Nichelle Nichols Movies

Star Trek star William Shatner settles into the celebrity hot seat, opening the floodgates for a series of relentless barbs by eager friends and colleagues in this installment of the popular Comedy Central Roast series. The tranya flows, the band rocks, and the insults fly as a series of celebrities including Clint Howard, George Takei, Jason Alexander, Jeffrey Ross, Nichelle Nichols, Fred Willard, Betty White, and Kevin Pollak all line up to take a shot at the man who would boldly lead television viewers to realms where no man, or woman for that matter, had gone before. ~ Jason Buchanan, Rovi

Play an entertaining game of spot the celebrity while laughing along at the campiest superhero adventure since Adam West punched out The Joker. A completely original comic-book-style crime fighter who's not afraid to give his enemies a shocking surprise, Surge of Power is hot on the trail of a maniacal super-villain who will stop at nothing to achieve absolute power. Of course, with a little help from veterans like Lou Ferrigno and Nichelle Nichols, fledgling superhero Surge may have his work cut out for him. ~ Jason Buchanan, Rovi

In the season finale episode, "Anthology of Interest I," Professor Farnsworth unveils his "What-if" machine and Bender, Leela, and Fry each get a chance to ask it a question. Bender asks what it would be like if he were 500 feet tall, so he becomes a giant and flies to Earth to the tune of Black Sabbath's "Iron Man." He befriends a boy (Fry) and accidentally destroys the city in a take on The Iron Giant. The Professor then makes Dr. Zoidberg a giant so they can fight each other. Leela asks what it would be like if she were more impulsive, so she ends up killing the Professor in order to get his fortune. As people find out about the murder, she is forced to kill them one by one until she has killed almost everyone. Fry asks what it would be like if he were never cryogenically frozen in 1999. He ends up meeting the Action Rangers -- made up of scientist Stephen Hawking, Vice President Al Gore, Star Trek actress Nichelle Nichols, and Dungeons and Dragons creator Gary Gygax. ~ Andrea LeVasseur, Rovi

First telecast November 4, 1996, this Deep Space Nine episode was a harkback to the classic 1967 Star Trek installment "The Trouble with Tribbles." Charlie Brill, a holdover from the original episode, reprises his role as renegade Klingon agent Arne Darvin, who sets the plot in motion by hurtling the Defiant and its crew some 105 years into the past. Upon getting their bearings, the crew finds themselves on board the original Enterprise, where they come face to face with James T. Kirk, not to mention thousands and thousands of those pesky and prolific Tribbles, one of which has been booby-trapped. "Trials and Tribble-ations" was scripted by Ronald D. Moore and Rene Echevarria from a story by Ira Steven Behr and Hans Beimler. ~ Hal Erickson, Rovi

The plot involves a peace conference between the Federation of Planets and the troublesome Klingons. The Klingons are hoping to perform a little damage control after triggering a mining disaster on one of their moons; their spokesman is the seemingly contrite General Chang (Christopher Plummer). All negotiations abruptly cease when a Klingon vessel is attacked, and Capt. Kirk (William Shatner) and Dr. McCoy (DeForest Kelley) are accused of the crime. As they stand trial for murder, Mr. Spock (Leonard Nimoy) and Vulcanian trainee Lt. Valeris (Kim Cattrall) try to locate the real culprits. It turns out that Kirk and McCoy are victims of a conspiracy to foment further hostilities between the Good Guys and the Klingons. ~ Hal Erickson, Rovi

Star Trek IV: The Voyage Home (1986) concludes the story arc begun with Star Trek II: The Wrath of Khan (1982) and continued in Star Trek III: The Search for Spock (1984), but on a wholly new, different, and upbeat note. As the movie opens, months have elapsed since the events in Star Trek III; Admiral Kirk (William Shatner), McCoy (DeForest Kelley), Scott (James Doohan), Sulu (George Takei), Uhura (Nichelle Nichols), and Chekhov (Walter Koenig) are marooned in self-imposed exile on Vulcan, along with the resurrected and regenerated Spock (Leonard Nimoy, who also directed). While Spock tries to sort out the Vulcan and human halves of his resurrected psyche, the others prepare to return to Earth to face a brace of charges by the Klingon Empire and Star Fleet over events on Genesis. Taking off in their commandeered, jerry-rigged Klingon ship, they head to Earth, not knowing that a new crisis could destroy their home world -- a huge, immensely powerful alien probe has entered the galaxy and established a position near Earth, disabling every vehicle and installation in its path with its energy and communication output, and has ionized the entire atmosphere and started vaporizing the oceans, leaving the planet only hours to survive.

