Joan Newman Movies
Woody Allen's romantic comedy of the Me Decade follows the up and down relationship of two mismatched New York neurotics. Jewish comedy writer Alvy Singer (Allen) ponders the modern quest for love and his past romance with tightly-wound WASP singer Annie Hall (Diane Keaton, née Diane Hall). The twice-divorced Alvy knows that it's not easy to find a mate when the options include pretentious New York intellectuals and lifestyle-obsessed Rolling Stone writers, but la-di-dah-ing Annie seems different. Along the rocky road of their coupling, Allen/Alvy weigh in on such topics as endless therapy, movies vs. TV, the absurdity of dating rituals, anti-Semitism, drugs, and, in one of the best set pieces, repressed Midwestern WASP insanity vs. crazy Brooklyn Jewish boisterousness. Annie wants to move to Los Angeles to find that fame that finally does in the relationship -- but not before Alvy gets in a few digs at vacuous, mantra-fixated California. Originally entitled Anhedonia (the inability to enjoy oneself), Annie Hall blended the slapstick and fantasy from such earlier Allen films as Sleeper (1973) and Bananas (1971) with the more autobiographical musings of his stand-up and written comedy, using an array of such movie techniques as talking heads, splitscreens, and subtitles. Within these gleeful formal experiments and sight gags, Allen and co-writer Marshall Brickman skewered 1970s solipsism, reversing the happy marriage of opposites found in classic screwball comedies. Hailed as Allen's most mature and personal film, Annie Hall beat out Star Wars for Best Picture and also won Oscars for Allen as director and writer and for Keaton as Best Actress; audiences enthusiastically responded to Allen's take on contemporary love and turned Keaton's rumpled menswear into a fashion trend. ~ Lucia Bozzola, Rovi
- Starring:
- Woody Allen, Diane Keaton, (more)
This low-budget independent film by novice directors Stephen F. Verona and Martin Davidson is a slice-of-life elegy from the leather-jacket, bobby-soxer era of 1957, set in a Brooklyn high school. The film stands out for the appearance of up-and-coming actors (circa 1974) Sylvester Stallone, Henry Winkler, and Perry King (even Armand Assante has a bit role). Stallone, Winkler, King, and Paul Mace are members of a local neighbor social club called "The Lords of Flatbush," and they spend their time exercising their hormones, hot-wiring a car, playing pool, and quaffing egg creams at the local candy store. The film finally focuses its interest on two of the "lords." Chico (Perry King), owns a motorcycle and wheels over to see Jane Bradshaw (Susan Blakely), the daughter of an army colonel who, despite Chico's motorcycle, gives him the brush-off. Then there is the muscle-headed Stanley Rosiello (Sylvester Stallone), who, like Marlon Brando in On the Waterfront, loves pigeons. He also loves Frannie (Maria Smith), with whom he has bedded down under the boardwalk one too many times, and now finds that she is pregnant and wants to get married. Skirting along the edges of the frame are Butchey Weinstein (Henry Winkler) and Wimpy Murgalo (Paul Mace), who, as second bananas, go along with Chico and Stanley as they adjust their testosterone to adult living. ~ Paul Brenner, Rovi
- Starring:
- Perry King, Sylvester Stallone, (more)
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