Nanette Newman Movies

This drama is adapted from Dicken's unfinished novel and centers upon a choirmaster who is insanely jealous of his fiancee. This jealousy causes him many problems down the road. ~ Sandra Brennan, Rovi

In this Scottish comedy, two young fellows disguise themselves as a clown and a wolf-man and begin robbing tourist buses. Somehow the two end up considered national heroes. ~ Sandra Brennan, Rovi

In the William Goldman-scripted, Bryan Forbes-directed adaptation of Ira Levin's savagely satiric sci-fi novel The Stepford Wives, housewife Joanna (Katharine Ross) moves with husband Walter (Peter Masterson) and their children to the "ideal" suburban community of Stepford, CT. Slowly, Joanna deduces that something is amiss; most of the other housewives are vapid creatures who speak in trivialities and live only to please their husbands. Together with new friend Bobby (Paula Prentiss), she investigates this curious status quo. When Bobby also succumbs to cloying sweetness, Joanna discovers that Stepford's husbands have conspired with male chauvinist scientists to replace all the wives with computerized android duplicates. The Stepford Wives became a massive, runaway hit, earning four million dollars domestically. Mega-producer Scott Rudin and director Frank Oz teamed up for a remake in 2004. ~ Hal Erickson, Rovi

Man at the Top was a theatrical-film spin-off of a popular British TV series, inspired by the earlier movies Room at the Top and Life at the Top. Kenneth Haigh starred in the series as Joe Lampton, the successful but emotionally empty business executive portrayed in the earlier films by Laurence Harvey. In Man at the Top, Lampton (Haigh again) endures a crisis of conscience. He knows that his pharmaceutical firm is about to market an untested and possibly dangerous drug. He is also bound by ties of familial loyalty: His boss (Harry Andrews) happens to be his father-in-law. Nanette Newman, a busy doe-eyed ingenue of the 1960s, is quietly effective as the middle-aged Mrs. Lampton. ~ Hal Erickson, Rovi

Captain Nemo and the Underwater City thrusts several "name" actors into the specialized world of Jules Verne. Six 19th-century shipwreck victims are rescued by a modernistic submarine. The skipper is Captain Nemo (Robert Ryan), who had not died at the end of 20,000 Leagues Under the Sea as viewers had been led to believe. Instead, he has installed a fantastic underwater city, using this subterranean metropolis as a base of operations for his war against mankind. The ambitions of the screenwriters and director are defeated by the tackiness of the film's model and miniature work. Captain Nemo and the Underwater City represented MGM's first Jules Verne epic since its 1929 spectacular Mysterious Island. ~ Hal Erickson, Rovi

Oh! What a Lovely War is an every-man-for-himself adaptation of Charles Chilton's 1963 play, as staged in London by Joan Littlewood. The tragedy of World War I is redefined in bawdy music-hall terms, beginning with a verbal free-for-all involving the Crowned Heads of Europe. The war is presented as the "new attraction" at the Brighton Amusement Pier, complete with syrupy cheer-up songs, shooting galleries, free prizes and a scoreboard toting up the dead. Throughout the proceedings, the camera concentrates on a middle-class family, whose five sons end up as cannon fodder. The final image is a veddy proper British picnic on a graveyard. Of the many fleeting satiric images parading past the camera, one of the most indelible is the sight of several generals playing leapfrog as the world all around them goes to hell in a handbasket. The awesome all-star cast includes Laurence Olivier, Ralph Richardson, Maggie Smith, John Gielgud, Michael Redgrave, Jack Hawkins, John Mills, Susannah York, Dirk Bogarde and Phyllis Calvert. We haven't seen this many Englishmen in one place since the last Wimbledon match. The whole affair was supervised by Richard Attenborough, making his directorial debut (a question: why was he up to the challenge of this musical extravaganza, yet seemed helpless in the face of 1985's A Chorus Line?). ~ Hal Erickson, Rovi

This dark drama is a combination of two episodes from a popular British TV show that centers on the supernatural. In the first a ruthless magnate, bored with his life, plays a terrifying game in which he is the one who decrees who shall live or die. The second episode centers around quadruplets, one of whom uses ESP to force the others to do his evil bidding. ~ Sandra Brennan, Rovi

