Phoebe Nicholls Movies

All but forgotten at the time of his death in 1922, controversial British explorer Ernest Shackleton would enjoy a rediscovery of sorts decades later, with dozens of books and filmed documentaries devoted to his "magnificent blunder" -- the failed Imperial Trans-Antarctic Expedition of 1914-1916. On the sheer weight of his dynamic personality, Shackleton was able to mount an exploratory journey to the Antarctic, accompanied by a crew of 27 men, among them celebrated Australian photographer Frank Day. Alas, Shackleton's ship was crushed by packing ice early in the expedition, forcing the crew to brave the merciless polar elements for a full ten months. Making matters worse, public concern over Shackleton's plight was shunted aside when Great Britain entered WWI. First telecast in England on January 2 and 3, 2002, the two-part TV biopic Shackleton stars Kenneth Branagh in the title role. The script does not shirk away from the subject's less savory character traits, including his disastrous financial dealings and his blatant unfaithfulness to wife Emily (Phoebe Nicholls). Nonetheless, one emerges from the film with a renewed respect and admiration for the visionary Shackleton and his bedraggled companions. Much of the imagery in Shackleton was based upon the still-surviving films made on the scene by Frank Day, adding extra authenticity to the drama even though the film was made in Greenland and Iceland rather than the Antarctic. The two-part film made its American TV debut courtesy of the A&E cable network on April 7 and 8, 2002; shortly afterward, Shackleton was released on DVD, with four additional hours of documentary footage. ~ Hal Erickson, All Movie Guide

Adapted from what is arguably Jane Austen's most mature and subtlest novel, Persuasion is somewhat more nuanced and restrained than the more frequently adapted Emma and Pride and Prejudice. The protagonist, Anne (Amanda Root), is, by the conventions of society, considered an old maid when she remains unmarried at 27. However, a second chance arrives when her former love, Captain Wentworth (Ciaran Hinds), returns from the Napoleonic Wars. The pair, who hardly speak throughout, are surrounded by the usual assortment of family members, friends, acquaintances, and distant relations, many of them what pass for stock characters in Austen novels. There's the social-climbing parent, the dour upper aristocrat, the scatterbrained younger relatives, and, of course, the apparently suitable suitor who turns out to be all wrong. Of course, Austen's protagonists are never dumb, but Anne, being somewhat older, is also a good deal wiser, and the characters around her accordingly take on greater dimension and subtlety. Naturally, this being an Austen story, all ends well, but the path is somewhat less straightforward than in other films adapted from her work. ~ Genevieve Williams, All Movie Guide

Director James Ivory brings his subdued, "Masterpiece Theater" style to a forbidden subject -- homosexual love. Maurice is based on E.M. Forster's suppressed 1914 novel that was held back from publication until after his death. The film takes place at Cambridge, before World War I, when homosexuality was outlawed in Great Britain. Clive (Hugh Grant), an aristocratic Englishman with a life of privilege, suddenly shocks his close friend Maurice (James Wilby) by declaring his love for him. Maurice is initially stunned by the pronouncement, but in the end finds himself giving Clive a passionate kiss and telling him that he loves him as well. Clive, in the stiff-upper-lip British manner, considers their love to be more of an intellectual concept, but Maurice becomes passionate about the affair. Clive, afraid of being exposed as a homosexual, backs off and breaks up with Maurice for marriage, family, and politics. Maurice is crestfallen, but then he has a passionate affair with Clive's gamekeeper, Scudder (Rupert Graves), and Maurice and Scudder decide to risk their reputations by openly living together as lovers. ~ Paul Brenner, All Movie Guide

Based on the novel by Agatha Christie and set in the late 1950s, this unevenly told film starts when Dr. Arthur Calgary (Donald Sutherland) comes back to England after two years on an Antarctic expedition and discovers that the man he is searching for has been executed for murder. At the beginning of his expedition he had given a ride one night to a hitchhiker and accidentally ended up with his address book. To his horror, the hitchhiker's mother was killed on that night, and he had been the alibi that would have saved him from execution. Spurred on by his sense of shock and guilt, Calgary makes contact with the family and is put off by their disinterest in finding the real killer. It seems that the mother had many enemies among her close family members: her husband was having an affair, there was a blackmail scheme in the works, and many felt that she had already excluded them from any inheritance. Although the acting is uneven and the plot may seem predictable or contrived to non-Christie readers, the story retains interest, and Dave Brubeck's jazz score adds a special dimension to the proceedings. ~ Eleanor Mannikka, All Movie Guide

Michael Palin wrote and stars in this comedy as The Reverend Charles Fortescue, an unassuming missionary called back to England after spending ten years in Africa teaching children in a native village. Upon arriving in London, he finds that his new assignment is to take charge of a slum mission for prostitutes. He obtains money for the running of the mission from a wealthy woman, Lady Ames (Maggie Smith), whom he meets on the boat sailing to England from Africa. Lady Ames guarantees Fortescue the money on the condition that he take it upon himself to add a little spice to her dormant sex life. ~ Paul Brenner, All Movie Guide

John Hurt stars as John Merrick, the hideously deformed 19th century Londoner known as "The Elephant Man". Treated as a sideshow freak, Merrick is assumed to be retarded as well as misshapen because of his inability to speak coherently. In fact, he is highly intelligent and sensitive, a fact made public when one Dr. Frederick Treves (Anthony Hopkins) rescues Merrick from a carnival and brings him to a hospital for analysis. Alas, even after being recognized as a man of advanced intellect, Merrick is still treated like a freak; no matter his station in life, he will forever be a prisoner of his own malformed body. Unable to secure rights for the famous stage play The Elephant Man, producer Mel Brooks based his film on the memoirs of Frederick Treves and a much later account of Merrick's life by Ashley Montagu. The film is lensed in black and white by British master cinematographer Freddie Francis. Though nominated for eight Academy Awards, the film was ultimately shut out in every category. ~ Hal Erickson, All Movie Guide