Taylor Nichols Movies

A journalist tries to uncover the circumstances that led to a shocking episode of violence in this drama from director James Bruce. Leonard Grey (Brett Davern) was a troubled seventeen-year-old who one day went on a shooting spree, injuring several students at his high school and killing one before he took his own life. A reporter for the Los Angeles Times is assigned to research and write an investigative piece about Grey. The journalist studies interviews conducted by the police with the boy's friends and family as well as conducting several of her own as she tries to understand what turned a seemingly ordinary youngster into a killer. She finds an especially intriguing subject in Cameron Porter (Evan Ross), Leonard's best friend, who may have been involved in the shootings through he carefully refuses to incriminate himself. Also featuring Melora Walters and Harold Perrineau, Case 219 was based on the novel Shooter by Walter Dean Myers, and was an award winner at the 2010 Honolulu Film Festival. ~ Mark Deming, Rovi

Four stories, representing the emotional principles of love, pleasure, sorrow, and happiness, come together in this episodic drama from first-time director Jieho Lee. A powerful crime boss, Fingers (Andy Garcia), subtly controls the destinies of four people whose circumstances have brought them to a crossroads in their lives. A quiet business executive (Forest Whitaker) is told that an upcoming horse race has been rigged and bets everything he has on his belief that the story is true. A noted pop singer (Sarah Michelle Gellar) discovers her career is hanging in the balance when she's forced to sever ties with her manager. A doctor (Kevin Bacon) must set aside a physician's traditional guidelines when circumstances demand he treat the woman he loves after a serious accident. And a criminal (Brendan Fraser) has a powerful vision of the future, but can't decide if his premonitions are to be trusted. The Air I Breathe received its world premiere at the 2007 Tribeca Film Festival. ~ Mark Deming, Rovi

A man convinces his wife to participate in one of his sexual fantasies and lives to regret it in the farcical comedy The Sex Monster. Marty (Mike Binder) is a building contractor who is married to a beautiful woman named Laura (Mariel Hemingway). While reasonably happy in his marriage, Marty has always had a fantasy about having a menage a trois, and when he starts to feel his sex life with Laura is getting stale, he suggests they bring in another woman and give it a try. Laura is reluctant at first, but Marty refuses to drop the subject and eventually she relents, and a second woman is introduced to the bedroom. However, Marty is soon too tired to continue with the fun, and Laura and her new friend go on without him. While she's coy about it at first, it quickly becomes obvious Laura enjoys adding another woman to the mix a lot more than Marty does, and she starts aggressively pursuing new female companions. While Laura doesn't mind if Marty joins in, she and her partners seems to be enjoying themselves enough that's he feels like a fifth wheel, since Laura seems to have much clearer ideas about female eroticism than he does. Mike Binder wrote and directed The Sex Monster, as well as playing the male lead; Stephen Baldwin also appears in a supporting role. Despite its subject matter, this film features little nudity, with the sexual escapades discussed or inferred rather than shown. ~ Mark Deming, Rovi

Fay decides to sell off the possessions of her three late husbands, all of whom were named George. In consequence, the ghosts of the three Georges return to haunt Fay and give her what-for her act of "selfishness." Elsewhere, Brian (Steven Weber) and Casey (Amy Yasbeck) go out on a Valentine's Day date despite their breakup, and customer Russell Meany (Taylor Nichols) hires Sandpiper Air to stage a spectacular marriage proposal -- to a girl who can't stand the sight of him. ~ Hal Erickson, Rovi

A group of teens find themselves surrounded while robbing a bank. They take everyone hostage and begin a standoff with the authorities. ~ Rovi

While going through a manuscript from a prestigious author, junior book editor Erin Garman (Tracy Middendorf cannot help but notice similarities between the book's plot and her own life: It seems that, as a child, she was kidnapped, and still cannot recall the particulars of the situation. As Erin pursues the matter, she finds that the police have no intention of re-opening the case. Jessica (Angela Lansbury) comes to the girl's aid when the intrigues surrounding her long-ago abduction lead to suicide and murder. ~ Hal Erickson, Rovi

