William Newell Movies

Jethro falls hopelessly in love with tempestuous movie starlet Kitty Devine (Sharon Farrell). Not surprisingly, the self-centered Kitty does not return Jethro's affections. But when she learns from her agent (Bernie Kopell) that the Clampetts are worth several million dollars -- and that Jethro's Uncle Jed owns the movie studio where she works -- it's a different story indeed! Part one of a three-part story arc, "The Movie Starlet" originally aired on January 13, 1965. ~ Hal Erickson, Rovi

This episode is based on a mystery story penned by no less than Ellery Queen. When his son is mysteriously murdered, religious fanatic John Cooley (R.G. Armstrong) embarks upon a "mission from God" to wreak vengeance for the boy's death. Using a fragmentary clue found at the murder scene, Cooley heads to the small town of Northfield, where he holds the populace in a grip of terror. Hoping to prevent Cooley from destroying the town, Northfield sheriff Will Pearce (Dick York) sets about to solve the murder himself. ~ Hal Erickson, Rovi

The only episode of The Alfred Hitchcock Hour directed by Hitchcock himself (though he'd previously helmed several of the anthology's half-hour installments), "I Saw the Whole Thing" draws its suspense from the reliability -- or lack of reliability -- of eyewitness testimony. Arrested on suspicions of causing a fatal car accident, mystery writer Michael Barnes (John Forsythe) insists upon acting as his own attorney. Five witnesses insist under oath that they saw Barnes run a stop sign -- and in each case, Barnes discredits their testimony by proving that the witnesses only thought they saw what they saw, based on their own experiences and personal prejudices. Things take an unexpected turn when a sixth witness offers a sixth version of the accident. ~ Hal Erickson, Rovi

Beaver insists that he's too old for birthday parties and presents and all that kind of junk. Accordingly, his parents present him with money on his birthday, as does his Uncle Billy. However, Beaver cannot resist spending some of the cash on a model car. So here's the problem -- inasmuch as he was so adamant about not getting "toys" for his birthday, and he hasn't asked permission to purchase the car, Beav must now figure out a way to hide his new acquisition lest he lose face in front of his parents. ~ Hal Erickson, Rovi

A screwball comedy that turns into political farce, this film was something of a throwback even in 1960. Real-life husband and wife Tony Curtis and Janet Leigh star as David and Ann Wilson. David is a university professor who is kissing one of his students when Ann walks in on them. She demands a divorce. David turns to his old friend, a television writer, Michael Haney (Dean Martin), who cooks up a cover story. They convince Ann that David is working undercover for the FBI, and that the kiss was part of a sting. The gullible Ann believes the story. Later, when she sees David and Michael in a restaurant with two women, she suspects that the women are spies, and passes David his empty gun. This touches off a disturbance that is filmed by TV news crews. Some real Russian spies think that David really is an FBI agent, and the spies grab the Wilsons and Haney, take them to a secret chamber beneath the Empire State Building, and give them truth serum. From there, the film continues to twist and turn in wildly wacky ways. ~ Michael Betzold, Rovi

Just outside the small town of Pauley, a Native American woman is attacked by two riders on horseback, raped, and killed. Her husband, Matt Morgan (Kirk Douglas), the town marshal, has only two clues to their identity, a fancy saddle with the initials "C.B." that one of the men left behind, and the fact that his wife cut one of the two men deep across the cheek with a buggy whip. Morgan traces the saddle to Craig Belden (Anthony Quinn), an old friend and now a wealthy rancher in the town of Gun Hill, but he knows Belden well enough to know that he couldn't have had anything to do with attacking his wife. Morgan's arrival with Belden's saddle sets off ugly rumblings in Gun Hill, and when he confronts the rancher, he discovers that it was his son Rick (Earl Holliman) who had his horse and the saddle, and rode out with a cowhand friend of his, Lee (Brian G. Hutton) -- but they claim their horses were stolen. Belden tries to convince Morgan, and wants to believe himself that whoever stole the horses must have killed his wife, but when Morgan mentions the cut that one of the killers will have on his face, they both know the truth. He vows to take Rick and Lee back to Pauley to stand trial, while Belden swears he'll do anything it takes to protect his son. Belden is virtually all the law there is in Gun Hill -- the sheriff (Walter Sande) won't help Morgan serve his arrest warrants on the two men, or even let him use the jail to hold them until the last train that night; there's not a working man, a shopkeeper, or even a prostitute in the whole town that will go against the rancher, and Belden's foreman Beero (Brad Dexter) and his men will strongarm anyone who might start feeling brave. Only Linda (Carolyn Jones), a woman who has been both romanced and abused by Belden, will lift a finger on Morgan's behalf. The marshal is nothing if not resourceful, however, and Rick Belden is also too stupid for his own good, and manages to fall into Morgan's hands in short order. Very quickly, a standoff ensues, with Morgan holding Rick in one of Belden's buildings against virtually the entire town, while the deadline -- the last train out of Gun Hill that night -- approaches. People die and a chunk of Belden's holdings are destroyed, but Morgan is about to get Rick onto the train and off to trial when suddenly, one sudden act of violence destroys father and son in a matter of seconds. ~ Bruce Eder, Rovi

