William Newell Movies

In the late 1940s - early 1950s, Columbia Pictures enjoyed a great deal of success with a series of slapsticky feature films built around the talents of such gifted funsters as Red Skelton, Lucille Ball, William Bendix and Jack Carson. In this tradition, Columbia's Traveling Saleswoman is a showcase for the delightful Joan Davis. The star plays Mabel King, who heads westward to sell her father's soap. Tagging along is Mabel's erstwhile beau Waldo (Andy Devine). In the course of the film's 74 minutes, Mabel wins over a hostile Indian tribe, makes short work of an outlaw named Cactus Jack (Joe Sawyer) and a saloon chirp named Lilly (Adele Jergens), and even gets to warble a song or two in her own inimitable fashion. Traveling Saleswoman was produced by Tony Owen, who later prospered as producer of a long-running TV sitcom starring his wife, Donna Reed. ~ Hal Erickson, All Movie Guide

A Woman of Distinction serves as a tailor-made vehicle for Rosalind Russell. The star is cast as Susan Middlecott, a highly respected college dean. As can be expected, Susan is too busy for romance -- at least until handsome professor Alec Stevenson (Ray Milland) enters the picture. At first, the dean and the prof are thrown together by the overzealous machinations of a press agent, and they're none too pleased about it. No matter how hard they try to keep their distance from each other, Susan and Alec constantly find themselves in embarrassing situations in full view of the public. It takes the behind-the-scenes maneuvers of Susan's puckish papa (Edmund Gwenn) to straighten things out. Appearing in unbilled cameos are Lucille Ball as herself, and Ball's future TV cohort Gale Gordon as a railroad ticket agent. ~ Hal Erickson, All Movie Guide

Though divorced from attorney Robert Cummings, Rosalind Russell continues hoping that she can arrange a reconciliation. This proves difficult due to Cummings' fascination with curvaceous Marie McDonald. Contriving to arouse Cumming's jealousy, Russell pretends to be married to feckless Gig Young. There's complications and misunderstandings aplenty before happy-ending time. Tell It to the Judge is so lightweight that it threatens to float out of sight at times; the stars manage to hold this pleasant meringue together. ~ Hal Erickson, All Movie Guide

Acclaimed playwright George S. Kaufman made his directorial debut with this broad political satire. Senator Melvin G. Ashton (William Powell) is a long-time congressman for whom the phrase "dumb as a log" would be fitting if one were not afraid of insulting the trees. After more than twenty years of representing his clueless constituents, Ashton decides to take a shot at the presidential race, and hires Lew Gibson (Peter Lind Hayes) is his press agent. Party topkick Dinty (Charles D. Brown) considers Ashton an utterly hopeless candidate, especially after he begins making fantastic campaign promises no one could possibly keep, but Ashton turns out to be a bit more shrewd than expected. The senator has kept a detailed journal documenting the many underhanded deals his colleagues have had their hands in over the years; all he has to do is slip the diary to a reporter and most of congress will be run out of town on a rail. This possibility seem all the more urgent when Ashton starts dating Poppy McNaughton (Ella Raines), a journalist. The Senator Was Indiscreet boasts a fine supporting cast, including Ray Collins, Allen Jenkins, Hans Conreid, and a cameo appearance from Myrna Loy. ~ Mark Deming, All Movie Guide

One of the most ambitious productions ever turned out by Monogram studios, Song of My Heart represented the directorial debut of screenwriter Benjamin Glazer. The film unfolds the life story of Peter Ilytich Tschaikovsky, with Swedish actor Frank Sundstrom in the title role. Avoiding the sensualism and sensationalism of Ken Russell's later Tschaikovsky biopic The Music Lovers (wisely, given the censorial limits of 1947), Glazer's film tastefully concentrates on the Russian composer's romantic relationship with his patroness Amalya (Audrey Long). Though he achieves great professional success on the concert stage, Tschaikovsky finds personal happiness and contentment only when he is on the verge of death. The huge cast includes such diverse personalities as Sir Cedric Hardwicke, Mikhail Rasumny, Gale Sherwood, Jimmie Dodd, and even veteran western heavy Lane Chandler. Deemed too good to be released with the Monogram imprimatur, Song of My Heart was handled by the studio's "prestige" division, Allied Artists. ~ Hal Erickson, All Movie Guide

James Thurber wasn't too happy with the Sam Goldwyn film adaptation of his 1939 short story The Secret Life of Walter Mitty, but the Technicolor musical comedy proved to be a cash cow at the box office. Danny Kaye stars as Walter, a milquetoast proofreader for a magazine publishing firm. Walter is constitutionally incapable of standing up for himself, which is why his mother (Fay Bainter) has been able to arrange a frightful marriage between her son and the beautiful but overbearing Gertrude Griswold (Ann Rutherford). As he muses over the lurid covers of the magazines put out by his firm, Walter retreats into his fantasy world, where he is heroic, poised, self-assured, and the master of his fate. Glancing at the cover of a western periodical, Walter fancies himself the two-gun "Perth Amboy Kid"; a war magazine prompts Walter to envision himself as a fearless RAF pilot; and so on. Throughout all his imaginary adventures, a gorgeous mystery woman weaves in an out of the proceedings. Imagine Walter's surprise when his dream girl shows up in the flesh in the person of Rosalind van Horn (Virginia Mayo). The girl is being pursued by a gang of jewel thieves headed by Dr. Hugo Hollingshead (Boris Karloff), a clever psychiatrist who manages to convince Walter that he's simply imagining things again, and that Rosalind never existed. At long last, Walter vows to live his life in the "now" rather than in the recesses of his mind: he rescues Rosalind from the gang's clutches, tells his mother and Gertrude where to get off, and fast-talks his way into a better position with the publishing firm. Substituting the usual Danny Kaye zaniness for James Thurber's whimsy, Secret Life of Walter Mitty works best during the production numbers, especially Kaye's signature tune "Anatole of Paris." ~ Hal Erickson, All Movie Guide

