Paul Newlan Movies

An offbeat 1970s black-comic Western with an all-star cast, this Joseph L. Mankiewicz film is set in 1883 in Arizona. Paris Pitman, Jr. (Kirk Douglas) is the leader of a band of outlaws that steals $500,000 from a wealthy businessman named Lomax (Arthur O'Connell). The other gang members die in a shootout, but Pitman escapes and hides the loot in women's underwear and drops it into a snake pit. After Lomax recognizes Pitman in a brothel, he is arrested by Sheriff Woodward Lopeman (Henry Fonda). At the territorial prison, Pitman bribes Warden Le Goff (Martin Gabel), offering him a share of the hidden money if he lets him escape. But before the scheme is carried through, the warden is killed by a prisoner. Lopeman becomes the new warden, and he is bent on ridding the prison of corruption. Pitman convinces Lopeman that he will cooperate with the reforms, then he uses the new freedoms given to him to plan an elaborate escape with several other men. The escape is to take place during an inspection by the governor. The screenwriting team for this film was Robert Benton and David Newman, who had penned the brilliant Bonnie and Clyde. ~ Michael Betzold, Rovi

Sidney Pollack marked his feature film directing debut with this taut suspense drama, based upon an actual incident reported in Time Magazine. Sidney Poitier stars as Alan Nuell, a student volunteer at a medical clinic in Seattle who answers the phone to find Inge Dyson (Anne Bancroft) on the other end. Inge, depressed about her life, has just taken an overdose of sleeping pills. With Inge slowly dying, Alan tries to keep her talking on the phone while the police try to trace the call and save her life. Inge tells Alan that she has decided to end it all because her husband has discovered that he is not the father of her son. ~ Paul Brenner, Rovi

The first season of this World War II series -- which was based on the 1949 feature film starring Gregory Peck and Dean Jagger (who won the Oscar) -- starred Robert Lansing as Brigadier General Frank Savage (the role played by Peck in the movie), the commander of the 918th Heavy Bombardment Group, based at Archbury. That season hewed the most closely to the film in terms of characters, with Frank Overton in the recurring role of Adjutant Major Harvey Stovall (the Dean Jagger role), and, as regular, recurring characters, Lew Gallo as Major Cobb, Barney Phillips as Major Kaiser ("Doc Kaiser"), the group medical officer, John Larkin as Savage's commanding officer, Major General Wiley Crowe (later succeeded by John Zaremba as Major General Stoneman); and Paul Newland as his superior officer, Lieutenant General Pritchard. The series was based, like the movie, on the novel of the same name by Sy Bartlett and Beirne Lay, Jr. (who also wrote the screenplay), who were listed as creators of the program, and based their work on the real-life story of General Frank Armstrong, commander of the 306th Bomb Group. As one would expect, the series concentrated initially on airborne stories. The fact that the series was originally in black-and-white made it possible to use a large amount of actual World War II footage -- although, as with the original film, it was the men's lives on the ground that were the main substance of the scripts. As with most dramatic series of this era, faced with producing over 30+ episodes each season, the series' output was somewhat uneven, in the writing as well as the direction, though the acting was consistently good. To the viewer, the difficulty with the first season was that the scripts got a little repetitive early on -- one can wonder, for example, looking at the series four or five decades on, how many nests (or potential nests) of spies, and how many women with agendas of their own, would a combat officer such as Frank Savage cross paths with in real life?

The real problems with the first season were more internal, and mostly concerned the star, Robert Lansing, a method-trained actor with theatrical experience who was reputed to be very difficult to work with. Producer Quinn Martin apparently decided early on that his role might have to be written out and the actor replaced. In the very first episode, the writers introduced the character of Joseph Gallagher, the son of an Army Air Force lieutenant general, played by Paul Burke -- a leading man who had just come off of the series The Naked City -- initially as a captain. Gallagher reappears in the 24th episode as a major and squadron commander, setting the stage for his replacing Savage in the first episode of the second season. Officially, the reason that Lansing was leaving the series was a result of his lack of appeal to female viewers (though how many female viewers were watching a series such as this was questionable), and the fact that the producers wanted a younger man, though Burke was actually two years older than Lansing, but was a more conventionally handsome man and looked younger.

