William Newell Movies

Magazine publisher Clark Gable is happily married to Myrna Loy. Clark's devoted, super-efficient secretary Jean Harlow may have once harbored a secret desire for her boss, but she's perfectly content with boyfriend James Stewart. Accompanying Gable on a crucial business trip, Jean answers the phone in her boss' suite. Myrna, on the other end of the line, misunderstands, thereby setting the stage for a series of subsequent misunderstandings. As one can see, nothing much really happens in Wife vs. Secretary. The film is a vehicle in every sense of the word, totally reliant on the appeal of its stars. But it works beautifully, and remains as entertaining now as it did sixty years ago. One film historian has wondered what Wife vs. Secretary would have looked like had it been made before the imposition of the production code: would Jean have really had an affair with Clark, thereby giving Myrna something to really worry about? No matter; while it may have been racier, it's not likely the film could have been any more entertaining than it already is. ~ Hal Erickson, All Movie Guide

The MGM historical "spectacular" San Francisco was allegedly based on a three-sentence synopsis, submitted verbally to producer B.F. Zeidman by studio troubleshooter Bob Hopkins. The story begins on the Barbary Coast on New Year's Eve, 1906, as rakish but likeable political boss Blackie Norton (Clark Gable) hires demure young singer Mary Blake (Jeanette MacDonald) to perform at his rowdy Paradise gambling house. Local priest Father Mullin (Spencer Tracy), Blackie's best friend, disapproves of the exploitation of the lovely Mary, feeling that she's suited for classier surroundings. Jack Hurley (Jack Holt), Nob Hill socialite and Blackie's political rival, agrees with Father Mullin and offers the girl the opportunity to sing with the San Francisco Opera. Blackie, who's fallen in love with Mary but won't admit it to himself, jealously holds on to her contract, forcing Mary to walk out on him. For the rest of the film, Mary is torn between the "respectable" lifestyle offered her by Hurley and the baser creature comforts provided by Blackie. It looks for a while that Hurley has won out, but fate takes a hand in the form of the devastating San Francisco Earthquake of April 18, 1906 (a special effects tour de force for art directors Arnold Gillespie and his uncredited associate James Basevi). Hurley is killed in the holocaust, while Blackie, desperately searching for Mary in the rubble, at long last finds religion and prays to God for his sweetheart's salvation. At the end, an unidentified bit player shouts defiantly "We'll build a new San Francisco!" -- and by golly, they do! The Hollywood censors were not so much bothered by the sexual subtext of San Francisco or its harrowing earthquake finale as they were by a scene in which Father Mullin is knocked down by an unrepentant Blackie. To "purify" this potentially blasphemous sequence, screenwriter Anita Loos quickly added an earlier scene in which Mullin and Blackie, both dressed in turtleneck sweaters, genially duke it out at an exercise gym, whereupon the priest cold-cocks Blackie with the greatest of ease. By establishing that Mullin could have punched out Blackie, but chooses not to in the controversial later scene, not only allows that scene to pass, but also strengthened the priest's character. San Francisco proved to be one of MGM's biggest hits, remaining in almost constant reissue for the next three decades. ~ Hal Erickson, All Movie Guide

Based on Danny Ahearn's short story "Back in Circulation", Republic's Bulldog Edition stars Ray Walker as Ken Dwyer, two-fisted circulation manager for a great metropolitan newspaper. Though Dwyer's methods always attract customers, they are also the bane of the existence of dyspeptic managing editor Hardy (Regis Toomey). In addition, Dwyer and Hardy continually duke it out over the affections of staff cartoonist Randy (Evelyn Knapp). The story proper gets under way when Dwyer takes on a rival newspaper whose editor is in cahoots with gangster boss Enright (Cy Kendall). One thing leads to another, and before long Randy is kidnapped by the villains, necessitating an oversized shoot-out climax. From its impressive opening titles to its explosive finale, Bulldog Edition is four-star entertainment. ~ Hal Erickson, All Movie Guide

A naval officer gets more than he bargained for when he adopts a recently orphaned young boy, the son of his late best friends. Despite the resistance of the lad's surviving relatives, who worry that growing in the Navy will be hard on the boy, the officer loves and takes good care of the boy. At least he does until the child is abducted by a gangster who has mistaken him for his long-lost boy. Fortunately for the young fellow, the officer rallies the entire Navy and comes to the rescue. ~ Sandra Brennan, All Movie Guide

The Big Show is a modestly budgeted but elaborately turned out Gene Autry western. Autry plays "himself," a famous cowboy star, and his own stunt man. When Autry-the-star reneges on a agreement to make a personal appearance at Dallas' Texas Centennial (represented through newsreel shots), Autry-the-stunt man takes his boss' place. This causes confusion with the ladies, and with a gang of mobsters who were hoping to extort money from Autry-the-star. Ever protective of his own image, Gene Autry saw to it that both of his cinematic alter egos prove worthy of their salt in a climactic fist-fight with the villains. Also appearing in The Big Show is a radio aggregation called the Sons of the Pioneers, featuring future Gene Autry rival Roy Rogers. ~ Hal Erickson, All Movie Guide

