroes make the acquaintance of big-time crook Adam Worth (Michael Caine). Once they're sprung, Harry and Walter follow Worth to New York, with the intention of pulling off a huge bank robbery. Lissa Chestnut (Diane Keaton), a bird-brained suffragette, is also mixed up in the proceedings though she never seems certain of who or what her character is from one scene to the next. The film's one tangible asset is its meticulous re-creation of 1890s New York, courtesy of art director Harry Horner. ~ Hal Erickson, All Movie Guide

Fresh from his triumphant movie appearance in Blazing Saddles, Cleavon Little guest stars as James Travis Clark, the Waltons' new hired man. Upon learning that James is a prizefighter, Olivia (Michael Learned) and Grandma (Ellen Corby) strongly express their disapproval--until they find out that he plans to use the prize money from his upcoming bout to finance the building of a church for the local African American community. Unfortunately, it turns out that the fight is fixed, and James has no hope of winning. But though he's been counted out in the ring, James still may emerge a winner thanks to the help and support of his new friends on Walton's Mountain. ~ Hal Erickson, All Movie Guide

In Slither, James Caan plays Dick Kanipsia, a recently paroled car thief whose plans to go straight are interrupted when his best pal Harry Moss (Richard B. Schull) is shot and killed. As he lies dying, Moss advises Kanipsia to seek out fellow crook Barry Fenaka (Peter Boyle), who knows where a huge amount of money stolen by Moss is hidden. Aware that he himself is a marked man, Kanipsia has to play it cool en route to Fenaka. This proves difficult when his erstwhile travelling companion, dopehead Kitty Kopetzky Sally Kellerman, robs a roadside diner in his presence. Since nothing is ever quite what it appears to be in Slither, perhaps we shouldn't tell you any more. This truly serpentine tale served as the feature-film directorial debut of Howard Zieff, the former TV-commercial helmsman responsible for the famous Spicy Meatball ad. ~ Hal Erickson, All Movie Guide