The series' first season is generally by fans as the best, despite the internal strains behind the scenes. The scripts delved into the dark side of the psyche, on the part of pilots, their commanders, and the people around them (including women); and if one could get past moments of incredulity, the suspense level in some of the stories was most bracing and effective. In "The Hours Before Dawn", for example -- a show that seems to have borrowed its title and part of its content from a Somerset Maugham wartime story -- Savage is the only man with details of a vital mission, and finds himself trapped during a German bombing raid in a house with a woman (Glynis Johns) who has retreated from all contact with the war or the outside world, and a downed German colonel (Fritz Weaver), who plans on capturing or killing Savage.

As a result of the fact that a lot of the drama was set on the ground, 12 O'Clock High was able to feature a much larger female presence than most World War II series of its era. This obviously pleased the sponsors and the network, though at times it also made the program seem a little too much like a soap opera for modern tastes. The series was successful enough to be renewed for a second season, but not without a lot of vast changes in store for the cast, more than was typical of television during this period. ~ Bruce Eder, Rovi

A mayoral candidate is booted out of town after he is gulled into a gunfight and kills his rival. This western chronicles his adventures as an outlaw. ~ Sandra Brennan, Rovi

This gritty crime drama is based on the true story of a Mexican news reporter who single-handedly takes on a crime syndicate. The journalist begins by publishing the names of several prominent, corrupt politicians. The syndicate retaliates and the journalist is killed. The locals rebel and the reporter's son takes up his father's cause. By uniting, the community routs the crooks from their home. The story is narrated by the actual journalist. ~ Sandra Brennan, Rovi

Like its predecessor Davy Crockett, King of the Wild Frontier, Walt Disney's Davy Crockett and the River Pirates was cobbled together from two episodes of the weekly TV anthology Disneyland. Though it wasn't so labelled at the time, River Pirates is actually a "prequel" to the earlier film, detailing events that allegedly occured in Crockett's life before his rendezvous with destiny at the Alamo. Set in 1810, the first half of the story deals with a river race to New Orleans between Davy (Fess Parker) and his friendly enemy Mike Fink (Jeff York). Once this plot strand has run its course, the film segues into Davy and Mike's attempts to prevent an Indian war which is being fomented by a renegade white man. Linking these two episodes are the spirited ballads of Davy's pal George Russel (Buddy Ebsen). Like the first "Davy Crockett" venture, Davy Crockett and the River Pirates cleaned up at the box-office and increased department-store sales of those coonskin caps (remember?) ~ Hal Erickson, Rovi

Danny Kaye spoofs medieval swashbucklers in this classic musical comedy. While the infant King of England awaits his rightful place as leader of the British Empire, his rule is usurped by Roderick (Cecil Parker), an evil pretender to the throne. Brave rebel leader The Black Fox (Edward Ashley) intends to remove Roderick from the palace and bring the crown back to its true owner, but in the meantime the baby king needs to be looked after, which is the job of a man named Hawkins (Kaye). The Black Fox travels with the little king and his rebels as they search for the key to a secret tunnel that will allow them passage into the castle. Maid Jean (Glynis Johns), one of the rebels, meets a man en route to the Castle who is to be Roderick's new jester. The rebels quickly hatch a plan: detain the jester and send Hawkins in his place; the king can then find the key and initiate the overthrow. Hawkins is able to persuade Roderick and his men that he is indeed a jester, but his espionage work gets complicated when Princess Gwendolyn (Angela Lansbury) falls in love with him, and he runs afoul of Sir Ravenhurst (Basil Rathbone), the evil genius behind Roderick. Court Jester features Kaye's famous "Pellet with the Poison" routine. ~ Mark Deming, Rovi

Paul Henreid was light-years removed from Now Voyager and Casablanca when he starred in the Columbia costume cheapie Pirates of Tripoli. Henreid is cast as Edri-Al-Gadrian, a bold buccaneer who comes to the rescue of Princess Karjan (Patricia Medina). Much of the action footage is culled from earlier Columbia pirate epics, which explains the variety of costumes worn by the good and bad guys. Despite his reduced surroundings, Henreid seems to be having more fun than usual in his role. The remainder of the cast is comprised of such B-flick regulars as Paul "Tiny" Newland, John Miljan and William Fawcett, the latter eschewing his standard grizzled-old-propector characterization to portray a grizzled old street beggar. ~ Hal Erickson, Rovi