As a favor to an old friend, producer Alex Gordon, James Cagney turned director for the first and only time in his career with Short Cut to Hell. The film is a remake of the 1942 Veronica Lake-Alan Ladd starrer This Gun For Hire. Robert Ivers plays Kyle, a hired killer who is double-crossed by his employer Bahrwell (Jacques Aubuchon). Seeking revenge, Kyle is reluctantly teamed with Glory Hamilton (Georgann Johnson), who has been targeted for elimination by Bahrwell and his henchman Nichols (Murvyn Vye). Unfortunately, Glory is the girlfriend of detective Stan (William Bishop), forcing Kyle to go on the lam before he can settle accounts with the film's principal villain. Kyle is finally able to get even with Bahrwell, and in the process reveals his long-dormant "good" side. Though the film itself is nothing special, Cagney's direction is sharp and efficient; it's too bad that Short Cut to Hell was his only effort behind the cameras. ~ Hal Erickson, Rovi

Our Miss Brooks had been a radio and TV sitcom hit thanks to the considerable input of star Eve Arden. The film version of Our Miss Brooks was not quite as successful (why pay for something that you can get at home every week for free?), but it admirably captures the spirit of the original audio and video versions. As ever, high school teacher Connie Brooks (Arden) carries a torch for handsome but clueless biology professor Phillip Boynton (Robert Rockwell, taking over a role created for radio by Jeff Chandler). Connie is finally able to arouse Boynton's attention when she is courted by the father (Don Porter) of a student (Nick Adams) she is tutoring. A subplot involving petty crime can easily be ignored, but there's no avoiding the hilarious fingernails-on-the-blackboard rendition of It's Magic sung by the adenoidal Walter Denton (Richard Crenna). And of course, there's principal Osgood Conklin (Gale Gordon), blowing his top at the slightest provocation. Our Miss Brooks was directed by Al Lewis, who was the chief writer for the radio and TV editions of the property. ~ Hal Erickson, Rovi

After several years of domestic squabbles, the marriage of Nina and Robert Tracy (Judy Holliday, Jack Lemmon) goes "phffft"! Upon receiving their divorce papers, Nina and Robert are certain that they'll remain friends, no matter how many new lovers they pick up along the way. Nina dallies briefly with bombastic Charlie Newton (Jack Carson), while Robert has a fling with the luscious Janis (Kim Novak). These romantic episodes only serve to make Nina and Robert realize how much they're still in love with each other. According to costar Jack Lemmon, the original title of this film was Phfffft!, but after an all-night bull session at Columbia Pictures it was decided to take out one of the "F"s. ~ Hal Erickson, Rovi

George Reeves plays a triple role in this episode, as reporter Clark Kent, Kent's alter ego Superman, and a lookalike gangster named Boulder. With the help of a plastic surgeon and an acting coach named Hamlet (Percy Helton), Boulder is able to impersonate Superman, committing a series of crimes in this guise in order to disgrace and discredit the real Man of Steel. The plan might have gone off without a hitch had not one of Boulder's cronies (George Chandler) decided to do harm to Clark's reporter pal Jimmy Olsen (Jack Larson). An uncredited Hayden Rorke appears as a psychiatrist counseling the confused Clark Kent: twelve years later, Rorke would hang out his shingle as Air Force psychiatrist Dr. Bellows on I Dream of Jeannie. ~ Hal Erickson, Rovi

Believe it or not, those boobish Bowery Boys Slip Mahoney (Leo Gorcey) and Sach Jones (Huntz Hall) are drafted into the Marine Corps (drafted into the Marine Corps?) Because of his father's sterling war record, simple-minded Sach is promoted to sergeant, and has a high old time lording it over his former "chiefie" Slip. Seemingly born under a lucky star, the more Sach screws up during boot camp, the higher he's promoted. Just when this running gag threatens to wear out its welcome, the scriptwriters bring in a gang of crooked gamblers who've been victimizing the Marine trainees, leading to a maelstrom of fisticuffs between the Bowery Boys and the bad boys in the final reel. Extra laughs are supplied in Here Come the Marines by Donald MacBride as Slip and Sach's dough-faced drill sergeant. ~ Hal Erickson, Rovi

The Lady Pays Off is a formative example of filmmaker Douglas Sirk's elegant exotica. Linda Darnell plays the title character, a vacationing schoolteacher and one-time gambler named Evelyn Warren. Unfortunately, that "one time" leaves Evelyn indebted to casino owner Matt Braddock (Stephen McNally) to the tune of seven G's. Braddock offers to absolve Evelyn of her debts if she will agree to tutor his troublesome preteen daughter Diana (Gigi Perreau). Chafing at being forced into servitude, Evelyn schemes to make Braddock fall in love with her, then dump him. But Diana takes a liking to Evelyn and cooks up a little scheme on her own to bring the teacher and her father together. It's a simple, unassuming comedy, given a veneer of class and polish by the inimitable Mr. Sirk. ~ Hal Erickson, Rovi

Never mind the top-billed Ronald W. Reagan; the real stars of Louisa are sprightly seniors Charles Coburn, Spring Byington and Edmund Gwenn. Spring plays Reagan's widowed mother, who is outwardly satisfied with her lot but inwardly lonely. Enter Coburn and Gwenn, who vie for Spring's attentions. Uptight Ronnie disapproves of his mother's dalliances, and has additional problems with his spunky daughter (Piper Laurie), who has just begun dating. Spring Byington and Charles Coburn worked so well together in Louisa that plans were made to star them in a weekly TV series. The project never sold, but Spring would star in a similar sitcom, December Bride, from 1954 through 1959. ~ Hal Erickson, Rovi