Spock determines that the probe is sending out signals to another intelligent terrestrial life form, humpbacked whales, which no longer exist. Using the gravity slingshot time-warp effect (established early in the original series) to travel back into Earth's 20th century, Kirk and company land in 1980s San Francisco to try and bring humpbacked whales to the 23rd century, to respond to the probe. Thus starts a surprisingly breezy, light-hearted, yet serious odyssey through the past (comparable to the best work of the original series), as the crew learns to deal with exact-change buses, angry drivers, punk-rock enthusiasts and other elements of '80s life, and Kirk tries to persuade a scientist (Catherine Hicks) of his good intentions for two whales in captivity. The screenplay, co-authored by Steve Meerson, Peter Krikes, Nicholas Meyer, and Harve Bennett (from a story by Nimoy and Bennett), is the cleverest and most sophisticated of all the Star Trek movie screenplays, recalling some of the elements of Meyer's earlier time-travel movie Time After Time and also anticipating the feel and tone of the series Star Trek: The Next Generation (which would be on the air not quite a year later). Nimoy's direction offers a combination of brisk pacing and a deep love of the characters and the actors, as well as a serious appreciation of the humorous aspects of the script, and Shatner gives his best performance of any of the movies. ~ Bruce Eder, Rovi

Star Trek II: The Wrath of Khan is fondly regarded as being the closest in spirit to the 1966-69 TV series that spawned it. Admiral Kirk (William Shatner) escapes the tedium of a desk job to join Mr. Spock (Leonard Nimoy) and Dr. Leonard "Bones" McCoy (DeForest Kelley) on another space mission. While boldly going where no man etc. etc., Kirk crosses the path of his old enemy Khan (Ricardo Montalban), who as any die-hard Trekker can tell you, was the chief antagonist in the 1966 Trek TV episode "Space Seed." Leading a crew of near-savage space prisoners, Khan insinuates himself into the Genesis Project, which is designed to introduce living organisms on long-dead planets. Intending to harness this program for his own despotic purposes, Khan engages in battle with the Enterprise crew. ~ Hal Erickson, Rovi

When plans to launch a second Star Trek television series in the late 1970s were scrapped by Paramount Pictures, the show's creator, Gene Roddenberry, instead transformed the aborted program's 2-hour pilot into this big budget theatrical feature. Five years after the legendary voyages of the starship Enterprise, James T. Kirk (William Shatner) is an unhappy, desk-bound admiral at Starfleet headquarters. Kirk goes aboard his old vessel to observe its re-launch under new captain Will Decker (Stephen Collins). Soon, however, an escalating crisis causes Kirk to take command of his old ship. A mysterious, planet-sized energy force of enormous power is headed for Earth. Reunited with Spock (Leonard Nimoy), Dr. Leonard "Bones" McCoy (DeForest Kelley), and the rest of his former colleagues, Kirk takes the Enterprise inside the massive energy cloud and discovers that it is the long-lost NASA space probe Voyager. Now a sentient being after accumulating centuries of knowledge in its deep space travels, the alien, which calls itself V'ger, has come home seeking its creator. Although not a critical home run, box office receipts for Star Trek: The Motion Picture (1979) were strong enough to inspire a revamped television series and a long-running line of theatrical sequels. ~ Karl Williams, Rovi

In her final acting appearance, Susan Hayward is ironically cast as a research doctor who can no longer face up to the notion of dealing with death on a daily basis. Recently widowed, Dr. Maggie Cole is on the verge of giving up her job and going into seclusion. She is shaken back to reality by crusty but lovable "street doctor" Lou Grazzo (Darren McGavin), who coerces Maggie into accepting a job at a Chicago slum clinic. At first adjusting admirably to her new surroundings, Maggie undergoes a devastating assault to her emotions when she befriends a teenaged leukemia patient. Written by real-life M.D. Sandor Stern and originally telecast by ABC on September 27, 1972, Say Goodbye, Maggie Cole was supposed to have been the pilot for a weekly series, but plans for this project were abandoned after the death of star Susan Hayward. ~ Hal Erickson, Rovi

Tarzan (Ron Ely) tries to stop a bloodthirsty Colonel (Jock Mahoney) from taking over an African village with his soldiers of fortune. The ape-man has been rendered deaf by an exploding hand grenade, effectively limiting one of his keen senses. Tarzan relies on his telepathic powers to stop a lion. Woody Strode also appears in this film that combines two made for television episodes. ~ Dan Pavlides, Rovi