A jewel thief is at large on the Riviera, and all evidence points to retired cat burglar Cary Grant. Escaping the law, Grant heads to the Cote D'Azur, where he is greeted with hostility by his old partners in crime. All of them had been pardoned due to their courageous activities in the wartime Resistance, and all are in danger of arrest thanks to this new crime wave. But Grant pleads innocence, and vows to find out who's been copying his distinctive style. With the reluctant aid of detective John Williams, Grant launches his investigation by keeping tabs on the wealthiest vacationers on the Riviera. One such person is heavily bejeweled Jessie Royce Landis, who is as brash and outspoken as her daughter Grace Kelly is quiet and demure. But "still waters run deep," as they say, and soon Kelly is amorously pursuing the far-from-resistant Grant. Part of Kelly's attraction to Grant is the possibility that he is the thief; the prospect of danger really turns this gal on. Being Cary Grant, of course, he can't possibly be guilty, which is proven in due time. But by film's end, it's obvious that Kelly has fallen hard for Grant, crook or no crook. Occasionally written off as a lesser Alfred Hitchcock film (did we really need that third-act fashion show?), To Catch a Thief is actually as enjoyable and engaging now as it was 40 years ago. Though the Riviera location photography is pleasing, our favorite scene takes place in a Paramount Studios mockup of a luxury hotel suite, where Grant and Kelly make love while a fireworks display orgasmically erupts outside their window. And who could forget the scene where Jessie Royce Landis disdainfully stubs out a cigarette in an expensive plate of eggs? Adapted by frequent Hitchcock collaborator John Michael Hayes from a novel by David Dodge To Catch a Thief won an Academy Award for cinematographer Robert Burks. ~ Hal Erickson, Rovi

Wisely cashing in on the enormous (and largely unexpected) success of his 1954 Davy Crockett TV miniseries, Walt Disney whipped up a spinoff for the 1955-56 season of his weekly Disneyland anthology. Since frontiersman Davy Crockett (Fess Parker) and his pal George Russel (Buddy Ebsen) were killed off at the Alamo at the end of the first miniseries, the second Davy Crockett opus, the two-part "The Legends of Davy Crockett" was a "prequel", set in 1810 or thereabouts. In Episode One, "Davy Crockett's Keelboat Race", Davy and George want to travel down the Ohio River towards New Orleans, but they bristle when self-styled "King of the River" Mike Fink (Jeff York) charges them $1000 for a ride on his keelboat. Our heroes hire another boat captained by an old salt named Cobb (Clem Bevans), thereby sparking a race between Crockett and Fink, with a valuable shipment of furs as the prize. Naturally, Mike pulls all sorts of underhanded tricks to keep Davy's boat from finishing the race, but good sportsmanship wins out, and Davy and Mike become good pals. A hint of what is to come in the next episode, "Davy Crockett and the River Pirates", occurs when a band of white outlaws disguised as Indians have a brief set-to with Davy early in the proceedings. The series' hit theme song, not to mention those coonskin caps, are very much in evidence, with the added filip of a new song, "King of the River", sung con brio by Jeff York. Both episodes of The Legends of Davy Crockett were later edited together and released theatrically in 1956 as Davy Crockett and the River Pirates. ~ Hal Erickson, Rovi

Demetrius and the Gladiators was the sequel to The Robe, and though they were released several months apart, the films were shot at the same time. Based on characters originally conceived by Lloyd C. Douglas, the film stars Victor Mature as the title character, an ex-slave who embraced Christianity after being present at the Crucifixion. Thrown in jail for defending an elderly merchant from a sadistic Roman legionnaire, Demetrius is forced to attend gladiator school and fight in the arena for the amusement of the mad, debauched emperor Caligula (Jay Robinson, likewise repeating his performance in The Robe). The well-proportioned Demetrius attracts the attention of Messalina (Susan Hayward), the nymphomaniac wife of Caligula's would-be successor Claudius (Barry Jones). Briefly losing faith in Christ, Demetrius is saved from himself by the apostle Peter (Michael Rennie). Because of contractual complications, Demetrius and the Gladiators was released to television seven years before The Robe. ~ Hal Erickson, Rovi