This earnest, intelligent, and well-written romantic comedy is enjoyable and optimistic in classic Hollywood style, even if its idealism doesn't seem quite so credible against the cynical political backdrop of the Nineties. President Andrew Shepherd (Michael Douglas), an unabashedly liberal Democrat, is just gearing up for re-election when he meets an attractive and sharp environmental lobbyist named Sydney Wade (Annette Bening). The two fall in love and the President must soon deal with the political repercussions (Sydney is trying to get legislation through Congress), as well as the cynical machinations of Republican opponent Senator Bob Rumson (Richard Dreyfuss), who attempts to paint Sydney as a radical and use "family values" rhetoric to smear Shepherd. With the attacks affecting his standings in the all-important polls, and his love's legislation causing him headaches in the Capitol, Shepherd must decide whether he can risk continuing his relationship. A rich supporting cast, solid characterizations by Douglas and Bening, and an articulate approach make this an appealing, if not particularly weighty, study of the tensions between public and private life. ~ Don Kaye, Rovi

Good gorillas meet bad gorillas while human beings search for treasure in this jungle advnture saga. R.B. Travis (Joe Don Baker) is the ruthless head of Travi-Com, a telecommunications firm on the cusp of a major breakthrough in laser communications technology. However, Travis needs diamonds to finish the project, so he sends a group of men to Zaire, where he's told that a large supply of the gems can be easily found. When the men go missing, Travis sends his trusted assistant Karen Ross (Laura Linney), a one-time CIA associate, into the jungle to find both his staff and the jewels. Hoping to keep her mission a secret, Karen travels to Zaire in the company of Peter (Dylan Walsh), a researcher on primate development who is hoping to return Amy, a gorilla who has been taught sign language and can "speak" English with the help of a glove-controlled computer device. Also travelling with them is Herkermer (Tim Curry), a Romanian with a secret agenda: he's convinced that Amy can guide him to the Lost City of Zinj, where he believes that King Solomon's Mines are located. Upon arrival, the group is met by Monroe Kelly (Ernie Hudson), a self-described "great white hunter who happens to be black," and they discover that the jungle holds a menace that they weren't counting on: a tribe of bloodthirsty gray gorillas. Congo was based on the best-selling novel of the same name by Michael Crichton. ~ Mark Deming, Rovi

The second film from writer/director Whit Stillman, Barcelona is a smart, urbane comedy of manners set in Spain at the tail end of the Cold War. Taylor Nichols stars as Ted, an American salesman living in Barcelona. Out of the blue, he is visited by his acidic cousin Fred (Chris Eigeman), a U.S. Navy officer sent abroad to work damage control on rising anti-American sentiment. The textbook "Ugly American," Fred travels through the city in full military regalia, impervious to the constant taunts of "Fascist!" Like the similarly self-absorbed Ted, who has become involved with political activist Monsterrat (Tushka Bergen), Fred also finds romance, with a party girl played by Mira Sorvino. A brittle fish-out-of-water comedy, Barcelona is literate and sophisticated, a knowing essay on cultural identity and perception. ~ Jason Ankeny, Rovi

While attending a celebrity-studded party held by the editor of a Beverly Hills gossip magazine, Jessica (Angea Lansbury) begins formulating the plot of her next mystery novel. The principal ingredients include a trendy florist with a roster of A-list clients who is secretly helping an unscrupulous writer dig up dirt for a series of scandalous articles. The florist soon turns up dead, and virtually every member of the Beverly Hills "in crowd" falls under suspicion. ~ Hal Erickson, Rovi

The debut film from writer-director Whit Stillman etches a sophisticated comic portrait of New York debutante society at the twilight of the 1980s. Set during the Christmas season, the film is told from the vantage point of Tom Townsend (Edward Clements), a self-professed proletarian radical who stumbles into the social sphere of a group of well-off Upper East Side twentysomethings calling themselves the SFRP (or Sally Fowler Rat Pack, named in honor of a frequent party hostess). The group includes Nick (Christopher Eigeman), an acidic misanthrope; sweet-natured Jane Austen acolyte Audrey (Carolyn Farina); Charlie (Taylor Nichols), a tongue-tied bumbler secretly in love with Audrey; and femme fatale Cynthia (Isabel Gillies). Quickly, Tom, who comes from much more humble beginnings, finds himself caught in the middle of the group. Audrey even develops a crush on him, but Tom is still reeling from a broken relationship with renowned man-eater Serena (Elizabeth Thompson), a peripheral member of the SFRP. It all leads to a romantic climax at the Southampton vacation home of Nick's womanizing arch-enemy Rick von Sloneker (Will Kempe). ~ Jason Ankeny, Rovi