In this crime melodrama, two would-be jewel thieves conspire to pull a heist, but are frustrated because the police are able to successfully anticipate their every move and stop them. Later the thieves fall in love and it is then that the female thief admits that she is a detective who was hired by an insurance company to stop him. She then pleads with him to give up crime, but he doesn't, so she rats on him and justice is served. ~ Sandra Brennan, All Movie Guide

A would-be nightclub entertainer finds her life jeopardized after she inadvertently witnesses a gangland murder while heading for an audition. Fortunately, a brave photographer is there to save her and this crime drama ends on a happy note. ~ Sandra Brennan, All Movie Guide

Told in flashback, Out of the Depths strives to explain why its four male protagonists are bobbing around the Pacific in a lifeboat. The story proper begins as Captain Faversham (Jim Bannon) and his crew embark upon a secret mission which takes them into Japanese waters. The plan is to prevent a kamikaze attack against the American invading forces. Compelling in itself, the plotline isn't improved by arbitrary doses of misfire pathos and comedy relief. One of the sailors is played by Ken Curtis, later to gain TV fame as Festus on Gunsmoke. ~ Hal Erickson, All Movie Guide

Sometimes dismissed as a derivation of Samuel Goldwyn's The Best Years of Our Lives, RKO Radio's superb Till the End of Time was actually based on Niven Busch's novel They Dream of Home, and was completed and released several months before the Goldwyn film. The story concentrates on three ex-marines: Cliff Harper (Guy Madison), Bill Tabeshaw (Robert Mitchum) and Perry Kincheloe (Bill Williams). Harper falls in love with emotionally distraught war widow Pat Ruscomb (Dorothy McGuire); Tabeshaw endures one disappointment after another as he tries to buy his own ranch; and Kincheloe, rendered legless by the war, intends to spend the rest of his life wallowing in self-pity. All three men find a new lease on life when they engage in a cathartic barroom brawl against a bigoted group of self-styled patriots led by hate-spouting Ray Teal (forever typecast as rabid racists during the postwar years). It was this climactic scene, which remains the most memorable aspect of Till the End of Time (outside of its Chopin-inspired theme song) that caused a lot of headaches for producer Dore Schary, screenwriter Allen Rivkin and director Edward Dmytryk during the House Unamerican Activities hearings a few years later: what was accepted as pro-American in 1946 would soon be labelled "Pinko" by the anti-Red zealots. ~ Hal Erickson, All Movie Guide

William Powell plays a cynical con man who graduates from penny-ante operations to a big-time charity racket. The scam involves collecting money on behalf of St. Dismas, bringing Powell in close contact with several men of the cloth. As the racket rolls on, Powell is touched by the sincerity of the religious men and the plights of the charity's rightful recipients. He has a change of heart, confessing his original criminal intentions but seeing to it that the money goes to the right people. Hoodlum Saint was typical of the facile religiosity often found in MGM pictures of the period. The film is best remembered as the first non-aquatic performance of MGM swimming star Esther Williams. ~ Hal Erickson, All Movie Guide

With The Outlaw still being withheld from general release, Young Widow represented the first time that most filmgoers ever saw Jane Russell on the screen. Unfortunately, she was hardly at her best in this lachrymose tale of a woman named Joan Kenwood, who can't get over her husband's death in WW II. A journalist by profession, Joan is reminded in large ways and small of her late husband during every one of her assignments. Sympathetic ex-soldier Jim Cameron (Louis Hayward) follows Joan around throughout the picture, hoping against hope that she'll eventually forget her husband and pay some attention to him. Featured in the supporting cast is Faith Domergue, who like Jane Russell was a well-endowed Howard R. Hughes "discovery." Young Widow was based on the four-hanky novel by Clarissa Fairchild Cushman. ~ Hal Erickson, All Movie Guide

The Technicolor musical Masquerade in Mexico is Mitchell Leisen's remake of his own Midnight. Stranded in Mexico City without a dime, glamorous Angel O'Reilly (Dorothy Lamour) is rescued by wealthy Thomas Grant (Patric Knowles). But Grant's motivations are anything but altrustic. In order to get his wife Helen's (Ann Dvorak) mind off handsome bullfighter Manolo Segovia (Arturo de Cordova), Grant passes Angel off as a Contessa at a weekend party, reasoning that Segovia will switch his attentions to our heroine. Screenwriter Karl Tunberg has added a jewel-theft angle to the original Edwin Justis Mayer/Franz Spencer story, which improves things not at all. Masquerade in Mexico is admittedly a handsomer production than Midnight, but the remake lacks the sparkle of the original film's stars Claudette Colbert, Don Ameche, John Barrymore, Francis Lederer, Mary Astor et. al. ~ Hal Erickson, All Movie Guide