Harold Nicholas Movies

Tommy Fawkes (Oliver Platt) is a struggling stand-up comedian who has tried for years to get out from under the shadow of his father, George Fawkes (Jerry Lewis), himself a famous humorist. Tommy finally scores a showcase spot at a major resort in Las Vegas, but when opening night rolls around, Tommy's act is an unqualified disaster, with the failure made even more painful by his father's presence in the audience. In search of a fresh start, Tommy heads to Blackpool, England, where he was born and raised, to look for a new act. Hoping to buy material from local performers, Tommy auditions a large number of acts, most of whom are utterly hopeless, until he sees a hilarious vaudeville team, the Parker Brothers. Their act seems more than a bit familiar, however, and Tommy soon realizes that they're doing his father's old material. But they have every right to be doing George's schtick -- it seems George stole his act from the Parkers ages ago. What's more, the younger and more eccentric of the Parker Boys, Jack (Lee Evans), is actually Tommy's half brother, the product of a fling with a Blackpool showgirl years ago. Veering between comedy and drama, Funny Bones has more than its share of effective moments on either side of the fence, and features fine supporting performances from Oliver Reed, Leslie Caron and Harold Nicholas. ~ Mark Deming, Rovi

Gregory Hines plays the ex-convict son of a famed tap-dancer. Taking over his late father's Harlem dance studio, Hines can't shake memories of his childhood, when he was being touted as a dancing prodigy. Challenged to fulfill his destiny by his dad's old cronies--among them such terpsichorean giants as Sammy Davis Jr., Steve Condos, Jimmy Slyde and Harold Nicholas--Hines does his best to avoid lapsing back into a life of crime. The struggle to save Hines' soul is a titanic one, with Hines' girlfriend Suzzanne Douglas tugging at him from one direction and his old burglary partner Joe Morton yanking from the other. The plotline of Tap is merely an excuse to show off some of the most dazzling footwork ever recorded on film. The director is Nick Castle Jr., who like star Gregory Hines is scion of a legendary dancing family. ~ Hal Erickson, Rovi

Actor D'Urville Martin held the directorial reins for Fass Black. Disco owner John Poole is threatened with a takeover by the Mob. Poole puts up a fight, a few innocent people are killed, and revenge is exacted. The film's omnipresent disco music was its principal selling card back in 1977. Since no hits emerged from the soundtrack, it isn't likely to generate much interest today. Still, the film works on a "time capsule" level. ~ Hal Erickson, Rovi

Fass Black owns the Disco 9000, a neon-lit penthouse dance club that's one of the top nightspots in Los Angeles. He also owns Disco 9000 Records, a successful label that provides the music for this venue. A rival mogul ascertains that his company can't get a hit record in the Los Angeles market without exposure at the Disco 9000, but he fails to convince Black to play his company's records at the club. So his goons make life difficult for Black: they smash cars in the club's parking lot, destroy the Disco 9000 recording studio, ransack his office, steal the tape of his label's latest recording, and even attack the club while people are dancing. Meanwhile, one of Black's associates tries to get out of debt by providing information on Black; this leads to a woman's accidental death when she's hit by a car. The rival mogul offers to "help" Black as he struggles to overcome the damage to his business, but Black refuses the offer. Instead, he fights back by researching his rival's financial records. ~ Todd Kristel, Rovi

In his final starring film, bandleader Kay Kyser is cast as bandleader Kay Kyser. Picking up where Kyser's previous RKO Radio film Around the World left off, Columbia's Carolina Blues finds Kay and his band returning to America after a worldwide USO tour. Phineas J. Carver (Victor Moore), the woebegone "black sheep"scion of a powerful family of industrialists, poses as one of his wealthier relatives to persuade Kyser to perform at a defense plant. When Kyser's regular vocalist Georgia Carroll quits the band to get married, Carver's talented daughter Julie (Ann Miller) steps in as replacement. Naturally, Julie is a hit, and equally naturally, she lands Kyser as a husband. Outside of the expected musical numbers (which, in addtion to Kyser's aggregation, feature such artists as The Step Brothers and the Nicholas Brothers) Carolina Blues is highlighted by the bravura performance of Victor Moore, who essays five roles in all. Ironically, singer Georgia Carroll did retire from show business in real life to get married-to Kay Kyser! ~ Hal Erickson, Rovi

In his last screen appearance, bandleader Glenn Miller plays--are you sitting down?--a bandleader. The film's main plot involves small-town girl Ann Rutherford, who impulsively marries George Montgomery, a trumpeter in the Miller band. Rutherford soon finds that she isn't particularly suited for life on the road, nor is she prepared for the petty jealousies and backstabbings prevalent among the other orchestra wives (Lynn Bari, Carole Landis et. al.) She eventually leaves Montgomery, an event which coincides with the breakup of the band. But both the band and the marriage are salvaged through the benign conspiratorial schemes of Glenn Miller and a repentant Rutherford. Those who aren't interested in the various plots and subplots in Orchestra Wives will be captivated by the endless supply of blue-ribbon tunes, including I Got a Gal in Kalamazoo, At Last, and Serenade in Blue. Guest stars include Tex Beneke, The Modernaires and the Nicholas Brothers. Watch for an uncredited Jackie Gleason as a bass player and Dale Evans as Ann Rutherford's friend in the soda-fountain scene. ~ Hal Erickson, Rovi