Dandy Nichols Movies

Like Watership Down, Plague Dogs is an animated cartoon feature based on a novel by Richard Adams and produced by Martin Rosen. And also like Watership Down, it is more appropriate for an older audience. Two dogs escape from a British government research lab. As the authorities hunt down the canine fugitives, the two dogs search for their original master and for a place where they'll be free from the iniquities and cruelties of Mankind. Plague Dogs was completed in 1982, but was not released in the US until two years later. ~ Hal Erickson, All Movie Guide

One man's dreams of success take him on a Byzantine journey through the various stations of the British class system in this politically charged black comedy from director Lindsay Anderson. Mick Travis (Malcolm McDowell) is an ambitious young man who is looking to get his foot on the first rung of the ladder of success by landing a job as a salesman. After the death of Imperial Coffee's leading drummer in the North, Travis' charm and enthusiasm so impresses manager Mr. Duff (Arthur Lowe) that he's given the job, and after some coaching from Gloria Rowe (Rachel Roberts), Travis sets out to find his fortune in the coffee trade. Travis' desire for success quickly sets him on a curious odyssey in which he happens upon a secret sex club for businessmen, finds himself the subject of random seductions by lonely women, is captured and tortured by military intelligence agents, submits to medical experiments at a bizarre private clinic, hitches a ride with a traveling rock band led by former Animals keyboardist Alan Price, falls in love with a beautiful young bohemian named Patricia (Helen Mirren), goes to work for her father (Ralph Richardson), who happens to be a singularly corrupt political figure, and eventually lands in prison after he's implicated in a deal to sell chemical weapons to the Third World. As Mick's strange tale progresses, we periodically visit Price and his band in the recording studio or rehearsal hall, as they work on songs which serve as both mirror and counterpoint for Travis' progress. O Lucky Man! was the second film in which Malcolm McDowell would portray Mick Travis for director Lindsay Anderson, following If..., and preceding Britannia Hospital; the film's surreal undercurrent was reinforced by the casting, in which nearly all of the principal actors play two or three roles. ~ Mark Deming, All Movie Guide

Producer/director Maximillian Schell adapted the screenplay of First Love from a story by Ivan Turgenev. John Moulder Brown plays Alexander, a 16-year-old boy who falls in love with 21-year-old Sinaida (Dominique Sanda). Despite a great deal of emotional turmoil, exacerbated by the fact that Sinaida has been sleeping with Alexander's father, Alexander insists upon pursuing the relationship. His sexual coming-of-age is played out against the ominous backdrop of pre-World War II Europe. The film was originally released as Ein Leibe. ~ Hal Erickson, All Movie Guide

Harold Pinter's theatrical piece The Birthday Party was committed to celluloid in 1968 by future Exorcist director William Friedkin. Robert Shaw plays a boarder in a sleazy British seaside-resort rooming house. The landlady (Dandy Nichols) holds a cheerless birthday party for Shaw, which is invaded by a couple of shady characters named Goldberg (Sidney Tafler) and McCann (Patrick Magee). No one knows why they're there except for Shaw, who after being repeatedly humiliated by the despicable duo is taken away by them to parts unknown. The Birthday Party ends with 30 seconds of a totally blank screen. ~ Hal Erickson, All Movie Guide

The British television series Til Death Do Us Part was the forerunner to the American TV hit All in the Family. The original series' Archie Bunker was Alf Garnett, a bigoted, profane cockney played by Warren Mitchell. The "Edith" was the dimwitted Else, portrayed by Dandy Nichols. The British series' catchphrase was not "Stifle yerself, dingbat" but instead "You silly moo!" Eschewing the heavy-handed social commentary indulged in by All in the Family producer Norman Lear, Til Death Do Us Part existed principally to invoke loud (and sometime embarrassed) gusts of laughter. Several feature films were spun off from the property: the first of these, Alf 'N' Family flashed back to Alf and Else's marriage, skipped ahead to the wedding of the Garrett's daughter Rita (Una Stubbs) to unwashed hippie Mike (Anthony Booth), and concluded with the family's move from their crowded flat to a home in the suburbs. Alf 'N' Family was scripted by Til Death Do Us Part creator Johnny Speight. ~ Hal Erickson, All Movie Guide

Among the first of the late 60s anti-war films that reflected growing concern over the Vietnam War, How I Won the War takes a cold, dark look at the Good War, World War II. In adapting Patrick Ryan's 1963 novel, screenwriter Charles Wood and director Richard Lester offered a narrative fractured by characters making side comments to the camera, stylized cinematography, inserts of newsreel war footage, and plenty of absurdist humor and slapstick. Ernest Goodbody (Michael Crawford) is a bumbling British officer who manages to get most of his small company of musketeers killed while on a mission in North Africa to set up a cricket pitch behind enemy lines for officers of the advancing British army. The rest of the company dies in an ensuing campaign in Europe near the war's end, but all of the men continue to march along, appearing as monochromatic ghosts. (Original prints of the film intercut real battle footage tinted to match the color of the soon-to-be ghost soldier. Some prints of the film, including one shown on Turner Classic Movies, present the newsreel shots in black and white, undercutting the stylized touch.) The story is framed as a flashback, with Goodbody relating his version of events to a German officer (Karl Michael Vogler), while the real version of events, demonstrating Goodbody's ineptitude, plays out on screen. Among the supporting players are John Lennon, who had worked with Lester on A Hard Day's Night and Help; Roy Kinnear, a Lester regular, as a fat soldier who is certain his wife is cheating on him; Jack MacGowran as the troop's designated fool, and Michael Hordern as a general almost as oblivious to his suffering men as Goodbody. ~ Tom Wiener, All Movie Guide