Years before the story proper in The Wrong Box gets under way, a "tontine" is drawn up on behalf several young British boys. Each of the boys' parents had placed 1000 pounds in a pool, to be invested and expanded upon. The resultant fortune will go to the last surving member of the tontine. A series of montages depicts the various demises of the heirs (our favorite occurs when one of them is inadvertently beheaded while being knighted by Queen Victoria). Finally, only two of the tontine participants are left: aged brothers Ralph Richardson and John Mills. On his last legs, Mills is determined that Richardson will not outlive him, and to that end attempts to kill his brother; each attempt fails spectacularly, with the doddering Richardson none the wiser. Standing to benefit from the tontine are Mills' dimwitted med-student son Michael Caine and Richardson's greedy nephews Peter Cook and Dudley Moore. When Richardson is supposedly killed in a train wreck, Cook and Moore don't want the authorities to find out, so they appropriate what they think is their uncle's corpse and ship it home in a box. Thus it is that Caine finds the body of a perfect stranger on his doorstep. The farcical complications begin flying about thick and fast from this point onward. Among the participants in this wacky gigglefest are such formidable talents as Peter Sellers, Tony Hancock, Wilfred Lawson, Thorley Walters, Norman Rossington, Irene Handl and Cicely Courtenedge. Based on a novel by Robert Louis Stevenson, The Wrong Box is a delightful harkback to the glory days of Britain's Ealing comedies. We were so wrapped up in the story that we didn't even notice all those TV antennae sprouting up on the rooftops of Victorian London. ~ Hal Erickson, Rovi

This third screen adaptation of Somerset Maugham's novel about the destructiveness of sexual obsession stars Laurence Harvey as Philip Carey, a club-footed artist who after two unsuccessful years in Paris decides to pursue a career in medicine instead. During his medical studies he falls in love with a waitress, Mildred Rogers (Kim Novak), who takes advantage of his attraction to her. When Mildred leaves him to marry another man, Philip falls in love with a writer (Siobhan McKenna), who encourages him to complete his studies. Under her tutelage, Philip excels in medical school. But when Mildred returns, pregnant and abandoned by her husband, Philip takes her in and cares for her, breaking off with the kind-hearted writer. Staying with Philip at his flat, Mildred has an affair with his best friend. Confronting her with her indiscretions, Mildred tells Philip how repulsed she is by his club foot and walks out on him. Philip once again throws himself into his studies, passing his examinations and taking an internship at a London hospital. There he hears Mildred has become a cheap prostitute. Philip travels to the brothel where she is living in poverty with her child and takes her under his wing once again. As before, Mildred walks out on Philip, trashing his apartment and taking to the streets. When Philip comes upon her again, he finds that her child has died and she is suffering from the advanced stages of syphilis. ~ Paul Brenner, Rovi

In this crime drama, a con-artist's mark finds himself in deep trouble after he gets drunk, goes to the apartment of an attractive grifter and discovers that her partner has been slain (something that shocked her too!). The real trouble begins when the fellow accidentally touches the murder weapon belonging to the leader of a Soho gang, and then allows the woman to con him into taking care of the corpse. His actions catch the watchful eyes of the cops; he is soon arrested. Things look bleak for the hapless fellow until his fiancee and friends rally together, catch the con-woman, call the cops and get him acquitted. In the end, the con-woman is killed. ~ Sandra Brennan, Rovi

Considered ultra-mature film fare in 1962, The L-Shaped Room stars Leslie Caron as a unmarried, pregnant French girl. Arranging for an abortion (illegal at that time), she takes up residence in a ramshackle British boarding house where most of the other residents are also outcasts of society. Many of the character types were new to films of the era, but have since become cliches: the understanding young black, the lesbian actress, the prostitutes without golden hearts. There is also a Christopher Isherwood type writer (Tom Bell) who observes the passing parade and writes a book on the subject. Director Bryan Forbes brings his usual muted sensibilities to the project, resulting in a work that downplays the sensational aspects and emphasizes characterization. Surprisingly, while The L-Shaped Room was considered too "hot" for several corporate-owned American movie houses, it was an early arrival on 1960s TV, where it frequently ran uncut. ~ Hal Erickson, Rovi

In this thriller, a safe designer suffers amnesia after jewel thieves trick him into cracking a safe. He cannot clear his name until he can regain his memory. His wife assists him. ~ Sandra Brennan, Rovi