Francesca Bellini Movies

Vito Scotti, Jamie Farr, Francesca Bellini, and Argentina Brunetti guest-star as a band of gypsies who bring their caravan into Mayberry. Correctly assuming that the visitors are less than honest, Andy tells them to leave, whereupon the gypsies place a curse on Mayberry, threatening to create a drought. Armed with "inside" weather information courtesy of a well-hidden shortwave radio, the gypsies are able to coerce the gullible townsfolk into allowing them to stay-but Andy is not quite so easily hoodwinked. Written by Roland MacLane, this episode originally aired on February 21, 1966. ~ Hal Erickson, All Movie Guide

Edward Dmytryk brings Harold Robbins' trashy, dirt-dishing Hollywood best-seller to the screen with George Peppard starring as Jonas Cord, a rancidly-sketched portrait of Howard Hughes. In 1925, when his father dies of a stroke, Jonas inherits the Cord Chemical factory, a manufacturer of dynamite and other explosives. Jonas proceeds with several cut-throat transactions, making a settlement with his sexy stepmother Rina (Carroll Baker) and liquidating the stock owned by cowhand Nevada Smith (Alan Ladd, in his final American film role). With the help of Mac McAllister (Lew Ayres), his father's attorney, Jonas builds his father's company into a multi-million dollar business, expanding into plastics and aeronautics. Meanwhile, Rina has become a top fashion model and movie star and Nevada Smith has parlayed his laconic demeanor into a career as a popular silent film cowboy idol. Jonas then marries, then ignores, the well-meaning Monica Winthrop (Elizabeth Ashley), and ruins her father's company in the process. Then, with the advent of sound films, Jonas helps Nevada Smith through the sound film crisis by offering financial backing for a film to star both Nevada and his ex-mother-in-law Rina. Jonas decides to direct the film himself, hoping to seduce Rina. But Jonas's insensitive and egomaniacal behavior causes Monica to leave him. Jonas invests all his time in film production but the alcoholic Rina dies in a car accident. The owners of the film studio -- Bernard B. Norman (Martin Balsam) and Dan Pierce (Robert Cummings) -- want to sell the studio to Jonas but hide the fact that Rina, the studio's biggest star, has died. Jonas buys the studio and when he finds his biggest asset is gone, he goes on a drunken binge. But Jonas quickly meets call girl Jennie Denton (Martha Hyer), who he decides to turn into a superstar modeled upon Rina. Despite having made her a star, Jonas's vile treatment of Jennie repulses both her and his old friend Nevada Smith, and Smith decides it's time to beat some sense into Jonas's head. ~ Paul Brenner, All Movie Guide

Another in a series of American comedies of manners, this film was written and directed by Frank Tashlin with his usual grace and elegance. Terry-Thomas plays a meek archeology professor named Bruce Patterson who is attracted to bones. His salivating female college students are attracted to him. And his neighbor's Dachshund is attracted to Patterson's big and ancient dinosaur bone. With his fiancee, Helen (Celeste Holm), away in Paris, Bruce stays at her empty apartment, where love-sick women attempt to make their way through every orifice in the flat to get to the sky professor. Helen, fearful of revealing her true age to Bruce, never told him that she had married before and that she has a college-age daughter to boot. So, when her daughter, Libby (Tuesday Weld), arrives at her mother's home, Bruce thinks she is just another sex-crazed college girl and sends her away. But Libby appeals to the professor's sociological side by pretending to be a juvenile delinquent, and Bruce permits her to stay at the flat with him. Once there, Libby becomes attracted to Bruce's handsome law-student neighbor Mike (Richard Beymer). When Bruce complains to Mike about all the gals who want to lock lips with him, Mike offers a solution to his dilemma -- instead of allowing himself to be chased by the college girls, he should be the one to do the chasing. Bruce agrees and becomes a satyr with a Ph.D. At that point, Helen returns home from Paris. ~ Paul Brenner, All Movie Guide

Comedian Jerry Lewis began directing movies in 1960, and this often unkind satire on the nature of American womanhood is one of his early efforts in that regard. The rubber-legged, rubber-faced Lewis plays Herbert, a man who is despondent over the break-up of his romance. While looking for a job, he comes across an impressive mansion (built as a set at the cost of $350,000) filled with women of all types -- and lo and behold -- they need a handyman. So Herbert gets to reside with a bevy of women of various types, all under the supervision of Mrs. Wellenmelon (Helen Traubel). In the end, the set itself outtrumps them all. ~ Eleanor Mannikka, All Movie Guide