It has been said that Ray Mala was the only Jewish Eskimo actor in Hollywood. Whatever his religious or racial origins, Mala is "all hero" in the 14-chapter Republic serial Robinson Crusoe of Clipper Island. The star plays a character also named Mala, a Polynesian native and U.S. Intelligence agent. Mala is dispatched to Clipper Island to prove that the huge dirigible San Francisco was destroyed by saboteurs (the destruction of the big blimp is culled from library footage of the Hindenburg disaster). Accompanied by his faithful dog Buck and human assistant Hank (William Newell), Mala discovers that a nest of enemy spies are operating on the island, with the electronic technology to control volcanic eruptions and keep the natives in thrall. Convincing the lovely Princess Melani (Mamo Clark) that he's one of the good guys, Mala manages not only to thwart the spies, but to also prevent a takeover by despotic high priest Porotu (John Piccori). A 100-minute feature version of this serial, retitled Robinson Crusoe of Mystery Island, was released to TV in 1966. ~ Hal Erickson, All Movie Guide

In this musical comedy, a struggling songwriter fakes a letter of admittance into the apartment of a rich composer. It is most convenient as the successful fellow is out of town. The girl is hungry and unable to pay her own rent, so she takes full advantage until he returns and finds his well-ordered life in shambles. ~ Sandra Brennan, All Movie Guide

In this tuneful programmer a singer, believing that her husband, a Marine pilot accused of treason, has died in the Pacific, takes a job singing in Shanghai. There she see spies a certain handsome dancer in the club show who looks exactly like her late spouse. The resemblance is too uncanny for him to be anyone else. Surmising that he has amnesia, the singer decides she must somehow get him back and prove his innocence. But this is easier said than done as she soon discovers. ~ Sandra Brennan, All Movie Guide

While not a box-office success, this drama, directed by Leo McCarey, developed a potent reputation among film critics and movie buffs for its sensitive and perceptive treatment of the problems of the elderly. When McCarey won the Oscar for Best Director the same year for The Awful Truth, he remarked that the Academy gave him the award for the wrong movie. Barkley and Lucy Cooper (Victor Moore and Beulah Bondi) are a couple in their late 60s who have fallen on hard times and have been given the bad news that the bank is foreclosing on their house. Barkley and Lucy turn to their five children for help, but none are willing or able to do much for them; their son George (Thomas Mitchell) says that Lucy can stay with him and his wife Anita (Fay Bainter), while Nellie (Minna Gombell) and her husband Harvey (Porter Hall) can take in Barkley, but neither couple have the space or the means to house them both. Living with their children and their new families proves stressful for everyone involved, and Lucy decides to take up residence in a home for older women. She and Barkley realize that this will probably mean a permanent separation for the two of them, and they try to enjoy one last outing together before they part. Remarkably, Beulah Bondi was only 46 years old when this film was made, making her less then ten years older than several of her on-screen children; make-up wizard Wally Westmore used his bag of tricks to age her the appropriate two decades for the role. ~ Mark Deming, All Movie Guide

There was some novelty value in the fact that an actor whose initials were E.Q. was cast as intellectual sleuth Ellery Queen in Republic's The Mandarin Mystery. That actor was Eddie Quillan, who though a talented and appealing performer was woefully miscast as Queen. The story, based on the Ellery Queen novel The Chinese Orange Mystery, is set in motion by a crook who steals a $50,000 stamp, which results in two murders -- both committed in impenetrably locked rooms. The primary suspect is Jo Temple (Charlotte Henry), the original possessor of the stamp. Falling in love with Jo, Ellery sets about to retrieve the stolen goods and solve the murders. Perhaps realizing that Eddie Quillan could never be taken seriously in the leading role, Republic opted to play The Mandarin Mystery for laughs -- another big mistake. Originally released at 63 minutes, the film is currently available only in its 54-minute TV-reissue form. ~ Hal Erickson, All Movie Guide

A macho Cossack immigrant to the U.S. goes West and joins a ring of rustlers. Later his son follows him to states and he too begins stealing cows. Not knowing his father very well, the youth is anxious to prove himself a manly man and a friendly rivalry develops until the father is captured and imprisoned. Meanwhile, his son joins the cavalry and secretly engineers a break out. He succeeds and then feels terrible guilt, for it is his unit that has been assigned to bring his father to justice. ~ Sandra Brennan, All Movie Guide

The Sidney Howard/Paul de Kruf Broadway play Yellow Jack was transferred to the screen by MGM in 1938. The film is set at the turn of the century, when yellow fever was the Number One killer in Latin America. Army doctors Lewis Stone, Charles Coburn and Stanley Ridges gather in Cuba to attempt to find the cause and cure of the dreaded disease. Five US soldiers--Robert Montgomery, Buddy Ebsen, Alan Curtis, Sam Levene and William Henry--volunteer to expose themselves to yellow fever as a means to test the experimental vaccines. In a very well handled close-up setpiece, the audience discovers long before the medical staff that the humble mosquito is the disease carrier. The "Let me be the first to die" brand of heroics is sometimes hard to take, but otherwise Yellow Jack is inspiring entertainment in the grand old Hollywood tradition. ~ Hal Erickson, All Movie Guide