John Carson (not Johnny Carson, as listed in some source books) stars in the grim British programmer Act of Murder. Carson plays an actor who still carries a torch for his ex-mistress Justine Lord, even though she is now happily married to Anthony Bate. With cold-blooded resolve, the actor conducts a campaign to drive Bate to a nervous breakdown. Instead, the distracted husband is driven to commit murder. Act of Murder was given a limited American release by Warner Bros. ~ Hal Erickson, All Movie Guide

In this lively British satire, a plucky milkman who works for an independent family-run dairy fights to keep a large trust from overtaking his business. ~ Sandra Brennan, All Movie Guide

Colin (Michael Crawford, who much later won a Tony Award for his role in Broadway's Phantom of the Opera) is an uptight schoolteacher whose housemate, Tolen (Ray Brooks) is a consummate womanizer. Colin imagines a long line of young women in tight white sweaters on his stairwell, waiting to get into Tolen's room. Jealous of Tolen's incredible success with the ladies, Colin asks Tolen for advice on how to get a girl. When Tolen's advice doesn't seem very practical, Colin decides that his first order of business is to get a bigger bed. Colin is also trying to find a third roommate to take a spare room. Tom (Donal Donnelly), who seems compelled to paint everything in sight, happens by the house, and inserts himself in the spare room without so much as saying "hello." Nancy (Rita Tushingham of A Taste of Honey) is new in town, and wanders the streets of London in a fruitless search for the YWCA. She runs into Colin and Tom at the dump, where they are procuring a gigantic bed. They offer her a ride, and proceed to race through London on the bed. Colin seems too shy to speak much to Nancy, despite Tom's encouragement. Eventually, the trio reach Colin's house, where Tolen works his gruff magic on Nancy, and havoc ensues. Capturing late 1960s London in black-and-white, Richard Lester's The Knack. . .and How to Get It was released between the director's two successes with the Beatles, A Hard Day's Night and Help. The script, by Charles Wood (An Awfully Big Adventure) is based on a play by Ann Jellicoe. Future stars Jacqueline Bisset, Charlotte Rampling, and Jane Birkin appear briefly amid all the attractive young women in the film. ~ Josh Ralske, All Movie Guide

Dot (Rita Tushingham) is a girl who marries motorcycle maven Reggie (Colin Campbell) to escape her parents' influence. The marriage gets off to a rocky start and completely slides downhill after the honeymoon is plagued by bad weather. Dot refuses to have anything to do with household responsibilities and cooks only canned beans. Reggie loses interest in sex with Dot because of her actions, and after moving in with his grandmother, he begins to hang around Pete (Dudley Sutton). The two friends ride their motorcycles and begin to spend even more time together, and eventually Reggie realizes that Pete is a homosexual. Dot tells Reggie she is pregnant in an attempt to get him back -- with no result, but when Reggie comes home to find his wife in bed with another man, he decides to go off to sea with Pete. Pete leaves Reggie shaken and alone when he goes off with a group of sailors out to satisfy their same-sex lust. The film was controversial at the time of its initial release. ~ Dan Pavlides, All Movie Guide

Max Bygraves, a popular British comedian who once in a while entertained thoughts of a dramatic career, is costarred with Barbara Murray in A Cry from the Streets. The two play a pair of ingenuous social workers, assigned to one of the grubbiest neighborhoods in London. They join forces to help a group of castoff orphan children. The episodic structure of Cry from the Streets gave the film a semi-documentary feel, even though every incident herein was carefully written and rehearsed beforehand. Based on the novel The Friend in Need by Elizabeth Coxhead, the film was filmed in 1957, released in 1958, and reissued in some markets as Cry from the Street (singular) in 1959. ~ Hal Erickson, All Movie Guide

The third of the droll British "Doctor" series, Doctor at Large once more stars Dirk Bogarde as young Dr. Simon Sparrow. Back in his old stamping grounds at St. Swithin's Teaching Hospital, Sparrow misses his chance at becoming chief surgeon when he crosses swords with the formidable Sir Lancelot Spratt (James Robertson Justice). Forced to go job hunting, our hero undergoes a variety of hilarious medical and romantic misadventures before ending up right where he started. Some of the film's best scenes involve shapely nurse Nan, played by Shirley Eaton of Goldfinger fame. Like its predecessors, Doctor at Large was based on characters created by real-life medico George Gordon. ~ Hal Erickson, All Movie Guide